Diverted Coal
Owing to trackwork around the Lidcombe area, freight trains heading West to North or vice-versa, were required to go via Regents Park for the weekend.
On this occasion, CEY005, CEY007 and CEY001 head through Regents Park station as VP02 bound for Vales Point Power Station with a load of coal from Western NSW.
Sunday 23rd March 2019
Canberra Express
Before the Xplorer railcars took over completely, the Canberra services in the early 90s were typically four-car loco-hauled services worked by 422 class units which such was the case on this day in 1993.
02-012
Banksy in Boston: F̶O̶L̶L̶O̶W̶ ̶Y̶O̶U̶R̶ ̶D̶R̶E̶A̶M̶S̶ CANCELLED, Essex St, Chinatown, Boston
Interestingly, both of the Boston area Banksy pieces are on Essex St:
• F̶O̶L̶L̶O̶W̶ ̶Y̶O̶U̶R̶ ̶D̶R̶E̶A̶M̶S̶ CANCELLED (aka chimney sweep) in Chinatown, Boston
• NO LOITRIN in Central Square, Cambridge.
Does that mean anything? It looks like he favors Essex named streets & roads when he can. In 2008, he did another notable Essex work in London, for example, and posters on the Banksy Forums picked up & discussed on the Essex link as well.
Is there an Essex Street in any of the other nearby towns? It looks like there are several: Brookline, Charlestown, Chelsea, Gloucester, Haverhill, Lawrence, Lynn, Medford, Melrose, Quincy, Revere, Salem, Saugus, Somerville, Swampscott, and Waltham. Most of these seem improbable to me, other than maybe Brookline, or maybe Somerville or Charlestown. But they start getting pretty suburban after that.
But, again, why "Essex"? In a comment on this photo, Birbeck helps clarify:
I can only surmise that he's having a 'dig' at Essex UK, especially with the misspelling of 'Loitering'. Here, the general view of the urban districts in Essex: working class but with right wing views; that they're not the most intellectual bunch; rather obsessed with fashion (well, their idea of it); their place of worship is the shopping mall; enjoy rowdy nights out; girls are thought of as being dumb, fake blonde hair/tans and promiscuous; and guys are good at the 'chit chat', and swagger around showing off their dosh (money).
It was also the region that once had Europe's largest Ford motor factory. In its heyday, 1 in 3 British cars were made in Dagenham, Essex. Pay was good for such unskilled labour, generations worked mind-numbing routines on assembly lines for 80 years. In 2002 the recession ended the dream.
• • • • •
• Meredith Goldsten of the Boston Globe wrote to me on Facebook and asked for permission to run one of my Banksy photos in the newspaper, which I granted. Supposedly, this photo or one of the others I took appeared in the Globe on 15 May 2010, but I haven't been able to find it. The online version of that day's article, titled Tag — we’re it: Banksy, the controversial and elusive street artist, left his mark here. Or did he? uses a photo taken by "Essdras M. Suarez / Globe Staff". If I can find a copy of that day's paper and verify that one of my Banksy photos was in there, I'll scan the page & post a copy here 🙂
• This photo appeared on Grafitti - A arte das ruas on Yahoo Meme. Yes, Yahoo has a Tumblr/Posterous-esque "Meme" service now -- I was as surprised as you are.
• This photo also appeared on Love Your Chaos on Tumblr, among other blogs. Thanks!
• • • • •
Banksy
From Wikipedia, the free encyclopedia
Banksy
• Birth name
Unknown
• Born
1974 or 1975 (1974 or 1975), Bristol, UK[1]
• Nationality
British
• Field
Graffiti
Street Art
Bristol underground scene
Sculpture
• Movement
Anti-Totalitarianism
Anti-capitalism
Pacifism
Anti-War
Anarchism
Atheism
Anti-Fascism
• Works
Naked Man Image
One Nation Under CCTV
Anarchist Rat
Ozone's Angel
Pulp Fiction
Banksy is a pseudonymous[2][3][4] British graffiti artist. He is believed to be a native of Yate, South Gloucestershire, near Bristol[2] and to have been born in 1974,[5] but his identity is unknown.[6] According to Tristan Manco[who?], Banksy "was born in 1974 and raised in Bristol, England. The son of a photocopier technician, he trained as a butcher but became involved in graffiti during the great Bristol aerosol boom of the late 1980s."[7] His artworks are often satirical pieces of art on topics such as politics, culture, and ethics. His street art, which combines graffiti writing with a distinctive stencilling technique, is similar to Blek le Rat, who began to work with stencils in 1981 in Paris and members of the anarcho-punk band Crass who maintained a graffiti stencil campaign on the London Tube System in the late 1970s and early 1980s. His art has appeared in cities around the world.[8] Banksy's work was born out of the Bristol underground scene which involved collaborations between artists and musicians.
Banksy does not sell photos of street graffiti.[9] Art auctioneers have been known to attempt to sell his street art on location and leave the problem of its removal in the hands of the winning bidder.[10]
Banksy's first film, Exit Through The Gift Shop, billed as "the world's first street art disaster movie", made its debut at the 2010 Sundance Film Festival.[11] The film was released in the UK on March 5.[12]
Contents
• 1 Career
•• 1.1 2000
•• 1.2 2002
•• 1.3 2003
•• 1.4 2004
•• 1.5 2005
•• 1.6 2006
•• 1.7 2007
•• 1.8 2008
•• 1.9 2009
•• 1.10 2010
• 2 Notable art pieces
• 3 Technique
• 4 Identity
• 5 Controversy
• 6 Bibliography
• 7 References
• 8 External links
Career
Banksy started as a freehand graffiti artist 1992–1994[14] as one of Bristol's DryBreadZ Crew (DBZ), with Kato and Tes.[15] He was inspired by local artists and his work was part of the larger Bristol underground scene. From the start he used stencils as elements of his freehand pieces, too.[14] By 2000 he had turned to the art of stencilling after realising how much less time it took to complete a piece. He claims he changed to stencilling whilst he was hiding from the police under a train carriage, when he noticed the stencilled serial number[16] and by employing this technique, he soon became more widely noticed for his art around Bristol and London.[16]
Stencil on the waterline of The Thekla, an entertainment boat in central Bristol - (wider view). The image of Death is based on a 19th century etching illustrating the pestilence of The Great Stink.[17]
Banksy's stencils feature striking and humorous images occasionally combined with slogans. The message is usually anti-war, anti-capitalist or anti-establishment. Subjects often include rats, monkeys, policemen, soldiers, children, and the elderly.
In late 2001, on a trip to Sydney and Melbourne, Australia, he met up with the Gen-X pastellist, visual activist, and recluse James DeWeaver in Byron Bay[clarification needed], where he stencilled a parachuting rat with a clothes peg on its nose above a toilet at the Arts Factory Lodge. This stencil can no longer be located. He also makes stickers (the Neighbourhood Watch subvert) and sculpture (the murdered phone-box), and was responsible for the cover art of Blur's 2003 album Think Tank.
2000
The album cover for Monk & Canatella's Do Community Service was conceived and illustrated by Banksy, based on his contribution to the "Walls on fire" event in Bristol 1998.[18][citation needed]
2002
On 19 July 2002, Banksy's first Los Angeles exhibition debuted at 33 1/3 Gallery, a small Silverlake venue owned by Frank Sosa. The exhibition, entitled Existencilism, was curated by 33 1/3 Gallery, Malathion, Funk Lazy Promotions, and B+.[19]
2003
In 2003 in an exhibition called Turf War, held in a warehouse, Banksy painted on animals. Although the RSPCA declared the conditions suitable, an animal rights activist chained herself to the railings in protest.[20] He later moved on to producing subverted paintings; one example is Monet's Water Lily Pond, adapted to include urban detritus such as litter and a shopping trolley floating in its reflective waters; another is Edward Hopper's Nighthawks, redrawn to show that the characters are looking at a British football hooligan, dressed only in his Union Flag underpants, who has just thrown an object through the glass window of the cafe. These oil paintings were shown at a twelve-day exhibition in Westbourne Grove, London in 2005.[21]
2004
In August 2004, Banksy produced a quantity of spoof British £10 notes substituting the picture of the Queen's head with Princess Diana's head and changing the text "Bank of England" to "Banksy of England." Someone threw a large wad of these into a crowd at Notting Hill Carnival that year, which some recipients then tried to spend in local shops. These notes were also given with invitations to a Santa's Ghetto exhibition by Pictures on Walls. The individual notes have since been selling on eBay for about £200 each. A wad of the notes were also thrown over a fence and into the crowd near the NME signing tent at The Reading Festival. A limited run of 50 signed posters containing ten uncut notes were also produced and sold by Pictures on Walls for £100 each to commemorate the death of Princess Diana. One of these sold in October 2007 at Bonhams auction house in London for £24,000.
2005
In August 2005, Banksy, on a trip to the Palestinian territories, created nine images on Israel's highly controversial West Bank barrier. He reportedly said "The Israeli government is building a wall surrounding the occupied Palestinian territories. It stands three times the height of the Berlin Wall and will eventually run for over 700km—the distance from London to Zurich. "[22]
2006
• Banksy held an exhibition called Barely Legal, billed as a "three day vandalised warehouse extravaganza" in Los Angeles, on the weekend of 16 September. The exhibition featured a live "elephant in a room", painted in a pink and gold floral wallpaper pattern.[23]
• After Christina Aguilera bought an original of Queen Victoria as a lesbian and two prints for £25,000,[24] on 19 October 2006 a set of Kate Moss paintings sold in Sotheby's London for £50,400, setting an auction record for Banksy's work. The six silk-screen prints, featuring the model painted in the style of Andy Warhol's Marilyn Monroe pictures, sold for five times their estimated value. His stencil of a green Mona Lisa with real paint dripping from her eyes sold for £57,600 at the same auction.[25]
• In December, journalist Max Foster coined the phrase, "the Banksy Effect", to illustrate how interest in other street artists was growing on the back of Banksy's success.[26]
2007
• On 21 February 2007, Sotheby's auction house in London auctioned three works, reaching the highest ever price for a Banksy work at auction: over £102,000 for his Bombing Middle England. Two of his other graffiti works, Balloon Girl and Bomb Hugger, sold for £37,200 and £31,200 respectively, which were well above their estimated prices.[27] The following day's auction saw a further three Banksy works reach soaring prices: Ballerina With Action Man Parts reached £96,000; Glory sold for £72,000; Untitled (2004) sold for £33,600; all significantly above estimated values.[28] To coincide with the second day of auctions, Banksy updated his website with a new image of an auction house scene showing people bidding on a picture that said, "I Can't Believe You Morons Actually Buy This Shit."[6]
• In February 2007, the owners of a house with a Banksy mural on the side in Bristol decided to sell the house through Red Propeller art gallery after offers fell through because the prospective buyers wanted to remove the mural. It is listed as a mural which comes with a house attached.[29]
• In April 2007, Transport for London painted over Banksy's iconic image of a scene from Quentin Tarantino's Pulp Fiction, with Samuel L. Jackson and John Travolta clutching bananas instead of guns. Although the image was very popular, Transport for London claimed that the "graffiti" created "a general atmosphere of neglect and social decay which in turn encourages crime" and their staff are "professional cleaners not professional art critics".[30] Banksy tagged the same site again (pictured at right). This time the actors were portrayed as holding real guns instead of bananas, but they were adorned with banana costumes. Banksy made a tribute art piece over this second Pulp Fiction piece. The tribute was for 19-year-old British graffiti artist Ozone, who was hit by an underground train in Barking, East London, along with fellow artist Wants, on 12 January 2007.[31] The piece was of an angel wearing a bullet-proof vest, holding a skull. He also wrote a note on his website, saying:
The last time I hit this spot I painted a crap picture of two men in banana costumes waving hand guns. A few weeks later a writer called Ozone completely dogged it and then wrote 'If it's better next time I'll leave it' in the bottom corner. When we lost Ozone we lost a fearless graffiti writer and as it turns out a pretty perceptive art critic. Ozone - rest in peace.[citation needed]
Ozone's Angel
• On 27 April 2007, a new record high for the sale of Banksy's work was set with the auction of the work Space Girl & Bird fetching £288,000 (US$576,000), around 20 times the estimate at Bonhams of London.[32]
• On 21 May 2007 Banksy gained the award for Art's Greatest living Briton. Banksy, as expected, did not turn up to collect his award, and continued with his notoriously anonymous status.
• On 4 June 2007, it was reported that Banksy's The Drinker had been stolen.[33][34]
• In October 2007, most of his works offered for sale at Bonhams auction house in London sold for more than twice their reserve price.[35]
• Banksy has published a "manifesto" on his website.[36] The text of the manifesto is credited as the diary entry of one Lieutenant Colonel Mervin Willett Gonin, DSO, which is exhibited in the Imperial War Museum. It describes how a shipment of lipstick to the Bergen-Belsen concentration camp immediately after its liberation at the end of World War II helped the internees regain their humanity. However, as of 18 January 2008, Banksy's Manifesto has been substituted with Graffiti Heroes #03 that describes Peter Chappell's graffiti quest of the 1970s that worked to free George Davis of his imprisonment.[37] By 12 August 2009 he was relying on Emo Phillips' "When I was a kid I used to pray every night for a new bicycle. Then I realised God doesn’t work that way, so I stole one and prayed for forgiveness."
• A small number of Banksy's works can be seen in the movie Children of Men, including a stenciled image of two policemen kissing and another stencil of a child looking down a shop.
• In the 2007 film Shoot 'Em Up starring Clive Owen, Banksy's tag can be seen on a dumpster in the film's credits.
• Banksy, who deals mostly with Lazarides Gallery in London, claims that the exhibition at Vanina Holasek Gallery in New York (his first major exhibition in that city) is unauthorised. The exhibition featured 62 of his paintings and prints.[38]
2008
• In March, a stencilled graffiti work appeared on Thames Water tower in the middle of the Holland Park roundabout, and it was widely attributed to Banksy. It was of a child painting the tag "Take this Society" in bright orange. London Borough of Hammersmith and Fulham spokesman, Councillor Greg Smith branded the art as vandalism, and ordered its immediate removal, which was carried out by H&F council workmen within three days.[39]
• Over the weekend 3–5 May in London, Banksy hosted an exhibition called The Cans Festival. It was situated on Leake Street, a road tunnel formerly used by Eurostar underneath London Waterloo station. Graffiti artists with stencils were invited to join in and paint their own artwork, as long as it didn't cover anyone else's.[40] Artists included Blek le Rat, Broken Crow, C215, Cartrain, Dolk, Dotmasters, J.Glover, Eine, Eelus, Hero, Pure evil, Jef Aérosol, Mr Brainwash, Tom Civil and Roadsworth.[citation needed]
• In late August 2008, marking the third anniversary of Hurricane Katrina and the associated levee failure disaster, Banksy produced a series of works in New Orleans, Louisiana, mostly on buildings derelict since the disaster.[41]
• A stencil painting attributed to Banksy appeared at a vacant petrol station in the Ensley neighbourhood of Birmingham, Alabama on 29 August as Hurricane Gustav approached the New Orleans area. The painting depicting a hooded member of the Ku Klux Klan hanging from a noose was quickly covered with black spray paint and later removed altogether.[42]
• His first official exhibition in New York, the "Village Pet Store And Charcoal Grill," opened 5 October 2008. The animatronic pets in the store window include a mother hen watching over her baby Chicken McNuggets as they peck at a barbecue sauce packet, and a rabbit putting makeup on in a mirror.[43]
• The Westminster City Council stated in October 2008 that the work "One Nation Under CCTV", painted in April 2008 will be painted over as it is graffiti. The council says it will remove any graffiti, regardless of the reputation of its creator, and specifically stated that Banksy "has no more right to paint graffiti than a child". Robert Davis, the chairman of the council planning committee told The Times newspaper: "If we condone this then we might as well say that any kid with a spray can is producing art". [44] The work was painted over in April 2009.
• In December 2008, The Little Diver, a Banksy image of a diver in a duffle coat in Melbourne Australia was vandalised. The image was protected by a sheet of clear perspex, however silver paint was poured behind the protective sheet and later tagged with the words "Banksy woz ere". The image was almost completely destroyed.[45].
2009
• May 2009, parts company with agent Steve Lazarides. Announces Pest Control [46] the handling service who act on his behalf will be the only point of sale for new works.
• On 13 June 2009, the Banksy UK Summer show opened at Bristol City Museum and Art Gallery, featuring more than 100 works of art, including animatronics and installations; it is his largest exhibition yet, featuring 78 new works.[47][48] Reaction to the show was positive, with over 8,500 visitors to the show on the first weekend.[49] Over the course of the twelve weeks, the exhibition has been visited over 300,000 times.[50]
• In September 2009, a Banksy work parodying the Royal Family was partially destroyed by Hackney Council after they served an enforcement notice for graffiti removal to the former address of the property owner. The mural had been commissioned for the 2003 Blur single "Crazy Beat" and the property owner, who had allowed the piece to be painted, was reported to have been in tears when she saw it was being painted over.[51]
• In December 2009, Banksy marked the end of the 2009 United Nations Climate Change Conference by painting four murals on global warming. One included "I don't believe in global warming" which was submerged in water.[52]
2010
• The world premiere of the film Exit Through the Gift Shop occurred at the Sundance Film Festival in Park City, Utah, on 24 January. He created 10 street pieces around Park City and Salt Lake City to tie in with the screening.[53]
• In February, The Whitehouse public house in Liverpool, England, is sold for £114,000 at auction.[54] The side of the building has an image of a giant rat by Banksy.[55]
• In April 2010, Melbourne City Council in Australia reported that they had inadvertently ordered private contractors to paint over the last remaining Banksy art in the city. The image was of a rat descending in a parachute adorning the wall of an old council building behind the Forum Theatre. In 2008 Vandals had poured paint over a stencil of an old-fashioned diver wearing a trenchcoat. A council spokeswoman has said they would now rush through retrospective permits to protect other “famous or significant artworks” in the city.[56]
• In April 2010 to coincide with the premier of Exit through the Gift Shop in San Francisco, 5 of his pieces appeared in various parts of the city.[57] Banksy reportedly paid a Chinatown building owner $50 for the use of their wall for one of his stencils.[58]
• In May 2010 to coincide with the release of "Exit Through the Gift Shop" in Chicago, one piece appeared in the city.
Notable art pieces
In addition to his artwork, Banksy has claimed responsibility for a number of high profile art pieces, including the following:
• At London Zoo, he climbed into the penguin enclosure and painted "We're bored of fish" in seven foot high letters.[59]
• At Bristol Zoo, he left the message 'I want out. This place is too cold. Keeper smells. Boring, boring, boring.' in the elephant enclosure.[60]
• In March 2005, he placed subverted artworks in the Museum of Modern Art, Metropolitan Museum of Art, the Brooklyn Museum, and the American Museum of Natural History in New York.[61]
• He put up a subverted painting in London's Tate Britain gallery.
• In May 2005 Banksy's version of a primitive cave painting depicting a human figure hunting wildlife whilst pushing a shopping trolley was hung in gallery 49 of the British Museum, London. Upon discovery, they added it to their permanent collection.[62]
Near Bethlehem - 2005
• Banksy has sprayed "This is not a photo opportunity" on certain photograph spots.
• In August 2005, Banksy painted nine images on the Israeli West Bank barrier, including an image of a ladder going up and over the wall and an image of children digging a hole through the wall.[22][63][64][65]
See also: Other Banksy works on the Israeli West Bank barrier
• In April 2006, Banksy created a sculpture based on a crumpled red phone box with a pickaxe in its side, apparently bleeding, and placed it in a street in Soho, London. It was later removed by Westminster Council. BT released a press release, which said: "This is a stunning visual comment on BT's transformation from an old-fashioned telecommunications company into a modern communications services provider."[66]
• In June 2006, Banksy created an image of a naked man hanging out of a bedroom window on a wall visible from Park Street in central Bristol. The image sparked some controversy, with the Bristol City Council leaving it up to the public to decide whether it should stay or go.[67] After an internet discussion in which 97% (all but 6 people) supported the stencil, the city council decided it would be left on the building.[67] The mural was later defaced with paint.[67]
• In August/September 2006, Banksy replaced up to 500 copies of Paris Hilton's debut CD, Paris, in 48 different UK record stores with his own cover art and remixes by Danger Mouse. Music tracks were given titles such as "Why am I Famous?", "What Have I Done?" and "What Am I For?". Several copies of the CD were purchased by the public before stores were able to remove them, some going on to be sold for as much as £750 on online auction websites such as eBay. The cover art depicted Paris Hilton digitally altered to appear topless. Other pictures feature her with a dog's head replacing her own, and one of her stepping out of a luxury car, edited to include a group of homeless people, which included the caption "90% of success is just showing up".[68][69][70]
• In September 2006, Banksy dressed an inflatable doll in the manner of a Guantanamo Bay detainment camp prisoner (orange jumpsuit, black hood, and handcuffs) and then placed the figure within the Big Thunder Mountain Railroad ride at the Disneyland theme park in Anaheim, California.[71][72]
Technique
Asked about his technique, Banksy said:
“I use whatever it takes. Sometimes that just means drawing a moustache on a girl's face on some billboard, sometimes that means sweating for days over an intricate drawing. Efficiency is the key.[73]”
Stencils are traditionally hand drawn or printed onto sheets of acetate or card, before being cut out by hand. Because of the secretive nature of Banksy's work and identity, it is uncertain what techniques he uses to generate the images in his stencils, though it is assumed he uses computers for some images due to the photocopy nature of much of his work.
He mentions in his book, Wall and Piece, that as he was starting to do graffiti, he was always too slow and was either caught or could never finish the art in the one sitting. So he devised a series of intricate stencils to minimise time and overlapping of the colour.
Identity
Banksy's real name has been widely reported to be Robert or Robin Banks.[74][75][76] His year of birth has been given as 1974.[62]
Simon Hattenstone from Guardian Unlimited is one of the very few people to have interviewed him face-to-face. Hattenstone describes him as "a cross of Jimmy Nail and British rapper Mike Skinner" and "a 28 year old male who showed up wearing jeans and a t-shirt with a silver tooth, silver chain, and one silver earring".[77] In the same interview, Banksy revealed that his parents think their son is a painter and decorator.[77]
In May 2007, an extensive article written by Lauren Collins of the New Yorker re-opened the Banksy-identity controversy citing a 2004 photograph of the artist that was taken in Jamaica during the Two-Culture Clash project and later published in the Evening Standard in 2004.[6]
In October 2007, a story on the BBC website featured a photo allegedly taken by a passer-by in Bethnal Green, London, purporting to show Banksy at work with an assistant, scaffolding and a truck. The story confirms that Tower Hamlets Council in London has decided to treat all Banksy works as vandalism and remove them.[78]
In July 2008, it was claimed by The Mail on Sunday that Banksy's real name is Robin Gunningham.[3][79] His agent has refused to confirm or deny these reports.
In May 2009, the Mail on Sunday once again speculated about Gunningham being Banksy after a "self-portrait" of a rat holding a sign with the word "Gunningham" shot on it was photographed in East London.[80] This "new Banksy rat" story was also picked up by The Times[81] and the Evening Standard.
Banksy, himself, states on his website:
“I am unable to comment on who may or may not be Banksy, but anyone described as being 'good at drawing' doesn't sound like Banksy to me.[82]”
Controversy
In 2004, Banksy walked into the Louvre in Paris and hung on a wall a picture he had painted resembling the Mona Lisa but with a yellow smiley face. Though the painting was hurriedly removed by the museum staff, it and its counterpart, temporarily on unknown display at the Tate Britain, were described by Banksy as "shortcuts". He is quoted as saying:
“To actually [have to] go through the process of having a painting selected must be quite boring. It's a lot more fun to go and put your own one up.[83]”
Peter Gibson, a spokesperson for Keep Britain Tidy, asserts that Banksy's work is simple vandalism,[84] and Diane Shakespeare, an official for the same organization, was quoted as saying: "We are concerned that Banksy's street art glorifies what is essentially vandalism".[6]
In June 2007 Banksy created a circle of plastic portable toilets, said to resemble Stonehenge at the Glastonbury Festival. As this was in the same field as the "sacred circle" it was felt by many to be inappropriate and his installation was itself vandalized before the festival even opened. However, the intention had always been for people to climb on and interact with it.[citation needed] The installation was nicknamed "Portaloo Sunset" and "Bog Henge" by Festival goers. Michael Eavis admitted he wasn't fond of it, and the portaloos were removed before the 2008 festival.
In 2010, an artistic feud developed between Banksy and his rival King Robbo after Banksy painted over a 24-year old Robbo piece on the banks of London's Regent Canal. In retaliation several Banksy pieces in London have been painted over by 'Team Robbo'.[85][86]
Also in 2010, government workers accidentally painted over a Banksy art piece, a famed "parachuting-rat" stencil, in Australia's Melbourne CBD. [87]
Bibliography
Banksy has self-published several books that contain photographs of his work in various countries as well as some of his canvas work and exhibitions, accompanied by his own writings:
• Banksy, Banging Your Head Against A Brick Wall (2001) ISBN 978-0-95417040-0
• Banksy, Existencilism (2002) ISBN 978-0-95417041-7
• Banksy, Cut it Out (2004) ISBN 978-0-95449600-5
• Banksy, Wall and Piece (2005) ISBN 978-1-84413786-2
• Banksy, Pictures of Walls (2005) ISBN 978-0-95519460-3
Random House published Wall and Piece in 2005. It contains a combination of images from his three previous books, as well as some new material.[16]
Two books authored by others on his work were published in 2006 & 2007:
• Martin Bull, Banksy Locations and Tours: A Collection of Graffiti Locations and Photographs in London (2006 - with new editions in 2007 and 2008) ISBN 978-0-95547120-9.
• Steve Wright, Banksy's Bristol: Home Sweet Home (2007) ISBN 978-1906477004
External links
• Official website
• Banksy street work photos
Banksy in Boston: Overview of the NO LOITRIN piece on Essex St in Central Square, Cambridge
Posted via email to ☛ HoloChromaCinePhotoRamaScope‽: cdevers.posterous.com/banksy-no-loitrin.
• • • • • • • • • •
Interestingly, both of the Boston area Banksy pieces are on Essex St:
• F̶O̶L̶L̶O̶W̶ ̶Y̶O̶U̶R̶ ̶D̶R̶E̶A̶M̶S̶ CANCELLED (aka chimney sweep) in Chinatown, Boston
• NO LOITRIN in Central Square, Cambridge.
Does that mean anything? It looks like he favors Essex named streets & roads when he can. In 2008, he did another notable Essex work in London, for example, and posters on the Banksy Forums picked up & discussed on the Essex link as well.
Is there an Essex Street in any of the other nearby towns? It looks like there are several: Brookline, Charlestown, Chelsea, Gloucester, Haverhill, Lawrence, Lynn, Medford, Melrose, Quincy, Revere, Salem, Saugus, Somerville, Swampscott, and Waltham. Most of these seem improbable to me, other than maybe Brookline, or maybe Somerville or Charlestown. But they start getting pretty suburban after that.
But, again, why "Essex"? In a comment on this photo, Birbeck helps clarify:
I can only surmise that he's having a 'dig' at Essex UK, especially with the misspelling of 'Loitering'. Here, the general view of the urban districts in Essex: working class but with right wing views; that they're not the most intellectual bunch; rather obsessed with fashion (well, their idea of it); their place of worship is the shopping mall; enjoy rowdy nights out; girls are thought of as being dumb, fake blonde hair/tans and promiscuous; and guys are good at the 'chit chat', and swagger around showing off their dosh (money).
It was also the region that once had Europe's largest Ford motor factory. In its heyday, 1 in 3 British cars were made in Dagenham, Essex. Pay was good for such unskilled labour, generations worked mind-numbing routines on assembly lines for 80 years. In 2002 the recession ended the dream.
• • • • •
• This is a scan of this Banksy photo running in the the Boston Globe on May 13, 2010. This is the first time I've made the newspaper with one of my photos 🙂 (The Globe later ran a longer article, titled Tag — we’re it: Banksy, the controversial and elusive street artist, left his mark here. Or did he? with a photo taken by one of their staff photographers, Essdras M. Suarez.
• This photo appeared on Grafitti - A arte das ruas on Yahoo Meme. Yes, Yahoo has a Tumblr/Posterous-esque "Meme" service now -- I was as surprised as you are.
• The photo has also appeared, among other places, on CafeBabel, a European online affairs magazine based in Paris.
• • • • •
Banksy
From Wikipedia, the free encyclopedia
Banksy
• Birth name
Unknown
• Born
1974 or 1975 (1974 or 1975), Bristol, UK[1]
• Nationality
British
• Field
Graffiti
Street Art
Bristol underground scene
Sculpture
• Movement
Anti-Totalitarianism
Anti-capitalism
Pacifism
Anti-War
Anarchism
Atheism
Anti-Fascism
• Works
Naked Man Image
One Nation Under CCTV
Anarchist Rat
Ozone's Angel
Pulp Fiction
Banksy is a pseudonymous[2][3][4] British graffiti artist. He is believed to be a native of Yate, South Gloucestershire, near Bristol[2] and to have been born in 1974,[5] but his identity is unknown.[6] According to Tristan Manco[who?], Banksy "was born in 1974 and raised in Bristol, England. The son of a photocopier technician, he trained as a butcher but became involved in graffiti during the great Bristol aerosol boom of the late 1980s."[7] His artworks are often satirical pieces of art on topics such as politics, culture, and ethics. His street art, which combines graffiti writing with a distinctive stencilling technique, is similar to Blek le Rat, who began to work with stencils in 1981 in Paris and members of the anarcho-punk band Crass who maintained a graffiti stencil campaign on the London Tube System in the late 1970s and early 1980s. His art has appeared in cities around the world.[8] Banksy's work was born out of the Bristol underground scene which involved collaborations between artists and musicians.
Banksy does not sell photos of street graffiti.[9] Art auctioneers have been known to attempt to sell his street art on location and leave the problem of its removal in the hands of the winning bidder.[10]
Banksy's first film, Exit Through The Gift Shop, billed as "the world's first street art disaster movie", made its debut at the 2010 Sundance Film Festival.[11] The film was released in the UK on March 5.[12]
Contents
• 1 Career
•• 1.1 2000
•• 1.2 2002
•• 1.3 2003
•• 1.4 2004
•• 1.5 2005
•• 1.6 2006
•• 1.7 2007
•• 1.8 2008
•• 1.9 2009
•• 1.10 2010
• 2 Notable art pieces
• 3 Technique
• 4 Identity
• 5 Controversy
• 6 Bibliography
• 7 References
• 8 External links
Career
Banksy started as a freehand graffiti artist 1992–1994[14] as one of Bristol's DryBreadZ Crew (DBZ), with Kato and Tes.[15] He was inspired by local artists and his work was part of the larger Bristol underground scene. From the start he used stencils as elements of his freehand pieces, too.[14] By 2000 he had turned to the art of stencilling after realising how much less time it took to complete a piece. He claims he changed to stencilling whilst he was hiding from the police under a train carriage, when he noticed the stencilled serial number[16] and by employing this technique, he soon became more widely noticed for his art around Bristol and London.[16]
Stencil on the waterline of The Thekla, an entertainment boat in central Bristol - (wider view). The image of Death is based on a 19th century etching illustrating the pestilence of The Great Stink.[17]
Banksy's stencils feature striking and humorous images occasionally combined with slogans. The message is usually anti-war, anti-capitalist or anti-establishment. Subjects often include rats, monkeys, policemen, soldiers, children, and the elderly.
In late 2001, on a trip to Sydney and Melbourne, Australia, he met up with the Gen-X pastellist, visual activist, and recluse James DeWeaver in Byron Bay[clarification needed], where he stencilled a parachuting rat with a clothes peg on its nose above a toilet at the Arts Factory Lodge. This stencil can no longer be located. He also makes stickers (the Neighbourhood Watch subvert) and sculpture (the murdered phone-box), and was responsible for the cover art of Blur's 2003 album Think Tank.
2000
The album cover for Monk & Canatella's Do Community Service was conceived and illustrated by Banksy, based on his contribution to the "Walls on fire" event in Bristol 1998.[18][citation needed]
2002
On 19 July 2002, Banksy's first Los Angeles exhibition debuted at 33 1/3 Gallery, a small Silverlake venue owned by Frank Sosa. The exhibition, entitled Existencilism, was curated by 33 1/3 Gallery, Malathion, Funk Lazy Promotions, and B+.[19]
2003
In 2003 in an exhibition called Turf War, held in a warehouse, Banksy painted on animals. Although the RSPCA declared the conditions suitable, an animal rights activist chained herself to the railings in protest.[20] He later moved on to producing subverted paintings; one example is Monet's Water Lily Pond, adapted to include urban detritus such as litter and a shopping trolley floating in its reflective waters; another is Edward Hopper's Nighthawks, redrawn to show that the characters are looking at a British football hooligan, dressed only in his Union Flag underpants, who has just thrown an object through the glass window of the cafe. These oil paintings were shown at a twelve-day exhibition in Westbourne Grove, London in 2005.[21]
2004
In August 2004, Banksy produced a quantity of spoof British £10 notes substituting the picture of the Queen's head with Princess Diana's head and changing the text "Bank of England" to "Banksy of England." Someone threw a large wad of these into a crowd at Notting Hill Carnival that year, which some recipients then tried to spend in local shops. These notes were also given with invitations to a Santa's Ghetto exhibition by Pictures on Walls. The individual notes have since been selling on eBay for about £200 each. A wad of the notes were also thrown over a fence and into the crowd near the NME signing tent at The Reading Festival. A limited run of 50 signed posters containing ten uncut notes were also produced and sold by Pictures on Walls for £100 each to commemorate the death of Princess Diana. One of these sold in October 2007 at Bonhams auction house in London for £24,000.
2005
In August 2005, Banksy, on a trip to the Palestinian territories, created nine images on Israel's highly controversial West Bank barrier. He reportedly said "The Israeli government is building a wall surrounding the occupied Palestinian territories. It stands three times the height of the Berlin Wall and will eventually run for over 700km—the distance from London to Zurich. "[22]
2006
• Banksy held an exhibition called Barely Legal, billed as a "three day vandalised warehouse extravaganza" in Los Angeles, on the weekend of 16 September. The exhibition featured a live "elephant in a room", painted in a pink and gold floral wallpaper pattern.[23]
• After Christina Aguilera bought an original of Queen Victoria as a lesbian and two prints for £25,000,[24] on 19 October 2006 a set of Kate Moss paintings sold in Sotheby's London for £50,400, setting an auction record for Banksy's work. The six silk-screen prints, featuring the model painted in the style of Andy Warhol's Marilyn Monroe pictures, sold for five times their estimated value. His stencil of a green Mona Lisa with real paint dripping from her eyes sold for £57,600 at the same auction.[25]
• In December, journalist Max Foster coined the phrase, "the Banksy Effect", to illustrate how interest in other street artists was growing on the back of Banksy's success.[26]
2007
• On 21 February 2007, Sotheby's auction house in London auctioned three works, reaching the highest ever price for a Banksy work at auction: over £102,000 for his Bombing Middle England. Two of his other graffiti works, Balloon Girl and Bomb Hugger, sold for £37,200 and £31,200 respectively, which were well above their estimated prices.[27] The following day's auction saw a further three Banksy works reach soaring prices: Ballerina With Action Man Parts reached £96,000; Glory sold for £72,000; Untitled (2004) sold for £33,600; all significantly above estimated values.[28] To coincide with the second day of auctions, Banksy updated his website with a new image of an auction house scene showing people bidding on a picture that said, "I Can't Believe You Morons Actually Buy This Shit."[6]
• In February 2007, the owners of a house with a Banksy mural on the side in Bristol decided to sell the house through Red Propeller art gallery after offers fell through because the prospective buyers wanted to remove the mural. It is listed as a mural which comes with a house attached.[29]
• In April 2007, Transport for London painted over Banksy's iconic image of a scene from Quentin Tarantino's Pulp Fiction, with Samuel L. Jackson and John Travolta clutching bananas instead of guns. Although the image was very popular, Transport for London claimed that the "graffiti" created "a general atmosphere of neglect and social decay which in turn encourages crime" and their staff are "professional cleaners not professional art critics".[30] Banksy tagged the same site again (pictured at right). This time the actors were portrayed as holding real guns instead of bananas, but they were adorned with banana costumes. Banksy made a tribute art piece over this second Pulp Fiction piece. The tribute was for 19-year-old British graffiti artist Ozone, who was hit by an underground train in Barking, East London, along with fellow artist Wants, on 12 January 2007.[31] The piece was of an angel wearing a bullet-proof vest, holding a skull. He also wrote a note on his website, saying:
The last time I hit this spot I painted a crap picture of two men in banana costumes waving hand guns. A few weeks later a writer called Ozone completely dogged it and then wrote 'If it's better next time I'll leave it' in the bottom corner. When we lost Ozone we lost a fearless graffiti writer and as it turns out a pretty perceptive art critic. Ozone - rest in peace.[citation needed]
Ozone's Angel
• On 27 April 2007, a new record high for the sale of Banksy's work was set with the auction of the work Space Girl & Bird fetching £288,000 (US$576,000), around 20 times the estimate at Bonhams of London.[32]
• On 21 May 2007 Banksy gained the award for Art's Greatest living Briton. Banksy, as expected, did not turn up to collect his award, and continued with his notoriously anonymous status.
• On 4 June 2007, it was reported that Banksy's The Drinker had been stolen.[33][34]
• In October 2007, most of his works offered for sale at Bonhams auction house in London sold for more than twice their reserve price.[35]
• Banksy has published a "manifesto" on his website.[36] The text of the manifesto is credited as the diary entry of one Lieutenant Colonel Mervin Willett Gonin, DSO, which is exhibited in the Imperial War Museum. It describes how a shipment of lipstick to the Bergen-Belsen concentration camp immediately after its liberation at the end of World War II helped the internees regain their humanity. However, as of 18 January 2008, Banksy's Manifesto has been substituted with Graffiti Heroes #03 that describes Peter Chappell's graffiti quest of the 1970s that worked to free George Davis of his imprisonment.[37] By 12 August 2009 he was relying on Emo Phillips' "When I was a kid I used to pray every night for a new bicycle. Then I realised God doesn’t work that way, so I stole one and prayed for forgiveness."
• A small number of Banksy's works can be seen in the movie Children of Men, including a stenciled image of two policemen kissing and another stencil of a child looking down a shop.
• In the 2007 film Shoot 'Em Up starring Clive Owen, Banksy's tag can be seen on a dumpster in the film's credits.
• Banksy, who deals mostly with Lazarides Gallery in London, claims that the exhibition at Vanina Holasek Gallery in New York (his first major exhibition in that city) is unauthorised. The exhibition featured 62 of his paintings and prints.[38]
2008
• In March, a stencilled graffiti work appeared on Thames Water tower in the middle of the Holland Park roundabout, and it was widely attributed to Banksy. It was of a child painting the tag "Take this Society" in bright orange. London Borough of Hammersmith and Fulham spokesman, Councillor Greg Smith branded the art as vandalism, and ordered its immediate removal, which was carried out by H&F council workmen within three days.[39]
• Over the weekend 3–5 May in London, Banksy hosted an exhibition called The Cans Festival. It was situated on Leake Street, a road tunnel formerly used by Eurostar underneath London Waterloo station. Graffiti artists with stencils were invited to join in and paint their own artwork, as long as it didn't cover anyone else's.[40] Artists included Blek le Rat, Broken Crow, C215, Cartrain, Dolk, Dotmasters, J.Glover, Eine, Eelus, Hero, Pure evil, Jef Aérosol, Mr Brainwash, Tom Civil and Roadsworth.[citation needed]
• In late August 2008, marking the third anniversary of Hurricane Katrina and the associated levee failure disaster, Banksy produced a series of works in New Orleans, Louisiana, mostly on buildings derelict since the disaster.[41]
• A stencil painting attributed to Banksy appeared at a vacant petrol station in the Ensley neighbourhood of Birmingham, Alabama on 29 August as Hurricane Gustav approached the New Orleans area. The painting depicting a hooded member of the Ku Klux Klan hanging from a noose was quickly covered with black spray paint and later removed altogether.[42]
• His first official exhibition in New York, the "Village Pet Store And Charcoal Grill," opened 5 October 2008. The animatronic pets in the store window include a mother hen watching over her baby Chicken McNuggets as they peck at a barbecue sauce packet, and a rabbit putting makeup on in a mirror.[43]
• The Westminster City Council stated in October 2008 that the work "One Nation Under CCTV", painted in April 2008 will be painted over as it is graffiti. The council says it will remove any graffiti, regardless of the reputation of its creator, and specifically stated that Banksy "has no more right to paint graffiti than a child". Robert Davis, the chairman of the council planning committee told The Times newspaper: "If we condone this then we might as well say that any kid with a spray can is producing art". [44] The work was painted over in April 2009.
• In December 2008, The Little Diver, a Banksy image of a diver in a duffle coat in Melbourne Australia was vandalised. The image was protected by a sheet of clear perspex, however silver paint was poured behind the protective sheet and later tagged with the words "Banksy woz ere". The image was almost completely destroyed.[45].
2009
• May 2009, parts company with agent Steve Lazarides. Announces Pest Control [46] the handling service who act on his behalf will be the only point of sale for new works.
• On 13 June 2009, the Banksy UK Summer show opened at Bristol City Museum and Art Gallery, featuring more than 100 works of art, including animatronics and installations; it is his largest exhibition yet, featuring 78 new works.[47][48] Reaction to the show was positive, with over 8,500 visitors to the show on the first weekend.[49] Over the course of the twelve weeks, the exhibition has been visited over 300,000 times.[50]
• In September 2009, a Banksy work parodying the Royal Family was partially destroyed by Hackney Council after they served an enforcement notice for graffiti removal to the former address of the property owner. The mural had been commissioned for the 2003 Blur single "Crazy Beat" and the property owner, who had allowed the piece to be painted, was reported to have been in tears when she saw it was being painted over.[51]
• In December 2009, Banksy marked the end of the 2009 United Nations Climate Change Conference by painting four murals on global warming. One included "I don't believe in global warming" which was submerged in water.[52]
2010
• The world premiere of the film Exit Through the Gift Shop occurred at the Sundance Film Festival in Park City, Utah, on 24 January. He created 10 street pieces around Park City and Salt Lake City to tie in with the screening.[53]
• In February, The Whitehouse public house in Liverpool, England, is sold for £114,000 at auction.[54] The side of the building has an image of a giant rat by Banksy.[55]
• In April 2010, Melbourne City Council in Australia reported that they had inadvertently ordered private contractors to paint over the last remaining Banksy art in the city. The image was of a rat descending in a parachute adorning the wall of an old council building behind the Forum Theatre. In 2008 Vandals had poured paint over a stencil of an old-fashioned diver wearing a trenchcoat. A council spokeswoman has said they would now rush through retrospective permits to protect other “famous or significant artworks” in the city.[56]
• In April 2010 to coincide with the premier of Exit through the Gift Shop in San Francisco, 5 of his pieces appeared in various parts of the city.[57] Banksy reportedly paid a Chinatown building owner $50 for the use of their wall for one of his stencils.[58]
• In May 2010 to coincide with the release of "Exit Through the Gift Shop" in Chicago, one piece appeared in the city.
Notable art pieces
In addition to his artwork, Banksy has claimed responsibility for a number of high profile art pieces, including the following:
• At London Zoo, he climbed into the penguin enclosure and painted "We're bored of fish" in seven foot high letters.[59]
• At Bristol Zoo, he left the message 'I want out. This place is too cold. Keeper smells. Boring, boring, boring.' in the elephant enclosure.[60]
• In March 2005, he placed subverted artworks in the Museum of Modern Art, Metropolitan Museum of Art, the Brooklyn Museum, and the American Museum of Natural History in New York.[61]
• He put up a subverted painting in London's Tate Britain gallery.
• In May 2005 Banksy's version of a primitive cave painting depicting a human figure hunting wildlife whilst pushing a shopping trolley was hung in gallery 49 of the British Museum, London. Upon discovery, they added it to their permanent collection.[62]
Near Bethlehem - 2005
• Banksy has sprayed "This is not a photo opportunity" on certain photograph spots.
• In August 2005, Banksy painted nine images on the Israeli West Bank barrier, including an image of a ladder going up and over the wall and an image of children digging a hole through the wall.[22][63][64][65]
See also: Other Banksy works on the Israeli West Bank barrier
• In April 2006, Banksy created a sculpture based on a crumpled red phone box with a pickaxe in its side, apparently bleeding, and placed it in a street in Soho, London. It was later removed by Westminster Council. BT released a press release, which said: "This is a stunning visual comment on BT's transformation from an old-fashioned telecommunications company into a modern communications services provider."[66]
• In June 2006, Banksy created an image of a naked man hanging out of a bedroom window on a wall visible from Park Street in central Bristol. The image sparked some controversy, with the Bristol City Council leaving it up to the public to decide whether it should stay or go.[67] After an internet discussion in which 97% (all but 6 people) supported the stencil, the city council decided it would be left on the building.[67] The mural was later defaced with paint.[67]
• In August/September 2006, Banksy replaced up to 500 copies of Paris Hilton's debut CD, Paris, in 48 different UK record stores with his own cover art and remixes by Danger Mouse. Music tracks were given titles such as "Why am I Famous?", "What Have I Done?" and "What Am I For?". Several copies of the CD were purchased by the public before stores were able to remove them, some going on to be sold for as much as £750 on online auction websites such as eBay. The cover art depicted Paris Hilton digitally altered to appear topless. Other pictures feature her with a dog's head replacing her own, and one of her stepping out of a luxury car, edited to include a group of homeless people, which included the caption "90% of success is just showing up".[68][69][70]
• In September 2006, Banksy dressed an inflatable doll in the manner of a Guantanamo Bay detainment camp prisoner (orange jumpsuit, black hood, and handcuffs) and then placed the figure within the Big Thunder Mountain Railroad ride at the Disneyland theme park in Anaheim, California.[71][72]
Technique
Asked about his technique, Banksy said:
“I use whatever it takes. Sometimes that just means drawing a moustache on a girl's face on some billboard, sometimes that means sweating for days over an intricate drawing. Efficiency is the key.[73]”
Stencils are traditionally hand drawn or printed onto sheets of acetate or card, before being cut out by hand. Because of the secretive nature of Banksy's work and identity, it is uncertain what techniques he uses to generate the images in his stencils, though it is assumed he uses computers for some images due to the photocopy nature of much of his work.
He mentions in his book, Wall and Piece, that as he was starting to do graffiti, he was always too slow and was either caught or could never finish the art in the one sitting. So he devised a series of intricate stencils to minimise time and overlapping of the colour.
Identity
Banksy's real name has been widely reported to be Robert or Robin Banks.[74][75][76] His year of birth has been given as 1974.[62]
Simon Hattenstone from Guardian Unlimited is one of the very few people to have interviewed him face-to-face. Hattenstone describes him as "a cross of Jimmy Nail and British rapper Mike Skinner" and "a 28 year old male who showed up wearing jeans and a t-shirt with a silver tooth, silver chain, and one silver earring".[77] In the same interview, Banksy revealed that his parents think their son is a painter and decorator.[77]
In May 2007, an extensive article written by Lauren Collins of the New Yorker re-opened the Banksy-identity controversy citing a 2004 photograph of the artist that was taken in Jamaica during the Two-Culture Clash project and later published in the Evening Standard in 2004.[6]
In October 2007, a story on the BBC website featured a photo allegedly taken by a passer-by in Bethnal Green, London, purporting to show Banksy at work with an assistant, scaffolding and a truck. The story confirms that Tower Hamlets Council in London has decided to treat all Banksy works as vandalism and remove them.[78]
In July 2008, it was claimed by The Mail on Sunday that Banksy's real name is Robin Gunningham.[3][79] His agent has refused to confirm or deny these reports.
In May 2009, the Mail on Sunday once again speculated about Gunningham being Banksy after a "self-portrait" of a rat holding a sign with the word "Gunningham" shot on it was photographed in East London.[80] This "new Banksy rat" story was also picked up by The Times[81] and the Evening Standard.
Banksy, himself, states on his website:
“I am unable to comment on who may or may not be Banksy, but anyone described as being 'good at drawing' doesn't sound like Banksy to me.[82]”
Controversy
In 2004, Banksy walked into the Louvre in Paris and hung on a wall a picture he had painted resembling the Mona Lisa but with a yellow smiley face. Though the painting was hurriedly removed by the museum staff, it and its counterpart, temporarily on unknown display at the Tate Britain, were described by Banksy as "shortcuts". He is quoted as saying:
“To actually [have to] go through the process of having a painting selected must be quite boring. It's a lot more fun to go and put your own one up.[83]”
Peter Gibson, a spokesperson for Keep Britain Tidy, asserts that Banksy's work is simple vandalism,[84] and Diane Shakespeare, an official for the same organization, was quoted as saying: "We are concerned that Banksy's street art glorifies what is essentially vandalism".[6]
In June 2007 Banksy created a circle of plastic portable toilets, said to resemble Stonehenge at the Glastonbury Festival. As this was in the same field as the "sacred circle" it was felt by many to be inappropriate and his installation was itself vandalized before the festival even opened. However, the intention had always been for people to climb on and interact with it.[citation needed] The installation was nicknamed "Portaloo Sunset" and "Bog Henge" by Festival goers. Michael Eavis admitted he wasn't fond of it, and the portaloos were removed before the 2008 festival.
In 2010, an artistic feud developed between Banksy and his rival King Robbo after Banksy painted over a 24-year old Robbo piece on the banks of London's Regent Canal. In retaliation several Banksy pieces in London have been painted over by 'Team Robbo'.[85][86]
Also in 2010, government workers accidentally painted over a Banksy art piece, a famed "parachuting-rat" stencil, in Australia's Melbourne CBD. [87]
Bibliography
Banksy has self-published several books that contain photographs of his work in various countries as well as some of his canvas work and exhibitions, accompanied by his own writings:
• Banksy, Banging Your Head Against A Brick Wall (2001) ISBN 978-0-95417040-0
• Banksy, Existencilism (2002) ISBN 978-0-95417041-7
• Banksy, Cut it Out (2004) ISBN 978-0-95449600-5
• Banksy, Wall and Piece (2005) ISBN 978-1-84413786-2
• Banksy, Pictures of Walls (2005) ISBN 978-0-95519460-3
Random House published Wall and Piece in 2005. It contains a combination of images from his three previous books, as well as some new material.[16]
Two books authored by others on his work were published in 2006 & 2007:
• Martin Bull, Banksy Locations and Tours: A Collection of Graffiti Locations and Photographs in London (2006 - with new editions in 2007 and 2008) ISBN 978-0-95547120-9.
• Steve Wright, Banksy's Bristol: Home Sweet Home (2007) ISBN 978-1906477004
External links
• Official website
• Banksy street work photos
Regents Park Hotel, Regents Park, Sydney, NSW
2 Amy Street, Regents Park, NSW.
Banksy in Boston: View of F̶O̶L̶L̶O̶W̶ ̶Y̶O̶U̶R̶ ̶D̶R̶E̶A̶M̶S̶ CANCELLED on Essex St, Chinatown, Boston, with rush hour traffic
Interestingly, both of the Boston area Banksy pieces are on Essex St:
• F̶O̶L̶L̶O̶W̶ ̶Y̶O̶U̶R̶ ̶D̶R̶E̶A̶M̶S̶ CANCELLED (aka chimney sweep) in Chinatown, Boston
• NO LOITRIN in Central Square, Cambridge.
Does that mean anything? It looks like he favors Essex named streets & roads when he can. In 2008, he did another notable Essex work in London, for example, and posters on the Banksy Forums picked up & discussed on the Essex link as well.
Is there an Essex Street in any of the other nearby towns? It looks like there are several: Brookline, Charlestown, Chelsea, Gloucester, Haverhill, Lawrence, Lynn, Medford, Melrose, Quincy, Revere, Salem, Saugus, Somerville, Swampscott, and Waltham. Most of these seem improbable to me, other than maybe Brookline, or maybe Somerville or Charlestown. But they start getting pretty suburban after that.
But, again, why "Essex"? In a comment on this photo, Birbeck helps clarify:
I can only surmise that he's having a 'dig' at Essex UK, especially with the misspelling of 'Loitering'. Here, the general view of the urban districts in Essex: working class but with right wing views; that they're not the most intellectual bunch; rather obsessed with fashion (well, their idea of it); their place of worship is the shopping mall; enjoy rowdy nights out; girls are thought of as being dumb, fake blonde hair/tans and promiscuous; and guys are good at the 'chit chat', and swagger around showing off their dosh (money).
It was also the region that once had Europe's largest Ford motor factory. In its heyday, 1 in 3 British cars were made in Dagenham, Essex. Pay was good for such unskilled labour, generations worked mind-numbing routines on assembly lines for 80 years. In 2002 the recession ended the dream.
• • • • •
This photo appeared on Grafitti - A arte das ruas on Yahoo Meme. Yes, Yahoo has a Tumblr/Posterous-esque "Meme" service now -- I was as surprised as you are.
• • • • •
Banksy
From Wikipedia, the free encyclopedia
Banksy
• Birth name
Unknown
• Born
1974 or 1975 (1974 or 1975), Bristol, UK[1]
• Nationality
British
• Field
Graffiti
Street Art
Bristol underground scene
Sculpture
• Movement
Anti-Totalitarianism
Anti-capitalism
Pacifism
Anti-War
Anarchism
Atheism
Anti-Fascism
• Works
Naked Man Image
One Nation Under CCTV
Anarchist Rat
Ozone's Angel
Pulp Fiction
Banksy is a pseudonymous[2][3][4] British graffiti artist. He is believed to be a native of Yate, South Gloucestershire, near Bristol[2] and to have been born in 1974,[5] but his identity is unknown.[6] According to Tristan Manco[who?], Banksy "was born in 1974 and raised in Bristol, England. The son of a photocopier technician, he trained as a butcher but became involved in graffiti during the great Bristol aerosol boom of the late 1980s."[7] His artworks are often satirical pieces of art on topics such as politics, culture, and ethics. His street art, which combines graffiti writing with a distinctive stencilling technique, is similar to Blek le Rat, who began to work with stencils in 1981 in Paris and members of the anarcho-punk band Crass who maintained a graffiti stencil campaign on the London Tube System in the late 1970s and early 1980s. His art has appeared in cities around the world.[8] Banksy's work was born out of the Bristol underground scene which involved collaborations between artists and musicians.
Banksy does not sell photos of street graffiti.[9] Art auctioneers have been known to attempt to sell his street art on location and leave the problem of its removal in the hands of the winning bidder.[10]
Banksy's first film, Exit Through The Gift Shop, billed as "the world's first street art disaster movie", made its debut at the 2010 Sundance Film Festival.[11] The film was released in the UK on March 5.[12]
Contents
• 1 Career
•• 1.1 2000
•• 1.2 2002
•• 1.3 2003
•• 1.4 2004
•• 1.5 2005
•• 1.6 2006
•• 1.7 2007
•• 1.8 2008
•• 1.9 2009
•• 1.10 2010
• 2 Notable art pieces
• 3 Technique
• 4 Identity
• 5 Controversy
• 6 Bibliography
• 7 References
• 8 External links
Career
Banksy started as a freehand graffiti artist 1992–1994[14] as one of Bristol's DryBreadZ Crew (DBZ), with Kato and Tes.[15] He was inspired by local artists and his work was part of the larger Bristol underground scene. From the start he used stencils as elements of his freehand pieces, too.[14] By 2000 he had turned to the art of stencilling after realising how much less time it took to complete a piece. He claims he changed to stencilling whilst he was hiding from the police under a train carriage, when he noticed the stencilled serial number[16] and by employing this technique, he soon became more widely noticed for his art around Bristol and London.[16]
Stencil on the waterline of The Thekla, an entertainment boat in central Bristol - (wider view). The image of Death is based on a 19th century etching illustrating the pestilence of The Great Stink.[17]
Banksy's stencils feature striking and humorous images occasionally combined with slogans. The message is usually anti-war, anti-capitalist or anti-establishment. Subjects often include rats, monkeys, policemen, soldiers, children, and the elderly.
In late 2001, on a trip to Sydney and Melbourne, Australia, he met up with the Gen-X pastellist, visual activist, and recluse James DeWeaver in Byron Bay[clarification needed], where he stencilled a parachuting rat with a clothes peg on its nose above a toilet at the Arts Factory Lodge. This stencil can no longer be located. He also makes stickers (the Neighbourhood Watch subvert) and sculpture (the murdered phone-box), and was responsible for the cover art of Blur's 2003 album Think Tank.
2000
The album cover for Monk & Canatella's Do Community Service was conceived and illustrated by Banksy, based on his contribution to the "Walls on fire" event in Bristol 1998.[18][citation needed]
2002
On 19 July 2002, Banksy's first Los Angeles exhibition debuted at 33 1/3 Gallery, a small Silverlake venue owned by Frank Sosa. The exhibition, entitled Existencilism, was curated by 33 1/3 Gallery, Malathion, Funk Lazy Promotions, and B+.[19]
2003
In 2003 in an exhibition called Turf War, held in a warehouse, Banksy painted on animals. Although the RSPCA declared the conditions suitable, an animal rights activist chained herself to the railings in protest.[20] He later moved on to producing subverted paintings; one example is Monet's Water Lily Pond, adapted to include urban detritus such as litter and a shopping trolley floating in its reflective waters; another is Edward Hopper's Nighthawks, redrawn to show that the characters are looking at a British football hooligan, dressed only in his Union Flag underpants, who has just thrown an object through the glass window of the cafe. These oil paintings were shown at a twelve-day exhibition in Westbourne Grove, London in 2005.[21]
2004
In August 2004, Banksy produced a quantity of spoof British £10 notes substituting the picture of the Queen's head with Princess Diana's head and changing the text "Bank of England" to "Banksy of England." Someone threw a large wad of these into a crowd at Notting Hill Carnival that year, which some recipients then tried to spend in local shops. These notes were also given with invitations to a Santa's Ghetto exhibition by Pictures on Walls. The individual notes have since been selling on eBay for about £200 each. A wad of the notes were also thrown over a fence and into the crowd near the NME signing tent at The Reading Festival. A limited run of 50 signed posters containing ten uncut notes were also produced and sold by Pictures on Walls for £100 each to commemorate the death of Princess Diana. One of these sold in October 2007 at Bonhams auction house in London for £24,000.
2005
In August 2005, Banksy, on a trip to the Palestinian territories, created nine images on Israel's highly controversial West Bank barrier. He reportedly said "The Israeli government is building a wall surrounding the occupied Palestinian territories. It stands three times the height of the Berlin Wall and will eventually run for over 700km—the distance from London to Zurich. "[22]
2006
• Banksy held an exhibition called Barely Legal, billed as a "three day vandalised warehouse extravaganza" in Los Angeles, on the weekend of 16 September. The exhibition featured a live "elephant in a room", painted in a pink and gold floral wallpaper pattern.[23]
• After Christina Aguilera bought an original of Queen Victoria as a lesbian and two prints for £25,000,[24] on 19 October 2006 a set of Kate Moss paintings sold in Sotheby's London for £50,400, setting an auction record for Banksy's work. The six silk-screen prints, featuring the model painted in the style of Andy Warhol's Marilyn Monroe pictures, sold for five times their estimated value. His stencil of a green Mona Lisa with real paint dripping from her eyes sold for £57,600 at the same auction.[25]
• In December, journalist Max Foster coined the phrase, "the Banksy Effect", to illustrate how interest in other street artists was growing on the back of Banksy's success.[26]
2007
• On 21 February 2007, Sotheby's auction house in London auctioned three works, reaching the highest ever price for a Banksy work at auction: over £102,000 for his Bombing Middle England. Two of his other graffiti works, Balloon Girl and Bomb Hugger, sold for £37,200 and £31,200 respectively, which were well above their estimated prices.[27] The following day's auction saw a further three Banksy works reach soaring prices: Ballerina With Action Man Parts reached £96,000; Glory sold for £72,000; Untitled (2004) sold for £33,600; all significantly above estimated values.[28] To coincide with the second day of auctions, Banksy updated his website with a new image of an auction house scene showing people bidding on a picture that said, "I Can't Believe You Morons Actually Buy This Shit."[6]
• In February 2007, the owners of a house with a Banksy mural on the side in Bristol decided to sell the house through Red Propeller art gallery after offers fell through because the prospective buyers wanted to remove the mural. It is listed as a mural which comes with a house attached.[29]
• In April 2007, Transport for London painted over Banksy's iconic image of a scene from Quentin Tarantino's Pulp Fiction, with Samuel L. Jackson and John Travolta clutching bananas instead of guns. Although the image was very popular, Transport for London claimed that the "graffiti" created "a general atmosphere of neglect and social decay which in turn encourages crime" and their staff are "professional cleaners not professional art critics".[30] Banksy tagged the same site again (pictured at right). This time the actors were portrayed as holding real guns instead of bananas, but they were adorned with banana costumes. Banksy made a tribute art piece over this second Pulp Fiction piece. The tribute was for 19-year-old British graffiti artist Ozone, who was hit by an underground train in Barking, East London, along with fellow artist Wants, on 12 January 2007.[31] The piece was of an angel wearing a bullet-proof vest, holding a skull. He also wrote a note on his website, saying:
The last time I hit this spot I painted a crap picture of two men in banana costumes waving hand guns. A few weeks later a writer called Ozone completely dogged it and then wrote 'If it's better next time I'll leave it' in the bottom corner. When we lost Ozone we lost a fearless graffiti writer and as it turns out a pretty perceptive art critic. Ozone - rest in peace.[citation needed]
Ozone's Angel
• On 27 April 2007, a new record high for the sale of Banksy's work was set with the auction of the work Space Girl & Bird fetching £288,000 (US$576,000), around 20 times the estimate at Bonhams of London.[32]
• On 21 May 2007 Banksy gained the award for Art's Greatest living Briton. Banksy, as expected, did not turn up to collect his award, and continued with his notoriously anonymous status.
• On 4 June 2007, it was reported that Banksy's The Drinker had been stolen.[33][34]
• In October 2007, most of his works offered for sale at Bonhams auction house in London sold for more than twice their reserve price.[35]
• Banksy has published a "manifesto" on his website.[36] The text of the manifesto is credited as the diary entry of one Lieutenant Colonel Mervin Willett Gonin, DSO, which is exhibited in the Imperial War Museum. It describes how a shipment of lipstick to the Bergen-Belsen concentration camp immediately after its liberation at the end of World War II helped the internees regain their humanity. However, as of 18 January 2008, Banksy's Manifesto has been substituted with Graffiti Heroes #03 that describes Peter Chappell's graffiti quest of the 1970s that worked to free George Davis of his imprisonment.[37] By 12 August 2009 he was relying on Emo Phillips' "When I was a kid I used to pray every night for a new bicycle. Then I realised God doesn’t work that way, so I stole one and prayed for forgiveness."
• A small number of Banksy's works can be seen in the movie Children of Men, including a stenciled image of two policemen kissing and another stencil of a child looking down a shop.
• In the 2007 film Shoot 'Em Up starring Clive Owen, Banksy's tag can be seen on a dumpster in the film's credits.
• Banksy, who deals mostly with Lazarides Gallery in London, claims that the exhibition at Vanina Holasek Gallery in New York (his first major exhibition in that city) is unauthorised. The exhibition featured 62 of his paintings and prints.[38]
2008
• In March, a stencilled graffiti work appeared on Thames Water tower in the middle of the Holland Park roundabout, and it was widely attributed to Banksy. It was of a child painting the tag "Take this Society" in bright orange. London Borough of Hammersmith and Fulham spokesman, Councillor Greg Smith branded the art as vandalism, and ordered its immediate removal, which was carried out by H&F council workmen within three days.[39]
• Over the weekend 3–5 May in London, Banksy hosted an exhibition called The Cans Festival. It was situated on Leake Street, a road tunnel formerly used by Eurostar underneath London Waterloo station. Graffiti artists with stencils were invited to join in and paint their own artwork, as long as it didn't cover anyone else's.[40] Artists included Blek le Rat, Broken Crow, C215, Cartrain, Dolk, Dotmasters, J.Glover, Eine, Eelus, Hero, Pure evil, Jef Aérosol, Mr Brainwash, Tom Civil and Roadsworth.[citation needed]
• In late August 2008, marking the third anniversary of Hurricane Katrina and the associated levee failure disaster, Banksy produced a series of works in New Orleans, Louisiana, mostly on buildings derelict since the disaster.[41]
• A stencil painting attributed to Banksy appeared at a vacant petrol station in the Ensley neighbourhood of Birmingham, Alabama on 29 August as Hurricane Gustav approached the New Orleans area. The painting depicting a hooded member of the Ku Klux Klan hanging from a noose was quickly covered with black spray paint and later removed altogether.[42]
• His first official exhibition in New York, the "Village Pet Store And Charcoal Grill," opened 5 October 2008. The animatronic pets in the store window include a mother hen watching over her baby Chicken McNuggets as they peck at a barbecue sauce packet, and a rabbit putting makeup on in a mirror.[43]
• The Westminster City Council stated in October 2008 that the work "One Nation Under CCTV", painted in April 2008 will be painted over as it is graffiti. The council says it will remove any graffiti, regardless of the reputation of its creator, and specifically stated that Banksy "has no more right to paint graffiti than a child". Robert Davis, the chairman of the council planning committee told The Times newspaper: "If we condone this then we might as well say that any kid with a spray can is producing art". [44] The work was painted over in April 2009.
• In December 2008, The Little Diver, a Banksy image of a diver in a duffle coat in Melbourne Australia was vandalised. The image was protected by a sheet of clear perspex, however silver paint was poured behind the protective sheet and later tagged with the words "Banksy woz ere". The image was almost completely destroyed.[45].
2009
• May 2009, parts company with agent Steve Lazarides. Announces Pest Control [46] the handling service who act on his behalf will be the only point of sale for new works.
• On 13 June 2009, the Banksy UK Summer show opened at Bristol City Museum and Art Gallery, featuring more than 100 works of art, including animatronics and installations; it is his largest exhibition yet, featuring 78 new works.[47][48] Reaction to the show was positive, with over 8,500 visitors to the show on the first weekend.[49] Over the course of the twelve weeks, the exhibition has been visited over 300,000 times.[50]
• In September 2009, a Banksy work parodying the Royal Family was partially destroyed by Hackney Council after they served an enforcement notice for graffiti removal to the former address of the property owner. The mural had been commissioned for the 2003 Blur single "Crazy Beat" and the property owner, who had allowed the piece to be painted, was reported to have been in tears when she saw it was being painted over.[51]
• In December 2009, Banksy marked the end of the 2009 United Nations Climate Change Conference by painting four murals on global warming. One included "I don't believe in global warming" which was submerged in water.[52]
2010
• The world premiere of the film Exit Through the Gift Shop occurred at the Sundance Film Festival in Park City, Utah, on 24 January. He created 10 street pieces around Park City and Salt Lake City to tie in with the screening.[53]
• In February, The Whitehouse public house in Liverpool, England, is sold for £114,000 at auction.[54] The side of the building has an image of a giant rat by Banksy.[55]
• In April 2010, Melbourne City Council in Australia reported that they had inadvertently ordered private contractors to paint over the last remaining Banksy art in the city. The image was of a rat descending in a parachute adorning the wall of an old council building behind the Forum Theatre. In 2008 Vandals had poured paint over a stencil of an old-fashioned diver wearing a trenchcoat. A council spokeswoman has said they would now rush through retrospective permits to protect other “famous or significant artworks” in the city.[56]
• In April 2010 to coincide with the premier of Exit through the Gift Shop in San Francisco, 5 of his pieces appeared in various parts of the city.[57] Banksy reportedly paid a Chinatown building owner $50 for the use of their wall for one of his stencils.[58]
• In May 2010 to coincide with the release of "Exit Through the Gift Shop" in Chicago, one piece appeared in the city.
Notable art pieces
In addition to his artwork, Banksy has claimed responsibility for a number of high profile art pieces, including the following:
• At London Zoo, he climbed into the penguin enclosure and painted "We're bored of fish" in seven foot high letters.[59]
• At Bristol Zoo, he left the message 'I want out. This place is too cold. Keeper smells. Boring, boring, boring.' in the elephant enclosure.[60]
• In March 2005, he placed subverted artworks in the Museum of Modern Art, Metropolitan Museum of Art, the Brooklyn Museum, and the American Museum of Natural History in New York.[61]
• He put up a subverted painting in London's Tate Britain gallery.
• In May 2005 Banksy's version of a primitive cave painting depicting a human figure hunting wildlife whilst pushing a shopping trolley was hung in gallery 49 of the British Museum, London. Upon discovery, they added it to their permanent collection.[62]
Near Bethlehem - 2005
• Banksy has sprayed "This is not a photo opportunity" on certain photograph spots.
• In August 2005, Banksy painted nine images on the Israeli West Bank barrier, including an image of a ladder going up and over the wall and an image of children digging a hole through the wall.[22][63][64][65]
See also: Other Banksy works on the Israeli West Bank barrier
• In April 2006, Banksy created a sculpture based on a crumpled red phone box with a pickaxe in its side, apparently bleeding, and placed it in a street in Soho, London. It was later removed by Westminster Council. BT released a press release, which said: "This is a stunning visual comment on BT's transformation from an old-fashioned telecommunications company into a modern communications services provider."[66]
• In June 2006, Banksy created an image of a naked man hanging out of a bedroom window on a wall visible from Park Street in central Bristol. The image sparked some controversy, with the Bristol City Council leaving it up to the public to decide whether it should stay or go.[67] After an internet discussion in which 97% (all but 6 people) supported the stencil, the city council decided it would be left on the building.[67] The mural was later defaced with paint.[67]
• In August/September 2006, Banksy replaced up to 500 copies of Paris Hilton's debut CD, Paris, in 48 different UK record stores with his own cover art and remixes by Danger Mouse. Music tracks were given titles such as "Why am I Famous?", "What Have I Done?" and "What Am I For?". Several copies of the CD were purchased by the public before stores were able to remove them, some going on to be sold for as much as £750 on online auction websites such as eBay. The cover art depicted Paris Hilton digitally altered to appear topless. Other pictures feature her with a dog's head replacing her own, and one of her stepping out of a luxury car, edited to include a group of homeless people, which included the caption "90% of success is just showing up".[68][69][70]
• In September 2006, Banksy dressed an inflatable doll in the manner of a Guantanamo Bay detainment camp prisoner (orange jumpsuit, black hood, and handcuffs) and then placed the figure within the Big Thunder Mountain Railroad ride at the Disneyland theme park in Anaheim, California.[71][72]
Technique
Asked about his technique, Banksy said:
“I use whatever it takes. Sometimes that just means drawing a moustache on a girl's face on some billboard, sometimes that means sweating for days over an intricate drawing. Efficiency is the key.[73]”
Stencils are traditionally hand drawn or printed onto sheets of acetate or card, before being cut out by hand. Because of the secretive nature of Banksy's work and identity, it is uncertain what techniques he uses to generate the images in his stencils, though it is assumed he uses computers for some images due to the photocopy nature of much of his work.
He mentions in his book, Wall and Piece, that as he was starting to do graffiti, he was always too slow and was either caught or could never finish the art in the one sitting. So he devised a series of intricate stencils to minimise time and overlapping of the colour.
Identity
Banksy's real name has been widely reported to be Robert or Robin Banks.[74][75][76] His year of birth has been given as 1974.[62]
Simon Hattenstone from Guardian Unlimited is one of the very few people to have interviewed him face-to-face. Hattenstone describes him as "a cross of Jimmy Nail and British rapper Mike Skinner" and "a 28 year old male who showed up wearing jeans and a t-shirt with a silver tooth, silver chain, and one silver earring".[77] In the same interview, Banksy revealed that his parents think their son is a painter and decorator.[77]
In May 2007, an extensive article written by Lauren Collins of the New Yorker re-opened the Banksy-identity controversy citing a 2004 photograph of the artist that was taken in Jamaica during the Two-Culture Clash project and later published in the Evening Standard in 2004.[6]
In October 2007, a story on the BBC website featured a photo allegedly taken by a passer-by in Bethnal Green, London, purporting to show Banksy at work with an assistant, scaffolding and a truck. The story confirms that Tower Hamlets Council in London has decided to treat all Banksy works as vandalism and remove them.[78]
In July 2008, it was claimed by The Mail on Sunday that Banksy's real name is Robin Gunningham.[3][79] His agent has refused to confirm or deny these reports.
In May 2009, the Mail on Sunday once again speculated about Gunningham being Banksy after a "self-portrait" of a rat holding a sign with the word "Gunningham" shot on it was photographed in East London.[80] This "new Banksy rat" story was also picked up by The Times[81] and the Evening Standard.
Banksy, himself, states on his website:
“I am unable to comment on who may or may not be Banksy, but anyone described as being 'good at drawing' doesn't sound like Banksy to me.[82]”
Controversy
In 2004, Banksy walked into the Louvre in Paris and hung on a wall a picture he had painted resembling the Mona Lisa but with a yellow smiley face. Though the painting was hurriedly removed by the museum staff, it and its counterpart, temporarily on unknown display at the Tate Britain, were described by Banksy as "shortcuts". He is quoted as saying:
“To actually [have to] go through the process of having a painting selected must be quite boring. It's a lot more fun to go and put your own one up.[83]”
Peter Gibson, a spokesperson for Keep Britain Tidy, asserts that Banksy's work is simple vandalism,[84] and Diane Shakespeare, an official for the same organization, was quoted as saying: "We are concerned that Banksy's street art glorifies what is essentially vandalism".[6]
In June 2007 Banksy created a circle of plastic portable toilets, said to resemble Stonehenge at the Glastonbury Festival. As this was in the same field as the "sacred circle" it was felt by many to be inappropriate and his installation was itself vandalized before the festival even opened. However, the intention had always been for people to climb on and interact with it.[citation needed] The installation was nicknamed "Portaloo Sunset" and "Bog Henge" by Festival goers. Michael Eavis admitted he wasn't fond of it, and the portaloos were removed before the 2008 festival.
In 2010, an artistic feud developed between Banksy and his rival King Robbo after Banksy painted over a 24-year old Robbo piece on the banks of London's Regent Canal. In retaliation several Banksy pieces in London have been painted over by 'Team Robbo'.[85][86]
Also in 2010, government workers accidentally painted over a Banksy art piece, a famed "parachuting-rat" stencil, in Australia's Melbourne CBD. [87]
Bibliography
Banksy has self-published several books that contain photographs of his work in various countries as well as some of his canvas work and exhibitions, accompanied by his own writings:
• Banksy, Banging Your Head Against A Brick Wall (2001) ISBN 978-0-95417040-0
• Banksy, Existencilism (2002) ISBN 978-0-95417041-7
• Banksy, Cut it Out (2004) ISBN 978-0-95449600-5
• Banksy, Wall and Piece (2005) ISBN 978-1-84413786-2
• Banksy, Pictures of Walls (2005) ISBN 978-0-95519460-3
Random House published Wall and Piece in 2005. It contains a combination of images from his three previous books, as well as some new material.[16]
Two books authored by others on his work were published in 2006 & 2007:
• Martin Bull, Banksy Locations and Tours: A Collection of Graffiti Locations and Photographs in London (2006 - with new editions in 2007 and 2008) ISBN 978-0-95547120-9.
• Steve Wright, Banksy's Bristol: Home Sweet Home (2007) ISBN 978-1906477004
External links
• Official website
• Banksy street work photos
Glaciarium garage, Little Regent Street, off George Street, Sydney, ca. 1934 / photographer Hall & Company
Format: Glass negative
Find more detailed information about this photographic collection: acms.sl.nsw.gov.au/item/itemDetailPaged.aspx?itemID=53284
Search for more great images in the State Library's collections: acms.sl.nsw.gov.au/search/SimpleSearch.aspx
From the collection of the State Library of New South Wales www.sl.nsw.gov.au
Cityrail C set C10 at Macdonaldtown
Cityrail C set heading to Bankstown via Regents Park,pausing at Macdonaldtown
CH - CI - Historical Bristol Street Directory 1871
Mathews' Bristol Street Directory 1871
Chancery Street, Barton Hill, St. Philip’s
Evan Evans, boot and shoe maker
William Dean, baker
Mrs Elizabeth Burt, draper
O. G. Williams, grocer
William Spurlock, hay and corn dealer
Chandos Place, All Saints Church to Buckingham Villas, Pembroke Road
Chandos Terrace, Woolcott Park
John Moss Chandler
Mrs H. Franks Waring
Henry Grigg
Robert A. Greethead
Dr. Edward Hodges
Charles Griffiths
Chapel Court, Old Bread Street, St. Philips
Chapel Court, Pile Street, Redcliff
Chapel Court, St. Augustine's Place
Chapel Row, Joy Hill to Hope Chapel Hill
Mrs Hester Bisp, vict, Lebeck Tavern (pub)
Lebeck Tavern, Chapel Row (near Dowry Square)
1859 - 72. Hester Bisp / 1874 - 76. Wyatt Bisp / 1877 - 78. Letitia Bisp / 1879. Jane Bisp / 1881. George Hardwick 1882 - 86. Joseph H. Manning.
Alfred Smith
William Hardwick, lodging house
Matthew Lamb, lodging house
Dowry Chapel
George Purcell
Rev W. Johnson, scripture reader
Mrs M Legg, Dowry house
Chapel Street, St. Philips Marsh
Chapel Street, Dings, St Philips
Chapel Street, John Street, St. Philips
Chapter Street, Cave Street to Dean Street, Portland Sq
Charles' Place, Hotwell Road
Edmund Lambert, vict, Salutation 1775. John Webb / 1794. Roger Bate / 1800. John Whitlew / 1806. Robert Chaplain / 1816. William Howell.
John Sealey
James Fouracres
Mrs Norgrove
David Jenkins
John Bowkett, carver, gilder, etc.
William Mogg
William Hancock
Mrs Hannah Ellis
John Ball, carpenter
Charles Street, North Street to Montague Street, St James
George Underhill
William Webber, boot & shoe maker
David Cotter, builder
Elizabeth Matthias
Isaac Short, gasfitter
Catherine Lawrence
J & G Warren,carpenters & builders
Henry Heynes, cabinet maker
John Frederick Clements
Martha James
George Daltry
Mrs Stapells, bookbinder, etc.
Edward Phillips
Elizabeth Hunt
Samuel Pegler, carpenter
Charles Jones
Susan Anstice
Charles Ashley, carpenter
George Summers
George Tapscott, vict, The Crown (pub)
The Crown, Charles Street
1871 - 72 George Tapscott / 1874 George Sanford / 1875 to 1888 William Truscott / 1889 to 1896 Benjamin Shearman 1897 - 99 Thomas Stephens / 1901 - 06 Martha Stephens / 1909 - 11 Charles Stephens / 1914 Edward Driscoll on the 24th June 1889 the Crown was taken on a 21 year lease at a rent of £24 per annum by James Lockley, brewer of Lewin’s Mead. The lease was one of 22 sold by James Lockley to the Bristol United Breweries Limited on the 25th March 1892 for the total sum of £11,000.
William Culliner
William Pyne, baker
Richard Hunt
John Davis
William Silvester
William Underhill
Nathaniel Cousins
W. R. Moxworthy, vict, Plough (pub)
Plough, Charles Street
1844 - 57 John Houl / 1858 U. Stocker / 1860 Charles Blake / 1861 John Mathias / 1863 - 66 Benjamin Mathias 1867 - 69 William Norman / 1871 - 79 William Muxworthy / 1882 - 85 Bridget Muxworthy / 1886 M. Flynn.
Joseph E. Tucker, carpenter, etc
Lucy Panting
James Webber .
Mathew Appleby, vict, Boot Rivetters' Arms 1868 T. Milsted / 1869 - 77 Matthew Appleby.
Elizabeth Harper
Thomas Warren, vict, Royal Oak, Charles Street 1800 Miles Kelly / 1806 John Somerfield / 1816 William English / 1822 Thomas White / 1826 - 39 Thomas G. Smith 1842 - 44 Charles Cooper / 1847 - 51 Henry Harvey / 1853 William Payne / 1853 Ann Payne / 1854 - 63 Robert Chapman 1865 - 83 John Tapscott / 1885 - 91 Samuel Joy / 1892 to 1897 William Elkanah Wookey / 1897 - 1917 George Bacon 1921 Edward Colston Saunders / 1925 Mrs. Hall / 1928 David Stephens / 1931 - 38 Bertram Smitten the Royal Oak was bombed January 1941.
Charley Court, St George's Road
Jasper Fiddes, gasfitter
(Albert Buildings)
Samuel Rowsell, grocer and tea dealer
William Downes, butcher
Charley Place, St. George’s Road
Charlotte Buildings, Charlotte St. Newfoundland Street
Charlotte Court, John Street, St Philips
Charlotte Crescent, John Street, St. Pauls
Charlotte Street, Newfoundland Street to Meadow St
Mary Ann Collier, vict, Brass Knocker, Meadow Street 1834. Enos Howes / 1838 to 1851. Cecilia Pester / 1853. Felicia Starkey / 1855 - 60. George Laskey / 1861 - 69. Joseph Collier 1871 - 76. Mary Ann Collier / 1877 - 99. Edwin Edbrooke / 1904. Eliza Edbrooke / 1909. Alfred Chidgey / 1914. Lavinia Chidgey.
Charlotte Street, Coronation Road to Regent Road
William C. Jones, grocer, etc.
James Hallett, beer seller
James Sydney, baker
Charlotte Street, Park Street to Brandon Hill
William Harris
Joseph Fry
William Clarke
P. F. Sparke Evans
?. Ellis
Mary Evans
Susan Montague
Rev. Thomas C. Price
Isabella Harford
George King Morgan
Mrs J. Cole
Joseph Eyre
John Withy
Rev. Henry Martin, M.A.
Edward Theodore Bullock
Harry Masters, architect and surveyor
John Harry Hodges, furniture warehouse
Joseph Rake, Belgaum villa
Charles Edward Macgregor Rake
Rev. Edmund Gregory, Park villa
Charlotte Street (New), Coronation Road to Southville
Charlotte Street, Queen Square to King Street
A. Escudie, agent to French houses
Mary S. Stevens, hoop merchant
John Fell Baker, agent of Curtis & Harvey, gunpowder makers
Joseph Bowrey
William Thomas
Charlton Place, Hotwells
George Hallett, nurseryman, Hillfield cottage
George Thorn, mason and builder
Philip J. Marks, vict, Hotwell Tavern (pub) bristolslostpubs.eu/page89.html
Originally named the Hotwells Tavern. In 1873 when the entrance to Cumberland Basin was enlarged, a pub named the Rownham Tavern was demolished and Rownham ferry moved downstream towards the Hotwells Tavern, not long afterwards the name was changed to the Rownham Hotel. The pub was removed in 1969 for road Widening.
Charlton Place, nr St. Vincent’s Parade, Hotwells
Charlton Street, Barton Hill
M. A. Player, grocer
F. Wingrove, grocer
Chatterton Place, Chatterton Square
Chatterton Row, 10 Bath Parade, Temple Gate
Chatterton Square, back of Bath Parade, Temple Gate
Cheese Lane, Avon Street to Tower Hill. St. Philips
Thomas E. Spragg, bird preserver
James & Joseph Foster, steam saw mills
Sheldon, Bush & Co. patent shot, sheet lead, & lead pipe manufctrs
James B. Butler and Co. whiting and cement works
Edward & Thomas S. Bush, engineers, mill-wrights and boiler makers, etc.
Thomas S. Bush
Bristol Distilling Co.
Thomas Board, distiller
R. B. Edgeworth, vict, Greyhound (pub) 1794. Elizabeth Short / 1800. William Ham / 1806. John harding / 1816. Gabriel Day / 1820 - 23. William Brownett / 1826 - 28. G. Olive 1828 to 1830. Joseph Olive / 1831 to 1833. Isaac Smith / 1834 to 1852. William Smith / 1853 - 58. William Watkins 1860 - 67. William Tudball / 1868 to 1872. G. Rawlings / 1871 - 72. R. Edgeworth / 1874. Edward Jacobs / 1875. Thomas Bryant 1876. John Rudge / 1877 - 83. John Biggin / 1885 - 91. Frederick Elson / 1892 to 1896. Jane Elson / 1897 - 99. Charles Burford 1901 - 04. Robert Catford / 1906. Charlotte Brady / 1909. Elizabeth Ann Purnell / 1914 - 38. William Stephens.
Cheese Lane (Upper), Cheese Lane, to Horton Street
Maria Watts, grocer and tea dealer
George Palfrey, vict, Coopers' Arms (pub) the Coopers’ Arms was later named the Berkeley Castle.
James Leggett, vict, Crown & Anchor (pub) was demolished in May 2004, it was situated on the corner of Kilkenny Street. bristolslostpubs.eu/page109.html
John Bayley, vict, Duke of Marlborough (pub) 1800. John Smart / 1820. Thomas Smart / 1823. Henry Smart / 1826 - 37. Daniel Shortman / 1839 - 44. Philip Tanswell 1847 - 48. Thomas Burnell / 1849. Eliza Burnell / 1851 - 56. Robert Fish / 1860. J. Seager / 1861 - 63. John Winchester 1865 - 67. Maria Winchester / 1868 to 1878. T. Gill / 1879. John Bayley / 1881 to 1883. J. Leadbeater.
Mrs M. A. Roach, vict, Bell (pub) 1832. Samuel Hodges / 1833. Samuel Hodges senior / 1842. Henry Hart.
Cheese Market, Maryport Street to Wine Street
Snow & Taylor, carpet warehouse
Baker, Baker, and Co. general warehousemen
Ballin and Co. bonnet makers
Cheltenham Buildings, Cheltenham Road
Stephen Pinckney
Henry G. Sherborne, stereotyper
Alfred Stanhope Hodges
John Taylor
William Joseph Grimes
Mrs Louisa Gummer, dressmaker
Charles Brown
Thomas Charles Sowter
Thomas Turner, piano-forte tuner and repairer
Eliza Styles
Thomas Scott, painter
John Bennett
Cheltenham Place (Upper and Lower), Montpelier
John Tucker
Thomas Edward Blakeway
Mrs Amelia Davey
Emanuel Henson
Mrs Charles Suton
Walter Dallimore
Charles Verity, insurance agent
Mary Huntley
William Tarr, carpenter
Charlotte S. Holt
Samuel Sherring
William Turner
Mrs Thomas Whitwill
Henry Kepple
William Miles
Charlotte Parker, grocer
(Cheltenham Place, Upper)
Stephen Edwin Bryant
Thomas Plumley
Mary Williams
James Spence
Francis Farr
Robert Montague Worlock
William Thomas
John Francis Gurney
Henry Baker
John Vernum
George Alexander Stock
Misses Tiley
Cheltenham Road, top of Stokes Croft to Horfield
Herbert James Gough, Sydenham house
Robert Hill, Richmond house
Martha Derrick, Victoria house
John Thatcher, Glanville house
David Glass, Wycombe villa
John M. Harris, Worcester villa
Walter Davis, Stanley villa
John Charles Cooper, Berkeley villa
Charles Davis, Cobden villa
Edward Hopegood, Bright villa
Robert Carpenter, Rokeby house
George Bragg, Alice villa
Mrs Harris, Tenby villa
James Brasher, Tenby house
William Rice, Hope villa
George Petty, Clevedon villa
Philip Cowles, Rodney house
Samuel R. Boone, Memel villa
(Sion Place)
Mrs Short
?. Cox
Alfred S. Weeks
A. Paine
Arley Chapel - Rev S. Hebditch
Richard Brightman, Minster villa
George Standerwick, Gower villa
Charles Hugh Smith, Arley villa
Edmound Charles Parsons, Knowle cottage
George Williams, Brunswick terrace
Robert Jones, Brunswick terrace
Peter Fisher, Brunswick terrace
Mrs Sarah Williams, Llanarth villa
Mrs Mary Jones, Cheltenham villa
Richard Stratton
Levy Levy, Hillview house
Robert Scott
Mary Ann Bennett, Portland villa
W. H. Bessell
Stephen. Hughes, Brookfield house
John Williams, Arlington villa
Charler Jervis, Downend house
W. E. Taylor, Caledonia villa
Mrs. Cartwright, Ivy cottage
Joseph Williams
(Redland Side)
Edwin Sellin, painter, etc
Mrs Aysh, Elgin villa
Mrs Hood, ladies’ school, Hagley villa
Henry A. Percy, Norwood villa
Augustus G. Stevens, Copgrove villa
Augustus Stevens
Rev Daniel B. James, Charcar villa
John J. Sprankling, Duncombe villa
Edward C. Howell, Clentworth villa
Rev G. Glendenning, Haymead villa
James Foster, Fernhank villa
R. Underwood, Zetland house
Richard Stratton
Thomas Eades, Gloster villas
Mrs Hemming
Henry Jacob Allis, Mowbrick lodge
Alfred Merry, Arley house
Mrs Peterson, Edgecombe villa
?. Crawford villa
Joshua S. Pepler, Burlington villa
William Coates, Hebron villa
J. Harris, seedsman
F. Baskerville, grocer & linen draper
Thomas Gillford, Chelmsford house
Davey and Son, van proprietors
(Catherine Place)
Miss Mary Grimes
Frederick Meyer
Mrs Mary Benson
J. Cohen
Charles F. Brasher
Samuel Griffiths
Joel Solomon
Mrs Elfe Taylor, ladies’ school
William Danford
William Bennett
John Moodey Laney
Mrs Mary Ann Pelly
James Treasure
Mrs Ann Smith
Joseph Harling, piano-forte & music
Benjamin Taylor, greengrocer
Henry Waters, vict, Black Horse (pub) the Black Horse is still standing but is now a restaurant. bristolslostpubs.eu/page129.html
Sarah Warley, vict, Berkeley Castle (pub) bristolslostpubs.eu/page249.html
(Golden Cross)
William Shipp, tobacconist
William Henry Newman, draper
Henry Jeffery, chemist and druggist
Cheltenham Villas, Cheltenham Road
Cherry Alley, 18 Milk Street
Cherry Street, North Street to Barton Street, St. James
Emma Padfield, grocer
Lewis Otick
William Shea
William George
John Cossney
John Gibson
James Burgess
Mrs Turner
Mrs Connor
John Madge
Charles Wallis
Henry Johnson, chimney sweep
Joseph Norton
John Vowles, grocer
Samuel Harris, smith
George Rogers, gardener
Sarah Sowden, vict, Trout Tavern (pub) bristolslostpubs.eu/page68.html
William Fifoot, marine stores
Chesterfield Buildings, Westbourne Place, Queen’s Road
Chesterfield Place, Queens Road, near Victoria Rooms
Chertsey Road. Redland, Ashgrove Road to Whiteladies Road
James Taylor, Lassington villa
Francis H. Ryland, Glendale villa
Mrs Maria R. Cousins, Westcotes
Mrs Bate, Worcester villa
John A. Hill, The Royd
F. D. Coldridge, Coniston villa
Henry Cood, Richmond villa
Mrs Joseph Cross, Tettenhall villa
Mrs Roughsedge, Everton villa
Robert Bruce, Tyndale villa
Frederick Viel Jacques, Chesterton villa
Henry Heaven, Glenthorn villa
William Franklyn, Fernilee
Benjamin Bedell, Burwood villa
Joseph Camp, Laugharne villa
John Nicholls, Pendyne villa
(Chesterfield Buildings)
William Henry Hudd
Mrs R. A. Thatcher
Mrs Sarah Gething
(Westbourne Villas)
Alexander Mangin Cowan
James P. Williams, Westbourne villa
Chevalier Court, Broadmead
Christmas Steps, St. Michaels Hill to Christmas Street
W. Avery, greengrocer
William Pope, vict, Sherwood Rangers (pub) 1863 James Pritchard / 1871 - 78 William Pope.
Henry Woodland, greengrocer
Philip Bevan, trunk maker
Joseph James, fruiterer
Andrew Griffths, confectioner
William Ley, vict, Rainbow & Dove (pub) 1816 - 30 William Binding / 1831 - 44 Mary Binding / 1847 W. Foord / 1848 F. Jewels / 1849 ? Brimble / 1851 - 54 Mary Binding 1855 - 57 W. Bassett / 1859 Thomas Goodall / 1863 James White / 1867 J. Salter / 1868 to 1878 William Ley 1879 - 83 Richard Strinchombe / 1885 George Carter / 1886 - 89 Samuel Cowlin / 1891 - 94 Joseph Keeley / 1896 Isabela Bull 1897 Henry Hewlett / 1899 Henry Dennis / 1901 Mary Shapland / 1904 Alfred Buckley / 1906 George Hill.
Louis Silverman, photographer
William Manley, grocer & coffee roaster
William Frederick Block, boot maker
Jesse Wise, ale and porter stores
John Gullick, vict, Three Sugar Loaf (pub) 1755 Widow Pillson / 1792 - 94 Charles Emmett / 1800 - 06 William Lancaster / 1816 - 23 Thomas Hatchman / 1826 Ann Hatchman 1828 - 32 Ferdinand Pitman / 1833 - 34 Thomas Speed / 1837 - 41 George Maskell / 1842 R. Hill / 1844 John Patrick 1847 - 53 Thomas Richards / 1854 Thomas Dennis / 1855 to 1856 Mary Dennis / 1857 Thomas Pope / 1858 to 1860 William Bassett 1861 R. E. Place / 1861 Simon Dumble / 1865 - 66 T. Clayton / 1867 to 1877 John Gullick / 1877 G. Wilkins William Lancaster also traded as a broker & auctioneer in Christmas Street. The Three Sugar Loaves was later named the Gaiety.
William J. Hall, grocer
John Seamer, boot and shoe maker
Alfred West, tin-plate worker
Joseph Seel, hat and cap maker
Philip Norman, refreshment room
Emma Oliver, stationer, etc.
Christmas Street, Nelson Street to Christmas Steps
William Hulbert, butcher
John T. Grace, tallow chandler
Samuel Hiscox, boot maker
James Hiscox, eating house
R. Cox, butcher
William Morris, shopkeeper
Charles Robins, boot maker
Emma Youlten, grocer
A. Eades, butcher
Charles Maker, currier and leather merchant
George Pollard, pork butcher
Edwin Hands, greengrocer
John and Henry P. Willway, dyers www.flickr.com/photos/20654194@N07/2059667873/in/photolis...
Jane Bucknall, bed and bedstead warehouse
Clutterbuck & Griffin, drysalters
William Tucker, general shop
Clutterbuck and Griffin, drysalters
Ernee Clarke, vict, Old Globe (pub) 1764 ? Berrisford / 1775 William Roberts / 1787 John Sinnot / 1792 James Sinnot / 1794 ? Sinnot / 1797 - 1800 Ann Sinnot 1816 to 1836 John Shattock / 1837 to 1858 John Ricketts / 1859 to 1864 William Watkins / 1865 to 1866 James Polyblank 1867 to 1870 Harriet Polyblank / 1871 to 1874 Ernee Clark / 1875 to 1876 John Cross the Old Globe was lost during the night of the 24th May 1876 when a great fire destroyed several warehouses and other buildings in Christmas Street, the cost of the damage was estimated at £80,000.
William Hunt, butcher
Harry Ellis, wine and spirit merchant
Church Alley, Jacob Street, St. Philips
Church Lane, Old Market Street to Jacob Street
Thomas Jefferis, butcher
Henry Page, dining rooms
Emma Maggs, beer seller
George Clevely, pork butcher
Frederick B. Miller, greengrocer
Hannah Flowers, newsagent
Church Lane, Barrow Lane, St. Philips
Church Lane, Peter Street to Narrow Wine Street
Church Lane, Temple Street
James Carr
George Perryman
Church Lane (Lower), St. Michael’s Hill to Park Row
John Richards, scripture reader
Mrs Allis, Rupert house
Edward H. Allis
John Sebry
William Henry Barton, photographer, Llan house
William Manning, painter
Henry Stone, tailor
Francis Plummer, vict, Crown Tavern (pub) 1832 - 34 John Medlam / 1837 - 42 Thomas Jenkins / 1847 Joseph Lansdown / 1848 E. Russell / 1854 L. Lovell 1855 to 1859 John J. Clark / 1860 to 1871 Mrs. Frances Plummer / 1872 - 85 William Claxton / 1888 - 1921 John Penny in May 1852 the Crown was advertised ... To be let, with immediate possession, all that desirable and well accustomed tavern the Crown, in lower Church Lane, Saint Michael’s, Bristol. coming-in, including fixtures, £30. Rent and taxes moderate. The above house is well adapted for letting apartments, and worthy the attention of parties desirous of embarking in the above line. To view, apply to Mr. Robert Keeler, the tenant; and for further particulars, to Mr. Edmund Parker, 27 Somerset Street, Kingsdown, Bristol.
Church Lane (Upper), St Michael’s
Stephen Shellard, pattern maker
John Longstreth, coal stores
William Bright
Edwin Russell, pork butcher
Church Lane, East Street, Bedminster
Church Path (Lower), St. Michaels Church to Old Park Hill
Church Path, Clifton Wood
Clifton Wood Certified Industrial School
National School
George Nurse, Clifton Wood villa
Church Path Lane, Hotwell Road
Church Road, East Street, Bedminster
Church Street, Great Gardens, Temple
Mrs Pollard, grocer
George Henry Franklin, baker
James Fish, vict, Brass Knocker (pub) 816. Samuel Gough jnr / 1822 - 40. William Reeve / 1841 - 44. Elizabeth Reeve / 1847 - 60. William Reeve / 1861. James Reeve 1863 - 69. Joseph Reeve / 1871 - 83. James Fish / 1885 - 89. Sarah Fish / 1890 to 1891. John Tazewell / 1892. Arthur James 1894. James Lake / 1896. John Lake / 1897. David Turner / 1899 - 1901. George Clarke / 1904. C. Mills / 1906. Charles Parsons.
John Yandell, glass blower
John Stephen Fugill, vict, The Crown (pub) 1792 - 94. Samuel Lacey / 1800. Ann Lacey / 1816. Joseph Padfield / 1820. Elizabeth Abbot / 1822 - 23. Henry Butler 1841 - 55. Mary Ann Llewellin / 1856 to 1877. John Stephen Fugil / 1878. Emma Fugil / 1883 - 87. Albert Cross 1888 - 96. Robert Nathaniel Lord.
T. E. Wookey, vict, Coopers' Arms (pub) 1816 - 23. John Hicks / 1826 - 28. Howell Moses / 1831. William Tell / 1832. John Hurditch / 1841 - 53. Robert Beer 1854 to 1857. Frederick Phelps / 1858. Fred Candy / 1859 to 1860. John Halmarack / 1861 to 1862. Jasper Emm / 1863. Thomas Harris 1865. Philip Lewis / 1867 - 69. Moses Morgan / 1870 to 1872. T. E. Wookey / 1874 - 77. James Small / 1878 to 1887. James Poolman 1888. William Gibbs / 1889. Robert Hiscock / 1891. Charles Mills / 1892 - 99. Samuel Goodhind / 1901 - 04. Robert Fauckes 1906 - 09. Joseph Stinchcombe / 1914 - 17. George Perryman / 1921 - 28. Amy Jane Rosina Perryman / 1931. Henry Channon 1935 - 38. George Edwin Michel.
Church Street, Catherine Street to Trinity Road
Thomas Challenger, vict, Lamb & Anchor (pub) 1851. Ann Stokes / 1853. Joseph Clark / 1861 - 63. Elizabeth Clark / 1871 - 77. Thomas Challenger / 1881 - 85. George Lea 1887 - 88. Frederick Pearce / 1889. John Southwood / 1891 - 92. George Rexworthy / 1899. Frederick Welsford.
Peter Groves, vict, Foresters' Arms (pub) 1871. Peter Groves / 1872. George Hooper / 1874 - 1901. Thomas Gregory Hooper / 1904 - 06. Mary Ann Hooper 1914 - 44. Alfred Hooper / 1950. William Savage / 1953. Harold Waymouth, the Foresters’ Arms was demolished in 1969.
Emanuel Shackson, haulier, hay and corn dealer
William Long, watch and clock maker
Church Street, Newtown
Churchill Buildings, Lower Castle Street
Cider House Passage, 51 Broad Street
Circus Place, Moon Street, North street
City Road, Stokes Croft to Ashley Road
John Wesley Willis, insurance agent
William Gorvett, builder & undertaker
George Wicks, plasterer and painter
Rev. William Robert Brown
Henry Vie Davies, cooper
Charles King, builder
Thomas B. Taylor, undertaker, etc.
James Collins, tailor, etc.
Joseph Bennett
Enos Sellin
William D. Moon, glazier
Henry Hall
Jonathan Barker
Edwin Fear
Christopher Wright
Samuel Tucker, tailor
Philip Maund, family grocer
Joseph Waterhouse Knox, Brunswick college
George Braund
Mrs Moore
Frederick Chudleigh
Gilbert Patterson
Thomas Barriball
Philip Triggs, accountant
Henry Doubting
Richard Harford
John Hensler
James Stagg, commercial traveller
William Jenkinson
Frederick B. Besley, publishing agent
James Ackland
Benjamin B. Nicholls
Benjamin Sinclair
Charles Hunt
(Walton Terrace)
Richard Tarr, accountant
James Harris
Joseph Blake
George Palmer
Elizabeth Perris
John Cates
Mrs S. M. Rawle
Mrs Joseph Bessell
Charles Wetherell Price
Henry Green
James Bassey, agent
George Ganaway, insurance agent
William Henry Jones, City road school
CL - Bristol Street Directory 1871
Seen from a train ...
Berala NSW Australia
SA - SQ - Historical Bristol Street Directory 1871
Mathews' Bristol Street Directory 1871
Sabine Place, Old Bread Street
Salmon Court, Salmon Street
Salmon Street, Paul Street to Walker Street, Kingsdown
Salutation Court, Narrow Plain
Sargent Street, Whitehouse Street, Bedminster
Sargent Street, Bedminster
Henry Hodson, grocer
John M.W. James, grocer vict, Sargent Arms (pub) 1871. John James / 1872. Samuel Spear / 1874 - 77. Stephen Vowles / 1878. J. Thomas / 1879. Edward Henderson 1885. William Treble / 1886 to 1887. T. Hole / 1888. Henry Slade / 1889. George Poole / 1891. Thomas Lamborn / 1892. Frederick Light 1896 - 99. Thomas Organ / 1901 - 1904. William Lloyd / 1906. William Vincent / 1914. Mary Fram.
Saville Place, Clifton
1. Daniel Burges
2. William Devenish
3. Miss Susan Coates
Madame Meynieu
4. Lady Cuyler
5. Nathaniel Gore
6. Miss Charlotte Jenkins
7. Rev. Thomas Brocklebank
8. Edwin Naish
9. Mrs Charles James
10. Mrs George Ambroughs
11. John Cordeaux
Sander’s Court, Lamb Street, St Augustine's
Sandbed Lane, Mina Road, Baptists Mills
Saunders’ Court, Old Bread Street
Saville Place, Regent Street, near Clifton Hill
Seal Street, Easton Road
Sea Banks, back of Cumberland Road
Searl’s Court, Temple Street
Selwood Villas, Fremantle Road, Cotham
Sergeant’s Buildings, Cumberland Road
Seville Court, Charles Street, St James
Seymour Place, Somerset Place, Clifton Down
Andrew Waite
Marcus Rickards
Maior Chambers
Miss Elizabeth Walker
Benjamin Owen
George Rose, lodging house
Mrs Lane, Seymour villa
Seymour Place, Stapleton Road
(Cambridge Terrace)
Samuel Short, Blenheim house
Thomas Sheedy, Oxford house
John Hamilton, Cambridge house
James Bushnell
Alfred W. Carroll
Thomas Joshua Williams, com-trav
Richard H. Downing
Mrs Maria Martin
James Kesterton, com-trav
Richard Herman
James Moon
Newman Young
Samuel Gould, com-trav
Henry Wills
William J. Mogg
Richard Adams
Mary Bound
(Kingston Place)
Henry Tyler
Hugh Campbell
Matthew Lewis
Charles Chambers, watchmaker
John Priest
Charles Gardiner
Thomas Rumens
Leonard Martin
Albert Harvey
(Cambridge Place)
Henry Davis
David Bayle, carpenter
Josiah Pegler, com-trav
Samuel Baber
William Millman
Charles Moulton
James Smalley
Seymour Road, Stapleton Road to Baptist Mills
Seymour Villas, Stapleton Road
Shamrock Court, Steep Street
Shannon Court, Corn Street
Sharan’s Court, Jacob’s Wells
Sheat’s Court, John Street, St Philip’s
Sheene Lane or Albert Road, Bedminster
John Morgan, brick & tile manufacturer
John King
Henry Pethick, tan yard
George Pine, tallow chandler
Abraham Wakefield
Chapel
Richard Marsh, builder
John Sampson, beer retailer
Sheppard’s Court, Queen Street, Castle Street
Shewring’s Court, Jacob’s Wells
Shim Lane, near turnpike to Bedminster
Ship Court, 57, Redcliff Hill
Ship Lane, Colston Parade to New Cut, Clarence Road
John Newport, vict, Laura Tavern (pub) Laura Place, Clarence Road. 1848 - 55. Reuben Nunn / 1857 - 58. George Gay / 1860 - 75. John Newport / 1876. Edwin Griffiths / 1877 to 1885. James Tombs 1886 to 1887. I. Feltham / 1888 - 89. John Feltham / 1891. Ann Chaddock / 1892 - 99. John Millman Bryan / 1901. A. Chaddock 1904 - 17. Thomas Marshall / 1921. Charles Lingard / 1925. Arthur Stevens / 1928 - 53. Gilbert Arnold.
(Somerset Cottages)
Maria Coles, shopkeeper
Joseph Gover
Ebenezer Chandler
Captain James Collings
Thomas Evans, beer retailer
John H. Haynes, tailor
Richard Clibbett, Colston cottage
William Gibbs, slaughter house
John Llewellin, mason
William Trott, fly proprietor
(South Place)
Augustus F. Wheeler
Capt. William A. Robertson
Richard Naish, master mariner
Mrs Susannah Gast, dressmaker
George Bailey
For remainder of South Place see Clarence Road, New Cut.
Ship Lane, St Georges Road
Shadwell Road, Bishopston
John Davis
S. Heming
Frederick Henry Jullion
Shoreland’s Court, Old Bread Street
Shortgrove, Worrall’s Road, Durdham Down
Robert Webber, Sunderland cottage, cab proprietor, etc
Charles Lewis, Shortgrove cottage
Miss Lapworth, milliner & dressmaker, Bredon house
Miss R. May, milliner & dressmaker
Samuel Gale, dairyman
Jacob Hayward, Shortgrove house
Short’s Buildings, Oxford Road, Dings
Short’s Buildings, Waterloo Lane, St Philip’s
Side’s Court, Great George Street, St Philip’s
Sidnell’s Court, Charles Street
Sidney Alley, Kingsland Road
Sidney Place, Wellington Park, Redland
James Burges, green-grocer & dairyman
Abel Stock
Sidney White, boot maker
Edward Berryman
Mrs Elizabeth Doel, lodging house
James J. Case, builder
Mrs Mary Hutchinson, Whitson villa
John Cayzer, Colston villa
David Davies, vict, Wellington Arms (pub) 1861. Ann Waters / 1863. Edward Godwin / 1865 - 79. David Davies / 1881 - 86. Edward Leat / 1887 - 1901. Edwin Martin 1904 - 38. Alfred Martin / 1939 - 44. Ada Griffiths / 1950 - 58. Ada Gardner.
Sidney Row, off Cumberland Road
Jane Ann Propert, grocer
C. P. B. Howell, timber merchant, Gefle wharf www.flickr.com/photos/50256734@N05/5198570495/
Mary Banks, vict, Britannia (pub) 1833. William Clark / 1837 - 51. Elizabeth Clark / 1853 - 58. Rosanna Clark / 1860 - 65. Thomas Poole / 1868. J. Williams 1869 - 72. Mary Banks / 1874 - 77. Charles Gallerman / 1879 - 81. William Knill.
Sidney Row, Mill Lane
Silver Street, Bridewell Street to Lewin’s Mead
Christopher A. Lyddon, chemist
John Pollard, pork butcher
James Plumley, green-grocer
Daniel Chapman, general dealer
Silverthorne Lane, Barton Hill
Sim’s Alley, Broadmead to Horsefair
Henry Alexander Wood, news-agent
William Austain, pawnbroker
William Wotman, confectioner
John Jefferson, hat manufacturer
Solomon Levy, clothes dealer
Mrs Oliver, confectioner
William Gray, gunsmith
George Milton, hatter
George Snellgrove, confectioner
Joseph Carter, butcher
George Allen, news-agent
James Albert Whittard, clothes dealer
John Brown, grocer
Henry Ball Pyne
Edwin James Tamblin vict, Beehive (pub)1868 - 72 Edwin Tamblin / 1874 - 78 Stephen Bendall / 1880 - 88 Susannah Williams.
Simpson Place, Gloster Street, Milk Street
Sion Hill, Clifton Down
Thomas Hunt, Sion Spring house futureheritage.co.uk/portfolio/historic-projects/st-vince...
St. Vincents' Rocks Hotel & Baths - manageress, Mrs Harrill (now Avon Gorge Hotel) avonrigsoutcrop.blogspot.co.uk/2013/02/the-hot-well-brist...
John T. Smith, lodging house
J. G. Reynolds
Mrs. E. Hockey, lodging house
Mrs Simms, lodging house
Thomas Hewis, lodging house
Miss Aslat, lodging house
George Wildbore, lodging house
Mrs Piggott, Sion hill boarding house
Richard H. Walwyn
John Wilson, lodging house
Charles Miller, lodging house
Misses Jenkins, lodging house
Miss Butler, lodging house
Henry Pearce, stationer, baths
Mrs Mary Sheard, lodging house
Mrs M. Ferguson
Mrs Winterscale
Misses Edgar
Miss Horsefall
Charles Morley, lodging house
George Coyle, lodging house
Frank Weaver, lodging house
James Blake, lodging house
James Harris, lodging house
Mrs Leal, lodging house
Samuel Carey
Mrs H. Blackden, Portman house
Mrs Pavey, lodging house
Clifton Down Hotel, - manager Daniel Gittins
Sion Lane, Sion Hill
Sion Mews, Clifton Down
Mrs Skeel
William Harding, boot & shoe maker
G. C. Crawford, carpenter & undertaker
G. C. Miller, fly proprietor
Richard Clarke, vict, Clifton Hotel Tap (pub)1823. Laban Tyler / 1826 - 32. Edward Austin / 1833 - 34. William Francis Morris / 1837. Evan Davis / 1839 - 40. ? Rowley 1867 - 69. George Collins / 1871 - 75. Richard Clarke / 1876 - 83. Elizabeth Clarke / 1885. Charles Ackland / 1886. Charles Barton 1887 - 89. Isabella Bullock / 1891 - 96. Frank Bowden / 1897 - 1909. William Thatcher / 1914 - 21. Edwin Curtis 1928 - 31. Bernard Hunt / 1935 - 37. Geoffrey Quick / 1938 - 44. Amy Elizabeth Quick / 1950 - 53. Robert Yeandle.
Edward Tomlinson Barrow, vict, Suspension Bridge Inn (pub) 1839 - 42. William Rowe / 1844 - 59. Elizabeth Rowe / 1866 - 72. Edward Tomlinson - Barrow / 1875. A. Long 1876 to 1877. John Williams / 1878. Mary Davis / 1879 to 1896. Jesse Lane / 1897. Marian Dobbyn / 1899 - 1906. George Broackes 1909. Charles May. Elizabeth Rowe was a grocery dealer and beer retailer.
George Brown, vict, Coronation Tap (pub) 1839 - 47. John Morris / 1851. Sarah Matthews / 1853. Ann Matthews / 1856 - 63. Sarah Matthews / 1871 - 79. George Brown 1882 - 1917. Henry Bonner / 1921. Rhoda Laurence Bonner / 1925 - 53. Robert Colston Whiting / 1975. J. C. Morse. www.flickr.com/photos/20654194@N07/2078704764/
Sion Place, Cheltenham Road
Sion Place, Clifton
Sion Place, St Luke’s Road, St Philip’s
Sion Road, Clifton View to North Street, Bedminster
Sion Road, Nelson Place, Stapleton Road to Clarence Road
John Channing
John Watson
Voisey & Rogers, leather dressers
Sion Row, Cumberland Road
Sion Row, Lawrence Hill
Skinner Street, Frome Bridge
Slee Buildings, Temple Street
Slee Court, Old Bread Street
Slee Court, 22, Temple Street
Sloper’s Lane, John Street, St Philip’s
Small Street, Corn Street to Stone Bridge
Thomas Gath, watch maker, etc
Francis Adams
(New Buildings)
Charles Bevan, Hancock, attorney
Charles Robert, Hancock, attorney
Luke Arnold, stock broker
E. T. Lyddon, stock & share broker
J. D. Wadham, attorney
Press and Inskip, solicitors
Dix and Broad, solicitors
Henry Brittan, solicitor
William Rice
F. H. Wicks, commission agent
Bristol Times & Mirror, Leech and Taylor
Post Office Money Order & Tax
Bristol Water Works Company
Bartlett and Mogg, wine merchants
(St. Werburgh's Chambers)
Edward Arthur Harley, attorney
George Miller & Co. merchants
J. H. Hirst, architect
Arundel Rogers, barrister-at-law
Charles Thick, solicitor
Charles T. Lloyd, linen merchant
Lewis Brothers, cheese factors
Jonathan Perrin, solicitor
G. C. Ashmead & Son, surveyors
Charles Ware, accountant
Rankin & Co. wine merchants
Arthur Palmer, accountant
Edward Wilkins, carpenter & undertaker
James Wright, cheese & provision factor
Whittington, Gribble, and Gouldsmith, solicitors
Alfred E. Gould Assize Courts Hotel 1871 - 74 Alfred Gould / 1876 - 78 E. Gould / 1881 - 88 Ellen Ford / 1889 Edward Ford / 1891 Arthur Seaton / 1892 - 94 Henry Griffen 1896 - 1909 Emma Louisa Tomlinson / 1914 - 17 Robert Cross / 1921 Wilrida Sweetman / 1925 Sydney Slocombe 1928 - 31 Henry Allen / 1935 - 50 Alice Street / 1975 I. McDougall (manager).
(Fry’s Chambers)
Mortimer & Co, coal merchants
Frederick G. Powell, agent for ales
E. T. Lee, commission agent
Salt & Co’s ales, J. M. Laney, agent
(Foster's Chambers)
Edward M. Harwood, solicitor
William Kent (tax office)
R. J. Bridges, solicitor
Henry F. Lawes, junr. solicitor
Augustus F. Morcom, share broker
Henry S. Wetherman, wine, spirit, ale & porter merchant
(Assize Courts)
Bristol Law Library, Librarian, J. Thomas
Tricks, Son, & Wallop, auctioneers
John H. Allis, watch & clock maker
Elizabeth Greenway, Exchange dining rooms
(Small Street Court)
B. S. Stock, stock broker
William Gregory & Son, attorneys
Daniel H. Goolden, attorney
Walter Pigeon, solicitor
William Hort (tax office)
William F. Brookman, accountant
James Williams, accountant
United Loan & Discount Association, D. M. Whittard, sec
C. S. Williams, hosier
Small Street, St Philip’s Marsh
Sneyd Park, over Durdham Down
Alfred N. Price, Erle villa
Robert Linton, Cairns villa
William Baker, Sneyd park villa
George M. Barnes, Tower Leaze
Thomas Barnes, Woodside villa
James Derham
Mrs Dundas Locarno, 1, Sea wall villas
George W. Edwards, 2, Sea Wall villas
T. H. J. Elletson, Lowther villa
W. F. Lawrence, Avon house
James Godwin, J .P. Oakfield house
Dr. H. H. Goodeve, M.D. & J.P. Cook’s folly
James Hanning, Avonmore house
J. H. Hirst, Avonhirst house
J. F. Hoare, Drinagh house
James Jones, Towerhirst house
Richard Langridge, Hillside villa
E. Muller, Clarendon villa
Henry Oldland, Avon grove
Christopher S. Penny, Hazelwood villa
Elisha S. Robinson, J .P.
Matthew Stowe, Sneyd park lodge
Miss C. C. Strode, Algiers lodge
J. Faulkner Taylor, Trelinwydd lodge
Thomas T. Taylor, the Mythe, Stoke Bishop
Mrs E. L. Tharp, ladies’ boarding school, Severn house
C. Thomas, Woodcote, Stoke Bishop
Mrs Tyndale, Coval house
R. D. Crawford, Chelsfield
T. Y. Venn, the Oak
Arthur Henry Wansey, Sambourne lodge
Mrs L. Clark, Poulton lodge
Robert Graham, Woodville lodge
Theodore T. Ford, Glencairn villa
Rev John Leechman, LL.D. M.A. Grafton lodge
Colonel Lambert, Manora villa
John Fitch, Park villa
John Simpson, Eldon villa
Somerset Buildings, Somerset Street, Cathay
Somerset Cottages, Ship Lane, Clarence Road
Somerset Cottages, White Hart Lane
Somerset Crescent, York Road, Bedminster
Somerset Court, Pile Street
Somerset Parade, Somerset Street, Cathay
Somerset Place, Cathay
William Herbert, grocer, etc
John Wring, tailor, etc
Charles Andrews
James Harris
William King, butcher
John Vales, greengrocer
Charles Holloway
Henry Cook, tailor, etc
Sarah A. Wright, beer retailer & grocer, Avon House Tavern 1871 - 72. Sarah Wright / 1874 - 77. James Richards / 1883. Fred Carr / 1885. Margaret Talboys / 1886. Luther Carr 1887. John Elson / 1888. Thomas Williams / 1891 - 1901. John Holroyd / 1906 - 09. Patience Holroyd / 1914 - 17. Henry Tufton.
Ann Cook, vict, Odd Fellows's Arms (pub) No.11 Somerset Place. 1847. William Prosser / 1849. William Wiggins / 1851. Eliza Mayne / 1853 - 61. James Cock / 1863 - 75. Ann Cock 1876 - 79. Francis Price / 1881 - 82. Luke Gee / 1883. Caroline Gee / 1885. Henry Wood / 1888. Robert Langdon / 1889. George Parfittn 1891. William Grimsby / 1892 - 94. Mary James / 1896. John Hooper / 1899 - 1901. George Bowyer / 1906. George Webb. Eliza Mayne is listed as a lodging house keeper.
Somerset Place, Clifton Down
Somerset Square, Cathay
James Chapman
James Gotley
Rowland Taylor, tea dealer, etc
Thomas Richards
William David Williams, builder, etc
William Taylor, piano-forte tuner
Richard Phillips
William John Burgess, accountant
Catherine W. Wait
James Tucker, junior
Mrs Ann Smith
Mary Harris
Mrs Ann Lloyd, lodging house
Elizabeth Wood
Rev. Thomas Wilkington
Samuel John Harris
James George Hawley, com-traveller
George Smith
Joseph William Lawson, prof. of music, organist of Redcliff church
William Rice
Rev. B. Jenkyn
William H. Olive
John Melville
Somerset Street, Prewett Street, Cathay to Clarence Road
(Somerset Parade)
Henry Bennett Cozens
Mrs. Clarissa Cox
Joshua B. Roberts
Sidney Daw
John Fox
John Savery
Joseph Addison, grocer, etc
George Holtham
Samuel Sollars
Sarah Simmons, shopkeeper
W. Woodland, junior, boot a shoe maker
Frances J. Sully, dressmaker
George Hopton, painter
George Johns, shopkeeper
William Lawton
William Bright, carver and gilder
Samuel W. Pitman, pork butcher
Sophia Richmond
John Lyons
Richard Aslat
Robert Vickery, grocer, etc
Louisa Ashford
John Howe, greengrocer
Henry Williams
Job Cavil
James Fifoot, vict, Sherwood Tavern (pub) Clarence Road (corner of Somerset Street) 1866. S. Gibson / 1867 to 1871. James Fifoot / 1872 to 1874. Ann Maria Old / 1875. Elizabeth Haesler / 1876. Ann Maria Old 1877. F. Moon / 1879. Henry Gillings / 1881 - 82. Augustus Tyson / 1883. Val. McEnright / 1885 - 89. William Grimsby 1891 - 92. Elizabeth Langford / 1892 - 94. Elizabeth Rose / 1896. J. Sheppard / 1899. Frederick Simmons / 1901 - 14. George Smith 1915. Frederick Henry William Pidgeon / 1917 - 38. Alice Mary Stenner / 1940 - 44. John Hares / 1950. Gordon Malpas 1953. Charles Hardy / 1975. W. E. Durbin.
Elizabeth Gillings, vict, Royal Oak (pub) 1853 - 63. John Slee / 1865 - 66. L. Payne & Elizabeth Gillings / 1867 - 74. Elizabeth Gillings / 1876 - 78. Martha H. Gillings 1879 - 89. William Gillings / 1891. William Edwards / 1892 - 96. Thomas Hall / 1899. Thomas Hookway.
John Fry, vict, Antelope Inn (pub) the Antelope was destroyed in the war, possibly during the Good Friday bombing of 1941. bristolslostpubs.eu/page142.html
William Lott, vict, Duke of Wellington (pub) 1816. Joseph Capewell / 1823. Thomas Johnson / 1826. ? Brown / 1828 - 30. Gabriel Baker / 1831 - 44. William Rossiter 1847 - 51. M. A. Rossiter / 1852 - 53. Thomas Taylor / 1855 - 60. Nathaniel Richards / 1863 - 71. William Lott 1872 to 1885. Esther Lott / 1886. Robert Beavis.
Dinah McNab, vict, Bunch of Grapes (pub) 1820 - 26. John Joce / 1828 - 37. Robert Allen / 1839 - 40. John Kingdon / 1842 - 44. James Grant / 1847 - 53. John Ingram 1854 to 1857. Dinah Ingram / 1858 to 1868. Thomas McNab / 1869 to 1878. Dinah McNab / 1879. Henry McNab 1881 - 1909. Henry Ingram / 1914. Rose Smith / 1917 - 21. Albert Bole / 1925 - 50. Charles Matthews / 1953. John Mackney.
Somerset Street, Montague Hill to Fremantle Square
1. H. Coleman
2. Miss Mary Weston
3. J. Phillips
4. Edward Halsall
5. Miss Ann Edmundson
6. William Watts
7. Henry Bowen
8. Miss Rebecca C. Wright
9. F. C. Newman
10. John Staples
11. John Oldland
12. Rev. Thomas W. Openshaw
13. Mrs Susan Cornish
14. Thomas Turner, school
15. Thomas Hodge Pengelly
16. George W. Skinner
17. Robert Trapp Lilly
18. Rev. James Irvine Duncan
19. Sylvanus Hunt
20. Alfred Harvey
21. Rev. William Bruce, M.A.
22b. Alexander Mackenzie
22a. Miss Margaret Thomas
23. Charles McMillan
24. Thomas Glass
25. Robert Henry Webb, junior
26. John Wills
27. Charles Godwin
28. Miss Ann C. Marshall
29. George Home Sharp
30. M. Capon
31. John Hamilton Bridges
32. Isaac Hemmons
33. Thomas Knight
Mrs Knight, ladies’ school
34. Miss Knight, preparatory school
35. David Vines. boarding & day school
36. James H. Dillon
37. Rev. Robert Eames May
Jane Hatherell, Somerset cottage
Somerset Terrace, York Road, Bedminster
Somerset Terrace, Redland
Mrs Kinchett
William White
Mrs Humpton .
William Rudland
Joseph Tomkins
Mrs Ann and Miss Nelly Palmer, professors of music
Collin Fisher
Mrs Eliza Evans
Frederick Stanton
H. Boone
George Sealley
S. P. J. Jackson
Somerset Terrace, Whitehouse Street
Somerset Terrace, Windmill Hill
Somerset Villas, York Road, Bedminster
South Parade, Whiteladies Road and Oakfield Road
South Parade, Freestone Road, Dings
South Place, Ship Lane and Clarence Road, New Cut
South Place, Marsh Lane, St Philip’s
South Street, North Street Bedminster, to Back Lane
Thomas John Wills, currier
Joseph Chick, mason
George Chinnock, (customs)
William Sage (customs)
Daniel Williams, cooper
George Richardson, shipping agent
John Flower, carpenter
Frederick Witchell, vict, Brewers' Arms 1877 - 89. Frederick Witchell / 1891. George Smith / 1892 - 1931. Philip Jones / 1934 - 38. Ewart Henry Jones.
South Terrace, Whiteladies Road
South Green Street, Hotwells, Joy Hill to Hope Chapel
William Hardwick, lodging house
John Adams
George Mills, coal and wood dealer
William Passmore, confectioner
James Bartlett
Samuel Smith
John Mitchell, grocer, vict, Crown (pub) 1775 - 94. John Thomas / 1816 - 31. Robert Jennings / 1832 - 42. Sarah Jennings / 1844. James Gibbons / 1848 - 50. Grace Davies 1851 to 1853. Richard Hillier / 1854 to 1855. T. S. Brooks / 1856 - 58. Mrs. S. Jones / 1860. George Palmer / 1861. George Maggs 1863 - 67. Andrew Mitchell / 1869 - 72. John Mitchell. Robert Jennings is also listed as a livery-stable keeper at this address. James Gibbons had ‘flys and post horses let to hire’.
Southampton Parade, Whiteladies Road
Mrs Pegler, draper & hosier
S. Adams & Co. Berlin wool repostry
Charles Robert Blake, ironmonger
William Langham, baker & confectionary
Mrs Westbury, milliner & dress maker
Joseph Baker, confectioner & baker
Southernhay, Clifton Wood
?. Willey, Sidney villa
John Hayward, Shamrock villa
Joseph Adams, Myrtle villa
Mrs M. Coast
Thomas Haggett
Mrs Ellis
Richard Cook
Southfield Road, Cotham Brow
Edward Heaton, Grove villa
Francis Gedye, Elmview villa
Henry Poulton, solicitor, Drayton villa
Walter N. Smith, Walmer house
Ernest George Lorymer
George E. Taylor, Fern villa
James S. Veysey, Rockwood villa
Arthur Weeks, 1, Somerset villas
Miss Charlotte Heslop, 2, Somerset villas
George L. Stockfish, Gower villa
Mrs Jane Hall, Woodland bank
Stephen Little, 1, Harnish villas
Samuel A. Hayman, 2, Harnish villas
William Pockson, Carisbrook lodge
Rev. F. E. Toyne (Wesleyan), Grosvenor villa
S. James Kepple, Etruria villa
Richard Fox Gee, Beaufort lodge
Robert Dowering Collins, Horton villa
William Stacey, Rayford villa
Southville, Coronation Road to Dean Lane
George James Watts
Charles Collins, shipwright
John Whyte, master mariner
Mrs A. Hulbert
Amos Yemm, livery stables
Elizabeth Bright
John Bond, grocer
William Good, clerk
Edward Morgan
Maria Charlton
John Broad, builder
William Burn, rope maker
Miss Everett, ladies’ school
Miss Merchant
John Lewis, shipwright
Mrs Lewis, monthly nurse
Mrs Crocker
Francis Oliver Worth accountant
William Jenkins, ivory turner
Mary Aplln, baker
Richard Ainsworth, accountant
Frederick Rooke
Henry Kingdon, city missionary
John Albert Everett, accountant
Mrs R. Martin
Benjamin Walter Hill
William Henwood, Clarendon villa
Hemry King, com-trav, Albert villa
Henry Minderman, Rose cottage
T. V. Selfe, accountant, Avon cottage
Robert Anthony Palmer, Clarence villa
John Carter, registrar of marriages, Stanley villa
George Palmer, com-trav, Ivy cottage
Charles Fryer, painter & decorator Ivy house
Thomas T. Smart, M.D. L.R.CP. South villa
Stephen Jones, collector of rates
Miss Ford, Hampton villa
Mary Atkinson, Ashbourne villa
Frederick Lane, Beaufort house
Rev. John Pearson Laura villa, (Wesleyan)
R. Matthews, vict, Southvill Hotel (pub) later known as the Imp. 1863. James Petherick / 1866 - 69. Amos Yemm / 1871. Sarah Matthews / 1872 to 1877. Elijah Pearce / 1878 - 83. Emily Pearce 1886 - 89. Emily Eliza Strover Hurn / 1891. Emily McDonald / 1892 - 1901. George Charley / 1904. Thomas Parker / 1906. Samuel Hollis 1917 - 21. Eliza Minnie Hawley / 1925. William Jarrett / 1928. Harry Withey / 1931 - 50. Charles Baker / 1953. Edward Smith.
Southville Place, Coronation Road to Southville
William Barkly accountant
John Henry Bose, sugar boiler
George Jeffery, boot maker
Benjamin Mutter
Mabel Smyth
John Hopgood
Aaron Jones, cooper
Henry Wilmot
Thomas L. Shattock
William H. Garrington, accountant
Thomas Kelson
Isaac William Garrington
Edwin Yates, lay clerk
Sophia Farr
Alfred James Hammonds
John Hasell
John Mathews
James Redwood, timber merchant
Harry Lemon, clerk, Heath house
Southville Road, Alpha Road to Dean Lane
Mrs. John T. Pike
Robert Smart, Mona lodge
Rev. A. H. Ward
John Marshall, Eastfield house
James W. Adams, Newton cottage
Ferry
St. Paul's Church
Southwell Street, Kingsdown Parade to St Michael’s Hill
Frederick F. Cotterell, Hill house
William B. Gingell, Kenfield house
Carey Butt
Thomas Fry, dairyman
Thomas M’Neil
Joseph Howell, (customs)
James Beach
?. Widlake
Mrs Wintle
Thomas Coomber, F.C.S. analytical chemist
Charles Edward Lucy
Mrs Turner, Milton cottage
George John Hutchins, Carlton house
Daniel Parsley, Grove house
James H. Veysey, accountant
Mrs Wood
William Coles
Mrs Davis, Southwell cottage
Thomas P. Wall, Greenfield cottage
Sergeant-Major Edmund Kendall
Lewis Wright, Wellfield cottage
Richard Groves
Henry Jacob Sturge
John Wells
Robert Henry Bellows, Florence cottage
Mrs King, Florence cottage
James Phillips
Spring Hill, Kingsdown to King Square
Mrs Hester Willis
Edward Williams
Miss Ann K. Spencer
George Britt, painter, etc
Stephen Bevan Maddy
Spring Street, York Road, Bedminster
(Victoria Place)
Harriet Peters, grocer
Isaac Kill
Hannah Jones
Edward Parsons, grocer and tea dealer
William Galpin
Albert Norris
Joshua Bowden
William Bowden
Hannah M. Jenkinson
Charles Atkins, butcher
Mrs Rebecca Howell, milliner, etc
John Rennolds, baker
Edward Howe, greengrocer
William Dewfall, baker
George Sidney, grocer
Charles Stevens
Robert Harrison, baker
(Spring Street Place)
Charles D. Thomas
William & George Williams, builders
Methodist Chapel
Francis Prideaux, vict, White Lion (pub) 1837 - 44. Richard Huxtable / 1847. D. Lock / 1848 - 49. John Knapton / 1853. Samuel Bryant / 1853 - 83. Francis Prideaux 1885 - 94. John Alcock / 1896. Eliza Vincent / 1897. Albert Snook / 1899 - 1909. Robert Harvey.
William Weeks, grocer, vict, Rising Sun (pub) 1837 - 63. John Evered / 1871 - 89. William Weeks / 1891. William Chidsey / 1892. William Feltham / 1896. Jim Rendle 1899. Bertram Hooton / 1901 - 04. Eli Stenner / 1906 - 38. Victor Sims / 1944. Leonard Greedy / 1950 - 53. Elizabeth Greedy.
Ann Allen, vict, Crown (pub) 1837 - 44. Richard Rogers / 1849. John Clewett / 1851 - 54. Jesse Clewett / 1856 - 57. Mary Wood / 1861. Joseph Groves 1863 - 68. Hannah Groves / 1869 to 1871. Ann Allen / 1872. George Lippiatt / 1874. William Harrison / 1876 - 77. Ann Harrison 1878 to 1882. Robert Harrison / 1883 to 1885. Henry Tavener / 1886. William Tavener / 1887 - 89. Mark Stevens 1891 - 1914. William Hardwell / 1917. Gertrude Julia Hogg / 1921 - 25. John Jenkins / 1928 - 31. Frederick Webber / 1935. Arthur Lee.
Spring Street Place, Spring Street
Springfield Road, Ninetree Hill to Nugent Hill
Henry V. Shoard, Nelson villa
Hugh Wickham, Ducan villa
Mrs Mary Amory, Claremont villa
John Maberly Banfield, Trusco villa-
Mrs Mary Duffett, Franklyn villa
John Jones, Milton villa
Miss Maria Merry, Woodstock villa
Isaac Brain, Hampstead Villa
Henry Fardon
O. G. Ballin
Thomas Davies
W. S. Passmore
James William Linton
Robert Burrow
Frederick Gregory
Rev. William Hill
Williaim Jeremiah Coonan
James C. Walters
William Penny
James Earle
Square Lane, St. James’ Square
Squire’s Court, Boot Lane, Bedminster
Squire’s Place, Tower Street, Temple
Stapleton Road - Bristol Street Directory 1871
Brisbane. The convict built Commissariat Store 1829. Insignia of George IV.
Some History of Brisbane.
The first European settlement in Queensland was a small convict colony which was established at Redcliffe, now a northern beach suburb, in 1824. The settlement was soon moved in 1825 to a better location on the Brisbane River in what is now the CBD of Brisbane. John Oxley suggested this change of location and that the town be known as Brisbane after Sir Thomas Brisbane, Governor of NSW who visited this settlement in 1826. Prior to this the settlement was known as the Moreton Bay. By 1831 Moreton Bay had 1,241 people, but 86% were convicts, and almost all the rest were guards and administrators. One of the founding free men to settle in Brisbane was Andrew Petrie, a government clerk, who arrived in the settlement in 1837. His son later became the first mayor of Brisbane.
In 1842 (six years after the settlement of SA) Moreton Bay penal settlement was closed and the area opened to free settlers. Half the convicts at Moreton Bay were Irish Catholics which influenced the development of the settlement thereafter as many stayed on. By 1846 Moreton Bay had a population of 4,000 people, considerably less than that of Burra at the time which had over 5,000 people! In 1848 the first immigrants direct from Britain arrived, as did some Chinese. In 1849 three ship loads of Presbyterians arrived in Brisbane, the first ship being the Fortitude- hence the naming of Fortitude Valley. The colony was still far from self-sufficient in terms of food production. In the mid-1850s German immigrants also started to arrive in the settlement. The only building still standing built by convict labour is the Old Windmill in Wickham Park.
During the late 1840s a few grand houses were built in Brisbane like Newstead House at Hamilton and the city began to take shape. All the central streets were named after members of Queen Victoria’s family- Adelaide, Alice, Ann, Charlotte, Elizabeth, Margaret, Mary for the streets parallel to Queen Street, and Albert, Edward, George and William for the streets perpendicular to Queen Street. In 1859 the population had grown sufficiently, to about 30,000 people, for Queensland to be proclaimed a separate colony from NSW with Brisbane (about 6,000 people) as the capital city. It was now a self-governing independent colony. Old Government House was built shortly after this in 1862 followed by numerous colonial government buildings. The French Empire style Parliament House opposite the old Botanical Gardens was erected in 1865 to a design by Charles Tiffin. It had perfect symmetry a mansard roof and an arcaded loggia. It is still one of the most distinctive buildings in Brisbane. Nearby the pastoralists and wealthy built the Queensland Club in Alice Street in 1882 with classical columns but with Italianate style bay windows. The location near parliament house is much like the situation of the Adelaide Club on North Terrace almost adjacent to the SA parliament. The wealthy and pastoralists in both states had immeasurable influence over early colonial politics. One of the other finest colonial buildings of Brisbane is the Old Customs House with the circular copper domed roof on the edge of the Brisbane River. It was erected in 1888.
Although Brisbane grew quickly through the following decades it was not incorporated as a city until 1902.Part of the reason for the relatively slow of growth of Brisbane, compared to Adelaide, Melbourne, Perth and Sydney was that it was not the focal point of the state railway network. Queensland always had other major regional centres. The railway from Brisbane reached out to southern Queensland only- Ipswich in 1864, Toowoomba in 1867, and Charleville in 1888. There was no early push to have a railway link between the coastal cities. They were not linked by a railway until 1927 when road transport had already taken over the transport of livestock and freight. The coastal railway to Cairns was always for passenger traffic as much as freight traffic.
Unlike the other Australian state capitals, Brisbane City Council governs most of the metropolitan area of Brisbane. In 1925 over twenty shires and municipalities were amalgamated into the City of Brisbane. It was at this time that the landmark Brisbane city Hall was built in Art Deco style. It was opened in 1930. During World War Two, Brisbane had a distinctive history as Prime Minister John Curtin had the “Brisbane Line” as a controversial defense plan, whereby if there was a land invasion of Australia, the northern half of the country would be surrendered at a line just north of Brisbane! Brisbane also became the headquarters for the American campaign in the South Pacific with General Douglas MacArthur based there at times. In 1942 a violent clash erupted between American and Australian service personnel in Brisbane. Between 2,000 and 5,000 men were involved in the riots which spread over two days. One soldier was killed and eight injured by gun fire as well as hundreds injured with black eyes, swollen faces, broken noses etc. On the second night 21 Americans were injured with 11 of them having to be hospitalised. This was The Battle of Brisbane. Yet around 1 million American troops passed through Queensland between December 1941 (just after the bombing of Pearl Harbour) and the end of 1945. They were here to spearhead attacks to take back the Philippines and to prevent the Japanese from taking New Guinea. Black American soldiers were especially unpopular in Brisbane as their landing contravened the “White Australia Policy” of those times. In response to this policy General Douglas MacArthur announced his support for the Australian government’s insistence that no more Black American troops be sent to Brisbane after 1942. The Black American units in Australia were later sent to New Guinea and New Caledonia. Black American troops in New Guinea were not allowed to visit Australia for rest and recreation leave although white American troops were allowed to visit Australia, mainly to Mackay. Resentment between American and Australian troops in Brisbane had to be contained and suppressed. Riots between troops also occurred in Townsville during the War. Today Brisbane is a fast growing city that has far outstripped Adelaide in terms of population, growth and infrastructure.
One of my Banksy pictures in the Boston Globe last week 🙂
• This is a scan of this Banksy photo running in the Boston Globe on May 13, 2010. This is the first time I've made the newspaper with one of my photos 🙂 (The Globe later ran a longer article, titled Tag — we’re it: Banksy, the controversial and elusive street artist, left his mark here. Or did he? with a photo taken by one of their staff photographers, Essdras M. Suarez.)
• • • • •
Interestingly, both of the Boston area Banksy pieces are on Essex St:
• F̶O̶L̶L̶O̶W̶ ̶Y̶O̶U̶R̶ ̶D̶R̶E̶A̶M̶S̶ CANCELLED (aka chimney sweep) in Chinatown, Boston
• NO LOITRIN in Central Square, Cambridge.
Does that mean anything? It looks like he favors Essex named streets & roads when he can. In 2008, he did another notable Essex work in London, for example, and posters on the Banksy Forums picked up & discussed on the Essex link as well.
Is there an Essex Street in any of the other nearby towns? It looks like there are several: Brookline, Charlestown, Chelsea, Gloucester, Haverhill, Lawrence, Lynn, Medford, Melrose, Quincy, Revere, Salem, Saugus, Somerville, Swampscott, and Waltham. Most of these seem improbable to me, other than maybe Brookline, or maybe Somerville or Charlestown. But they start getting pretty suburban after that.
But, again, why "Essex"? In a comment on this photo, Birbeck helps clarify:
I can only surmise that he's having a 'dig' at Essex UK, especially with the misspelling of 'Loitering'. Here, the general view of the urban districts in Essex: working class but with right wing views; that they're not the most intellectual bunch; rather obsessed with fashion (well, their idea of it); their place of worship is the shopping mall; enjoy rowdy nights out; girls are thought of as being dumb, fake blonde hair/tans and promiscuous; and guys are good at the 'chit chat', and swagger around showing off their dosh (money).
It was also the region that once had Europe's largest Ford motor factory. In its heyday, 1 in 3 British cars were made in Dagenham, Essex. Pay was good for such unskilled labour, generations worked mind-numbing routines on assembly lines for 80 years. In 2002 the recession ended the dream.
• • • • •
Banksy
From Wikipedia, the free encyclopedia
Banksy
• Birth name
Unknown
• Born
1974 or 1975 (1974 or 1975), Bristol, UK[1]
• Nationality
British
• Field
Graffiti
Street Art
Bristol underground scene
Sculpture
• Movement
Anti-Totalitarianism
Anti-capitalism
Pacifism
Anti-War
Anarchism
Atheism
Anti-Fascism
• Works
Naked Man Image
One Nation Under CCTV
Anarchist Rat
Ozone's Angel
Pulp Fiction
Banksy is a pseudonymous[2][3][4] British graffiti artist. He is believed to be a native of Yate, South Gloucestershire, near Bristol[2] and to have been born in 1974,[5] but his identity is unknown.[6] According to Tristan Manco[who?], Banksy "was born in 1974 and raised in Bristol, England. The son of a photocopier technician, he trained as a butcher but became involved in graffiti during the great Bristol aerosol boom of the late 1980s."[7] His artworks are often satirical pieces of art on topics such as politics, culture, and ethics. His street art, which combines graffiti writing with a distinctive stencilling technique, is similar to Blek le Rat, who began to work with stencils in 1981 in Paris and members of the anarcho-punk band Crass who maintained a graffiti stencil campaign on the London Tube System in the late 1970s and early 1980s. His art has appeared in cities around the world.[8] Banksy's work was born out of the Bristol underground scene which involved collaborations between artists and musicians.
Banksy does not sell photos of street graffiti.[9] Art auctioneers have been known to attempt to sell his street art on location and leave the problem of its removal in the hands of the winning bidder.[10]
Banksy's first film, Exit Through The Gift Shop, billed as "the world's first street art disaster movie", made its debut at the 2010 Sundance Film Festival.[11] The film was released in the UK on March 5.[12]
Contents
• 1 Career
•• 1.1 2000
•• 1.2 2002
•• 1.3 2003
•• 1.4 2004
•• 1.5 2005
•• 1.6 2006
•• 1.7 2007
•• 1.8 2008
•• 1.9 2009
•• 1.10 2010
• 2 Notable art pieces
• 3 Technique
• 4 Identity
• 5 Controversy
• 6 Bibliography
• 7 References
• 8 External links
Career
Banksy started as a freehand graffiti artist 1992–1994[14] as one of Bristol's DryBreadZ Crew (DBZ), with Kato and Tes.[15] He was inspired by local artists and his work was part of the larger Bristol underground scene. From the start he used stencils as elements of his freehand pieces, too.[14] By 2000 he had turned to the art of stencilling after realising how much less time it took to complete a piece. He claims he changed to stencilling whilst he was hiding from the police under a train carriage, when he noticed the stencilled serial number[16] and by employing this technique, he soon became more widely noticed for his art around Bristol and London.[16]
Stencil on the waterline of The Thekla, an entertainment boat in central Bristol - (wider view). The image of Death is based on a 19th century etching illustrating the pestilence of The Great Stink.[17]
Banksy's stencils feature striking and humorous images occasionally combined with slogans. The message is usually anti-war, anti-capitalist or anti-establishment. Subjects often include rats, monkeys, policemen, soldiers, children, and the elderly.
In late 2001, on a trip to Sydney and Melbourne, Australia, he met up with the Gen-X pastellist, visual activist, and recluse James DeWeaver in Byron Bay[clarification needed], where he stencilled a parachuting rat with a clothes peg on its nose above a toilet at the Arts Factory Lodge. This stencil can no longer be located. He also makes stickers (the Neighbourhood Watch subvert) and sculpture (the murdered phone-box), and was responsible for the cover art of Blur's 2003 album Think Tank.
2000
The album cover for Monk & Canatella's Do Community Service was conceived and illustrated by Banksy, based on his contribution to the "Walls on fire" event in Bristol 1998.[18][citation needed]
2002
On 19 July 2002, Banksy's first Los Angeles exhibition debuted at 33 1/3 Gallery, a small Silverlake venue owned by Frank Sosa. The exhibition, entitled Existencilism, was curated by 33 1/3 Gallery, Malathion, Funk Lazy Promotions, and B+.[19]
2003
In 2003 in an exhibition called Turf War, held in a warehouse, Banksy painted on animals. Although the RSPCA declared the conditions suitable, an animal rights activist chained herself to the railings in protest.[20] He later moved on to producing subverted paintings; one example is Monet's Water Lily Pond, adapted to include urban detritus such as litter and a shopping trolley floating in its reflective waters; another is Edward Hopper's Nighthawks, redrawn to show that the characters are looking at a British football hooligan, dressed only in his Union Flag underpants, who has just thrown an object through the glass window of the cafe. These oil paintings were shown at a twelve-day exhibition in Westbourne Grove, London in 2005.[21]
2004
In August 2004, Banksy produced a quantity of spoof British £10 notes substituting the picture of the Queen's head with Princess Diana's head and changing the text "Bank of England" to "Banksy of England." Someone threw a large wad of these into a crowd at Notting Hill Carnival that year, which some recipients then tried to spend in local shops. These notes were also given with invitations to a Santa's Ghetto exhibition by Pictures on Walls. The individual notes have since been selling on eBay for about £200 each. A wad of the notes were also thrown over a fence and into the crowd near the NME signing tent at The Reading Festival. A limited run of 50 signed posters containing ten uncut notes were also produced and sold by Pictures on Walls for £100 each to commemorate the death of Princess Diana. One of these sold in October 2007 at Bonhams auction house in London for £24,000.
2005
In August 2005, Banksy, on a trip to the Palestinian territories, created nine images on Israel's highly controversial West Bank barrier. He reportedly said "The Israeli government is building a wall surrounding the occupied Palestinian territories. It stands three times the height of the Berlin Wall and will eventually run for over 700km—the distance from London to Zurich. "[22]
2006
• Banksy held an exhibition called Barely Legal, billed as a "three day vandalised warehouse extravaganza" in Los Angeles, on the weekend of 16 September. The exhibition featured a live "elephant in a room", painted in a pink and gold floral wallpaper pattern.[23]
• After Christina Aguilera bought an original of Queen Victoria as a lesbian and two prints for £25,000,[24] on 19 October 2006 a set of Kate Moss paintings sold in Sotheby's London for £50,400, setting an auction record for Banksy's work. The six silk-screen prints, featuring the model painted in the style of Andy Warhol's Marilyn Monroe pictures, sold for five times their estimated value. His stencil of a green Mona Lisa with real paint dripping from her eyes sold for £57,600 at the same auction.[25]
• In December, journalist Max Foster coined the phrase, "the Banksy Effect", to illustrate how interest in other street artists was growing on the back of Banksy's success.[26]
2007
• On 21 February 2007, Sotheby's auction house in London auctioned three works, reaching the highest ever price for a Banksy work at auction: over £102,000 for his Bombing Middle England. Two of his other graffiti works, Balloon Girl and Bomb Hugger, sold for £37,200 and £31,200 respectively, which were well above their estimated prices.[27] The following day's auction saw a further three Banksy works reach soaring prices: Ballerina With Action Man Parts reached £96,000; Glory sold for £72,000; Untitled (2004) sold for £33,600; all significantly above estimated values.[28] To coincide with the second day of auctions, Banksy updated his website with a new image of an auction house scene showing people bidding on a picture that said, "I Can't Believe You Morons Actually Buy This Shit."[6]
• In February 2007, the owners of a house with a Banksy mural on the side in Bristol decided to sell the house through Red Propeller art gallery after offers fell through because the prospective buyers wanted to remove the mural. It is listed as a mural which comes with a house attached.[29]
• In April 2007, Transport for London painted over Banksy's iconic image of a scene from Quentin Tarantino's Pulp Fiction, with Samuel L. Jackson and John Travolta clutching bananas instead of guns. Although the image was very popular, Transport for London claimed that the "graffiti" created "a general atmosphere of neglect and social decay which in turn encourages crime" and their staff are "professional cleaners not professional art critics".[30] Banksy tagged the same site again (pictured at right). This time the actors were portrayed as holding real guns instead of bananas, but they were adorned with banana costumes. Banksy made a tribute art piece over this second Pulp Fiction piece. The tribute was for 19-year-old British graffiti artist Ozone, who was hit by an underground train in Barking, East London, along with fellow artist Wants, on 12 January 2007.[31] The piece was of an angel wearing a bullet-proof vest, holding a skull. He also wrote a note on his website, saying:
The last time I hit this spot I painted a crap picture of two men in banana costumes waving hand guns. A few weeks later a writer called Ozone completely dogged it and then wrote 'If it's better next time I'll leave it' in the bottom corner. When we lost Ozone we lost a fearless graffiti writer and as it turns out a pretty perceptive art critic. Ozone - rest in peace.[citation needed]
Ozone's Angel
• On 27 April 2007, a new record high for the sale of Banksy's work was set with the auction of the work Space Girl & Bird fetching £288,000 (US$576,000), around 20 times the estimate at Bonhams of London.[32]
• On 21 May 2007 Banksy gained the award for Art's Greatest living Briton. Banksy, as expected, did not turn up to collect his award, and continued with his notoriously anonymous status.
• On 4 June 2007, it was reported that Banksy's The Drinker had been stolen.[33][34]
• In October 2007, most of his works offered for sale at Bonhams auction house in London sold for more than twice their reserve price.[35]
• Banksy has published a "manifesto" on his website.[36] The text of the manifesto is credited as the diary entry of one Lieutenant Colonel Mervin Willett Gonin, DSO, which is exhibited in the Imperial War Museum. It describes how a shipment of lipstick to the Bergen-Belsen concentration camp immediately after its liberation at the end of World War II helped the internees regain their humanity. However, as of 18 January 2008, Banksy's Manifesto has been substituted with Graffiti Heroes #03 that describes Peter Chappell's graffiti quest of the 1970s that worked to free George Davis of his imprisonment.[37] By 12 August 2009 he was relying on Emo Phillips' "When I was a kid I used to pray every night for a new bicycle. Then I realised God doesn’t work that way, so I stole one and prayed for forgiveness."
• A small number of Banksy's works can be seen in the movie Children of Men, including a stenciled image of two policemen kissing and another stencil of a child looking down a shop.
• In the 2007 film Shoot 'Em Up starring Clive Owen, Banksy's tag can be seen on a dumpster in the film's credits.
• Banksy, who deals mostly with Lazarides Gallery in London, claims that the exhibition at Vanina Holasek Gallery in New York (his first major exhibition in that city) is unauthorised. The exhibition featured 62 of his paintings and prints.[38]
2008
• In March, a stencilled graffiti work appeared on Thames Water tower in the middle of the Holland Park roundabout, and it was widely attributed to Banksy. It was of a child painting the tag "Take this Society" in bright orange. London Borough of Hammersmith and Fulham spokesman, Councillor Greg Smith branded the art as vandalism, and ordered its immediate removal, which was carried out by H&F council workmen within three days.[39]
• Over the weekend 3–5 May in London, Banksy hosted an exhibition called The Cans Festival. It was situated on Leake Street, a road tunnel formerly used by Eurostar underneath London Waterloo station. Graffiti artists with stencils were invited to join in and paint their own artwork, as long as it didn't cover anyone else's.[40] Artists included Blek le Rat, Broken Crow, C215, Cartrain, Dolk, Dotmasters, J.Glover, Eine, Eelus, Hero, Pure evil, Jef Aérosol, Mr Brainwash, Tom Civil and Roadsworth.[citation needed]
• In late August 2008, marking the third anniversary of Hurricane Katrina and the associated levee failure disaster, Banksy produced a series of works in New Orleans, Louisiana, mostly on buildings derelict since the disaster.[41]
• A stencil painting attributed to Banksy appeared at a vacant petrol station in the Ensley neighbourhood of Birmingham, Alabama on 29 August as Hurricane Gustav approached the New Orleans area. The painting depicting a hooded member of the Ku Klux Klan hanging from a noose was quickly covered with black spray paint and later removed altogether.[42]
• His first official exhibition in New York, the "Village Pet Store And Charcoal Grill," opened 5 October 2008. The animatronic pets in the store window include a mother hen watching over her baby Chicken McNuggets as they peck at a barbecue sauce packet, and a rabbit putting makeup on in a mirror.[43]
• The Westminster City Council stated in October 2008 that the work "One Nation Under CCTV", painted in April 2008 will be painted over as it is graffiti. The council says it will remove any graffiti, regardless of the reputation of its creator, and specifically stated that Banksy "has no more right to paint graffiti than a child". Robert Davis, the chairman of the council planning committee told The Times newspaper: "If we condone this then we might as well say that any kid with a spray can is producing art". [44] The work was painted over in April 2009.
• In December 2008, The Little Diver, a Banksy image of a diver in a duffle coat in Melbourne Australia was vandalised. The image was protected by a sheet of clear perspex, however silver paint was poured behind the protective sheet and later tagged with the words "Banksy woz ere". The image was almost completely destroyed.[45].
2009
• May 2009, parts company with agent Steve Lazarides. Announces Pest Control [46] the handling service who act on his behalf will be the only point of sale for new works.
• On 13 June 2009, the Banksy UK Summer show opened at Bristol City Museum and Art Gallery, featuring more than 100 works of art, including animatronics and installations; it is his largest exhibition yet, featuring 78 new works.[47][48] Reaction to the show was positive, with over 8,500 visitors to the show on the first weekend.[49] Over the course of the twelve weeks, the exhibition has been visited over 300,000 times.[50]
• In September 2009, a Banksy work parodying the Royal Family was partially destroyed by Hackney Council after they served an enforcement notice for graffiti removal to the former address of the property owner. The mural had been commissioned for the 2003 Blur single "Crazy Beat" and the property owner, who had allowed the piece to be painted, was reported to have been in tears when she saw it was being painted over.[51]
• In December 2009, Banksy marked the end of the 2009 United Nations Climate Change Conference by painting four murals on global warming. One included "I don't believe in global warming" which was submerged in water.[52]
2010
• The world premiere of the film Exit Through the Gift Shop occurred at the Sundance Film Festival in Park City, Utah, on 24 January. He created 10 street pieces around Park City and Salt Lake City to tie in with the screening.[53]
• In February, The Whitehouse public house in Liverpool, England, is sold for £114,000 at auction.[54] The side of the building has an image of a giant rat by Banksy.[55]
• In April 2010, Melbourne City Council in Australia reported that they had inadvertently ordered private contractors to paint over the last remaining Banksy art in the city. The image was of a rat descending in a parachute adorning the wall of an old council building behind the Forum Theatre. In 2008 Vandals had poured paint over a stencil of an old-fashioned diver wearing a trenchcoat. A council spokeswoman has said they would now rush through retrospective permits to protect other “famous or significant artworks” in the city.[56]
• In April 2010 to coincide with the premier of Exit through the Gift Shop in San Francisco, 5 of his pieces appeared in various parts of the city.[57] Banksy reportedly paid a Chinatown building owner $50 for the use of their wall for one of his stencils.[58]
• In May 2010 to coincide with the release of "Exit Through the Gift Shop" in Chicago, one piece appeared in the city.
Notable art pieces
In addition to his artwork, Banksy has claimed responsibility for a number of high profile art pieces, including the following:
• At London Zoo, he climbed into the penguin enclosure and painted "We're bored of fish" in seven foot high letters.[59]
• At Bristol Zoo, he left the message 'I want out. This place is too cold. Keeper smells. Boring, boring, boring.' in the elephant enclosure.[60]
• In March 2005, he placed subverted artworks in the Museum of Modern Art, Metropolitan Museum of Art, the Brooklyn Museum, and the American Museum of Natural History in New York.[61]
• He put up a subverted painting in London's Tate Britain gallery.
• In May 2005 Banksy's version of a primitive cave painting depicting a human figure hunting wildlife whilst pushing a shopping trolley was hung in gallery 49 of the British Museum, London. Upon discovery, they added it to their permanent collection.[62]
Near Bethlehem - 2005
• Banksy has sprayed "This is not a photo opportunity" on certain photograph spots.
• In August 2005, Banksy painted nine images on the Israeli West Bank barrier, including an image of a ladder going up and over the wall and an image of children digging a hole through the wall.[22][63][64][65]
See also: Other Banksy works on the Israeli West Bank barrier
• In April 2006, Banksy created a sculpture based on a crumpled red phone box with a pickaxe in its side, apparently bleeding, and placed it in a street in Soho, London. It was later removed by Westminster Council. BT released a press release, which said: "This is a stunning visual comment on BT's transformation from an old-fashioned telecommunications company into a modern communications services provider."[66]
• In June 2006, Banksy created an image of a naked man hanging out of a bedroom window on a wall visible from Park Street in central Bristol. The image sparked some controversy, with the Bristol City Council leaving it up to the public to decide whether it should stay or go.[67] After an internet discussion in which 97% (all but 6 people) supported the stencil, the city council decided it would be left on the building.[67] The mural was later defaced with paint.[67]
• In August/September 2006, Banksy replaced up to 500 copies of Paris Hilton's debut CD, Paris, in 48 different UK record stores with his own cover art and remixes by Danger Mouse. Music tracks were given titles such as "Why am I Famous?", "What Have I Done?" and "What Am I For?". Several copies of the CD were purchased by the public before stores were able to remove them, some going on to be sold for as much as £750 on online auction websites such as eBay. The cover art depicted Paris Hilton digitally altered to appear topless. Other pictures feature her with a dog's head replacing her own, and one of her stepping out of a luxury car, edited to include a group of homeless people, which included the caption "90% of success is just showing up".[68][69][70]
• In September 2006, Banksy dressed an inflatable doll in the manner of a Guantanamo Bay detainment camp prisoner (orange jumpsuit, black hood, and handcuffs) and then placed the figure within the Big Thunder Mountain Railroad ride at the Disneyland theme park in Anaheim, California.[71][72]
Technique
Asked about his technique, Banksy said:
“I use whatever it takes. Sometimes that just means drawing a moustache on a girl's face on some billboard, sometimes that means sweating for days over an intricate drawing. Efficiency is the key.[73]”
Stencils are traditionally hand drawn or printed onto sheets of acetate or card, before being cut out by hand. Because of the secretive nature of Banksy's work and identity, it is uncertain what techniques he uses to generate the images in his stencils, though it is assumed he uses computers for some images due to the photocopy nature of much of his work.
He mentions in his book, Wall and Piece, that as he was starting to do graffiti, he was always too slow and was either caught or could never finish the art in the one sitting. So he devised a series of intricate stencils to minimise time and overlapping of the colour.
Identity
Banksy's real name has been widely reported to be Robert or Robin Banks.[74][75][76] His year of birth has been given as 1974.[62]
Simon Hattenstone from Guardian Unlimited is one of the very few people to have interviewed him face-to-face. Hattenstone describes him as "a cross of Jimmy Nail and British rapper Mike Skinner" and "a 28 year old male who showed up wearing jeans and a t-shirt with a silver tooth, silver chain, and one silver earring".[77] In the same interview, Banksy revealed that his parents think their son is a painter and decorator.[77]
In May 2007, an extensive article written by Lauren Collins of the New Yorker re-opened the Banksy-identity controversy citing a 2004 photograph of the artist that was taken in Jamaica during the Two-Culture Clash project and later published in the Evening Standard in 2004.[6]
In October 2007, a story on the BBC website featured a photo allegedly taken by a passer-by in Bethnal Green, London, purporting to show Banksy at work with an assistant, scaffolding and a truck. The story confirms that Tower Hamlets Council in London has decided to treat all Banksy works as vandalism and remove them.[78]
In July 2008, it was claimed by The Mail on Sunday that Banksy's real name is Robin Gunningham.[3][79] His agent has refused to confirm or deny these reports.
In May 2009, the Mail on Sunday once again speculated about Gunningham being Banksy after a "self-portrait" of a rat holding a sign with the word "Gunningham" shot on it was photographed in East London.[80] This "new Banksy rat" story was also picked up by The Times[81] and the Evening Standard.
Banksy, himself, states on his website:
“I am unable to comment on who may or may not be Banksy, but anyone described as being 'good at drawing' doesn't sound like Banksy to me.[82]”
Controversy
In 2004, Banksy walked into the Louvre in Paris and hung on a wall a picture he had painted resembling the Mona Lisa but with a yellow smiley face. Though the painting was hurriedly removed by the museum staff, it and its counterpart, temporarily on unknown display at the Tate Britain, were described by Banksy as "shortcuts". He is quoted as saying:
“To actually [have to] go through the process of having a painting selected must be quite boring. It's a lot more fun to go and put your own one up.[83]”
Peter Gibson, a spokesperson for Keep Britain Tidy, asserts that Banksy's work is simple vandalism,[84] and Diane Shakespeare, an official for the same organization, was quoted as saying: "We are concerned that Banksy's street art glorifies what is essentially vandalism".[6]
In June 2007 Banksy created a circle of plastic portable toilets, said to resemble Stonehenge at the Glastonbury Festival. As this was in the same field as the "sacred circle" it was felt by many to be inappropriate and his installation was itself vandalized before the festival even opened. However, the intention had always been for people to climb on and interact with it.[citation needed] The installation was nicknamed "Portaloo Sunset" and "Bog Henge" by Festival goers. Michael Eavis admitted he wasn't fond of it, and the portaloos were removed before the 2008 festival.
In 2010, an artistic feud developed between Banksy and his rival King Robbo after Banksy painted over a 24-year old Robbo piece on the banks of London's Regent Canal. In retaliation several Banksy pieces in London have been painted over by 'Team Robbo'.[85][86]
Also in 2010, government workers accidentally painted over a Banksy art piece, a famed "parachuting-rat" stencil, in Australia's Melbourne CBD. [87]
Bibliography
Banksy has self-published several books that contain photographs of his work in various countries as well as some of his canvas work and exhibitions, accompanied by his own writings:
• Banksy, Banging Your Head Against A Brick Wall (2001) ISBN 978-0-95417040-0
• Banksy, Existencilism (2002) ISBN 978-0-95417041-7
• Banksy, Cut it Out (2004) ISBN 978-0-95449600-5
• Banksy, Wall and Piece (2005) ISBN 978-1-84413786-2
• Banksy, Pictures of Walls (2005) ISBN 978-0-95519460-3
Random House published Wall and Piece in 2005. It contains a combination of images from his three previous books, as well as some new material.[16]
Two books authored by others on his work were published in 2006 & 2007:
• Martin Bull, Banksy Locations and Tours: A Collection of Graffiti Locations and Photographs in London (2006 - with new editions in 2007 and 2008) ISBN 978-0-95547120-9.
• Steve Wright, Banksy's Bristol: Home Sweet Home (2007) ISBN 978-1906477004
External links
• Official website
• Banksy street work photos
The Four Season Hotel, New York
The Four Seasons Hotel, New York
57 East 57th Street
New York, New York, U.S.A. 10022
Stairs leading to lobby from 58th Street entrance.
-------
In 1987 William Zeckendorf Jr. assembled land on 57th Street between Park and Madison Avenue, consisting of four empty 5-floor buildings on the north side of 57th and an adjoining 58th Street site. Zeckendorf determined the best use for the site was a luxury hotel and began discussions with hotel operators.
One of the parcels at 50 East 58th - is the site of the former 200-room Blackstone Hotel and its restaurant Lottie's Dogwood Room.
Zeckendorf sought I.M. Pei (whose firm designed the Jacob K. Javits Convention Center) to design the luxury hotel. Zeckendorf Jr's father William Zeckendorf Sr. provided Pei with his first design job in 1946.
During the same time Harunori Takahashi, who some called the king of resort development projects in the South Pacific, admired Robert H Burns the founder of Regent Hotels International (a Hong Kong hotel company owned by an American!). Burns' first globally recognized luxury hotel, The Regent Hong Kong, opened in 1980. (It is an InterContinental now and not quite its former self).
Takahashi had just bought from Robert Burn's company the The Regent Sydney and was looking for more hotels to buy through the company he controlled - EIE International Corp. (Electronic & International Enterprises got its start in the 1940s importing from the US magnetic disc tapes). Takahashi also bought 30% of Regent Hotels from Robert Burns who retained 65%. The Hong Kong and Shanghai Banking Corporation owns 5 percent.
Burns knew William Zeckendorf Jr. and he knew Takahashi wanted to own an extraordinary hotel in New York City. The concept of a tall limestone luxury hotel on the 25,000 square foot lot was ready to move forward.
The hotel was announced in January 1989. It was expected to be the grandest hotel built in New York since the Waldorf=Astoria. The original plan was for 400 rooms and a main tower of 46-stories. A consortium of six Japanese banks led by Long-Term Credit Bank (LTCB) secured construction financing. The hotel was named Regent New York Hotel and to be managed by Regent International Hotels of Hong Kong. William Zeckendorf, Jr. acted as development consultant. Architects were I.M. Pei and Frank Williams, and Tishman Construction was the construction manager. (Frank Williams designed the 55-story W hotel in Times Square)
The interiors were to be designed by John F. Saladino, who was replaced by Hong Kong based Chhada, Siembieda & Associates, which was founded by Chandu Chhada and Don Siembieda in 1980.
Total costs for the 372-room project were estimated at $370 million - a million per room. By completion time the cost had swelled to $477 million, or $1.3 million a room.
A contemporary-modern approach was taken for the Regent, not a classical motif. The hotel's 52-story tower required a series of cascading set backs to comply with strict zoning requirements. Custom designed 12-foot decorative lanterns grace the upper levels. Honey-colored French Mangy limestone from France clad the facade.
The standard guest rooms are 610 sq ft with 10'4" ceilings. Fiddleback English Sycamore was used for all cabinetwork, doors and furniture.
Robert Burns was a stickler for detail especially on how to build a bathroom. Burns is quoted saying "I just feel that nobody should sit in a tub where somebody stood." The Regent New York baths are built with a glass enclosed shower stall and separate soaking tub.
Just after the hotel's topping off event in 1990 the Japanese real estate market imploded. EIE and Regent Hotels was forced to sell the Regent hotel chain and hotels under development at that time were in New York City, Bali, Milan, and Istanbul - all were subsequently opened as Four Seasons.
One of the major figures during Japan's bubble economy years was EIE's Harunori Takahashi, who bought up Hyatt and Regent hotels with $6 billion borrowed from the credit unions that were run by his friends. He was also president of a credit union which lent his own businesses over $1.26 billion. Takahashi died in 2005 a convicted felon.
In March 1992 Four Seasons Hotels Inc. paid $102 million for the Regent International Hotels group, providing the North American hotel operator an Asian foothold. Ownership of the under-construction Regent remained with Japan's Long-Term Credit Bank (LTCB).
LTCB, later renamed Shinsei, epitomized Japan’s banking problems. It is a story of greed, corruption and at time madness. LTCB was once the world’s 9th biggest bank. It collapsed in 1998 with $50 billion of bad loans.
The opening general manager was Wilfried N. Wagner.
According to the NY Times in August 1996 The Four Seasons Hotel was sold to a group of Hong Kong investors led by the Lai Sun Group (which also bought the Regent Beverly Wilshire in Beverly Hills, Calif., in February 1996). The seller was the Japanese bank LTCB. The sale price was estimated between $190 million, well below the $450 million it cost to build. Four Seasons Hotels Ltd. of Toronto, with a minority interest in the hotel, continued to operate it.
In February 1999 57 BB Property LLC (BB stands for Beanie Babies) otherwise known as Ty Warner acquired the Four Seasons Hotel from Lai Sun Group for $275 million or $743,243 per room.
The Michelin star restaurant L'Atelier de Joël Robuchon took its place in the hotel lobby.
With renowned restaurants in Paris, Tokyo and Las Vegas, Joël Robuchon focuses on the highest-quality ingredients, prepared with precision and creativity. With just 20 seats at the pearwood counter – considered the most desirable, with their view of the kitchen – and only 26 more at individual tables, L’Atelier offers an atmosphere that is both intimate and dynamic.
Covering the entire top floor of the Hotel, the nine-room Ty Warner Penthouse, accessed by its own private elevator, is reported to be the most expensive hotel suite in the U.S. at $35,000 per night.
Ty Warner, collaborated with designer Peter Marino and architect I.M. Pei, who came out of retirement to design the 4,300 square foot suite - which creates the sense of living within a multilayered work of art. Amenities include TVs programmed for every channel worldwide, unlimited global telephone calling, a personal butler, a personal trainer/therapist, and a chauffeured Rolls Royce Phantom.
Warner has diversified beyond toys with significant investments in hotels, property and golf courses. Ty Warner Hotels and Resorts include the Four Seasons Hotel in New York, the Sandpiper golf course, the Four Seasons Resort in Santa Barbara, California, the San Ysidro Ranch in Montecito, the Kona Village resort in Hawaii purchased in July 2004, the Montecito Country Club and the Las Ventanas al Paraiso Resort in Los Cabos, Mexico which was acquired in September 2004. In 2005, Warner also bought the beachfront Miramar resort and Rancho San Marcos golf course.
In 2009 Ty Warner held discussions of a sale of the 368-room luxury hotel. He is holding firm on pricing expectations of $644,000.000 million or a whopping $1,750.000 per room - according to Real Estate Alert.
The property's occupancy rate averaged 58% in the 12 months ending June 30, 2009 down from 72% in calendar year 2008, according to Realpoint. The average room rate dipped slightly, to $1,086 from $1,112, but revenue per available room fell to $635 from $798.
The Four Seasons Hotel New York is not heavily leveraged. The property has $185.6 million of mortgage debt - well below the price being sought by Warner.
Regents Park train
A Millennium stops at Homebush on a Regents Park service.
ANZAC Memorial in Regent Park
3020548068_3b0612a104_b
SYDNEY TRAINS - MILLENNIUM SET - M6
M6 (a four car Millennium set) has just arrived from Leppington, and is being prepared to return from Liverpool, on the first day of service on the new South West Rail Link.
Liverpool is the current terminus for this new line. Passengers are expected to change here for other services to the city and Parramatta etc. About the only use at Liverpool is to transfer to the Bankstown line trains, that leave from the same opposite platform, with no need to change platforms. Others would be better off transferring at Glenfield - as you don't need to change platforms there either!
I would prefer to see this run as a seven day express service continuing into the city along the old Regents Park line, operating a minimal stop service - Leppington, Edmondson Park, Glenfield, Liverpool, Lidcombe (for Olympic Park), Strathfield and then Central. Running at speed between stops taking around 45 minutes. Or even cutting Strathfield.
Regents Park, Sefton & Birrong 1951 - Sydney aerial photo
Historic aerial photo, taken in 1951, of the Sydney suburbs of Regents Park at top, Sefton at mid-left and Birrong at lower right.
The rail station of Regents Park is seen at the top right, Sefton on the left branch and Birrong on the lower right branch.
The water supply pipelines to Potts Hill reservoir, run diagonally across the top. Migrant workers tent encampments are adjacent to the rail line at the left.
Google maps view: www.google.com.au/maps/place/Rodd+St,+Sydney+NSW/@-33.891...
[Image: 6770 x 7190 px ].
Sydney Bus Museum - Australia Day Treat - 8
Australia Day 2019
This year the Sydney Bus Museum's contribution to our city's Australia Day celebrations took vintage buses across the Sydney Harbour Bridge, to Bradfield Park, Kirribilli and North Sydney. We caught up with them, at the corner of Miller and Berry Streets. Ironically, right near the future Victoria Cross Metro Station.
Fleet Nuber 2643 - AEC Regent III
Holiday Inn Regents Park
Holiday Inn in the Regents Park area of London, I stayed here before I flew out to Sydney in November 2008. Would I recommend it..... YES. Easy check in, nice room and only 200m from Great Portland St underground station.
Eastern Yellow Robin Eating Centipede
After the regent bowerbird, this little guy was my favourite of the whole trip. He let me follow him around at a close distance for more than a half hour, taking photos of every little creepy thing he pulled up from the ground. You just can't get that close to yellow robins around Sydney.
Olympic Hotel, Paddington, Sydney, NSW
Corner Moore Park Road and Regent Street, Paddington, NSW
![V SET TOUR - V13 - @ CARRAMAR [2]](https://www.silverwaterplumbing.com.au/wp-content/plugins/justified-image-grid/timthumb.php?src=https%3A%2F%2Flive.staticflickr.com%2F5160%2F5876782462_aa904cd5aa_b.jpg&h=455&q=90&f=.jpg)
V SET TOUR - V13 - @ CARRAMAR [2]
Photostop at Carramar on the Regents Park line.
Game of Thrones
Cersei Lannister, Queen Regent of the Seven Kingdoms, Game of Thrones (American fantasy drama television series).
Supanova Expo, Sydney Olympic Park, Sydney, Australia (Sunday 15 Jun 2014)
Brisbane. The convict built Commissariat Store built in 1929 in reign of George IV. Now a museum.
Some History of Brisbane.
The first European settlement in Queensland was a small convict colony which was established at Redcliffe, now a northern beach suburb, in 1824. The settlement was soon moved in 1825 to a better location on the Brisbane River in what is now the CBD of Brisbane. John Oxley suggested this change of location and that the town be known as Brisbane after Sir Thomas Brisbane, Governor of NSW who visited this settlement in 1826. Prior to this the settlement was known as the Moreton Bay. By 1831 Moreton Bay had 1,241 people, but 86% were convicts, and almost all the rest were guards and administrators. One of the founding free men to settle in Brisbane was Andrew Petrie, a government clerk, who arrived in the settlement in 1837. His son later became the first mayor of Brisbane.
In 1842 (six years after the settlement of SA) Moreton Bay penal settlement was closed and the area opened to free settlers. Half the convicts at Moreton Bay were Irish Catholics which influenced the development of the settlement thereafter as many stayed on. By 1846 Moreton Bay had a population of 4,000 people, considerably less than that of Burra at the time which had over 5,000 people! In 1848 the first immigrants direct from Britain arrived, as did some Chinese. In 1849 three ship loads of Presbyterians arrived in Brisbane, the first ship being the Fortitude- hence the naming of Fortitude Valley. The colony was still far from self-sufficient in terms of food production. In the mid-1850s German immigrants also started to arrive in the settlement. The only building still standing built by convict labour is the Old Windmill in Wickham Park.
During the late 1840s a few grand houses were built in Brisbane like Newstead House at Hamilton and the city began to take shape. All the central streets were named after members of Queen Victoria’s family- Adelaide, Alice, Ann, Charlotte, Elizabeth, Margaret, Mary for the streets parallel to Queen Street, and Albert, Edward, George and William for the streets perpendicular to Queen Street. In 1859 the population had grown sufficiently, to about 30,000 people, for Queensland to be proclaimed a separate colony from NSW with Brisbane (about 6,000 people) as the capital city. It was now a self-governing independent colony. Old Government House was built shortly after this in 1862 followed by numerous colonial government buildings. The French Empire style Parliament House opposite the old Botanical Gardens was erected in 1865 to a design by Charles Tiffin. It had perfect symmetry a mansard roof and an arcaded loggia. It is still one of the most distinctive buildings in Brisbane. Nearby the pastoralists and wealthy built the Queensland Club in Alice Street in 1882 with classical columns but with Italianate style bay windows. The location near parliament house is much like the situation of the Adelaide Club on North Terrace almost adjacent to the SA parliament. The wealthy and pastoralists in both states had immeasurable influence over early colonial politics. One of the other finest colonial buildings of Brisbane is the Old Customs House with the circular copper domed roof on the edge of the Brisbane River. It was erected in 1888.
Although Brisbane grew quickly through the following decades it was not incorporated as a city until 1902.Part of the reason for the relatively slow of growth of Brisbane, compared to Adelaide, Melbourne, Perth and Sydney was that it was not the focal point of the state railway network. Queensland always had other major regional centres. The railway from Brisbane reached out to southern Queensland only- Ipswich in 1864, Toowoomba in 1867, and Charleville in 1888. There was no early push to have a railway link between the coastal cities. They were not linked by a railway until 1927 when road transport had already taken over the transport of livestock and freight. The coastal railway to Cairns was always for passenger traffic as much as freight traffic.
Unlike the other Australian state capitals, Brisbane City Council governs most of the metropolitan area of Brisbane. In 1925 over twenty shires and municipalities were amalgamated into the City of Brisbane. It was at this time that the landmark Brisbane city Hall was built in Art Deco style. It was opened in 1930. During World War Two, Brisbane had a distinctive history as Prime Minister John Curtin had the “Brisbane Line” as a controversial defense plan, whereby if there was a land invasion of Australia, the northern half of the country would be surrendered at a line just north of Brisbane! Brisbane also became the headquarters for the American campaign in the South Pacific with General Douglas MacArthur based there at times. In 1942 a violent clash erupted between American and Australian service personnel in Brisbane. Between 2,000 and 5,000 men were involved in the riots which spread over two days. One soldier was killed and eight injured by gun fire as well as hundreds injured with black eyes, swollen faces, broken noses etc. On the second night 21 Americans were injured with 11 of them having to be hospitalised. This was The Battle of Brisbane. Yet around 1 million American troops passed through Queensland between December 1941 (just after the bombing of Pearl Harbour) and the end of 1945. They were here to spearhead attacks to take back the Philippines and to prevent the Japanese from taking New Guinea. Black American soldiers were especially unpopular in Brisbane as their landing contravened the “White Australia Policy” of those times. In response to this policy General Douglas MacArthur announced his support for the Australian government’s insistence that no more Black American troops be sent to Brisbane after 1942. The Black American units in Australia were later sent to New Guinea and New Caledonia. Black American troops in New Guinea were not allowed to visit Australia for rest and recreation leave although white American troops were allowed to visit Australia, mainly to Mackay. Resentment between American and Australian troops in Brisbane had to be contained and suppressed. Riots between troops also occurred in Townsville during the War. Today Brisbane is a fast growing city that has far outstripped Adelaide in terms of population, growth and infrastructure.
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