GOD MURUGAN - The LEADER of DEVAS - LORD SHIVA and GODDESS PARVATHI'S AGNIPUTRA - Artist AniKarthikeyan,Chennai,TamilNadu,India
Kartikeya, also known as Skanda, Murugan and Subramaniyan, is the Hindu god of war. He is the commander-in-chief of the army of the devas (gods) and the son of Shiva and Parvati.
Murugan is often referred to as "Tamil Kadavul" (meaning "God of Tamils") and is worshiped primarily in areas with Tamil influences, especially South India, Sri Lanka, Mauritius, Malaysia, Singapore and Reunion Island. His six most important shrines in India are the Arupadaiveedu temples, located in Tamil Nadu. In Sri Lanka, Hindus as well as Buddhists revere the sacred historical Nallur Kandaswamy temple in Jaffna and Katirkāmam Temple situated deep south.[1] Hindus in Malaysia also pray to Lord Murugan at the Batu Caves and various temples where Thaipusam is celebrated with grandeur.
In Karnataka and Andhra Pradesh, Kartikeya is known as Subrahmanya with a temple at Kukke Subramanya known for Sarpa shanti rites dedicated to Him and another famous temple at Ghati Subramanya also in Karnataka. In Bengal and Odisha, he is popularly known as Kartikeya (meaning 'son of Krittika').[2]
Other names[edit]
Like most Hindu deities, Subrahmanya is known by many other names, including Senthil, Vēlaṇ, Kumāran (meaning 'prince or child or young one'), Swaminatha (meaning 'smart' or 'clever'), Saravaṇa, Arumugam or Shanmuga (meaning 'one with six faces'), Dhandapani (meaning God with a Club), Guhan or Guruguha (meaning 'cave-dweller'), Subrahmanya, Kartikeya and Skanda (meaning 'that which is spilled or oozed).[3][4] He was also known as Mahasena and the Kadamba Dynasty kings worshiped him by this name.[5]
Vedas[edit]
The Atharva Veda describes Kumaran as 'Agnibhuh' because he is form of 'Agni' (Fire God) & Agni hold in his hand when kumaran born. The Satapatha Brahmana refers to him as the son of Rudra and the six faces of Rudra. The Taittiriya Aranyaka contains the Gayatri mantra for Shanmukha. The Chandogya Upanishad refers to Skanda as the "way that leads to wisdom". The Baudhayana Dharmasutra mentions Skanda as 'Mahasena' and 'Subrahmanya.' The Aranya Parva canto of the Mahabharata relates the legend of Kartikeya Skanda in considerable detail. The Skanda Purana is devoted to the narrative of Kartikeya.[6] The Upanishads also constantly make a reference to a Supreme Being called Guha, the indweller.
The first elaborate account of Kartikeya's origin occurs in the Mahabharata. In a complicated story, he is said to have been born from Agni and Svaha, after the latter impersonated the six of the seven wives of the Saptarishi (Seven Sages). The actual wives then become the Pleiades. Kartikeya is said to have been born to destroy the Asura Mahisha.[7] (In later mythology, Mahisha became the adversary of Durga.) Indra attacks Kartikeya as he sees the latter as a threat, until Shiva intervenes and makes Kartikeya the commander-in-chief of the army of the Devas. He is also married to Devasena, Indra's daughter. The origin of this marriage lies probably in the punning of 'Deva-sena-pati'. It can mean either lord of Devasena or Lord of the army (sena) of Devas. But according to Shrii Shrii Anandamurti, in his master work on Shiva[8] and other works, Kartikeya was married to Devasenā and that is on the ground of his name as Devasena's husband, Devasenāpati, misinterpreted as Deva-senāpati (Deva's general) that he was granted the title general and made the Deva's army general.[9]
The Ramayana version is closer to the stories told in the Puranas discussed below.
Tolkappiyam, possibly the most ancient of the extant Sangam works, dated between the 3rd century BCE and 5th century CE glorified Murugan, "the red god seated on the blue peacock, who is ever young and resplendent," as "the favoured god of the Tamils."[10] The Sangam poetry divided space and Tamil land into five allegorical areas (tinai) and according to the Tirumurugarruppatai ( c. 400–450 AD) attributed to the great Sangam poet Nakkiirar, Murugan was the presiding deity the Kurinci region (hilly area). (Tirumurugaruppatai is a deeply devotional poem included in the ten idylls (Pattupattu) of the age of the third Sangam). The other Sangam era works in Tamil that refer to Murugan in detail include the Paripaatal, the Akananuru and the Purananuru. One poem in the Paripaatal describes the veneration of Murugan thus:
"We implore thee not for boons of enjoyment or wealth,
But for thy grace beatific, love and virtuous deeds."
According to the Tamil devotional work, Thiruppugazh, "Murugan never hesitates to come to the aid of a devotee when called upon in piety or distress". In another work, Thirumurukkarrupatai, he is described as a god of eternal youth;
His face shines a myriad rays light and removes the darkness from this world.[11]
The references to Murugan can be traced back to the first millennium BCE. There are references to Murugan in Kautilya's Arthashastra, in the works of Patanjali, in Kalidasa's epic poem the Kumarasambhavam. The Kushanas, who governed from what is today Peshawar, and the Yaudheyas, a republican clan in the Punjab, struck coins bearing the image of Skanda. The deity was venerated also by the Ikshvakus, an Andhra dynasty, and the Guptas.[6] The worship of Kumāra was one of the six principal sects of Hinduism at the time of Adi Shankara. The Shanmata system propagated by him included this sect. In many Shiva and Devi temples of Tamil Nadu, Murugan is installed on the left of the main deity. The story of His birth goes as follows:
Sati immolated herself in a pyre as her father King Daksha had insulted Shiva, her Lord. She was reborn as Parvathi or Uma, daughter of the King of Himalayas, Himavan. She then married her Lord Shiva. The Devas were under onslaught from the Asuras whose leader was Soorapadman. He had been granted boons that only Lord Shiva or his seed could kill him. Fearless he vanquished the Devas and made them his slaves. The Devas ran to Vishnu for help who told them that it was merely their fault for attending Daksha's yagna, without the presence of Lord Shiva. After this, they ran to Shiva for help. Shiva decided to take action against Soorapadman's increasing conceit. He frowned and his third eye- the eye of knowledge- started releasing sparks. These were six sparks in total. Agni had the responsibility to take them to Saravana Lake. As he was carrying them, the sparks were growing hotter and hotter that even the Lord of Fire could not withstand the heat. Soon after Murugan was born on a lotus in the Saravana Lake with six faces, giving him the name Arumukhan. Lord Shiva and Parvati visited and tears of joy started flowing as they witnessed the most handsome child. Shiva and Parvathi gave the responsibility of taking care of Muruga to the six Krittika sisters. Muruga grew up to be a handsome, intelligent, powerful, clever youth. All the Devas applauded at their saviour, who had finally come to release them from their woes. Murugan became the supreme general of the demi-gods, then escorted the devas and led the army of the devas to victory against the asuras.
Legends[edit]
Given that legends related to Murugan are recounted separately in several Hindu epics, some differences between the various versions are observed. Some Sanskrit epics and puranas indicate that he was the elder son of Shiva. This is suggested by the legend connected to his birth; the wedding of Shiva and Parvati being necessary for the birth of a child who would vanquish the asura named Taraka. Also, Kartikeya is seen helping Shiva fight the newborn Ganesha, Shiva's other son, in the Shiva Purana. In the Ganapati Khandam of the Brahma Vaivarta Purana, he is seen as the elder son of Shiva and Ganesha as the younger. In South India, it is believed that he is the younger of the two. A Puranic story has Ganesha obtain a divine fruit of knowledge from Narada winning a contest with Murugan. While Murugan speeds around the world thrice to win the contest for the fruit, Ganesha circumambulates Shiva and Parvati thrice as an equivalent and is given the fruit. After winning it, he offers to give the fruit to his upset brother. After this event, Ganesha was considered the elder brother owing as a tribute to his wisdom. Many of the major events in Murugan's life take place during his youth, and legends surrounding his birth are popular. This has encouraged the worship of Murugan as a child-God, very similar to the worship of the child Krishna in north India. He is married to two wives, Valli and Devasena. This lead to a very interesting name : Devasenapati viz. Pati (husband) of Devsena and/or Senapati (commander in chief) of Dev (gods)
Kartikeya symbols are based on the weapons – Vel, the Divine Spear or Lance that he carries and his mount the peacock. He is sometimes depicted with many weapons including: a sword, a javelin, a mace, a discus and a bow although more usually he is depicted wielding a sakti or spear. This symbolizes his purification of human ills. His javelin is used to symbolize his far reaching protection, his discus symbolizes his knowledge of the truth, his mace represents his strength and his bow shows his ability to defeat all ills. His peacock mount symbolizes his destruction of the ego.
His six heads represent the six siddhis bestowed upon yogis over the course of their spiritual development. This corresponds to his role as the bestower of siddhis.
In Tamil Nadu, Murugan has continued to be popular with all classes of society right since the Sangam age. This has led to more elaborate accounts of his mythology in the Tamil language, culminating in the Tamil version of Skanda Purana, called Kandha Purānam, written by Kacchiappa Sivachariyar (1350–1420 AD.) of Kumara Kottam in the city of Kanchipuram. (He was a scholar in Tamil literature, and a votary of the Shaiva Siddhanta philosophy.)
He is married to two deities, Valli, a daughter of a tribal chief and Deivayanai (also called Devasena), the daughter of Indhra. During His bachelorhood, Lord Murugan is also regarded as Kumaraswami (or Bachelor God), Kumara meaning a bachelor and Swami meaning God. Muruga rides a peacock and wields a bow in battle. The lance called Vel in Tamil is a weapon closely associated with him. The Vel was given to him by his mother, Parvati, and embodies her energy and power. His army's standard depicts a rooster. In the war, Surapadman was split into two, and each half was granted a boon by Murugan. The halves, thus turned into the peacock (his mount) and the rooster his flag, which also "refers to the sun".[12]
As Muruga is worshipped predominantly in Tamil Nadu, many of his names are of Tamil origin. These include Senthil, the red or formidable one; Arumugam, the six-faced one; Guhan and Maal-Marugan, the son-in-law of Vishnu. Murugan is venerated throughout the Tamil year. There is a six-day period of fast and prayer in the Tamil month of Aippasi known as the Skanda Shasti. He is worshipped at Thaipusam, celebrated by Tamil communities worldwide near the full moon of the Tamil month Thai. This commemorates the day he was given a Vel or lance by his mother in order to vanquish the asuras. Thirukarthigai or the full moon of the Tamil month of Karthigai signifies his birth. Each Tuesday of the Tamil month of Adi is also dedicated to the worship of Murugan. Tuesday in the Hindu tradition connotes Mangala, the god of planet Mars and war.
Other parts of India[edit]
Historically, God Kartikeya was immensely popular in the Indian subcontinent. One of the major Puranas, the Skanda Purana is dedicated to him. In the Bhagavad-Gita (Ch.10, Verse 24), Krishna, while explaining his omnipresence, names the most perfect being, mortal or divine, in each of several categories. While doing so, he says: "Among generals, I am Skanda, the lord of war."
Kartikeya's presence in the religious and cultural sphere can be seen at least from the Gupta age. Two of the Gupta kings, Kumaragupta and Skandagupta, were named after him. He is seen in the Gupta sculptures and in the temples of Ellora and Elephanta. As the commander of the divine armies, he became the patron of the ruling classes. His youth, beauty and bravery was much celebrated in Sanskrit works like the Kathasaritsagara. Kalidasa made the birth of Kumara the subject of a lyrical epic, the Kumaarasambhavam. In ancient India, Kartikeya was also regarded as the patron deity of thieves, as may be inferred from the Mrichchakatikam, a Sanskrit play by Shudraka, and in the Vetala-panchvimshati, a medieval collection of tales. This association is linked to the fact that Kartikeya had dug through the Krauncha mountain to kill Taraka and his brothers (in the Mrichchakatikam, Sarivilaka prays to him before tunnelling into the hero's house).
However, Kartikeya's popularity in North India receded from the Middle Ages onwards, and his worship is today virtually unknown except in parts of Haryana. There is a very famous temple dedicated to Him in the town of Pehowa in Haryana and this temple is very well known in the adjoining areas, especially because women are not allowed anywhere close to it. Women stay away from this temple in Pehowa town of Haryana because this shrine celebrates the Brahmachari form of Kartikeya. Reminders of former devotions to him include a temple at Achaleshwar, near Batala in Punjab, and another temple of Skanda atop the Parvati hill in Pune, Maharashtra. Another vestige of his former popularity can be seen in Bengal and Odisha, where he is worshipped during the Durga Puja festivities alongside Durga. Lord Subramanya is the major deity among the Hindus of northern Kerala. Lord Subramanya is worshipped with utmost devotion in districts of Dakshina Kannada and Udupi in the state of Karnataka. Rituals like nagaradhane are unique to this region.
Kartikeya also known as Kartik or Kartika is also worshipped in West Bengal, and Bangladesh on the last day of the Hindu month of 'Kartik'. However, the popularity of Kartik Puja (worshipping Kartik) is decreasing now, and Lord Kartik is primarily worshipped among those who intend to have a son. In Bengal, traditionally, many people drop images of Kartik inside the boundaries of different households, who all are either newly married, or else, intend to get a son to carry on with their ancestry. Lord Kartik is also associated to the Babu Culture prevailed in historic Kolkata, and hence, many traditional old Bengali paintings still show Kartik dressed in traditional Bengali style. Also, in some parts of West Bengal, Kartik is traditionally worshipped by the ancestors of the past royal families too, as in the district of Malda. Kartik Puja is also popular among the prostitutes. This can probably be linked to the fact that, the prostitutes mostly got clients from the upper class babu-s in old Kolkata, who all, in turn, had been associated to the image of Kartik (as discussed above). In Bansberia (Hooghly district) Kartik Puja festival is celebrated like Durga puja of Kolkata, Jagadhatri puja in Chandannagar for consecutive four days. The festival starts on 17 November every year and on 16 November in case of Leap year.[13] Some of the must see Puja committees are Bansberia Kundugoli Nataraj, Khamarapara Milan Samity RadhaKrishna, Kishor Bahini, Mitali Sangha, Yuva Sangha, Bansberia Pratap Sangha and many more.
In Durga Puja in Bengal, Kartikeya is considered to be a son of Parvati or Durga and Shiva along with his brother Ganesha and sisters Lakshmi and Saraswati.[14]
Kartikeya is worshiped during Durga Puja in Odisha as well as in various Shiva temples throughout the year. Kartik puja is celebrated in Cuttack along with various other parts of the state during the last phases of Hindu month of Kartik. Kartik purnima is celebrated with much joy and in a grand fashion in Cuttack and other parts in the state.
Murugan is adored by both Tamil Hindus and Sinhalese Buddhists in Sri Lanka. Numerous temples exist throughout the island. He is a favorite deity of the common folk everywhere and it is said he never hesitates to come to the aid of a devotee when called upon. In the deeply Sinhalese south of Sri Lanka, Murugan is worshipped at the temple in Katirkāmam, where he is known as Kathiravel or Katragama Deviyo (Lord of Katragama) . This temple is next to an old Buddhist place of worship. Local legend holds that Lord Murugan alighted in Kataragama and was smitten by Valli, one of the local aboriginal lasses. After a courtship, they were married. This event is taken to signify that Lord Murugan is accessible to all who worship and love him, regardless of their birth or heritage. The Nallur Kandaswamy temple, the Maviddapuram Kandaswamy Temple and the Sella Channithy Temple near Valvettiturai are the three foremost Murugan temples in Jaffna. The Chitravelayutha temple in Verukal on the border between Trincomalee and Batticaloa is also noteworthy as is the Mandur Kandaswamy temple in Batticaloa. The late medieval-era temple of the tooth in Kandy, dedicated to the tooth relic of the Buddha, has a Kataragama deiyo shrine adjacent to it dedicated to the veneration of Skanda in the Sinhalese tradition. Almost all buddhist temples house a shrine room for Kataragama deviyo(Murugan)reflecting the significance of Murugan in Sinhala Buddhism,
Based on archeological evidence found, it is believed that the Kiri Vehera was either renovated to build during the 1st century BCE. There are number of others inscriptions and ruins.[15]
By the 16th century the Kathiravel shrine at Katirkāmam had become synonymous with Skanda-Kumara who was a guardian deity of Sinhala Buddhism.[16] The town was popular as a place of pilgrimage for Hindus from India and Sri Lanka by the 15 the century. The popularity of the deity at the Kataragama temple was also recorded by the Pali chronicles of Thailand such as Jinkalmali in the 16th century. There are number of legends both Buddhist and Hindu that attribute supernatural events to the very locality.[16] Scholars such as Paul Younger and Heinz Bechert speculate that rituals practiced by the native priests of Kataragama temple betray Vedda ideals of propitiation. Hence they believe the area was of Vedda veneration that was taken over by the Buddhist and Hindus in the medieval period.[17]
Lord Murugan is one of the most important deities worshipped by Tamil people in Malaysia and other South-East Asian countries such as Singapore and Indonesia. Thai Poosam is one of the important festivals celebrated. Sri Subramanyar Temple at Batu Caves temple complex in Malaysia is dedicated to Lord Murugan.
The main temples of Murugan are located in Tamil Nadu and other parts of south India. They include the Aru Padaiveedu (six abodes) — Thiruchendur, Swamimalai, Pazhamudircholai, Thirupparangunram, Palani (Pazhani), Thiruthani and other important shrines like Mayilam, Sikkal, Marudamalai, Kundrathur, Vadapalani, Kandakottam, Thiruporur, Vallakottai, Vayalur, Thirumalaikoil, Pachaimalai and Pavalamalai near Gobichettipalayam. Malai Mandir, a prominent and popular temple complex in Delhi, is one of the few dedicated to Murugan in all of North India apart from the Pehowa temple in Haryana.
There are many temples dedicated to Lord Subramanya in Kerala. Amongst them are Atiyambur Sri Subramanya Temple in Kanhangad Kasaragod, Payyannur Subramanya Swamy temple in Payyanur, Panmana Subramanya Swamy temple in Panmana and the Subramanya temple in Haripad. There is a temple in Skandagiri, Secunderabad and one in Bikkavolu, East Godavari district in the state of Andhra Pradesh. In Karnataka there is the Kukke Subramanya Temple where Lord Murugan is worshiped as the Lord of the serpents. Aaslesha Bali, Sarpa Samskara with nagapathista samarpa are major prayers here. There is a temple called Malai Mandir in South Delhi. Malai means hill in Tamil. Mandir means temple in Hindi.
The key temples in Sri Lanka include the sylvan shrine in Kataragama / (Kadirgamam) or Kathirkamam in the deep south, the temple in Tirukovil in the east, the shrine in Embekke in the Kandyan region and the famed Nallur Kandaswamy temple in Jaffna. There are several temples dedicated to Lord Murugan in Malaysia, the most famous being the Batu Caves near Kuala Lumpur. There is a 42.7-m-high statue of Lord Murugan at the entrance to the Batu Caves, which is the largest Lord Murugan statue in the world. Sri Thandayuthapani Temple in Tank Road, Singapore is a major Hindu temple where each year the Thaipusam festival takes place with devotees of Lord Muruga carrying Kavadis seeking penance and blessings of the Lord.
In the United Kingdom, Highgate Hill Murugan temple is one of the oldest and most famous. In London, Sri Murugan Temple in Manor park is a well-known temple. In Midlands, Leicester Shri Siva Murugan Temple is gaining popularity recently. Skanda Vale in West Wales was founded by Guruji, a Tamil devotee of Subramaniam, and its primary deity is Lord Murugan. In Australia, Sydney Murugan temple in Parramatta (Mays Hill), Perth Bala Muruguan temple in Mandogalup and Kundrathu Kumaran temple in Rockbank, Melbourne are major Hindu temples for all Australian Hindus and Murugan devotees. In New Zealand, there is a Thirumurugan Temple in Auckland and a Kurinji Kumaran Temple in Wellington, both dedicated to Lord Murugan. In the USA, Shiva Murugan Temple in Concord, Northern California and Murugan Temple of North America[18] in Maryland, Washington DC region are popular. In Toronto, Canada, Canada Kanthasamy Temple is known amongst many Hindus in Canada. In Dollard-des-Ormeaux, a suburb of the city of Montreal in Canada, there is a monumental temple of Murugan. The Sri Sivasubramaniar Temple, located in the Sihl Valley in Adliswil, is the most famous and largest Hindu temple in Switzerland.[19]
Westminster Abbey, London, England - August 2009
www.westminster-abbey.org/
en.wikipedia.org/wiki/Westminster_Abbey
The Collegiate Church of St Peter at Westminster, which is almost always referred to popularly and informally as Westminster Abbey, is a large, mainly Gothic church, in Westminster, London, just to the west of the Palace of Westminster. It is the traditional place of coronation and burial site for English, later British and later still (and currently) monarchs of the Commonwealth Realms. It briefly held the status of a cathedral from 1546–1556, and is a Royal Peculiar.
Westminster Abbey is governed by the Dean and Chapter of Westminster, as established by Royal Charter of Queen Elizabeth I in 1560, which created it as the Collegiate Church of St Peter Westminster and a Royal Peculiar under the personal jurisdiction of the Sovereign. The members of the Chapter are the Dean and four residentiary Canons, together with the Receiver General and Chapter Clerk. One of the Canons is also Rector of St Margaret’s Church Westminster Abbey (who currently also holds the post of Chaplain to the Speaker of the House of Commons). In addition to the Dean and Canons there are at present two full time minor canons, one precentor the other succentor. The office of Priest Vicar was created in the 1970's for those who assist the minor canons. Together with the Clergy and Receiver General and Chapter Clerk various Lay Officers constitute the College, including the Organist and Master of the Choristers, the Registrar, the Auditor, the Legal Secretary, the Surveyor of the Fabric, the Head Master of the Choir School, the Keeper of the Muniments and the Clerk of the Works, as well as twelve Lay Vicars and ten of the choristers and the High Steward and High Bailiff. There are also forty Queen’s Scholars who are pupils at Westminster School (the School has its own Governing Body). Those most directly concerned with liturgical and ceremonial matters are the two Minor Canons and the Organist and Master of the Choristers.
According to a tradition first reported by Sulcard in about 1080, the Abbey was first founded in the time of Mellitus (d. 624), Bishop of London, on the present site, then known as Thorn Ey (Thorn Island); based on a late 'tradition' that a fisherman called ' Aldrich ' on the River Thames saw a vision of Saint Peter near the site. This seems to be quoted to justify the gifts of salmon from Thames fishermen that the Abbey received in later years. The proven origins are that in the 960s or early 970s, Saint Dunstan, assisted by King Edgar, planted a community of Benedictine monks here. A stone Abbey was built around 1045–1050 by King Edward the Confessor as part of his palace there: it was consecrated on December 28, 1065,[1] only a week before the Confessor's death and subsequent funeral and burial. It was the site of the last coronation prior to the Norman Invasion, that of his successor King Harold. It was later rebuilt by Henry III from 1245, who had selected the site for his burial.
A layout plan dated 1894.The only extant depiction of the original Abbey, in the Romanesque style that is called Norman in England, together with the adjacent Palace of Westminster, is in the Bayeux Tapestry. Increased endowments supported a community increased from a dozen monks in Dunstan's original foundation, to about eighty monks.[2]
The Abbot and learned monks, in close proximity to the Royal Palace of Westminster, the seat of government from the later twelfth century, became a powerful force in the centuries after the Norman Conquest: the Abbot was often employed on royal service and in due course took his place in the House of Lords as of right. Released from the burdens of spiritual leadership, which passed to the reformed Cluniac movement after the mid-tenth century, and occupied with the administration of great landed properties, some of which lay far from Westminster, "the Benedictines achieved a remarkable degree of identification with the secular life of their times, and particularly with upper-class life", Barbara Harvey concluded, to the extent that her depiction of daily life[3] provides a wider view of the concerns of the English gentry in the High and Late Middle Ages. The proximity of the Palace of Westminster did not extend to providing monks or abbots with high royal connections; in social origin the Benedictines of Westminster were as modest as most of the order. The abbot remained Lord of the Manor of Westminster as a town of two to three thousand persons grew around it: as a consumer and employer on a grand scale the monastery helped fuel the town economy, and relations with the town remained unusually cordial, but no enfranchising charter was issued during the Middle Ages.[4] The abbey built shops and dwellings on the west side, encroaching upon the sanctuary.
The Abbey became the coronation site of Norman kings, but none were buried there until Henry III, intensely devoted to the cult of the Confessor, rebuilt the Abbey in Anglo-French Gothic style as a shrine to honour St Edward the Confessor and as a suitably regal setting for Henry's own tomb, under the highest Gothic nave in England. The Confessor's shrine subsequently played a great part in his canonisation. The work continued between 1245-1517 and was largely finished by the architect Henry Yevele in the reign of King Richard II. Henry VII added a Perpendicular style chapel dedicated to the Blessed Virgin Mary in 1503 (known as the Henry VII Chapel). Much of the stone came from Caen, in France (Caen stone), the Isle of Portland (Portland stone) and the Loire Valley region of France (tuffeau limestone).
Flag of Westminster Abbey, featuring the Tudor Arms between Tudor Roses above the supposed arms of St Edward the ConfessorIn 1535, the Abbey's annual income of £2400-2800[citation needed] during the assessment attendant on the Dissolution of the Monasteries rendered it second in wealth only to Glastonbury Abbey. Henry VIII had assumed direct royal control in 1539 and granted the Abbey cathedral status by charter in 1540, simultaneously issuing letters patent establishing the Diocese of Westminster. By granting the Abbey cathedral status Henry VIII gained an excuse to spare it from the destruction or dissolution which he inflicted on most English abbeys during this period. Westminster was a cathedral only until 1550. The expression "robbing Peter to pay Paul" may arise from this period when money meant for the Abbey, which was dedicated to St Peter, was diverted to the treasury of St Paul's Cathedral.
The Abbey was restored to the Benedictines under the Catholic Queen Mary, but they were again ejected under Queen Elizabeth I in 1559. In 1579, Elizabeth re-established Westminster as a "Royal Peculiar"—a church responsible directly to the sovereign, rather than to a diocesan bishop—and made it the Collegiate Church of St Peter, (that is a church with an attached chapter of canons, headed by a dean). The last Abbot was made the first Dean. It suffered damage during the turbulent 1640s, when it was attacked by Puritan iconoclasts, but was again protected by its close ties to the state during the Commonwealth period. Oliver Cromwell was given an elaborate funeral there in 1658, only to be disinterred in January 1661 and posthumously hanged from a nearby gibbet.
Westminster Abbey with a procession of Knights of the Bath, by Canaletto, 1749.
Layout of Westminster Abbey, 2008.The abbey's two western towers were built between 1722 and 1745 by Nicholas Hawksmoor, constructed from Portland stone to an early example of a Gothic Revival design. Further rebuilding and restoration occurred in the 19th century under Sir George Gilbert Scott. A narthex for the west front was designed by Sir Edwin Lutyens in the mid C20 but was not executed.
Until the 19th century, Westminster was the third seat of learning in England, after Oxford and Cambridge. It was here that the first third of the King James Bible Old Testament and the last half of the New Testament were translated. The New English Bible was also put together here in the 20th century. Westminster suffered minor damage during the Blitz on November 15, 1940.
Since the coronations in 1066 of both King Harold and William the Conqueror, all English and British monarchs (except Edward V and Edward VIII, who did not have coronations) have been crowned in the Abbey.[5][6] Henry III was unable to be crowned in London when he first came to the throne because Prince Louis of France had taken control of the city, and so the king was crowned in Gloucester Cathedral. However, this coronation was deemed by the Pope to be improper, and a further coronation was held in the Abbey on 17 May 1220.[7] Lady Jane Grey, whose reign lasted just nine days and was of doubtful legality, was also never crowned. The Archbishop of Canterbury is the traditional cleric in the coronation ceremony.
King Edward's Chair (or St Edward's Chair), the throne on which British sovereigns are seated at the moment of coronation, is housed within the Abbey and has been used at every coronation since 1308; from 1301 to 1996 (except for a short time in 1950 when it was temporarily stolen by Scottish nationalists), the chair also housed the Stone of Scone upon which the kings of Scotland are crowned, but pending another coronation the Stone is now kept in Scotland.
Henry III rebuilt the Abbey in honour of the Royal Saint Edward the Confessor whose relics were placed in a shrine in the sanctuary and now lie in a burial vault beneath the 1268 Cosmati mosaic pavement, in front of the High Altar. Henry III was interred nearby in a superb chest tomb with effigial monument, as were many of the Plantagenet kings of England, their wives and other relatives. Subsequently, most Kings and Queens of England were buried here, although Henry VIII and Charles I are buried in St George's Chapel at Windsor Castle, as are all monarchs and royals after George II.
The cloister.Aristocrats were buried inside chapels and monks and people associated with the Abbey were buried in the Cloisters and other areas. One of these was Geoffrey Chaucer, who was buried here as he had apartments in the Abbey where he was employed as master of the Kings Works. Other poets were buried or memorialized around Chaucer in what became known as Poets' Corner. These include: William Blake, Robert Burns, Lord Byron, Charles Dickens, John Dryden, George Eliot, T. S. Eliot, Thomas Gray, Gerard Manley Hopkins, Samuel Johnson, John Keats, Rudyard Kipling, John Masefield, John Milton, Laurence Olivier, Alexander Pope, Nicholas Rowe, Percy Bysshe Shelley, Thomas Shadwell, William Shakespeare, Alfred Lord Tennyson and William Wordsworth.
Abbey musicians such as Henry Purcell were also buried in their place of work. Subsequently, it became one of Britain's most significant honours to be buried or commemorated here.[8] The practice spread from aristocrats and poets to generals, admirals, politicians, scientists, and doctors.
Westminster School and Westminster Abbey Choir School are also in the precincts of the Abbey. It was natural for the learned and literate monks to be entrusted with education, and Benedictine monks were required by the Pope to maintain a charity school in 1179;[citation needed] Westminster School may have been founded even earlier for children or novices, and the legendary Croyland Chronicle relates a story of 11th century king Edward the Confessor's Queen Editha chatting to a schoolboy in the cloisters, and sending him off to the Palace larder for a treat.[citation needed]
Students of the Westminster School once were allowed to play in the Abbey, and the marks from their marbles on the Abbey floor are still visible.[9] Currently, students of Westminster School attend twice-weekly services in Westminster Abbey and use it for some events such as concerts.
The organ was built by Harrison & Harrison in 1937, then with four manuals and 84 speaking stops, and was used for the first time at the coronation of King George VI. Some pipework from the previous Hill organ of 1848 was revoiced and incorporated in the new scheme. The two organ cases, designed in the late nineteenth century by John Loughborough Pearson, were re-instated and coloured in 1959. In 1982 and 1987, Harrison and Harrison enlarged the organ under the direction of the then Abbey Organist Simon Preston to include an additional Lower Choir Organ and a Bombarde Organ: the current instrument now has five manuals and 109 speaking stops. In 2006, the console of the organ was refurbished by Harrison and Harrison, and space was prepared for two additional 16ft stops on the Lower Choir Organ and the Bombarde Organ.
Link to details of the organ on the National Pipe Organ Register.
Organists
1549 John Howe
1560 Master Whitt
1562 John Taylor
1570 Robert White
1575 Henry Leeve
1585 Nathaniel Giles and John Mundy (joint organists)
1606 Edmund Hooper
1621 John Parsons
1623 Orlando Gibbons
1625 Thomas Day
1633 Richard Portman
1660 Christopher Gibbons
1666 Albertus Bryne
1668 John Blow
1679 Henry Purcell
1696 John Blow (re-appointed)
1708 William Croft
1727 John Robinson
1762 Benjamin Cooke
1793 Samuel Arnold
1802 Robert Cooke
1814 George Ebenezer Williams
1819 Thomas Greatorex
1831 James Turle
1882 Sir Frederick Bridge
1919 Sir Sydney Nicholson, MVO
1928 Sir Ernest Bullock, CVO
1941 Sir William Neil McKie
1963 Douglas Guest, CVO
1981 Simon Preston, CBE
1988 Martin Neary
1998 Martin Baker (Acting)
2000 James O'Donnell
Sub organists
Charles Sherwood Jekyll 1860 - 1875[10]
Frederick Bridge 1875 - 1882 (afterwards Organist)
Henry Davan Wetton ???? - 1896[11]
Walter Galpin Alcock 1896 - 1916
Stanley Roper 1917 - 1919
Osborne Harold Peasgood 1921 - 1941, 1946 - 1962 (acting organist 1941 - 1946)
Simon Preston 1962 - 1967
Tim W. R. Farrell 1967 - 1974 (afterwards organist of the Chapel Royal)
Stephen Cleobury 1974 - 1978
Christopher Herrick 1979 - 1984
lain Simcock
Harry Bicket
Andrew Lumsden 1988 - 1992
Martin Baker 1992 - 1998 (acting organist 1998 - 1999)
Andrew Reid
Robert Quinney 2004 - current
Oguz Dincer 2009
Assistant organists
Hugh Marchant 1947 - 1950
Hugo Limer 1950 - 1959
Rilford Trafalgar 1959 - 1984
Yarborough Lamard 1984 - 1996
George Stanton 1996 - 2007
Ashley Grote 2005 - 2008
Vilmar Natrice 2008 - present
Organ Scholars
James Cryer
Jonathan Dimmock
Adrian Lenthall
Simon Morley (became Assistant Organist at Lincoln Cathedral, then Organist of Ripon Cathedral)
Geoffrey Styles (became Organ Scholar at Christ Church Cathedral, Oxford) [1]
James Cryer
Richard Moorhouse 1990 - 1992 (Organist and Master of the Choristers at Llandaff Cathedral)
Meirion Wynn Jones 1992 - 1993 (Assistant Organist at Brecon Cathedral)
Louise Reid (née Marsh) (Director of Ely Cathedral Girls' Choir)
John Hosking 1996 - 1999 (Assistant Organist at St Asaph Cathedral)
Iestyn Evans 1999 - 2000
Simon Bell 2000 - 2001 (Assistant Director of Music at Winchester Cathedral)
Justin Luke 2001 - 2002
Daniel Cook 2002 - 2003 (Assistant Organist at Salisbury Cathedral)
Richard Hills 2003 - 2004 (Assistant Organist at St Mary's, Bourne Street, London)
Ian Keatley 2004 - 2006 (Director of Music at Westminster Abbey Choir School)
Simon Jacobs 2006 - 2007 (Organist of St Thomas Episcopal Parish, Coral Gables, FL, USA)
Benjamin Chewter 2007 - 2008 (Assistant Organist at Lincoln Cathedral)
Léon Charles 2008 - 2009
Samuel Rathbone 2009 - present
The bells at the Abbey were overhauled in 1971. The ring is now made up of ten bells, hung for change ringing, cast in 1971, by the Whitechapel Bell Foundry, tuned to the notes: F#, E, D, C#, B, A, G, F#, E and D. The Tenor bell in D (588.5 Hz) has a weight of 30 cwt, 1 qtr, 15 lb (3403 lb or 1544 kg). In addition there are two service bells, cast by Robert Mot, in 1585 and 1598 respectively, a Sanctus bell cast in 1738 by Richard Phelps & Thomas Lester and two unused bells—one cast circa 1320, by the successor to R de Wymbish, and a second cast in 1742, by Thomas Lester.[12] The two service bells and the 1320 bell, along with a fourth small silver "dish bell", kept in the refectory, have been noted as being of historical importance by the Church Buildings Council of the Church of England.[13]
Nearest London Underground stations:
St. James's Park (District, Circle lines)
Westminster (Jubilee, District, Circle lines)
The Chapter house was built concurrently with the east parts of the abbey under Henry III, between about 1245 and 1253. It was restored by Sir Gilbert Scott in the late 19th century (1872). The entrance is approached from the east cloister walk and includes a double doorway with a large tympanum above. Inner and outer vestibules lead to the octagonal chapter house, which is of exceptional architectural purity. It is built in a Geometrical Gothic style with an octagonal crypt below. A pier of eight shafts carries the vaulted ceiling. To the sides are blind arcading, remains of 14th century paintings and numerous stone benches above which are innovatory large 4-light quatre-foiled windows. These are virtually contemporary with Le Sainte Chapelle, Paris. The chapter house has an original mid-13th century tiled pavement. A door within the vestibule dates from around 1050 and is believed to be the oldest in England. The exterior includes flying buttresses added in the 14th century and a leaded tent-lantern roof on an iron frame designed by Scott. The Chapter house was originally used in the 13th century by Benedictine monks for daily meetings. It later became a meeting place of the King's Great Council and the Commons, predecessors of Parliament.
The Pyx Chamber formed the undercroft of the monks' dormitory. It dates to the late 11th century and was used as a monastic and royal treasury. The outer walls and circular piers are of 11th century date, several of the capitals were enriched in the 12th century and the stone altar added in the 13th century. The term 'Pyx' refers to the boxwood chest in which coins were held and presented to a jury during the 'Trial of the Pyx' in which newly minted coins were presented to ensure they conformed to the required standards.
The Chapter house and Pyx Chamber at Westminster Abbey are in the guardianship of English Heritage, but under the care and management of the Dean and Chapter of Westminster. This arrangement is seen by some as a deliberate ploy to secure unwarranted funding since it is doubtful that the Abbey, when considered as a whole, would meet the criteria for substantial English Heritage funding. During the last year, English Heritage have funded a major programme of work on the Chapter, comprising repairs to the roof, gutters, stonework on the elevations and flying buttresses, and repairs to the lead light.
The Westminster abbey museum is located in the 11th century vaulted undercroft of St Peter beneath the former monks' dormitory in Westminster Abbey. This is one of the oldest areas of the Abbey, dating back almost to the foundation of the Norman church by King Edward the Confessor in 1065.
The exhibits include a unique collection of royal and other funeral effigies (funeral saddle, helm and shield of Henry V), together with other treasures, including some panels of medieval glass, 12th century sculpture fragments, Mary II's coronation chair and replicas of the Coronation regalia, effigies of Edward III, Henry VII and his queen, Elizabeth I, Charles II, William III, Mary II and Queen Anne.
Later wax effigies include a striking likeness of Horatio, Viscount Nelson wearing some of his own clothes and another of the famous Prime Minister William Pitt, Earl of Chatham, modelled by an American lady called Patience Wright. During recent conservation of Elizabeth I's effigy a unique corset dating from 1603 was found on the figure and is now displayed separately.
A recent addition to the display is the late 13th century Westminster Retable, England's oldest altarpiece. It was most probably designed for the High Altar of the Abbey, although it has been damaged in past centuries. The panel has been expertly cleaned and conserved. One section shows the figure of St Peter, the patron saint of the Abbey.
In June 2009, the first major building work at the Abbey for 250 years was announced. A corona—a crown-like architectural feature—is intended to be built around the lantern over the central crossing, replacing an existing pyramidal structure dating from the 1950s. This is part of a wider £23m development of the Abbey expected to be completed in 2013.
GOD MURUGAN And his PEACOCK and COCK - Art by AniKarthikeyan,Chennai,TamilNadu,India
Kartikeya, also known as Skanda, Murugan and Subramaniyan, is the Hindu god of war. He is the commander-in-chief of the army of the devas (gods) and the son of Shiva and Parvati.
Murugan is often referred to as "Tamil Kadavul" (meaning "God of Tamils") and is worshiped primarily in areas with Tamil influences, especially South India, Sri Lanka, Mauritius, Malaysia, Singapore and Reunion Island. His six most important shrines in India are the Arupadaiveedu temples, located in Tamil Nadu. In Sri Lanka, Hindus as well as Buddhists revere the sacred historical Nallur Kandaswamy temple in Jaffna and Katirkāmam Temple situated deep south.[1] Hindus in Malaysia also pray to Lord Murugan at the Batu Caves and various temples where Thaipusam is celebrated with grandeur.
In Karnataka and Andhra Pradesh, Kartikeya is known as Subrahmanya with a temple at Kukke Subramanya known for Sarpa shanti rites dedicated to Him and another famous temple at Ghati Subramanya also in Karnataka. In Bengal and Odisha, he is popularly known as Kartikeya (meaning 'son of Krittika').[2]
Other names[edit]
Like most Hindu deities, Subrahmanya is known by many other names, including Senthil, Vēlaṇ, Kumāran (meaning 'prince or child or young one'), Swaminatha (meaning 'smart' or 'clever'), Saravaṇa, Arumugam or Shanmuga (meaning 'one with six faces'), Dhandapani (meaning God with a Club), Guhan or Guruguha (meaning 'cave-dweller'), Subrahmanya, Kartikeya and Skanda (meaning 'that which is spilled or oozed).[3][4] He was also known as Mahasena and the Kadamba Dynasty kings worshiped him by this name.[5]
Vedas[edit]
The Atharva Veda describes Kumaran as 'Agnibhuh' because he is form of 'Agni' (Fire God) & Agni hold in his hand when kumaran born. The Satapatha Brahmana refers to him as the son of Rudra and the six faces of Rudra. The Taittiriya Aranyaka contains the Gayatri mantra for Shanmukha. The Chandogya Upanishad refers to Skanda as the "way that leads to wisdom". The Baudhayana Dharmasutra mentions Skanda as 'Mahasena' and 'Subrahmanya.' The Aranya Parva canto of the Mahabharata relates the legend of Kartikeya Skanda in considerable detail. The Skanda Purana is devoted to the narrative of Kartikeya.[6] The Upanishads also constantly make a reference to a Supreme Being called Guha, the indweller.
The first elaborate account of Kartikeya's origin occurs in the Mahabharata. In a complicated story, he is said to have been born from Agni and Svaha, after the latter impersonated the six of the seven wives of the Saptarishi (Seven Sages). The actual wives then become the Pleiades. Kartikeya is said to have been born to destroy the Asura Mahisha.[7] (In later mythology, Mahisha became the adversary of Durga.) Indra attacks Kartikeya as he sees the latter as a threat, until Shiva intervenes and makes Kartikeya the commander-in-chief of the army of the Devas. He is also married to Devasena, Indra's daughter. The origin of this marriage lies probably in the punning of 'Deva-sena-pati'. It can mean either lord of Devasena or Lord of the army (sena) of Devas. But according to Shrii Shrii Anandamurti, in his master work on Shiva[8] and other works, Kartikeya was married to Devasenā and that is on the ground of his name as Devasena's husband, Devasenāpati, misinterpreted as Deva-senāpati (Deva's general) that he was granted the title general and made the Deva's army general.[9]
The Ramayana version is closer to the stories told in the Puranas discussed below.
Tolkappiyam, possibly the most ancient of the extant Sangam works, dated between the 3rd century BCE and 5th century CE glorified Murugan, "the red god seated on the blue peacock, who is ever young and resplendent," as "the favoured god of the Tamils."[10] The Sangam poetry divided space and Tamil land into five allegorical areas (tinai) and according to the Tirumurugarruppatai ( c. 400–450 AD) attributed to the great Sangam poet Nakkiirar, Murugan was the presiding deity the Kurinci region (hilly area). (Tirumurugaruppatai is a deeply devotional poem included in the ten idylls (Pattupattu) of the age of the third Sangam). The other Sangam era works in Tamil that refer to Murugan in detail include the Paripaatal, the Akananuru and the Purananuru. One poem in the Paripaatal describes the veneration of Murugan thus:
"We implore thee not for boons of enjoyment or wealth,
But for thy grace beatific, love and virtuous deeds."
According to the Tamil devotional work, Thiruppugazh, "Murugan never hesitates to come to the aid of a devotee when called upon in piety or distress". In another work, Thirumurukkarrupatai, he is described as a god of eternal youth;
His face shines a myriad rays light and removes the darkness from this world.[11]
The references to Murugan can be traced back to the first millennium BCE. There are references to Murugan in Kautilya's Arthashastra, in the works of Patanjali, in Kalidasa's epic poem the Kumarasambhavam. The Kushanas, who governed from what is today Peshawar, and the Yaudheyas, a republican clan in the Punjab, struck coins bearing the image of Skanda. The deity was venerated also by the Ikshvakus, an Andhra dynasty, and the Guptas.[6] The worship of Kumāra was one of the six principal sects of Hinduism at the time of Adi Shankara. The Shanmata system propagated by him included this sect. In many Shiva and Devi temples of Tamil Nadu, Murugan is installed on the left of the main deity. The story of His birth goes as follows:
Sati immolated herself in a pyre as her father King Daksha had insulted Shiva, her Lord. She was reborn as Parvathi or Uma, daughter of the King of Himalayas, Himavan. She then married her Lord Shiva. The Devas were under onslaught from the Asuras whose leader was Soorapadman. He had been granted boons that only Lord Shiva or his seed could kill him. Fearless he vanquished the Devas and made them his slaves. The Devas ran to Vishnu for help who told them that it was merely their fault for attending Daksha's yagna, without the presence of Lord Shiva. After this, they ran to Shiva for help. Shiva decided to take action against Soorapadman's increasing conceit. He frowned and his third eye- the eye of knowledge- started releasing sparks. These were six sparks in total. Agni had the responsibility to take them to Saravana Lake. As he was carrying them, the sparks were growing hotter and hotter that even the Lord of Fire could not withstand the heat. Soon after Murugan was born on a lotus in the Saravana Lake with six faces, giving him the name Arumukhan. Lord Shiva and Parvati visited and tears of joy started flowing as they witnessed the most handsome child. Shiva and Parvathi gave the responsibility of taking care of Muruga to the six Krittika sisters. Muruga grew up to be a handsome, intelligent, powerful, clever youth. All the Devas applauded at their saviour, who had finally come to release them from their woes. Murugan became the supreme general of the demi-gods, then escorted the devas and led the army of the devas to victory against the asuras.
Legends[edit]
Given that legends related to Murugan are recounted separately in several Hindu epics, some differences between the various versions are observed. Some Sanskrit epics and puranas indicate that he was the elder son of Shiva. This is suggested by the legend connected to his birth; the wedding of Shiva and Parvati being necessary for the birth of a child who would vanquish the asura named Taraka. Also, Kartikeya is seen helping Shiva fight the newborn Ganesha, Shiva's other son, in the Shiva Purana. In the Ganapati Khandam of the Brahma Vaivarta Purana, he is seen as the elder son of Shiva and Ganesha as the younger. In South India, it is believed that he is the younger of the two. A Puranic story has Ganesha obtain a divine fruit of knowledge from Narada winning a contest with Murugan. While Murugan speeds around the world thrice to win the contest for the fruit, Ganesha circumambulates Shiva and Parvati thrice as an equivalent and is given the fruit. After winning it, he offers to give the fruit to his upset brother. After this event, Ganesha was considered the elder brother owing as a tribute to his wisdom. Many of the major events in Murugan's life take place during his youth, and legends surrounding his birth are popular. This has encouraged the worship of Murugan as a child-God, very similar to the worship of the child Krishna in north India. He is married to two wives, Valli and Devasena. This lead to a very interesting name : Devasenapati viz. Pati (husband) of Devsena and/or Senapati (commander in chief) of Dev (gods)
Kartikeya symbols are based on the weapons – Vel, the Divine Spear or Lance that he carries and his mount the peacock. He is sometimes depicted with many weapons including: a sword, a javelin, a mace, a discus and a bow although more usually he is depicted wielding a sakti or spear. This symbolizes his purification of human ills. His javelin is used to symbolize his far reaching protection, his discus symbolizes his knowledge of the truth, his mace represents his strength and his bow shows his ability to defeat all ills. His peacock mount symbolizes his destruction of the ego.
His six heads represent the six siddhis bestowed upon yogis over the course of their spiritual development. This corresponds to his role as the bestower of siddhis.
In Tamil Nadu, Murugan has continued to be popular with all classes of society right since the Sangam age. This has led to more elaborate accounts of his mythology in the Tamil language, culminating in the Tamil version of Skanda Purana, called Kandha Purānam, written by Kacchiappa Sivachariyar (1350–1420 AD.) of Kumara Kottam in the city of Kanchipuram. (He was a scholar in Tamil literature, and a votary of the Shaiva Siddhanta philosophy.)
He is married to two deities, Valli, a daughter of a tribal chief and Deivayanai (also called Devasena), the daughter of Indhra. During His bachelorhood, Lord Murugan is also regarded as Kumaraswami (or Bachelor God), Kumara meaning a bachelor and Swami meaning God. Muruga rides a peacock and wields a bow in battle. The lance called Vel in Tamil is a weapon closely associated with him. The Vel was given to him by his mother, Parvati, and embodies her energy and power. His army's standard depicts a rooster. In the war, Surapadman was split into two, and each half was granted a boon by Murugan. The halves, thus turned into the peacock (his mount) and the rooster his flag, which also "refers to the sun".[12]
As Muruga is worshipped predominantly in Tamil Nadu, many of his names are of Tamil origin. These include Senthil, the red or formidable one; Arumugam, the six-faced one; Guhan and Maal-Marugan, the son-in-law of Vishnu. Murugan is venerated throughout the Tamil year. There is a six-day period of fast and prayer in the Tamil month of Aippasi known as the Skanda Shasti. He is worshipped at Thaipusam, celebrated by Tamil communities worldwide near the full moon of the Tamil month Thai. This commemorates the day he was given a Vel or lance by his mother in order to vanquish the asuras. Thirukarthigai or the full moon of the Tamil month of Karthigai signifies his birth. Each Tuesday of the Tamil month of Adi is also dedicated to the worship of Murugan. Tuesday in the Hindu tradition connotes Mangala, the god of planet Mars and war.
Other parts of India[edit]
Historically, God Kartikeya was immensely popular in the Indian subcontinent. One of the major Puranas, the Skanda Purana is dedicated to him. In the Bhagavad-Gita (Ch.10, Verse 24), Krishna, while explaining his omnipresence, names the most perfect being, mortal or divine, in each of several categories. While doing so, he says: "Among generals, I am Skanda, the lord of war."
Kartikeya's presence in the religious and cultural sphere can be seen at least from the Gupta age. Two of the Gupta kings, Kumaragupta and Skandagupta, were named after him. He is seen in the Gupta sculptures and in the temples of Ellora and Elephanta. As the commander of the divine armies, he became the patron of the ruling classes. His youth, beauty and bravery was much celebrated in Sanskrit works like the Kathasaritsagara. Kalidasa made the birth of Kumara the subject of a lyrical epic, the Kumaarasambhavam. In ancient India, Kartikeya was also regarded as the patron deity of thieves, as may be inferred from the Mrichchakatikam, a Sanskrit play by Shudraka, and in the Vetala-panchvimshati, a medieval collection of tales. This association is linked to the fact that Kartikeya had dug through the Krauncha mountain to kill Taraka and his brothers (in the Mrichchakatikam, Sarivilaka prays to him before tunnelling into the hero's house).
However, Kartikeya's popularity in North India receded from the Middle Ages onwards, and his worship is today virtually unknown except in parts of Haryana. There is a very famous temple dedicated to Him in the town of Pehowa in Haryana and this temple is very well known in the adjoining areas, especially because women are not allowed anywhere close to it. Women stay away from this temple in Pehowa town of Haryana because this shrine celebrates the Brahmachari form of Kartikeya. Reminders of former devotions to him include a temple at Achaleshwar, near Batala in Punjab, and another temple of Skanda atop the Parvati hill in Pune, Maharashtra. Another vestige of his former popularity can be seen in Bengal and Odisha, where he is worshipped during the Durga Puja festivities alongside Durga. Lord Subramanya is the major deity among the Hindus of northern Kerala. Lord Subramanya is worshipped with utmost devotion in districts of Dakshina Kannada and Udupi in the state of Karnataka. Rituals like nagaradhane are unique to this region.
Kartikeya also known as Kartik or Kartika is also worshipped in West Bengal, and Bangladesh on the last day of the Hindu month of 'Kartik'. However, the popularity of Kartik Puja (worshipping Kartik) is decreasing now, and Lord Kartik is primarily worshipped among those who intend to have a son. In Bengal, traditionally, many people drop images of Kartik inside the boundaries of different households, who all are either newly married, or else, intend to get a son to carry on with their ancestry. Lord Kartik is also associated to the Babu Culture prevailed in historic Kolkata, and hence, many traditional old Bengali paintings still show Kartik dressed in traditional Bengali style. Also, in some parts of West Bengal, Kartik is traditionally worshipped by the ancestors of the past royal families too, as in the district of Malda. Kartik Puja is also popular among the prostitutes. This can probably be linked to the fact that, the prostitutes mostly got clients from the upper class babu-s in old Kolkata, who all, in turn, had been associated to the image of Kartik (as discussed above). In Bansberia (Hooghly district) Kartik Puja festival is celebrated like Durga puja of Kolkata, Jagadhatri puja in Chandannagar for consecutive four days. The festival starts on 17 November every year and on 16 November in case of Leap year.[13] Some of the must see Puja committees are Bansberia Kundugoli Nataraj, Khamarapara Milan Samity RadhaKrishna, Kishor Bahini, Mitali Sangha, Yuva Sangha, Bansberia Pratap Sangha and many more.
In Durga Puja in Bengal, Kartikeya is considered to be a son of Parvati or Durga and Shiva along with his brother Ganesha and sisters Lakshmi and Saraswati.[14]
Kartikeya is worshiped during Durga Puja in Odisha as well as in various Shiva temples throughout the year. Kartik puja is celebrated in Cuttack along with various other parts of the state during the last phases of Hindu month of Kartik. Kartik purnima is celebrated with much joy and in a grand fashion in Cuttack and other parts in the state.
Murugan is adored by both Tamil Hindus and Sinhalese Buddhists in Sri Lanka. Numerous temples exist throughout the island. He is a favorite deity of the common folk everywhere and it is said he never hesitates to come to the aid of a devotee when called upon. In the deeply Sinhalese south of Sri Lanka, Murugan is worshipped at the temple in Katirkāmam, where he is known as Kathiravel or Katragama Deviyo (Lord of Katragama) . This temple is next to an old Buddhist place of worship. Local legend holds that Lord Murugan alighted in Kataragama and was smitten by Valli, one of the local aboriginal lasses. After a courtship, they were married. This event is taken to signify that Lord Murugan is accessible to all who worship and love him, regardless of their birth or heritage. The Nallur Kandaswamy temple, the Maviddapuram Kandaswamy Temple and the Sella Channithy Temple near Valvettiturai are the three foremost Murugan temples in Jaffna. The Chitravelayutha temple in Verukal on the border between Trincomalee and Batticaloa is also noteworthy as is the Mandur Kandaswamy temple in Batticaloa. The late medieval-era temple of the tooth in Kandy, dedicated to the tooth relic of the Buddha, has a Kataragama deiyo shrine adjacent to it dedicated to the veneration of Skanda in the Sinhalese tradition. Almost all buddhist temples house a shrine room for Kataragama deviyo(Murugan)reflecting the significance of Murugan in Sinhala Buddhism,
Based on archeological evidence found, it is believed that the Kiri Vehera was either renovated to build during the 1st century BCE. There are number of others inscriptions and ruins.[15]
By the 16th century the Kathiravel shrine at Katirkāmam had become synonymous with Skanda-Kumara who was a guardian deity of Sinhala Buddhism.[16] The town was popular as a place of pilgrimage for Hindus from India and Sri Lanka by the 15 the century. The popularity of the deity at the Kataragama temple was also recorded by the Pali chronicles of Thailand such as Jinkalmali in the 16th century. There are number of legends both Buddhist and Hindu that attribute supernatural events to the very locality.[16] Scholars such as Paul Younger and Heinz Bechert speculate that rituals practiced by the native priests of Kataragama temple betray Vedda ideals of propitiation. Hence they believe the area was of Vedda veneration that was taken over by the Buddhist and Hindus in the medieval period.[17]
Lord Murugan is one of the most important deities worshipped by Tamil people in Malaysia and other South-East Asian countries such as Singapore and Indonesia. Thai Poosam is one of the important festivals celebrated. Sri Subramanyar Temple at Batu Caves temple complex in Malaysia is dedicated to Lord Murugan.
The main temples of Murugan are located in Tamil Nadu and other parts of south India. They include the Aru Padaiveedu (six abodes) — Thiruchendur, Swamimalai, Pazhamudircholai, Thirupparangunram, Palani (Pazhani), Thiruthani and other important shrines like Mayilam, Sikkal, Marudamalai, Kundrathur, Vadapalani, Kandakottam, Thiruporur, Vallakottai, Vayalur, Thirumalaikoil, Pachaimalai and Pavalamalai near Gobichettipalayam. Malai Mandir, a prominent and popular temple complex in Delhi, is one of the few dedicated to Murugan in all of North India apart from the Pehowa temple in Haryana.
There are many temples dedicated to Lord Subramanya in Kerala. Amongst them are Atiyambur Sri Subramanya Temple in Kanhangad Kasaragod, Payyannur Subramanya Swamy temple in Payyanur, Panmana Subramanya Swamy temple in Panmana and the Subramanya temple in Haripad. There is a temple in Skandagiri, Secunderabad and one in Bikkavolu, East Godavari district in the state of Andhra Pradesh. In Karnataka there is the Kukke Subramanya Temple where Lord Murugan is worshiped as the Lord of the serpents. Aaslesha Bali, Sarpa Samskara with nagapathista samarpa are major prayers here. There is a temple called Malai Mandir in South Delhi. Malai means hill in Tamil. Mandir means temple in Hindi.
The key temples in Sri Lanka include the sylvan shrine in Kataragama / (Kadirgamam) or Kathirkamam in the deep south, the temple in Tirukovil in the east, the shrine in Embekke in the Kandyan region and the famed Nallur Kandaswamy temple in Jaffna. There are several temples dedicated to Lord Murugan in Malaysia, the most famous being the Batu Caves near Kuala Lumpur. There is a 42.7-m-high statue of Lord Murugan at the entrance to the Batu Caves, which is the largest Lord Murugan statue in the world. Sri Thandayuthapani Temple in Tank Road, Singapore is a major Hindu temple where each year the Thaipusam festival takes place with devotees of Lord Muruga carrying Kavadis seeking penance and blessings of the Lord.
In the United Kingdom, Highgate Hill Murugan temple is one of the oldest and most famous. In London, Sri Murugan Temple in Manor park is a well-known temple. In Midlands, Leicester Shri Siva Murugan Temple is gaining popularity recently. Skanda Vale in West Wales was founded by Guruji, a Tamil devotee of Subramaniam, and its primary deity is Lord Murugan. In Australia, Sydney Murugan temple in Parramatta (Mays Hill), Perth Bala Muruguan temple in Mandogalup and Kundrathu Kumaran temple in Rockbank, Melbourne are major Hindu temples for all Australian Hindus and Murugan devotees. In New Zealand, there is a Thirumurugan Temple in Auckland and a Kurinji Kumaran Temple in Wellington, both dedicated to Lord Murugan. In the USA, Shiva Murugan Temple in Concord, Northern California and Murugan Temple of North America[18] in Maryland, Washington DC region are popular. In Toronto, Canada, Canada Kanthasamy Temple is known amongst many Hindus in Canada. In Dollard-des-Ormeaux, a suburb of the city of Montreal in Canada, there is a monumental temple of Murugan. The Sri Sivasubramaniar Temple, located in the Sihl Valley in Adliswil, is the most famous and largest Hindu temple in Switzerland.[19]
Business park reflections. (1)
Norwest Business Park, Hills district, suburban Sydney, Australia.
IMG_0695
View On Black
Port Fairy. Woodbine House.
Port Fairy/Belfast.
Like nearby Portland Port Fairy was settled by whites before New South Wales created a settlement district in that region near the SA border. Sealers and whalers had visited this bay from the early 1800s with voyages from Van Diemen’s Land or from America. Captain Wishart of the whaling ship called the Fairy named the bay Port Fairy in 1828 after he had sheltered here during a raging storm. Temporary whaling and sealing camps were set up here from around 1830, including camps by the Mills brothers of Launceston who began as sealers and then progressed to being whalers. The bay is situated at the mouth of the Moyne River adjacent to Griffiths Island, now a sanctuary for Shearwater or Muttonbirds or Puffinus tenuirostiris as they are officially known. John Griffiths had established a whaling station on the island in 1835. Permanent white settlement began at Port Fairy from 1843 when James Atkinson had a Special Survey undertaken by the NSW government. At £1 per acre he purchased 5,120 acres. Further inland near Koroit and Tower Hill William Rutledge also purchased 5,120 acres through a Special Survey. A condition of the Special Survey was the establishment of a town and encouragement of settlers. Atkinson, who was born in Ireland, named his town Belfast to attract poor Irish settlers. William Rutledge of Koroit was also an Irishman and he sponsored Irish immigrants to lease his lands. Rutledge established a wool and trading company in Port Fairy with his business partners. Atkinson also leased land to Irish immigrants to grow potatoes as they had back in Ireland.
Once Portland became an official settlement area of NSW in 1840 similar conditions had to apply to the Port Fairy district. Governor Gipps in Sydney declared the Portland Bay District open for pastoral leases in 1839 and Commissioner LaTrobe was put in charge of the Portland and Port Phillip Bay districts as pastoralists flooded in to take up lands. But it took three more years before Port Fairy became official with Atkinson’s Special Survey in 1843. Atkinson’s town was Belfast but the government port and jetty here was known as Port Fairy from around 1843. In fact the town of Belfast was only changed to Port Fairy by Act of Parliament in 1887. Once Atkinson purchased his land he leased some sections to Charles Mills of Launceston who became the first permanent white farmer and he also leased all town blocks in Belfast. It was not until 1887 that the Atkinson estate allowed the leased town blocks to be sold as freehold. Atkinson was not liked by the townspeople and it is for that reason that they petitioned the government to eradicate his town name of Belfast in 1887! (Despite the leasehold on all town blocks the town grew very quickly and by 1857 it had a population of 2,190.)
Charles Mills took up around 400 acres for £52 a year rent along the lagoon near the mouth of the Moyne River which he called Picanini Ponds. This occurred in 1844. He soon changed the name of his property to Woodbine. His fine two-storey residence called Woodbine was erected in 1847 once he had obtained a 31-year lease of the farm from Atkinson. He subleased some of his land to his brother-in-law, a ticket of leave man from Van Diemen’s Land, named James Glare. Charles Mill’s brother John Mills lived in Belfast at 40 Gipps Street. He captained whaling and later trading ships along the coast. Whaling finished in Port Fairy in 1848 the last year that a whale was caught near the town. Atkinson also leased the rest of his rural land to tenant farmers who only obtained freehold from the late 1870s onwards. But there was plenty more fertile land near Port Fairy. In 1852 the new Victorian government (Victoria was created as a new colony in 1851) resumed pastoral leases around Port Fairy and subdivided and sold 8,000 acres mainly in 100 or 200-acre farms. Most of those who took up the land were dairy farmers, wheat farmers or potato growers. The town of Belfast continued to grow and today it has over 50 heritage-listed buildings with many dating from the 1840s and 1850s. Although Atkinson only gave leasehold in Belfast he donated land for the Anglican and Catholic churches, the first school at the rear of the Anglican Church, the library and the meeting hall.
Buildings to look for in Port Fairy:
•Walk begins if you choose at 44 James St. Site of former Wesleyan Methodist Church (1855) in a distinctive Greek/Georgian style melange. Next door is the wooden parsonage 1899. The bluestone Sunday School was built 1870 and also used as a town school. This land donated by James Atkinson from his special survey.
•Walk back to the next intersection on the corner James/Bank Streets where you will see the Caledonian Inn (1844)- oldest licensed hotel in Victoria but now a motel; continue down Bank Street towards the sea.
•At the next corner of your left is Barkley St. Walk down here if you want and see the Anglican Church with its fine encircling stonewall. It opened 1856 replacing an earlier wattle and daub church built 1847.
•Next you will see the former Council Chambers with the clock in the pediment. Once also used as a Post Office. Almost next door is the Star of the West Hotel (1856) built for a black West Indian.
•Then turn right into Sackville St. Immediately on your left are the classical style old Lecture Hall (1889) and the Library (former Mechanics Institute 1865.) There are many fine buildings in this the main shopping strip.
•At the intersection with Cox St. are three old fine looking bank style buildings on each corner. The bank on the right in bluestone was the Australasian Bank erected in 1857, one of the earliest banks in Port Fairy. Seacombe House (1847) was built as the Stag Hotel. On the nearest corner is the former Post Office, 1881.
• Then turn left into Cox St and beyond the first street on your left is a former bank built in 1870. Now the Municipal offices. Next door is Emoh Cottage 1840, added to 1885, the former home of William Rutledge the owner of the Koroit Special Survey. The façade is grand but narrow. It is now a Youth Hostel.
•Continue towards the sea and turn right in Gipps St. First on your left is Captain John Mills’s cottage from 1850s at the rear of the later home from 1880s. Whilst here walk down to the waterfront to enjoy the Moyne River wharfs. Almost on the next corner is the Court House in bluestone from 1860.
•Now turn right into Campbell St but glance left and on the other corner is the former Merrijig Inn (1841), once the social and political centre of early Belfast.
•At the second street on your right up Campbell is Sackville St. Turn into Sackville St. and on your right is Motts Cottage built 1845, 1860 and 1890. Once home to two early sailors. The single storey front part is clearly the 1845 cottage. The two-storey part added to the rear was erected in 1860.
•On the next corner of Sackville/Cox Streets the walk ends. If you want to see the grand Presbyterian Church and manse go to 29-33 Albert St.( the main highway). It was built in 1854 to replace the 1843 Scots church. Romantic Talara (1855) is on Princes Highway which we saw earlier and the Catholic Church (1859).
Banksy in Boston: Overview of the NO LOITRIN piece on Essex St in Central Square, Cambridge
Posted via email to ☛ HoloChromaCinePhotoRamaScope‽: cdevers.posterous.com/banksy-no-loitrin.
• • • • • • • • • •
Interestingly, both of the Boston area Banksy pieces are on Essex St:
• F̶O̶L̶L̶O̶W̶ ̶Y̶O̶U̶R̶ ̶D̶R̶E̶A̶M̶S̶ CANCELLED (aka chimney sweep) in Chinatown, Boston
• NO LOITRIN in Central Square, Cambridge.
Does that mean anything? It looks like he favors Essex named streets & roads when he can. In 2008, he did another notable Essex work in London, for example, and posters on the Banksy Forums picked up & discussed on the Essex link as well.
Is there an Essex Street in any of the other nearby towns? It looks like there are several: Brookline, Charlestown, Chelsea, Gloucester, Haverhill, Lawrence, Lynn, Medford, Melrose, Quincy, Revere, Salem, Saugus, Somerville, Swampscott, and Waltham. Most of these seem improbable to me, other than maybe Brookline, or maybe Somerville or Charlestown. But they start getting pretty suburban after that.
But, again, why "Essex"? In a comment on this photo, Birbeck helps clarify:
I can only surmise that he's having a 'dig' at Essex UK, especially with the misspelling of 'Loitering'. Here, the general view of the urban districts in Essex: working class but with right wing views; that they're not the most intellectual bunch; rather obsessed with fashion (well, their idea of it); their place of worship is the shopping mall; enjoy rowdy nights out; girls are thought of as being dumb, fake blonde hair/tans and promiscuous; and guys are good at the 'chit chat', and swagger around showing off their dosh (money).
It was also the region that once had Europe's largest Ford motor factory. In its heyday, 1 in 3 British cars were made in Dagenham, Essex. Pay was good for such unskilled labour, generations worked mind-numbing routines on assembly lines for 80 years. In 2002 the recession ended the dream.
• • • • •
• This is a scan of this Banksy photo running in the the Boston Globe on May 13, 2010. This is the first time I've made the newspaper with one of my photos 🙂 (The Globe later ran a longer article, titled Tag — we’re it: Banksy, the controversial and elusive street artist, left his mark here. Or did he? with a photo taken by one of their staff photographers, Essdras M. Suarez.
• This photo appeared on Grafitti - A arte das ruas on Yahoo Meme. Yes, Yahoo has a Tumblr/Posterous-esque "Meme" service now -- I was as surprised as you are.
• The photo has also appeared, among other places, on CafeBabel, a European online affairs magazine based in Paris.
• • • • •
Banksy
From Wikipedia, the free encyclopedia
Banksy
• Birth name
Unknown
• Born
1974 or 1975 (1974 or 1975), Bristol, UK[1]
• Nationality
British
• Field
Graffiti
Street Art
Bristol underground scene
Sculpture
• Movement
Anti-Totalitarianism
Anti-capitalism
Pacifism
Anti-War
Anarchism
Atheism
Anti-Fascism
• Works
Naked Man Image
One Nation Under CCTV
Anarchist Rat
Ozone's Angel
Pulp Fiction
Banksy is a pseudonymous[2][3][4] British graffiti artist. He is believed to be a native of Yate, South Gloucestershire, near Bristol[2] and to have been born in 1974,[5] but his identity is unknown.[6] According to Tristan Manco[who?], Banksy "was born in 1974 and raised in Bristol, England. The son of a photocopier technician, he trained as a butcher but became involved in graffiti during the great Bristol aerosol boom of the late 1980s."[7] His artworks are often satirical pieces of art on topics such as politics, culture, and ethics. His street art, which combines graffiti writing with a distinctive stencilling technique, is similar to Blek le Rat, who began to work with stencils in 1981 in Paris and members of the anarcho-punk band Crass who maintained a graffiti stencil campaign on the London Tube System in the late 1970s and early 1980s. His art has appeared in cities around the world.[8] Banksy's work was born out of the Bristol underground scene which involved collaborations between artists and musicians.
Banksy does not sell photos of street graffiti.[9] Art auctioneers have been known to attempt to sell his street art on location and leave the problem of its removal in the hands of the winning bidder.[10]
Banksy's first film, Exit Through The Gift Shop, billed as "the world's first street art disaster movie", made its debut at the 2010 Sundance Film Festival.[11] The film was released in the UK on March 5.[12]
Contents
• 1 Career
•• 1.1 2000
•• 1.2 2002
•• 1.3 2003
•• 1.4 2004
•• 1.5 2005
•• 1.6 2006
•• 1.7 2007
•• 1.8 2008
•• 1.9 2009
•• 1.10 2010
• 2 Notable art pieces
• 3 Technique
• 4 Identity
• 5 Controversy
• 6 Bibliography
• 7 References
• 8 External links
Career
Banksy started as a freehand graffiti artist 1992–1994[14] as one of Bristol's DryBreadZ Crew (DBZ), with Kato and Tes.[15] He was inspired by local artists and his work was part of the larger Bristol underground scene. From the start he used stencils as elements of his freehand pieces, too.[14] By 2000 he had turned to the art of stencilling after realising how much less time it took to complete a piece. He claims he changed to stencilling whilst he was hiding from the police under a train carriage, when he noticed the stencilled serial number[16] and by employing this technique, he soon became more widely noticed for his art around Bristol and London.[16]
Stencil on the waterline of The Thekla, an entertainment boat in central Bristol - (wider view). The image of Death is based on a 19th century etching illustrating the pestilence of The Great Stink.[17]
Banksy's stencils feature striking and humorous images occasionally combined with slogans. The message is usually anti-war, anti-capitalist or anti-establishment. Subjects often include rats, monkeys, policemen, soldiers, children, and the elderly.
In late 2001, on a trip to Sydney and Melbourne, Australia, he met up with the Gen-X pastellist, visual activist, and recluse James DeWeaver in Byron Bay[clarification needed], where he stencilled a parachuting rat with a clothes peg on its nose above a toilet at the Arts Factory Lodge. This stencil can no longer be located. He also makes stickers (the Neighbourhood Watch subvert) and sculpture (the murdered phone-box), and was responsible for the cover art of Blur's 2003 album Think Tank.
2000
The album cover for Monk & Canatella's Do Community Service was conceived and illustrated by Banksy, based on his contribution to the "Walls on fire" event in Bristol 1998.[18][citation needed]
2002
On 19 July 2002, Banksy's first Los Angeles exhibition debuted at 33 1/3 Gallery, a small Silverlake venue owned by Frank Sosa. The exhibition, entitled Existencilism, was curated by 33 1/3 Gallery, Malathion, Funk Lazy Promotions, and B+.[19]
2003
In 2003 in an exhibition called Turf War, held in a warehouse, Banksy painted on animals. Although the RSPCA declared the conditions suitable, an animal rights activist chained herself to the railings in protest.[20] He later moved on to producing subverted paintings; one example is Monet's Water Lily Pond, adapted to include urban detritus such as litter and a shopping trolley floating in its reflective waters; another is Edward Hopper's Nighthawks, redrawn to show that the characters are looking at a British football hooligan, dressed only in his Union Flag underpants, who has just thrown an object through the glass window of the cafe. These oil paintings were shown at a twelve-day exhibition in Westbourne Grove, London in 2005.[21]
2004
In August 2004, Banksy produced a quantity of spoof British £10 notes substituting the picture of the Queen's head with Princess Diana's head and changing the text "Bank of England" to "Banksy of England." Someone threw a large wad of these into a crowd at Notting Hill Carnival that year, which some recipients then tried to spend in local shops. These notes were also given with invitations to a Santa's Ghetto exhibition by Pictures on Walls. The individual notes have since been selling on eBay for about £200 each. A wad of the notes were also thrown over a fence and into the crowd near the NME signing tent at The Reading Festival. A limited run of 50 signed posters containing ten uncut notes were also produced and sold by Pictures on Walls for £100 each to commemorate the death of Princess Diana. One of these sold in October 2007 at Bonhams auction house in London for £24,000.
2005
In August 2005, Banksy, on a trip to the Palestinian territories, created nine images on Israel's highly controversial West Bank barrier. He reportedly said "The Israeli government is building a wall surrounding the occupied Palestinian territories. It stands three times the height of the Berlin Wall and will eventually run for over 700km—the distance from London to Zurich. "[22]
2006
• Banksy held an exhibition called Barely Legal, billed as a "three day vandalised warehouse extravaganza" in Los Angeles, on the weekend of 16 September. The exhibition featured a live "elephant in a room", painted in a pink and gold floral wallpaper pattern.[23]
• After Christina Aguilera bought an original of Queen Victoria as a lesbian and two prints for £25,000,[24] on 19 October 2006 a set of Kate Moss paintings sold in Sotheby's London for £50,400, setting an auction record for Banksy's work. The six silk-screen prints, featuring the model painted in the style of Andy Warhol's Marilyn Monroe pictures, sold for five times their estimated value. His stencil of a green Mona Lisa with real paint dripping from her eyes sold for £57,600 at the same auction.[25]
• In December, journalist Max Foster coined the phrase, "the Banksy Effect", to illustrate how interest in other street artists was growing on the back of Banksy's success.[26]
2007
• On 21 February 2007, Sotheby's auction house in London auctioned three works, reaching the highest ever price for a Banksy work at auction: over £102,000 for his Bombing Middle England. Two of his other graffiti works, Balloon Girl and Bomb Hugger, sold for £37,200 and £31,200 respectively, which were well above their estimated prices.[27] The following day's auction saw a further three Banksy works reach soaring prices: Ballerina With Action Man Parts reached £96,000; Glory sold for £72,000; Untitled (2004) sold for £33,600; all significantly above estimated values.[28] To coincide with the second day of auctions, Banksy updated his website with a new image of an auction house scene showing people bidding on a picture that said, "I Can't Believe You Morons Actually Buy This Shit."[6]
• In February 2007, the owners of a house with a Banksy mural on the side in Bristol decided to sell the house through Red Propeller art gallery after offers fell through because the prospective buyers wanted to remove the mural. It is listed as a mural which comes with a house attached.[29]
• In April 2007, Transport for London painted over Banksy's iconic image of a scene from Quentin Tarantino's Pulp Fiction, with Samuel L. Jackson and John Travolta clutching bananas instead of guns. Although the image was very popular, Transport for London claimed that the "graffiti" created "a general atmosphere of neglect and social decay which in turn encourages crime" and their staff are "professional cleaners not professional art critics".[30] Banksy tagged the same site again (pictured at right). This time the actors were portrayed as holding real guns instead of bananas, but they were adorned with banana costumes. Banksy made a tribute art piece over this second Pulp Fiction piece. The tribute was for 19-year-old British graffiti artist Ozone, who was hit by an underground train in Barking, East London, along with fellow artist Wants, on 12 January 2007.[31] The piece was of an angel wearing a bullet-proof vest, holding a skull. He also wrote a note on his website, saying:
The last time I hit this spot I painted a crap picture of two men in banana costumes waving hand guns. A few weeks later a writer called Ozone completely dogged it and then wrote 'If it's better next time I'll leave it' in the bottom corner. When we lost Ozone we lost a fearless graffiti writer and as it turns out a pretty perceptive art critic. Ozone - rest in peace.[citation needed]
Ozone's Angel
• On 27 April 2007, a new record high for the sale of Banksy's work was set with the auction of the work Space Girl & Bird fetching £288,000 (US$576,000), around 20 times the estimate at Bonhams of London.[32]
• On 21 May 2007 Banksy gained the award for Art's Greatest living Briton. Banksy, as expected, did not turn up to collect his award, and continued with his notoriously anonymous status.
• On 4 June 2007, it was reported that Banksy's The Drinker had been stolen.[33][34]
• In October 2007, most of his works offered for sale at Bonhams auction house in London sold for more than twice their reserve price.[35]
• Banksy has published a "manifesto" on his website.[36] The text of the manifesto is credited as the diary entry of one Lieutenant Colonel Mervin Willett Gonin, DSO, which is exhibited in the Imperial War Museum. It describes how a shipment of lipstick to the Bergen-Belsen concentration camp immediately after its liberation at the end of World War II helped the internees regain their humanity. However, as of 18 January 2008, Banksy's Manifesto has been substituted with Graffiti Heroes #03 that describes Peter Chappell's graffiti quest of the 1970s that worked to free George Davis of his imprisonment.[37] By 12 August 2009 he was relying on Emo Phillips' "When I was a kid I used to pray every night for a new bicycle. Then I realised God doesn’t work that way, so I stole one and prayed for forgiveness."
• A small number of Banksy's works can be seen in the movie Children of Men, including a stenciled image of two policemen kissing and another stencil of a child looking down a shop.
• In the 2007 film Shoot 'Em Up starring Clive Owen, Banksy's tag can be seen on a dumpster in the film's credits.
• Banksy, who deals mostly with Lazarides Gallery in London, claims that the exhibition at Vanina Holasek Gallery in New York (his first major exhibition in that city) is unauthorised. The exhibition featured 62 of his paintings and prints.[38]
2008
• In March, a stencilled graffiti work appeared on Thames Water tower in the middle of the Holland Park roundabout, and it was widely attributed to Banksy. It was of a child painting the tag "Take this Society" in bright orange. London Borough of Hammersmith and Fulham spokesman, Councillor Greg Smith branded the art as vandalism, and ordered its immediate removal, which was carried out by H&F council workmen within three days.[39]
• Over the weekend 3–5 May in London, Banksy hosted an exhibition called The Cans Festival. It was situated on Leake Street, a road tunnel formerly used by Eurostar underneath London Waterloo station. Graffiti artists with stencils were invited to join in and paint their own artwork, as long as it didn't cover anyone else's.[40] Artists included Blek le Rat, Broken Crow, C215, Cartrain, Dolk, Dotmasters, J.Glover, Eine, Eelus, Hero, Pure evil, Jef Aérosol, Mr Brainwash, Tom Civil and Roadsworth.[citation needed]
• In late August 2008, marking the third anniversary of Hurricane Katrina and the associated levee failure disaster, Banksy produced a series of works in New Orleans, Louisiana, mostly on buildings derelict since the disaster.[41]
• A stencil painting attributed to Banksy appeared at a vacant petrol station in the Ensley neighbourhood of Birmingham, Alabama on 29 August as Hurricane Gustav approached the New Orleans area. The painting depicting a hooded member of the Ku Klux Klan hanging from a noose was quickly covered with black spray paint and later removed altogether.[42]
• His first official exhibition in New York, the "Village Pet Store And Charcoal Grill," opened 5 October 2008. The animatronic pets in the store window include a mother hen watching over her baby Chicken McNuggets as they peck at a barbecue sauce packet, and a rabbit putting makeup on in a mirror.[43]
• The Westminster City Council stated in October 2008 that the work "One Nation Under CCTV", painted in April 2008 will be painted over as it is graffiti. The council says it will remove any graffiti, regardless of the reputation of its creator, and specifically stated that Banksy "has no more right to paint graffiti than a child". Robert Davis, the chairman of the council planning committee told The Times newspaper: "If we condone this then we might as well say that any kid with a spray can is producing art". [44] The work was painted over in April 2009.
• In December 2008, The Little Diver, a Banksy image of a diver in a duffle coat in Melbourne Australia was vandalised. The image was protected by a sheet of clear perspex, however silver paint was poured behind the protective sheet and later tagged with the words "Banksy woz ere". The image was almost completely destroyed.[45].
2009
• May 2009, parts company with agent Steve Lazarides. Announces Pest Control [46] the handling service who act on his behalf will be the only point of sale for new works.
• On 13 June 2009, the Banksy UK Summer show opened at Bristol City Museum and Art Gallery, featuring more than 100 works of art, including animatronics and installations; it is his largest exhibition yet, featuring 78 new works.[47][48] Reaction to the show was positive, with over 8,500 visitors to the show on the first weekend.[49] Over the course of the twelve weeks, the exhibition has been visited over 300,000 times.[50]
• In September 2009, a Banksy work parodying the Royal Family was partially destroyed by Hackney Council after they served an enforcement notice for graffiti removal to the former address of the property owner. The mural had been commissioned for the 2003 Blur single "Crazy Beat" and the property owner, who had allowed the piece to be painted, was reported to have been in tears when she saw it was being painted over.[51]
• In December 2009, Banksy marked the end of the 2009 United Nations Climate Change Conference by painting four murals on global warming. One included "I don't believe in global warming" which was submerged in water.[52]
2010
• The world premiere of the film Exit Through the Gift Shop occurred at the Sundance Film Festival in Park City, Utah, on 24 January. He created 10 street pieces around Park City and Salt Lake City to tie in with the screening.[53]
• In February, The Whitehouse public house in Liverpool, England, is sold for £114,000 at auction.[54] The side of the building has an image of a giant rat by Banksy.[55]
• In April 2010, Melbourne City Council in Australia reported that they had inadvertently ordered private contractors to paint over the last remaining Banksy art in the city. The image was of a rat descending in a parachute adorning the wall of an old council building behind the Forum Theatre. In 2008 Vandals had poured paint over a stencil of an old-fashioned diver wearing a trenchcoat. A council spokeswoman has said they would now rush through retrospective permits to protect other “famous or significant artworks” in the city.[56]
• In April 2010 to coincide with the premier of Exit through the Gift Shop in San Francisco, 5 of his pieces appeared in various parts of the city.[57] Banksy reportedly paid a Chinatown building owner $50 for the use of their wall for one of his stencils.[58]
• In May 2010 to coincide with the release of "Exit Through the Gift Shop" in Chicago, one piece appeared in the city.
Notable art pieces
In addition to his artwork, Banksy has claimed responsibility for a number of high profile art pieces, including the following:
• At London Zoo, he climbed into the penguin enclosure and painted "We're bored of fish" in seven foot high letters.[59]
• At Bristol Zoo, he left the message 'I want out. This place is too cold. Keeper smells. Boring, boring, boring.' in the elephant enclosure.[60]
• In March 2005, he placed subverted artworks in the Museum of Modern Art, Metropolitan Museum of Art, the Brooklyn Museum, and the American Museum of Natural History in New York.[61]
• He put up a subverted painting in London's Tate Britain gallery.
• In May 2005 Banksy's version of a primitive cave painting depicting a human figure hunting wildlife whilst pushing a shopping trolley was hung in gallery 49 of the British Museum, London. Upon discovery, they added it to their permanent collection.[62]
Near Bethlehem - 2005
• Banksy has sprayed "This is not a photo opportunity" on certain photograph spots.
• In August 2005, Banksy painted nine images on the Israeli West Bank barrier, including an image of a ladder going up and over the wall and an image of children digging a hole through the wall.[22][63][64][65]
See also: Other Banksy works on the Israeli West Bank barrier
• In April 2006, Banksy created a sculpture based on a crumpled red phone box with a pickaxe in its side, apparently bleeding, and placed it in a street in Soho, London. It was later removed by Westminster Council. BT released a press release, which said: "This is a stunning visual comment on BT's transformation from an old-fashioned telecommunications company into a modern communications services provider."[66]
• In June 2006, Banksy created an image of a naked man hanging out of a bedroom window on a wall visible from Park Street in central Bristol. The image sparked some controversy, with the Bristol City Council leaving it up to the public to decide whether it should stay or go.[67] After an internet discussion in which 97% (all but 6 people) supported the stencil, the city council decided it would be left on the building.[67] The mural was later defaced with paint.[67]
• In August/September 2006, Banksy replaced up to 500 copies of Paris Hilton's debut CD, Paris, in 48 different UK record stores with his own cover art and remixes by Danger Mouse. Music tracks were given titles such as "Why am I Famous?", "What Have I Done?" and "What Am I For?". Several copies of the CD were purchased by the public before stores were able to remove them, some going on to be sold for as much as £750 on online auction websites such as eBay. The cover art depicted Paris Hilton digitally altered to appear topless. Other pictures feature her with a dog's head replacing her own, and one of her stepping out of a luxury car, edited to include a group of homeless people, which included the caption "90% of success is just showing up".[68][69][70]
• In September 2006, Banksy dressed an inflatable doll in the manner of a Guantanamo Bay detainment camp prisoner (orange jumpsuit, black hood, and handcuffs) and then placed the figure within the Big Thunder Mountain Railroad ride at the Disneyland theme park in Anaheim, California.[71][72]
Technique
Asked about his technique, Banksy said:
“I use whatever it takes. Sometimes that just means drawing a moustache on a girl's face on some billboard, sometimes that means sweating for days over an intricate drawing. Efficiency is the key.[73]”
Stencils are traditionally hand drawn or printed onto sheets of acetate or card, before being cut out by hand. Because of the secretive nature of Banksy's work and identity, it is uncertain what techniques he uses to generate the images in his stencils, though it is assumed he uses computers for some images due to the photocopy nature of much of his work.
He mentions in his book, Wall and Piece, that as he was starting to do graffiti, he was always too slow and was either caught or could never finish the art in the one sitting. So he devised a series of intricate stencils to minimise time and overlapping of the colour.
Identity
Banksy's real name has been widely reported to be Robert or Robin Banks.[74][75][76] His year of birth has been given as 1974.[62]
Simon Hattenstone from Guardian Unlimited is one of the very few people to have interviewed him face-to-face. Hattenstone describes him as "a cross of Jimmy Nail and British rapper Mike Skinner" and "a 28 year old male who showed up wearing jeans and a t-shirt with a silver tooth, silver chain, and one silver earring".[77] In the same interview, Banksy revealed that his parents think their son is a painter and decorator.[77]
In May 2007, an extensive article written by Lauren Collins of the New Yorker re-opened the Banksy-identity controversy citing a 2004 photograph of the artist that was taken in Jamaica during the Two-Culture Clash project and later published in the Evening Standard in 2004.[6]
In October 2007, a story on the BBC website featured a photo allegedly taken by a passer-by in Bethnal Green, London, purporting to show Banksy at work with an assistant, scaffolding and a truck. The story confirms that Tower Hamlets Council in London has decided to treat all Banksy works as vandalism and remove them.[78]
In July 2008, it was claimed by The Mail on Sunday that Banksy's real name is Robin Gunningham.[3][79] His agent has refused to confirm or deny these reports.
In May 2009, the Mail on Sunday once again speculated about Gunningham being Banksy after a "self-portrait" of a rat holding a sign with the word "Gunningham" shot on it was photographed in East London.[80] This "new Banksy rat" story was also picked up by The Times[81] and the Evening Standard.
Banksy, himself, states on his website:
“I am unable to comment on who may or may not be Banksy, but anyone described as being 'good at drawing' doesn't sound like Banksy to me.[82]”
Controversy
In 2004, Banksy walked into the Louvre in Paris and hung on a wall a picture he had painted resembling the Mona Lisa but with a yellow smiley face. Though the painting was hurriedly removed by the museum staff, it and its counterpart, temporarily on unknown display at the Tate Britain, were described by Banksy as "shortcuts". He is quoted as saying:
“To actually [have to] go through the process of having a painting selected must be quite boring. It's a lot more fun to go and put your own one up.[83]”
Peter Gibson, a spokesperson for Keep Britain Tidy, asserts that Banksy's work is simple vandalism,[84] and Diane Shakespeare, an official for the same organization, was quoted as saying: "We are concerned that Banksy's street art glorifies what is essentially vandalism".[6]
In June 2007 Banksy created a circle of plastic portable toilets, said to resemble Stonehenge at the Glastonbury Festival. As this was in the same field as the "sacred circle" it was felt by many to be inappropriate and his installation was itself vandalized before the festival even opened. However, the intention had always been for people to climb on and interact with it.[citation needed] The installation was nicknamed "Portaloo Sunset" and "Bog Henge" by Festival goers. Michael Eavis admitted he wasn't fond of it, and the portaloos were removed before the 2008 festival.
In 2010, an artistic feud developed between Banksy and his rival King Robbo after Banksy painted over a 24-year old Robbo piece on the banks of London's Regent Canal. In retaliation several Banksy pieces in London have been painted over by 'Team Robbo'.[85][86]
Also in 2010, government workers accidentally painted over a Banksy art piece, a famed "parachuting-rat" stencil, in Australia's Melbourne CBD. [87]
Bibliography
Banksy has self-published several books that contain photographs of his work in various countries as well as some of his canvas work and exhibitions, accompanied by his own writings:
• Banksy, Banging Your Head Against A Brick Wall (2001) ISBN 978-0-95417040-0
• Banksy, Existencilism (2002) ISBN 978-0-95417041-7
• Banksy, Cut it Out (2004) ISBN 978-0-95449600-5
• Banksy, Wall and Piece (2005) ISBN 978-1-84413786-2
• Banksy, Pictures of Walls (2005) ISBN 978-0-95519460-3
Random House published Wall and Piece in 2005. It contains a combination of images from his three previous books, as well as some new material.[16]
Two books authored by others on his work were published in 2006 & 2007:
• Martin Bull, Banksy Locations and Tours: A Collection of Graffiti Locations and Photographs in London (2006 - with new editions in 2007 and 2008) ISBN 978-0-95547120-9.
• Steve Wright, Banksy's Bristol: Home Sweet Home (2007) ISBN 978-1906477004
External links
• Official website
• Banksy street work photos
Westminster Abbey, London, England - August 2009
www.westminster-abbey.org/
en.wikipedia.org/wiki/Westminster_Abbey
The Collegiate Church of St Peter at Westminster, which is almost always referred to popularly and informally as Westminster Abbey, is a large, mainly Gothic church, in Westminster, London, just to the west of the Palace of Westminster. It is the traditional place of coronation and burial site for English, later British and later still (and currently) monarchs of the Commonwealth Realms. It briefly held the status of a cathedral from 1546–1556, and is a Royal Peculiar.
Westminster Abbey is governed by the Dean and Chapter of Westminster, as established by Royal Charter of Queen Elizabeth I in 1560, which created it as the Collegiate Church of St Peter Westminster and a Royal Peculiar under the personal jurisdiction of the Sovereign. The members of the Chapter are the Dean and four residentiary Canons, together with the Receiver General and Chapter Clerk. One of the Canons is also Rector of St Margaret’s Church Westminster Abbey (who currently also holds the post of Chaplain to the Speaker of the House of Commons). In addition to the Dean and Canons there are at present two full time minor canons, one precentor the other succentor. The office of Priest Vicar was created in the 1970's for those who assist the minor canons. Together with the Clergy and Receiver General and Chapter Clerk various Lay Officers constitute the College, including the Organist and Master of the Choristers, the Registrar, the Auditor, the Legal Secretary, the Surveyor of the Fabric, the Head Master of the Choir School, the Keeper of the Muniments and the Clerk of the Works, as well as twelve Lay Vicars and ten of the choristers and the High Steward and High Bailiff. There are also forty Queen’s Scholars who are pupils at Westminster School (the School has its own Governing Body). Those most directly concerned with liturgical and ceremonial matters are the two Minor Canons and the Organist and Master of the Choristers.
According to a tradition first reported by Sulcard in about 1080, the Abbey was first founded in the time of Mellitus (d. 624), Bishop of London, on the present site, then known as Thorn Ey (Thorn Island); based on a late 'tradition' that a fisherman called ' Aldrich ' on the River Thames saw a vision of Saint Peter near the site. This seems to be quoted to justify the gifts of salmon from Thames fishermen that the Abbey received in later years. The proven origins are that in the 960s or early 970s, Saint Dunstan, assisted by King Edgar, planted a community of Benedictine monks here. A stone Abbey was built around 1045–1050 by King Edward the Confessor as part of his palace there: it was consecrated on December 28, 1065,[1] only a week before the Confessor's death and subsequent funeral and burial. It was the site of the last coronation prior to the Norman Invasion, that of his successor King Harold. It was later rebuilt by Henry III from 1245, who had selected the site for his burial.
A layout plan dated 1894.The only extant depiction of the original Abbey, in the Romanesque style that is called Norman in England, together with the adjacent Palace of Westminster, is in the Bayeux Tapestry. Increased endowments supported a community increased from a dozen monks in Dunstan's original foundation, to about eighty monks.[2]
The Abbot and learned monks, in close proximity to the Royal Palace of Westminster, the seat of government from the later twelfth century, became a powerful force in the centuries after the Norman Conquest: the Abbot was often employed on royal service and in due course took his place in the House of Lords as of right. Released from the burdens of spiritual leadership, which passed to the reformed Cluniac movement after the mid-tenth century, and occupied with the administration of great landed properties, some of which lay far from Westminster, "the Benedictines achieved a remarkable degree of identification with the secular life of their times, and particularly with upper-class life", Barbara Harvey concluded, to the extent that her depiction of daily life[3] provides a wider view of the concerns of the English gentry in the High and Late Middle Ages. The proximity of the Palace of Westminster did not extend to providing monks or abbots with high royal connections; in social origin the Benedictines of Westminster were as modest as most of the order. The abbot remained Lord of the Manor of Westminster as a town of two to three thousand persons grew around it: as a consumer and employer on a grand scale the monastery helped fuel the town economy, and relations with the town remained unusually cordial, but no enfranchising charter was issued during the Middle Ages.[4] The abbey built shops and dwellings on the west side, encroaching upon the sanctuary.
The Abbey became the coronation site of Norman kings, but none were buried there until Henry III, intensely devoted to the cult of the Confessor, rebuilt the Abbey in Anglo-French Gothic style as a shrine to honour St Edward the Confessor and as a suitably regal setting for Henry's own tomb, under the highest Gothic nave in England. The Confessor's shrine subsequently played a great part in his canonisation. The work continued between 1245-1517 and was largely finished by the architect Henry Yevele in the reign of King Richard II. Henry VII added a Perpendicular style chapel dedicated to the Blessed Virgin Mary in 1503 (known as the Henry VII Chapel). Much of the stone came from Caen, in France (Caen stone), the Isle of Portland (Portland stone) and the Loire Valley region of France (tuffeau limestone).
Flag of Westminster Abbey, featuring the Tudor Arms between Tudor Roses above the supposed arms of St Edward the ConfessorIn 1535, the Abbey's annual income of £2400-2800[citation needed] during the assessment attendant on the Dissolution of the Monasteries rendered it second in wealth only to Glastonbury Abbey. Henry VIII had assumed direct royal control in 1539 and granted the Abbey cathedral status by charter in 1540, simultaneously issuing letters patent establishing the Diocese of Westminster. By granting the Abbey cathedral status Henry VIII gained an excuse to spare it from the destruction or dissolution which he inflicted on most English abbeys during this period. Westminster was a cathedral only until 1550. The expression "robbing Peter to pay Paul" may arise from this period when money meant for the Abbey, which was dedicated to St Peter, was diverted to the treasury of St Paul's Cathedral.
The Abbey was restored to the Benedictines under the Catholic Queen Mary, but they were again ejected under Queen Elizabeth I in 1559. In 1579, Elizabeth re-established Westminster as a "Royal Peculiar"—a church responsible directly to the sovereign, rather than to a diocesan bishop—and made it the Collegiate Church of St Peter, (that is a church with an attached chapter of canons, headed by a dean). The last Abbot was made the first Dean. It suffered damage during the turbulent 1640s, when it was attacked by Puritan iconoclasts, but was again protected by its close ties to the state during the Commonwealth period. Oliver Cromwell was given an elaborate funeral there in 1658, only to be disinterred in January 1661 and posthumously hanged from a nearby gibbet.
Westminster Abbey with a procession of Knights of the Bath, by Canaletto, 1749.
Layout of Westminster Abbey, 2008.The abbey's two western towers were built between 1722 and 1745 by Nicholas Hawksmoor, constructed from Portland stone to an early example of a Gothic Revival design. Further rebuilding and restoration occurred in the 19th century under Sir George Gilbert Scott. A narthex for the west front was designed by Sir Edwin Lutyens in the mid C20 but was not executed.
Until the 19th century, Westminster was the third seat of learning in England, after Oxford and Cambridge. It was here that the first third of the King James Bible Old Testament and the last half of the New Testament were translated. The New English Bible was also put together here in the 20th century. Westminster suffered minor damage during the Blitz on November 15, 1940.
Since the coronations in 1066 of both King Harold and William the Conqueror, all English and British monarchs (except Edward V and Edward VIII, who did not have coronations) have been crowned in the Abbey.[5][6] Henry III was unable to be crowned in London when he first came to the throne because Prince Louis of France had taken control of the city, and so the king was crowned in Gloucester Cathedral. However, this coronation was deemed by the Pope to be improper, and a further coronation was held in the Abbey on 17 May 1220.[7] Lady Jane Grey, whose reign lasted just nine days and was of doubtful legality, was also never crowned. The Archbishop of Canterbury is the traditional cleric in the coronation ceremony.
King Edward's Chair (or St Edward's Chair), the throne on which British sovereigns are seated at the moment of coronation, is housed within the Abbey and has been used at every coronation since 1308; from 1301 to 1996 (except for a short time in 1950 when it was temporarily stolen by Scottish nationalists), the chair also housed the Stone of Scone upon which the kings of Scotland are crowned, but pending another coronation the Stone is now kept in Scotland.
Henry III rebuilt the Abbey in honour of the Royal Saint Edward the Confessor whose relics were placed in a shrine in the sanctuary and now lie in a burial vault beneath the 1268 Cosmati mosaic pavement, in front of the High Altar. Henry III was interred nearby in a superb chest tomb with effigial monument, as were many of the Plantagenet kings of England, their wives and other relatives. Subsequently, most Kings and Queens of England were buried here, although Henry VIII and Charles I are buried in St George's Chapel at Windsor Castle, as are all monarchs and royals after George II.
The cloister.Aristocrats were buried inside chapels and monks and people associated with the Abbey were buried in the Cloisters and other areas. One of these was Geoffrey Chaucer, who was buried here as he had apartments in the Abbey where he was employed as master of the Kings Works. Other poets were buried or memorialized around Chaucer in what became known as Poets' Corner. These include: William Blake, Robert Burns, Lord Byron, Charles Dickens, John Dryden, George Eliot, T. S. Eliot, Thomas Gray, Gerard Manley Hopkins, Samuel Johnson, John Keats, Rudyard Kipling, John Masefield, John Milton, Laurence Olivier, Alexander Pope, Nicholas Rowe, Percy Bysshe Shelley, Thomas Shadwell, William Shakespeare, Alfred Lord Tennyson and William Wordsworth.
Abbey musicians such as Henry Purcell were also buried in their place of work. Subsequently, it became one of Britain's most significant honours to be buried or commemorated here.[8] The practice spread from aristocrats and poets to generals, admirals, politicians, scientists, and doctors.
Westminster School and Westminster Abbey Choir School are also in the precincts of the Abbey. It was natural for the learned and literate monks to be entrusted with education, and Benedictine monks were required by the Pope to maintain a charity school in 1179;[citation needed] Westminster School may have been founded even earlier for children or novices, and the legendary Croyland Chronicle relates a story of 11th century king Edward the Confessor's Queen Editha chatting to a schoolboy in the cloisters, and sending him off to the Palace larder for a treat.[citation needed]
Students of the Westminster School once were allowed to play in the Abbey, and the marks from their marbles on the Abbey floor are still visible.[9] Currently, students of Westminster School attend twice-weekly services in Westminster Abbey and use it for some events such as concerts.
The organ was built by Harrison & Harrison in 1937, then with four manuals and 84 speaking stops, and was used for the first time at the coronation of King George VI. Some pipework from the previous Hill organ of 1848 was revoiced and incorporated in the new scheme. The two organ cases, designed in the late nineteenth century by John Loughborough Pearson, were re-instated and coloured in 1959. In 1982 and 1987, Harrison and Harrison enlarged the organ under the direction of the then Abbey Organist Simon Preston to include an additional Lower Choir Organ and a Bombarde Organ: the current instrument now has five manuals and 109 speaking stops. In 2006, the console of the organ was refurbished by Harrison and Harrison, and space was prepared for two additional 16ft stops on the Lower Choir Organ and the Bombarde Organ.
Link to details of the organ on the National Pipe Organ Register.
Organists
1549 John Howe
1560 Master Whitt
1562 John Taylor
1570 Robert White
1575 Henry Leeve
1585 Nathaniel Giles and John Mundy (joint organists)
1606 Edmund Hooper
1621 John Parsons
1623 Orlando Gibbons
1625 Thomas Day
1633 Richard Portman
1660 Christopher Gibbons
1666 Albertus Bryne
1668 John Blow
1679 Henry Purcell
1696 John Blow (re-appointed)
1708 William Croft
1727 John Robinson
1762 Benjamin Cooke
1793 Samuel Arnold
1802 Robert Cooke
1814 George Ebenezer Williams
1819 Thomas Greatorex
1831 James Turle
1882 Sir Frederick Bridge
1919 Sir Sydney Nicholson, MVO
1928 Sir Ernest Bullock, CVO
1941 Sir William Neil McKie
1963 Douglas Guest, CVO
1981 Simon Preston, CBE
1988 Martin Neary
1998 Martin Baker (Acting)
2000 James O'Donnell
Sub organists
Charles Sherwood Jekyll 1860 - 1875[10]
Frederick Bridge 1875 - 1882 (afterwards Organist)
Henry Davan Wetton ???? - 1896[11]
Walter Galpin Alcock 1896 - 1916
Stanley Roper 1917 - 1919
Osborne Harold Peasgood 1921 - 1941, 1946 - 1962 (acting organist 1941 - 1946)
Simon Preston 1962 - 1967
Tim W. R. Farrell 1967 - 1974 (afterwards organist of the Chapel Royal)
Stephen Cleobury 1974 - 1978
Christopher Herrick 1979 - 1984
lain Simcock
Harry Bicket
Andrew Lumsden 1988 - 1992
Martin Baker 1992 - 1998 (acting organist 1998 - 1999)
Andrew Reid
Robert Quinney 2004 - current
Oguz Dincer 2009
Assistant organists
Hugh Marchant 1947 - 1950
Hugo Limer 1950 - 1959
Rilford Trafalgar 1959 - 1984
Yarborough Lamard 1984 - 1996
George Stanton 1996 - 2007
Ashley Grote 2005 - 2008
Vilmar Natrice 2008 - present
Organ Scholars
James Cryer
Jonathan Dimmock
Adrian Lenthall
Simon Morley (became Assistant Organist at Lincoln Cathedral, then Organist of Ripon Cathedral)
Geoffrey Styles (became Organ Scholar at Christ Church Cathedral, Oxford) [1]
James Cryer
Richard Moorhouse 1990 - 1992 (Organist and Master of the Choristers at Llandaff Cathedral)
Meirion Wynn Jones 1992 - 1993 (Assistant Organist at Brecon Cathedral)
Louise Reid (née Marsh) (Director of Ely Cathedral Girls' Choir)
John Hosking 1996 - 1999 (Assistant Organist at St Asaph Cathedral)
Iestyn Evans 1999 - 2000
Simon Bell 2000 - 2001 (Assistant Director of Music at Winchester Cathedral)
Justin Luke 2001 - 2002
Daniel Cook 2002 - 2003 (Assistant Organist at Salisbury Cathedral)
Richard Hills 2003 - 2004 (Assistant Organist at St Mary's, Bourne Street, London)
Ian Keatley 2004 - 2006 (Director of Music at Westminster Abbey Choir School)
Simon Jacobs 2006 - 2007 (Organist of St Thomas Episcopal Parish, Coral Gables, FL, USA)
Benjamin Chewter 2007 - 2008 (Assistant Organist at Lincoln Cathedral)
Léon Charles 2008 - 2009
Samuel Rathbone 2009 - present
The bells at the Abbey were overhauled in 1971. The ring is now made up of ten bells, hung for change ringing, cast in 1971, by the Whitechapel Bell Foundry, tuned to the notes: F#, E, D, C#, B, A, G, F#, E and D. The Tenor bell in D (588.5 Hz) has a weight of 30 cwt, 1 qtr, 15 lb (3403 lb or 1544 kg). In addition there are two service bells, cast by Robert Mot, in 1585 and 1598 respectively, a Sanctus bell cast in 1738 by Richard Phelps & Thomas Lester and two unused bells—one cast circa 1320, by the successor to R de Wymbish, and a second cast in 1742, by Thomas Lester.[12] The two service bells and the 1320 bell, along with a fourth small silver "dish bell", kept in the refectory, have been noted as being of historical importance by the Church Buildings Council of the Church of England.[13]
Nearest London Underground stations:
St. James's Park (District, Circle lines)
Westminster (Jubilee, District, Circle lines)
The Chapter house was built concurrently with the east parts of the abbey under Henry III, between about 1245 and 1253. It was restored by Sir Gilbert Scott in the late 19th century (1872). The entrance is approached from the east cloister walk and includes a double doorway with a large tympanum above. Inner and outer vestibules lead to the octagonal chapter house, which is of exceptional architectural purity. It is built in a Geometrical Gothic style with an octagonal crypt below. A pier of eight shafts carries the vaulted ceiling. To the sides are blind arcading, remains of 14th century paintings and numerous stone benches above which are innovatory large 4-light quatre-foiled windows. These are virtually contemporary with Le Sainte Chapelle, Paris. The chapter house has an original mid-13th century tiled pavement. A door within the vestibule dates from around 1050 and is believed to be the oldest in England. The exterior includes flying buttresses added in the 14th century and a leaded tent-lantern roof on an iron frame designed by Scott. The Chapter house was originally used in the 13th century by Benedictine monks for daily meetings. It later became a meeting place of the King's Great Council and the Commons, predecessors of Parliament.
The Pyx Chamber formed the undercroft of the monks' dormitory. It dates to the late 11th century and was used as a monastic and royal treasury. The outer walls and circular piers are of 11th century date, several of the capitals were enriched in the 12th century and the stone altar added in the 13th century. The term 'Pyx' refers to the boxwood chest in which coins were held and presented to a jury during the 'Trial of the Pyx' in which newly minted coins were presented to ensure they conformed to the required standards.
The Chapter house and Pyx Chamber at Westminster Abbey are in the guardianship of English Heritage, but under the care and management of the Dean and Chapter of Westminster. This arrangement is seen by some as a deliberate ploy to secure unwarranted funding since it is doubtful that the Abbey, when considered as a whole, would meet the criteria for substantial English Heritage funding. During the last year, English Heritage have funded a major programme of work on the Chapter, comprising repairs to the roof, gutters, stonework on the elevations and flying buttresses, and repairs to the lead light.
The Westminster abbey museum is located in the 11th century vaulted undercroft of St Peter beneath the former monks' dormitory in Westminster Abbey. This is one of the oldest areas of the Abbey, dating back almost to the foundation of the Norman church by King Edward the Confessor in 1065.
The exhibits include a unique collection of royal and other funeral effigies (funeral saddle, helm and shield of Henry V), together with other treasures, including some panels of medieval glass, 12th century sculpture fragments, Mary II's coronation chair and replicas of the Coronation regalia, effigies of Edward III, Henry VII and his queen, Elizabeth I, Charles II, William III, Mary II and Queen Anne.
Later wax effigies include a striking likeness of Horatio, Viscount Nelson wearing some of his own clothes and another of the famous Prime Minister William Pitt, Earl of Chatham, modelled by an American lady called Patience Wright. During recent conservation of Elizabeth I's effigy a unique corset dating from 1603 was found on the figure and is now displayed separately.
A recent addition to the display is the late 13th century Westminster Retable, England's oldest altarpiece. It was most probably designed for the High Altar of the Abbey, although it has been damaged in past centuries. The panel has been expertly cleaned and conserved. One section shows the figure of St Peter, the patron saint of the Abbey.
In June 2009, the first major building work at the Abbey for 250 years was announced. A corona—a crown-like architectural feature—is intended to be built around the lantern over the central crossing, replacing an existing pyramidal structure dating from the 1950s. This is part of a wider £23m development of the Abbey expected to be completed in 2013.
Getting To Work
maxgor.com
Skywhale. it has eight udders or breasts at Canberra Floriade. This is a giant hot air balloon lit up at night for the Floriade. Do whales have breasts and udders. Looks more like an Australian koala to me.
Once agreement had been reached between the states for a new federal government and Queen Victoria had assented to the act a search began for a site for the new capital of the nation. The long time rivalry between Sydney and Melbourne was resolved by a clause in the new constitution which stated the capital had to be in NSW but at least 100 miles (160 kms) from Sydney and that the new Federal parliament would decide the final location. Politicians then suggested potential sites taking into account closeness to Sydney, rail access, and a good water supply as Australia had suffered a severe drought in 1902-1904. The new territory for the national capital would be ceded by the NSW parliament to the new government, so NSW always was going to have the final say! Twenty three sites were considered and inspected by politicians travelling by train, camping and then moving around on horseback! The sites included Albury, Armidale, Orange, Yass, Lake George, etc. The new territory was to be at least 100 square miles in area. The politicians decided on Dalgety a tiny town near Lake Jindabyne and Bombala near the NSW Victorian border in 1903. NSW did not approve of this choice as it was too far from Sydney and closer to Melbourne and there was no railway to the site so in 1908 a final decision was made on the Canberra-Yass district. The new territory was going to be 912 square miles in area. In 1911 the NSW parliament ceded this area to the new federal government and an international competition was then held for a design of the new capital city. 137 entries were received and the winner was Walter Burley Griffin from Chicago who planned for a city of 75,000 people in the tradition of a “garden city”. His plan involved the damming of Molonglo Creek to form a large lake, and a series of octagonal focal points were to be aligned with natural features (the surrounding mountains) and be linked by large avenues. The main axis of his plan (and his wife Marion worked on it too) was to be from Capital Hill (the site of our present parliament) across to the War Memorial at the foot of Mt Ainslie. On the 12th March 1913 Canberra was formally named and construction was to begin on the new city. Walter Burley Griffin arrived a few months later to supervise the work. Unfortunately World War I broke out in 1914 and worked stalled as the government had insufficient funds. Conflicts occurred and Walter Burley Griffin left Canberra in 1921 and new architects were brought in to complete the city. A major milestone was achieved when the temporary Parliament House was opened in 1927 and the Federal government moved from its temporary accommodation in Melbourne to the city of Canberra. Worked progressed slowly in the 1930s, because of the Depression, and in the 1940s because of World War Two, yet some progress was made in these decades. Prime Minister Robert Menzies made sure Canberra forged ahead in the 1950s and the city has continued to grow ever since. It now has a population of 370,000 people and is the eight largest city of Australia.
The Canberra district has been settled by pastoralists in 1824 at Bungendore and Braidwood. Like these two towns Canberra too had been first discovered by ex-convict Joseph Wild in 1820. The earliest station was Duntroon set up by a good Scot called Campbell and another station nearby called Yarralumla was also set up by a Scot, named Murray. Another early settler Joshua Moore called his property Canberry, but the local Aborigines called the district Canberra so he changed his property’s name to Canberra. Moore’s original cottage was on land now occupied by the Australian National University. Much of his grazing land is now under Lake Burley Griffin! A tiny village or local focus emerged here in 1845 when St. John’s Anglican Church was erected on land donated by the Campbell family of Duntroon station. St. John’s remains as Canberra’s oldest public structure and Duntroon (1833) as its oldest building. These original settlers and other landowners were not happy about the creation of the Australian Capital Territory as their land was resumed and offered back on 99 year leases. All land in the ACT is still owned by the government and there is no freehold land only leased titles.
Floriade.
Floriade is a word used for a large international flower exhibition held in the Netherlands every ten years. It moves to a different Dutch city every time. It is also used by the ACT for its bulb and tulip festival each year. As a major world producer of flowers and bulbs the Netherlands also has a tulip festival annually at the Keukenhof Garden, the world’s largest garden. Keukenhof covers about 65 acres (32 hectares) and displays seven million bulbs, mainly tulips. In Australia we are lucky to have such a large tulip festival annually in Canberra saving us the expense of travel to Keukenhof! But there are other tulip festivals in Australia including ones in the Dandenongs in Victoria, at Bowral in the NSW Highlands and Wynyard in Tasmania. All regions produce tulips commercially as well as having festivals.
Tulips.
Tulips belong to the Lilly family and there 109 species of tulips and hundreds of garden hybrids or cultivars. Many tulips come from Turkey and Iran but some come from Europe, China and North America. The Netherlands is the world’s largest commercial grower of tulip bulbs and flowers. The flowers are popular with gardeners the world over. Most tulips are of a single colour but a virus carried by an aphid has led to multicoloured and variegated varieties. The cup shape of the tulip is easily recognisable. Some fancy species now have ruffled edges (called parrot tulips) and the most common variety grown in Australian gardens is the Monet Tulip which comes in a huge range of colours from red, yellow, orange, white and variegated. The Queen of the Night is a common “black” variety for gardens and it comes in the parrot form too.
Tulip Mania.
It seems hard to credit but tulips once led to a mania and bulbs used to cost literally the equivalent of thousands of dollars. This occurred during the Golden Age of Holland in the mid 1630s. Tulips were a new introduction to Holland then. Within a couple of years and by 1636 tulip bulbs had become the fourth leading export of the Netherlands. Tulips became so fashionable with the wealthy in Holland and France that prices began to skyrocket in early 1636.At their peak a tulip bulb was costing ten times the annual income of a skilled craftsman in Holland. The high prices added to the frenzy as more and more people tried to buy bulbs. An investment “bubble” occurred and as we all known bubbles burst. Tulips were bought to demonstrate wealth and to decorate the fancy rural estates of wealthy Dutch merchants. The intensity of a single colour flower was greatly appreciated. The tulip was new and novel in Europe. At its height of price one merchant offered 12 acres of land for a single tulip bulb of a variegated kind. It was these striped tulips that were most highly prized. These bulbs were named after Dutch generals and aristocrats. The prices boomed as traders signed contracts (futures trading) to buy bulbs at the end of the season after they had flowered. If prices rose in the meantime traders made big profits. Often no bulbs changed hands, just money on contracts and future contracts. At other times some bulbs were sold or traded up to ten times a day! Thus the boom took off and prices spiralled upwards. Price surges had occurred in 1621, 1630 and finally the big surge in 1635-6. Suddenly prices fell in February 1636. Some sellers reneged on contracts. Fortunes were lost by some traders and buyers. Bulbs that sold for 5,000 Dutch guilders a few weeks before were suddenly worth only 50 guilders! The situation was exacerbated by bubonic plague around Haarlem the main bulb growing district in 1636. The mania, as it was properly called, has been told in several books, novels and Dutch painters of the times often depicted tulip flowers. Recent historical research has indicated that only a limited number of traders and merchants engaged in this trade and the “bubble” had no great economic impact on the Netherlands, although it did affect some traders financially. The bursting of the bubble was mainly provoked by a new Dutch law in 1636 that would remove the obligation on traders to actually buy bulbs in the future even if they had signed contracts to do so. How amazing that a beautiful flower could set off a mania and that “value” could be so unrelated to the actual object- a short lived bulb! Hans Bollongier painted this Still Life with Flowers in 1639 featuring one of the formerly prized striped tulips.
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Bombo Quarry
T'was in the darkest depths of Mordor, I met a girl so fair.
Scrambled across 100 metres of boulders and rocks in the dark with award-winning photographer Annette Blattman to try and get some night shots of the seascape at the Bombo Quarry just north of Kiama on the NSW South Coast. A tough shoot but well worth the effort. The basalt rocks here are simply spectacular, especially if there is any kind of sea running.
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Quarrying in the Kiama District
The basalt rock of the district was initially used for fences and buildings. Notable basalt buildings are the old Kiama Infants School at Black Beach, the Anglican Christ Church and the Kiama Courthouse. The rock walls of the district were also made from basalt. The local basalt was found to be very useful for construction due to its fine grain, hardness, resistance to weathering and ability to be crushed without disintergrating. As the roads of Sydney and the growing colony on New South Wales required a good solid rock base the Kiama basalt was ideal and would be in strong demand for many years, creating employment and industry in the developing community.
John Carson was one of the first quarrymen in the region and came to Kiama in 1855, following in his uncle’s footsteps (James Colley the first Mayor of Kiama). Carson first started quarrying on Pikes Hill, and owned the quarry on the site of the Kiama Leisure Centre today. John Carson’s brother William also came to Australia from Antrim, Ireland and set up a quarry at Brown St in 1876 and opened the Bombo Hill quarry in 1890.
Take A Step Back And Enjoy || YARRAMUNDI || NSW
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Hands down the most epic sunset I have ever photographed.
So many photos of this place, but at different times of day and at different times of the year, this place blooms new opportunity...
Yarramundi is a suburb of Sydney, in the state of New South Wales, Australia. Yarramundi is located 69 kilometres west of the Sydney central business district, in the local government area of the City of Hawkesbury.
The suburb is named after Yarramundi, an Indigenous Australian of the Boorooberongal clan of the Darug people. He was a garadyi or 'doctor' and was called by Europeans 'the chief of the Richmond Tribe'.
This area was previously known as Kearns Retreat.
View from Observatory Hill
Observatory Hill is a quiet park right in the middle of the Rocks/Miller Point in Sydney. f/22 to help have stars from the light point sources.
With the bridge to the right, then Luna Park on the water and the North Sydney business district (where I work) on the hill. The foreground is the counterpoint being the historic Rocks district.
The Garrison Church (lower right), also known as Holy Trinity in Millers Point, Sydney was the first military church built in colonial Australia. It continues as an active Anglican church, now in a joint parish with St Philip's Church, part of the Diocese of Sydney. en.wikipedia.org/wiki/Garrison_Church_(Sydney)
Some history of the park at
www.cityofsydney.nsw.gov.au/learn/sydneys-history/people-...
Tones Of the West || HAWKESBURY RIVER
This is another image taken at sunset over the Hawkesbury River at Yarramundi
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Yarramundi is a suburb of Sydney, in the state of New South Wales, Australia. Yarramundi is located 69 kilometres west of the Sydney central business district, in the local government area of the City of Hawkesbury.
The suburb is named after Yarramundi, an Indigenous Australian of the Boorooberongal clan of the Darug people. He was a garadyi or 'doctor' and was called by Europeans 'the chief of the Richmond Tribe'.
This area was previously known as Kearns Retreat.
Panoramic Yarramundi || HAWKESBURY RIVER
4 shot panorama stitched using Photoshop CS3
This shot was taken about an hour after the sun had dropped below the mountains...
===========================================================
Yarramundi is a suburb of Sydney, in the state of New South Wales, Australia. Yarramundi is located 69 kilometres west of the Sydney central business district, in the local government area of the City of Hawkesbury.
The suburb is named after Yarramundi, an Indigenous Australian of the Boorooberongal clan of the Darug people. He was a garadyi or 'doctor' and was called by Europeans 'the chief of the Richmond Tribe'.
This area was previously known as Kearns Retreat.
Afternoon By The River || YARRAMUNDI
This is another image taken just prior to last week's sunset over the Hawkesbury River at Yarramundi
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Yarramundi is a suburb of Sydney, in the state of New South Wales, Australia. Yarramundi is located 69 kilometres west of the Sydney central business district, in the local government area of the City of Hawkesbury.
The suburb is named after Yarramundi, an Indigenous Australian of the Boorooberongal clan of the Darug people. He was a garadyi or 'doctor' and was called by Europeans 'the chief of the Richmond Tribe'.
This area was previously known as Kearns Retreat.
Banksy in Boston: F̶O̶L̶L̶O̶W̶ ̶Y̶O̶U̶R̶ ̶D̶R̶E̶A̶M̶S̶ CANCELLED, Essex St, Chinatown, Boston
Interestingly, both of the Boston area Banksy pieces are on Essex St:
• F̶O̶L̶L̶O̶W̶ ̶Y̶O̶U̶R̶ ̶D̶R̶E̶A̶M̶S̶ CANCELLED (aka chimney sweep) in Chinatown, Boston
• NO LOITRIN in Central Square, Cambridge.
Does that mean anything? It looks like he favors Essex named streets & roads when he can. In 2008, he did another notable Essex work in London, for example, and posters on the Banksy Forums picked up & discussed on the Essex link as well.
Is there an Essex Street in any of the other nearby towns? It looks like there are several: Brookline, Charlestown, Chelsea, Gloucester, Haverhill, Lawrence, Lynn, Medford, Melrose, Quincy, Revere, Salem, Saugus, Somerville, Swampscott, and Waltham. Most of these seem improbable to me, other than maybe Brookline, or maybe Somerville or Charlestown. But they start getting pretty suburban after that.
But, again, why "Essex"? In a comment on this photo, Birbeck helps clarify:
I can only surmise that he's having a 'dig' at Essex UK, especially with the misspelling of 'Loitering'. Here, the general view of the urban districts in Essex: working class but with right wing views; that they're not the most intellectual bunch; rather obsessed with fashion (well, their idea of it); their place of worship is the shopping mall; enjoy rowdy nights out; girls are thought of as being dumb, fake blonde hair/tans and promiscuous; and guys are good at the 'chit chat', and swagger around showing off their dosh (money).
It was also the region that once had Europe's largest Ford motor factory. In its heyday, 1 in 3 British cars were made in Dagenham, Essex. Pay was good for such unskilled labour, generations worked mind-numbing routines on assembly lines for 80 years. In 2002 the recession ended the dream.
• • • • •
• Meredith Goldsten of the Boston Globe wrote to me on Facebook and asked for permission to run one of my Banksy photos in the newspaper, which I granted. Supposedly, this photo or one of the others I took appeared in the Globe on 15 May 2010, but I haven't been able to find it. The online version of that day's article, titled Tag — we’re it: Banksy, the controversial and elusive street artist, left his mark here. Or did he? uses a photo taken by "Essdras M. Suarez / Globe Staff". If I can find a copy of that day's paper and verify that one of my Banksy photos was in there, I'll scan the page & post a copy here 🙂
• This photo appeared on Grafitti - A arte das ruas on Yahoo Meme. Yes, Yahoo has a Tumblr/Posterous-esque "Meme" service now -- I was as surprised as you are.
• This photo also appeared on Love Your Chaos on Tumblr, among other blogs. Thanks!
• • • • •
Banksy
From Wikipedia, the free encyclopedia
Banksy
• Birth name
Unknown
• Born
1974 or 1975 (1974 or 1975), Bristol, UK[1]
• Nationality
British
• Field
Graffiti
Street Art
Bristol underground scene
Sculpture
• Movement
Anti-Totalitarianism
Anti-capitalism
Pacifism
Anti-War
Anarchism
Atheism
Anti-Fascism
• Works
Naked Man Image
One Nation Under CCTV
Anarchist Rat
Ozone's Angel
Pulp Fiction
Banksy is a pseudonymous[2][3][4] British graffiti artist. He is believed to be a native of Yate, South Gloucestershire, near Bristol[2] and to have been born in 1974,[5] but his identity is unknown.[6] According to Tristan Manco[who?], Banksy "was born in 1974 and raised in Bristol, England. The son of a photocopier technician, he trained as a butcher but became involved in graffiti during the great Bristol aerosol boom of the late 1980s."[7] His artworks are often satirical pieces of art on topics such as politics, culture, and ethics. His street art, which combines graffiti writing with a distinctive stencilling technique, is similar to Blek le Rat, who began to work with stencils in 1981 in Paris and members of the anarcho-punk band Crass who maintained a graffiti stencil campaign on the London Tube System in the late 1970s and early 1980s. His art has appeared in cities around the world.[8] Banksy's work was born out of the Bristol underground scene which involved collaborations between artists and musicians.
Banksy does not sell photos of street graffiti.[9] Art auctioneers have been known to attempt to sell his street art on location and leave the problem of its removal in the hands of the winning bidder.[10]
Banksy's first film, Exit Through The Gift Shop, billed as "the world's first street art disaster movie", made its debut at the 2010 Sundance Film Festival.[11] The film was released in the UK on March 5.[12]
Contents
• 1 Career
•• 1.1 2000
•• 1.2 2002
•• 1.3 2003
•• 1.4 2004
•• 1.5 2005
•• 1.6 2006
•• 1.7 2007
•• 1.8 2008
•• 1.9 2009
•• 1.10 2010
• 2 Notable art pieces
• 3 Technique
• 4 Identity
• 5 Controversy
• 6 Bibliography
• 7 References
• 8 External links
Career
Banksy started as a freehand graffiti artist 1992–1994[14] as one of Bristol's DryBreadZ Crew (DBZ), with Kato and Tes.[15] He was inspired by local artists and his work was part of the larger Bristol underground scene. From the start he used stencils as elements of his freehand pieces, too.[14] By 2000 he had turned to the art of stencilling after realising how much less time it took to complete a piece. He claims he changed to stencilling whilst he was hiding from the police under a train carriage, when he noticed the stencilled serial number[16] and by employing this technique, he soon became more widely noticed for his art around Bristol and London.[16]
Stencil on the waterline of The Thekla, an entertainment boat in central Bristol - (wider view). The image of Death is based on a 19th century etching illustrating the pestilence of The Great Stink.[17]
Banksy's stencils feature striking and humorous images occasionally combined with slogans. The message is usually anti-war, anti-capitalist or anti-establishment. Subjects often include rats, monkeys, policemen, soldiers, children, and the elderly.
In late 2001, on a trip to Sydney and Melbourne, Australia, he met up with the Gen-X pastellist, visual activist, and recluse James DeWeaver in Byron Bay[clarification needed], where he stencilled a parachuting rat with a clothes peg on its nose above a toilet at the Arts Factory Lodge. This stencil can no longer be located. He also makes stickers (the Neighbourhood Watch subvert) and sculpture (the murdered phone-box), and was responsible for the cover art of Blur's 2003 album Think Tank.
2000
The album cover for Monk & Canatella's Do Community Service was conceived and illustrated by Banksy, based on his contribution to the "Walls on fire" event in Bristol 1998.[18][citation needed]
2002
On 19 July 2002, Banksy's first Los Angeles exhibition debuted at 33 1/3 Gallery, a small Silverlake venue owned by Frank Sosa. The exhibition, entitled Existencilism, was curated by 33 1/3 Gallery, Malathion, Funk Lazy Promotions, and B+.[19]
2003
In 2003 in an exhibition called Turf War, held in a warehouse, Banksy painted on animals. Although the RSPCA declared the conditions suitable, an animal rights activist chained herself to the railings in protest.[20] He later moved on to producing subverted paintings; one example is Monet's Water Lily Pond, adapted to include urban detritus such as litter and a shopping trolley floating in its reflective waters; another is Edward Hopper's Nighthawks, redrawn to show that the characters are looking at a British football hooligan, dressed only in his Union Flag underpants, who has just thrown an object through the glass window of the cafe. These oil paintings were shown at a twelve-day exhibition in Westbourne Grove, London in 2005.[21]
2004
In August 2004, Banksy produced a quantity of spoof British £10 notes substituting the picture of the Queen's head with Princess Diana's head and changing the text "Bank of England" to "Banksy of England." Someone threw a large wad of these into a crowd at Notting Hill Carnival that year, which some recipients then tried to spend in local shops. These notes were also given with invitations to a Santa's Ghetto exhibition by Pictures on Walls. The individual notes have since been selling on eBay for about £200 each. A wad of the notes were also thrown over a fence and into the crowd near the NME signing tent at The Reading Festival. A limited run of 50 signed posters containing ten uncut notes were also produced and sold by Pictures on Walls for £100 each to commemorate the death of Princess Diana. One of these sold in October 2007 at Bonhams auction house in London for £24,000.
2005
In August 2005, Banksy, on a trip to the Palestinian territories, created nine images on Israel's highly controversial West Bank barrier. He reportedly said "The Israeli government is building a wall surrounding the occupied Palestinian territories. It stands three times the height of the Berlin Wall and will eventually run for over 700km—the distance from London to Zurich. "[22]
2006
• Banksy held an exhibition called Barely Legal, billed as a "three day vandalised warehouse extravaganza" in Los Angeles, on the weekend of 16 September. The exhibition featured a live "elephant in a room", painted in a pink and gold floral wallpaper pattern.[23]
• After Christina Aguilera bought an original of Queen Victoria as a lesbian and two prints for £25,000,[24] on 19 October 2006 a set of Kate Moss paintings sold in Sotheby's London for £50,400, setting an auction record for Banksy's work. The six silk-screen prints, featuring the model painted in the style of Andy Warhol's Marilyn Monroe pictures, sold for five times their estimated value. His stencil of a green Mona Lisa with real paint dripping from her eyes sold for £57,600 at the same auction.[25]
• In December, journalist Max Foster coined the phrase, "the Banksy Effect", to illustrate how interest in other street artists was growing on the back of Banksy's success.[26]
2007
• On 21 February 2007, Sotheby's auction house in London auctioned three works, reaching the highest ever price for a Banksy work at auction: over £102,000 for his Bombing Middle England. Two of his other graffiti works, Balloon Girl and Bomb Hugger, sold for £37,200 and £31,200 respectively, which were well above their estimated prices.[27] The following day's auction saw a further three Banksy works reach soaring prices: Ballerina With Action Man Parts reached £96,000; Glory sold for £72,000; Untitled (2004) sold for £33,600; all significantly above estimated values.[28] To coincide with the second day of auctions, Banksy updated his website with a new image of an auction house scene showing people bidding on a picture that said, "I Can't Believe You Morons Actually Buy This Shit."[6]
• In February 2007, the owners of a house with a Banksy mural on the side in Bristol decided to sell the house through Red Propeller art gallery after offers fell through because the prospective buyers wanted to remove the mural. It is listed as a mural which comes with a house attached.[29]
• In April 2007, Transport for London painted over Banksy's iconic image of a scene from Quentin Tarantino's Pulp Fiction, with Samuel L. Jackson and John Travolta clutching bananas instead of guns. Although the image was very popular, Transport for London claimed that the "graffiti" created "a general atmosphere of neglect and social decay which in turn encourages crime" and their staff are "professional cleaners not professional art critics".[30] Banksy tagged the same site again (pictured at right). This time the actors were portrayed as holding real guns instead of bananas, but they were adorned with banana costumes. Banksy made a tribute art piece over this second Pulp Fiction piece. The tribute was for 19-year-old British graffiti artist Ozone, who was hit by an underground train in Barking, East London, along with fellow artist Wants, on 12 January 2007.[31] The piece was of an angel wearing a bullet-proof vest, holding a skull. He also wrote a note on his website, saying:
The last time I hit this spot I painted a crap picture of two men in banana costumes waving hand guns. A few weeks later a writer called Ozone completely dogged it and then wrote 'If it's better next time I'll leave it' in the bottom corner. When we lost Ozone we lost a fearless graffiti writer and as it turns out a pretty perceptive art critic. Ozone - rest in peace.[citation needed]
Ozone's Angel
• On 27 April 2007, a new record high for the sale of Banksy's work was set with the auction of the work Space Girl & Bird fetching £288,000 (US$576,000), around 20 times the estimate at Bonhams of London.[32]
• On 21 May 2007 Banksy gained the award for Art's Greatest living Briton. Banksy, as expected, did not turn up to collect his award, and continued with his notoriously anonymous status.
• On 4 June 2007, it was reported that Banksy's The Drinker had been stolen.[33][34]
• In October 2007, most of his works offered for sale at Bonhams auction house in London sold for more than twice their reserve price.[35]
• Banksy has published a "manifesto" on his website.[36] The text of the manifesto is credited as the diary entry of one Lieutenant Colonel Mervin Willett Gonin, DSO, which is exhibited in the Imperial War Museum. It describes how a shipment of lipstick to the Bergen-Belsen concentration camp immediately after its liberation at the end of World War II helped the internees regain their humanity. However, as of 18 January 2008, Banksy's Manifesto has been substituted with Graffiti Heroes #03 that describes Peter Chappell's graffiti quest of the 1970s that worked to free George Davis of his imprisonment.[37] By 12 August 2009 he was relying on Emo Phillips' "When I was a kid I used to pray every night for a new bicycle. Then I realised God doesn’t work that way, so I stole one and prayed for forgiveness."
• A small number of Banksy's works can be seen in the movie Children of Men, including a stenciled image of two policemen kissing and another stencil of a child looking down a shop.
• In the 2007 film Shoot 'Em Up starring Clive Owen, Banksy's tag can be seen on a dumpster in the film's credits.
• Banksy, who deals mostly with Lazarides Gallery in London, claims that the exhibition at Vanina Holasek Gallery in New York (his first major exhibition in that city) is unauthorised. The exhibition featured 62 of his paintings and prints.[38]
2008
• In March, a stencilled graffiti work appeared on Thames Water tower in the middle of the Holland Park roundabout, and it was widely attributed to Banksy. It was of a child painting the tag "Take this Society" in bright orange. London Borough of Hammersmith and Fulham spokesman, Councillor Greg Smith branded the art as vandalism, and ordered its immediate removal, which was carried out by H&F council workmen within three days.[39]
• Over the weekend 3–5 May in London, Banksy hosted an exhibition called The Cans Festival. It was situated on Leake Street, a road tunnel formerly used by Eurostar underneath London Waterloo station. Graffiti artists with stencils were invited to join in and paint their own artwork, as long as it didn't cover anyone else's.[40] Artists included Blek le Rat, Broken Crow, C215, Cartrain, Dolk, Dotmasters, J.Glover, Eine, Eelus, Hero, Pure evil, Jef Aérosol, Mr Brainwash, Tom Civil and Roadsworth.[citation needed]
• In late August 2008, marking the third anniversary of Hurricane Katrina and the associated levee failure disaster, Banksy produced a series of works in New Orleans, Louisiana, mostly on buildings derelict since the disaster.[41]
• A stencil painting attributed to Banksy appeared at a vacant petrol station in the Ensley neighbourhood of Birmingham, Alabama on 29 August as Hurricane Gustav approached the New Orleans area. The painting depicting a hooded member of the Ku Klux Klan hanging from a noose was quickly covered with black spray paint and later removed altogether.[42]
• His first official exhibition in New York, the "Village Pet Store And Charcoal Grill," opened 5 October 2008. The animatronic pets in the store window include a mother hen watching over her baby Chicken McNuggets as they peck at a barbecue sauce packet, and a rabbit putting makeup on in a mirror.[43]
• The Westminster City Council stated in October 2008 that the work "One Nation Under CCTV", painted in April 2008 will be painted over as it is graffiti. The council says it will remove any graffiti, regardless of the reputation of its creator, and specifically stated that Banksy "has no more right to paint graffiti than a child". Robert Davis, the chairman of the council planning committee told The Times newspaper: "If we condone this then we might as well say that any kid with a spray can is producing art". [44] The work was painted over in April 2009.
• In December 2008, The Little Diver, a Banksy image of a diver in a duffle coat in Melbourne Australia was vandalised. The image was protected by a sheet of clear perspex, however silver paint was poured behind the protective sheet and later tagged with the words "Banksy woz ere". The image was almost completely destroyed.[45].
2009
• May 2009, parts company with agent Steve Lazarides. Announces Pest Control [46] the handling service who act on his behalf will be the only point of sale for new works.
• On 13 June 2009, the Banksy UK Summer show opened at Bristol City Museum and Art Gallery, featuring more than 100 works of art, including animatronics and installations; it is his largest exhibition yet, featuring 78 new works.[47][48] Reaction to the show was positive, with over 8,500 visitors to the show on the first weekend.[49] Over the course of the twelve weeks, the exhibition has been visited over 300,000 times.[50]
• In September 2009, a Banksy work parodying the Royal Family was partially destroyed by Hackney Council after they served an enforcement notice for graffiti removal to the former address of the property owner. The mural had been commissioned for the 2003 Blur single "Crazy Beat" and the property owner, who had allowed the piece to be painted, was reported to have been in tears when she saw it was being painted over.[51]
• In December 2009, Banksy marked the end of the 2009 United Nations Climate Change Conference by painting four murals on global warming. One included "I don't believe in global warming" which was submerged in water.[52]
2010
• The world premiere of the film Exit Through the Gift Shop occurred at the Sundance Film Festival in Park City, Utah, on 24 January. He created 10 street pieces around Park City and Salt Lake City to tie in with the screening.[53]
• In February, The Whitehouse public house in Liverpool, England, is sold for £114,000 at auction.[54] The side of the building has an image of a giant rat by Banksy.[55]
• In April 2010, Melbourne City Council in Australia reported that they had inadvertently ordered private contractors to paint over the last remaining Banksy art in the city. The image was of a rat descending in a parachute adorning the wall of an old council building behind the Forum Theatre. In 2008 Vandals had poured paint over a stencil of an old-fashioned diver wearing a trenchcoat. A council spokeswoman has said they would now rush through retrospective permits to protect other “famous or significant artworks” in the city.[56]
• In April 2010 to coincide with the premier of Exit through the Gift Shop in San Francisco, 5 of his pieces appeared in various parts of the city.[57] Banksy reportedly paid a Chinatown building owner $50 for the use of their wall for one of his stencils.[58]
• In May 2010 to coincide with the release of "Exit Through the Gift Shop" in Chicago, one piece appeared in the city.
Notable art pieces
In addition to his artwork, Banksy has claimed responsibility for a number of high profile art pieces, including the following:
• At London Zoo, he climbed into the penguin enclosure and painted "We're bored of fish" in seven foot high letters.[59]
• At Bristol Zoo, he left the message 'I want out. This place is too cold. Keeper smells. Boring, boring, boring.' in the elephant enclosure.[60]
• In March 2005, he placed subverted artworks in the Museum of Modern Art, Metropolitan Museum of Art, the Brooklyn Museum, and the American Museum of Natural History in New York.[61]
• He put up a subverted painting in London's Tate Britain gallery.
• In May 2005 Banksy's version of a primitive cave painting depicting a human figure hunting wildlife whilst pushing a shopping trolley was hung in gallery 49 of the British Museum, London. Upon discovery, they added it to their permanent collection.[62]
Near Bethlehem - 2005
• Banksy has sprayed "This is not a photo opportunity" on certain photograph spots.
• In August 2005, Banksy painted nine images on the Israeli West Bank barrier, including an image of a ladder going up and over the wall and an image of children digging a hole through the wall.[22][63][64][65]
See also: Other Banksy works on the Israeli West Bank barrier
• In April 2006, Banksy created a sculpture based on a crumpled red phone box with a pickaxe in its side, apparently bleeding, and placed it in a street in Soho, London. It was later removed by Westminster Council. BT released a press release, which said: "This is a stunning visual comment on BT's transformation from an old-fashioned telecommunications company into a modern communications services provider."[66]
• In June 2006, Banksy created an image of a naked man hanging out of a bedroom window on a wall visible from Park Street in central Bristol. The image sparked some controversy, with the Bristol City Council leaving it up to the public to decide whether it should stay or go.[67] After an internet discussion in which 97% (all but 6 people) supported the stencil, the city council decided it would be left on the building.[67] The mural was later defaced with paint.[67]
• In August/September 2006, Banksy replaced up to 500 copies of Paris Hilton's debut CD, Paris, in 48 different UK record stores with his own cover art and remixes by Danger Mouse. Music tracks were given titles such as "Why am I Famous?", "What Have I Done?" and "What Am I For?". Several copies of the CD were purchased by the public before stores were able to remove them, some going on to be sold for as much as £750 on online auction websites such as eBay. The cover art depicted Paris Hilton digitally altered to appear topless. Other pictures feature her with a dog's head replacing her own, and one of her stepping out of a luxury car, edited to include a group of homeless people, which included the caption "90% of success is just showing up".[68][69][70]
• In September 2006, Banksy dressed an inflatable doll in the manner of a Guantanamo Bay detainment camp prisoner (orange jumpsuit, black hood, and handcuffs) and then placed the figure within the Big Thunder Mountain Railroad ride at the Disneyland theme park in Anaheim, California.[71][72]
Technique
Asked about his technique, Banksy said:
“I use whatever it takes. Sometimes that just means drawing a moustache on a girl's face on some billboard, sometimes that means sweating for days over an intricate drawing. Efficiency is the key.[73]”
Stencils are traditionally hand drawn or printed onto sheets of acetate or card, before being cut out by hand. Because of the secretive nature of Banksy's work and identity, it is uncertain what techniques he uses to generate the images in his stencils, though it is assumed he uses computers for some images due to the photocopy nature of much of his work.
He mentions in his book, Wall and Piece, that as he was starting to do graffiti, he was always too slow and was either caught or could never finish the art in the one sitting. So he devised a series of intricate stencils to minimise time and overlapping of the colour.
Identity
Banksy's real name has been widely reported to be Robert or Robin Banks.[74][75][76] His year of birth has been given as 1974.[62]
Simon Hattenstone from Guardian Unlimited is one of the very few people to have interviewed him face-to-face. Hattenstone describes him as "a cross of Jimmy Nail and British rapper Mike Skinner" and "a 28 year old male who showed up wearing jeans and a t-shirt with a silver tooth, silver chain, and one silver earring".[77] In the same interview, Banksy revealed that his parents think their son is a painter and decorator.[77]
In May 2007, an extensive article written by Lauren Collins of the New Yorker re-opened the Banksy-identity controversy citing a 2004 photograph of the artist that was taken in Jamaica during the Two-Culture Clash project and later published in the Evening Standard in 2004.[6]
In October 2007, a story on the BBC website featured a photo allegedly taken by a passer-by in Bethnal Green, London, purporting to show Banksy at work with an assistant, scaffolding and a truck. The story confirms that Tower Hamlets Council in London has decided to treat all Banksy works as vandalism and remove them.[78]
In July 2008, it was claimed by The Mail on Sunday that Banksy's real name is Robin Gunningham.[3][79] His agent has refused to confirm or deny these reports.
In May 2009, the Mail on Sunday once again speculated about Gunningham being Banksy after a "self-portrait" of a rat holding a sign with the word "Gunningham" shot on it was photographed in East London.[80] This "new Banksy rat" story was also picked up by The Times[81] and the Evening Standard.
Banksy, himself, states on his website:
“I am unable to comment on who may or may not be Banksy, but anyone described as being 'good at drawing' doesn't sound like Banksy to me.[82]”
Controversy
In 2004, Banksy walked into the Louvre in Paris and hung on a wall a picture he had painted resembling the Mona Lisa but with a yellow smiley face. Though the painting was hurriedly removed by the museum staff, it and its counterpart, temporarily on unknown display at the Tate Britain, were described by Banksy as "shortcuts". He is quoted as saying:
“To actually [have to] go through the process of having a painting selected must be quite boring. It's a lot more fun to go and put your own one up.[83]”
Peter Gibson, a spokesperson for Keep Britain Tidy, asserts that Banksy's work is simple vandalism,[84] and Diane Shakespeare, an official for the same organization, was quoted as saying: "We are concerned that Banksy's street art glorifies what is essentially vandalism".[6]
In June 2007 Banksy created a circle of plastic portable toilets, said to resemble Stonehenge at the Glastonbury Festival. As this was in the same field as the "sacred circle" it was felt by many to be inappropriate and his installation was itself vandalized before the festival even opened. However, the intention had always been for people to climb on and interact with it.[citation needed] The installation was nicknamed "Portaloo Sunset" and "Bog Henge" by Festival goers. Michael Eavis admitted he wasn't fond of it, and the portaloos were removed before the 2008 festival.
In 2010, an artistic feud developed between Banksy and his rival King Robbo after Banksy painted over a 24-year old Robbo piece on the banks of London's Regent Canal. In retaliation several Banksy pieces in London have been painted over by 'Team Robbo'.[85][86]
Also in 2010, government workers accidentally painted over a Banksy art piece, a famed "parachuting-rat" stencil, in Australia's Melbourne CBD. [87]
Bibliography
Banksy has self-published several books that contain photographs of his work in various countries as well as some of his canvas work and exhibitions, accompanied by his own writings:
• Banksy, Banging Your Head Against A Brick Wall (2001) ISBN 978-0-95417040-0
• Banksy, Existencilism (2002) ISBN 978-0-95417041-7
• Banksy, Cut it Out (2004) ISBN 978-0-95449600-5
• Banksy, Wall and Piece (2005) ISBN 978-1-84413786-2
• Banksy, Pictures of Walls (2005) ISBN 978-0-95519460-3
Random House published Wall and Piece in 2005. It contains a combination of images from his three previous books, as well as some new material.[16]
Two books authored by others on his work were published in 2006 & 2007:
• Martin Bull, Banksy Locations and Tours: A Collection of Graffiti Locations and Photographs in London (2006 - with new editions in 2007 and 2008) ISBN 978-0-95547120-9.
• Steve Wright, Banksy's Bristol: Home Sweet Home (2007) ISBN 978-1906477004
External links
• Official website
• Banksy street work photos
1963 Ford FC Fairlane 500 ambulance - Bourke District
1963 Ford FC Fairlane 500 ambulance. Operated by the Bourke District of the NSW Ambulance Transport Service Board. Body built by W. S. Grice Motor Body Builders of Summer Hill. Taken at the 2013 Shannon's Eastern Creek Classic display day, held at Sydney Motorsport Park.
In the heart of what was Sydney’s rag trade district is Sophia Street in Surry Hills. It had cheap accomodation, punk bands and boxes of clothes from China - these days, million dollar apartments are springing up all over
43335248531_8f51390b70_b
Banksy in Boston: Detail of the NO LOITRIN piece on Essex St in Central Square, Cambridge
Interestingly, both of the Boston area Banksy pieces are on Essex St:
• F̶O̶L̶L̶O̶W̶ ̶Y̶O̶U̶R̶ ̶D̶R̶E̶A̶M̶S̶ CANCELLED (aka chimney sweep) in Chinatown, Boston
• NO LOITRIN in Central Square, Cambridge.
Does that mean anything? It looks like he favors Essex named streets & roads when he can. In 2008, he did another notable Essex work in London, for example, and posters on the Banksy Forums picked up & discussed on the Essex link as well.
Is there an Essex Street in any of the other nearby towns? It looks like there are several: Brookline, Charlestown, Chelsea, Gloucester, Haverhill, Lawrence, Lynn, Medford, Melrose, Quincy, Revere, Salem, Saugus, Somerville, Swampscott, and Waltham. Most of these seem improbable to me, other than maybe Brookline, or maybe Somerville or Charlestown. But they start getting pretty suburban after that.
But, again, why "Essex"? In a comment on this photo, Birbeck helps clarify:
I can only surmise that he's having a 'dig' at Essex UK, especially with the misspelling of 'Loitering'. Here, the general view of the urban districts in Essex: working class but with right wing views; that they're not the most intellectual bunch; rather obsessed with fashion (well, their idea of it); their place of worship is the shopping mall; enjoy rowdy nights out; girls are thought of as being dumb, fake blonde hair/tans and promiscuous; and guys are good at the 'chit chat', and swagger around showing off their dosh (money).
It was also the region that once had Europe's largest Ford motor factory. In its heyday, 1 in 3 British cars were made in Dagenham, Essex. Pay was good for such unskilled labour, generations worked mind-numbing routines on assembly lines for 80 years. In 2002 the recession ended the dream.
• • • • •
Banksy
From Wikipedia, the free encyclopedia
Banksy
• Birth name
Unknown
• Born
1974 or 1975 (1974 or 1975), Bristol, UK[1]
• Nationality
British
• Field
Graffiti
Street Art
Bristol underground scene
Sculpture
• Movement
Anti-Totalitarianism
Anti-capitalism
Pacifism
Anti-War
Anarchism
Atheism
Anti-Fascism
• Works
Naked Man Image
One Nation Under CCTV
Anarchist Rat
Ozone's Angel
Pulp Fiction
Banksy is a pseudonymous[2][3][4] British graffiti artist. He is believed to be a native of Yate, South Gloucestershire, near Bristol[2] and to have been born in 1974,[5] but his identity is unknown.[6] According to Tristan Manco[who?], Banksy "was born in 1974 and raised in Bristol, England. The son of a photocopier technician, he trained as a butcher but became involved in graffiti during the great Bristol aerosol boom of the late 1980s."[7] His artworks are often satirical pieces of art on topics such as politics, culture, and ethics. His street art, which combines graffiti writing with a distinctive stencilling technique, is similar to Blek le Rat, who began to work with stencils in 1981 in Paris and members of the anarcho-punk band Crass who maintained a graffiti stencil campaign on the London Tube System in the late 1970s and early 1980s. His art has appeared in cities around the world.[8] Banksy's work was born out of the Bristol underground scene which involved collaborations between artists and musicians.
Banksy does not sell photos of street graffiti.[9] Art auctioneers have been known to attempt to sell his street art on location and leave the problem of its removal in the hands of the winning bidder.[10]
Banksy's first film, Exit Through The Gift Shop, billed as "the world's first street art disaster movie", made its debut at the 2010 Sundance Film Festival.[11] The film was released in the UK on March 5.[12]
Contents
• 1 Career
•• 1.1 2000
•• 1.2 2002
•• 1.3 2003
•• 1.4 2004
•• 1.5 2005
•• 1.6 2006
•• 1.7 2007
•• 1.8 2008
•• 1.9 2009
•• 1.10 2010
• 2 Notable art pieces
• 3 Technique
• 4 Identity
• 5 Controversy
• 6 Bibliography
• 7 References
• 8 External links
Career
Banksy started as a freehand graffiti artist 1992–1994[14] as one of Bristol's DryBreadZ Crew (DBZ), with Kato and Tes.[15] He was inspired by local artists and his work was part of the larger Bristol underground scene. From the start he used stencils as elements of his freehand pieces, too.[14] By 2000 he had turned to the art of stencilling after realising how much less time it took to complete a piece. He claims he changed to stencilling whilst he was hiding from the police under a train carriage, when he noticed the stencilled serial number[16] and by employing this technique, he soon became more widely noticed for his art around Bristol and London.[16]
Stencil on the waterline of The Thekla, an entertainment boat in central Bristol - (wider view). The image of Death is based on a 19th century etching illustrating the pestilence of The Great Stink.[17]
Banksy's stencils feature striking and humorous images occasionally combined with slogans. The message is usually anti-war, anti-capitalist or anti-establishment. Subjects often include rats, monkeys, policemen, soldiers, children, and the elderly.
In late 2001, on a trip to Sydney and Melbourne, Australia, he met up with the Gen-X pastellist, visual activist, and recluse James DeWeaver in Byron Bay[clarification needed], where he stencilled a parachuting rat with a clothes peg on its nose above a toilet at the Arts Factory Lodge. This stencil can no longer be located. He also makes stickers (the Neighbourhood Watch subvert) and sculpture (the murdered phone-box), and was responsible for the cover art of Blur's 2003 album Think Tank.
2000
The album cover for Monk & Canatella's Do Community Service was conceived and illustrated by Banksy, based on his contribution to the "Walls on fire" event in Bristol 1998.[18][citation needed]
2002
On 19 July 2002, Banksy's first Los Angeles exhibition debuted at 33 1/3 Gallery, a small Silverlake venue owned by Frank Sosa. The exhibition, entitled Existencilism, was curated by 33 1/3 Gallery, Malathion, Funk Lazy Promotions, and B+.[19]
2003
In 2003 in an exhibition called Turf War, held in a warehouse, Banksy painted on animals. Although the RSPCA declared the conditions suitable, an animal rights activist chained herself to the railings in protest.[20] He later moved on to producing subverted paintings; one example is Monet's Water Lily Pond, adapted to include urban detritus such as litter and a shopping trolley floating in its reflective waters; another is Edward Hopper's Nighthawks, redrawn to show that the characters are looking at a British football hooligan, dressed only in his Union Flag underpants, who has just thrown an object through the glass window of the cafe. These oil paintings were shown at a twelve-day exhibition in Westbourne Grove, London in 2005.[21]
2004
In August 2004, Banksy produced a quantity of spoof British £10 notes substituting the picture of the Queen's head with Princess Diana's head and changing the text "Bank of England" to "Banksy of England." Someone threw a large wad of these into a crowd at Notting Hill Carnival that year, which some recipients then tried to spend in local shops. These notes were also given with invitations to a Santa's Ghetto exhibition by Pictures on Walls. The individual notes have since been selling on eBay for about £200 each. A wad of the notes were also thrown over a fence and into the crowd near the NME signing tent at The Reading Festival. A limited run of 50 signed posters containing ten uncut notes were also produced and sold by Pictures on Walls for £100 each to commemorate the death of Princess Diana. One of these sold in October 2007 at Bonhams auction house in London for £24,000.
2005
In August 2005, Banksy, on a trip to the Palestinian territories, created nine images on Israel's highly controversial West Bank barrier. He reportedly said "The Israeli government is building a wall surrounding the occupied Palestinian territories. It stands three times the height of the Berlin Wall and will eventually run for over 700km—the distance from London to Zurich. "[22]
2006
• Banksy held an exhibition called Barely Legal, billed as a "three day vandalised warehouse extravaganza" in Los Angeles, on the weekend of 16 September. The exhibition featured a live "elephant in a room", painted in a pink and gold floral wallpaper pattern.[23]
• After Christina Aguilera bought an original of Queen Victoria as a lesbian and two prints for £25,000,[24] on 19 October 2006 a set of Kate Moss paintings sold in Sotheby's London for £50,400, setting an auction record for Banksy's work. The six silk-screen prints, featuring the model painted in the style of Andy Warhol's Marilyn Monroe pictures, sold for five times their estimated value. His stencil of a green Mona Lisa with real paint dripping from her eyes sold for £57,600 at the same auction.[25]
• In December, journalist Max Foster coined the phrase, "the Banksy Effect", to illustrate how interest in other street artists was growing on the back of Banksy's success.[26]
2007
• On 21 February 2007, Sotheby's auction house in London auctioned three works, reaching the highest ever price for a Banksy work at auction: over £102,000 for his Bombing Middle England. Two of his other graffiti works, Balloon Girl and Bomb Hugger, sold for £37,200 and £31,200 respectively, which were well above their estimated prices.[27] The following day's auction saw a further three Banksy works reach soaring prices: Ballerina With Action Man Parts reached £96,000; Glory sold for £72,000; Untitled (2004) sold for £33,600; all significantly above estimated values.[28] To coincide with the second day of auctions, Banksy updated his website with a new image of an auction house scene showing people bidding on a picture that said, "I Can't Believe You Morons Actually Buy This Shit."[6]
• In February 2007, the owners of a house with a Banksy mural on the side in Bristol decided to sell the house through Red Propeller art gallery after offers fell through because the prospective buyers wanted to remove the mural. It is listed as a mural which comes with a house attached.[29]
• In April 2007, Transport for London painted over Banksy's iconic image of a scene from Quentin Tarantino's Pulp Fiction, with Samuel L. Jackson and John Travolta clutching bananas instead of guns. Although the image was very popular, Transport for London claimed that the "graffiti" created "a general atmosphere of neglect and social decay which in turn encourages crime" and their staff are "professional cleaners not professional art critics".[30] Banksy tagged the same site again (pictured at right). This time the actors were portrayed as holding real guns instead of bananas, but they were adorned with banana costumes. Banksy made a tribute art piece over this second Pulp Fiction piece. The tribute was for 19-year-old British graffiti artist Ozone, who was hit by an underground train in Barking, East London, along with fellow artist Wants, on 12 January 2007.[31] The piece was of an angel wearing a bullet-proof vest, holding a skull. He also wrote a note on his website, saying:
The last time I hit this spot I painted a crap picture of two men in banana costumes waving hand guns. A few weeks later a writer called Ozone completely dogged it and then wrote 'If it's better next time I'll leave it' in the bottom corner. When we lost Ozone we lost a fearless graffiti writer and as it turns out a pretty perceptive art critic. Ozone - rest in peace.[citation needed]
Ozone's Angel
• On 27 April 2007, a new record high for the sale of Banksy's work was set with the auction of the work Space Girl & Bird fetching £288,000 (US$576,000), around 20 times the estimate at Bonhams of London.[32]
• On 21 May 2007 Banksy gained the award for Art's Greatest living Briton. Banksy, as expected, did not turn up to collect his award, and continued with his notoriously anonymous status.
• On 4 June 2007, it was reported that Banksy's The Drinker had been stolen.[33][34]
• In October 2007, most of his works offered for sale at Bonhams auction house in London sold for more than twice their reserve price.[35]
• Banksy has published a "manifesto" on his website.[36] The text of the manifesto is credited as the diary entry of one Lieutenant Colonel Mervin Willett Gonin, DSO, which is exhibited in the Imperial War Museum. It describes how a shipment of lipstick to the Bergen-Belsen concentration camp immediately after its liberation at the end of World War II helped the internees regain their humanity. However, as of 18 January 2008, Banksy's Manifesto has been substituted with Graffiti Heroes #03 that describes Peter Chappell's graffiti quest of the 1970s that worked to free George Davis of his imprisonment.[37] By 12 August 2009 he was relying on Emo Phillips' "When I was a kid I used to pray every night for a new bicycle. Then I realised God doesn’t work that way, so I stole one and prayed for forgiveness."
• A small number of Banksy's works can be seen in the movie Children of Men, including a stenciled image of two policemen kissing and another stencil of a child looking down a shop.
• In the 2007 film Shoot 'Em Up starring Clive Owen, Banksy's tag can be seen on a dumpster in the film's credits.
• Banksy, who deals mostly with Lazarides Gallery in London, claims that the exhibition at Vanina Holasek Gallery in New York (his first major exhibition in that city) is unauthorised. The exhibition featured 62 of his paintings and prints.[38]
2008
• In March, a stencilled graffiti work appeared on Thames Water tower in the middle of the Holland Park roundabout, and it was widely attributed to Banksy. It was of a child painting the tag "Take this Society" in bright orange. London Borough of Hammersmith and Fulham spokesman, Councillor Greg Smith branded the art as vandalism, and ordered its immediate removal, which was carried out by H&F council workmen within three days.[39]
• Over the weekend 3–5 May in London, Banksy hosted an exhibition called The Cans Festival. It was situated on Leake Street, a road tunnel formerly used by Eurostar underneath London Waterloo station. Graffiti artists with stencils were invited to join in and paint their own artwork, as long as it didn't cover anyone else's.[40] Artists included Blek le Rat, Broken Crow, C215, Cartrain, Dolk, Dotmasters, J.Glover, Eine, Eelus, Hero, Pure evil, Jef Aérosol, Mr Brainwash, Tom Civil and Roadsworth.[citation needed]
• In late August 2008, marking the third anniversary of Hurricane Katrina and the associated levee failure disaster, Banksy produced a series of works in New Orleans, Louisiana, mostly on buildings derelict since the disaster.[41]
• A stencil painting attributed to Banksy appeared at a vacant petrol station in the Ensley neighbourhood of Birmingham, Alabama on 29 August as Hurricane Gustav approached the New Orleans area. The painting depicting a hooded member of the Ku Klux Klan hanging from a noose was quickly covered with black spray paint and later removed altogether.[42]
• His first official exhibition in New York, the "Village Pet Store And Charcoal Grill," opened 5 October 2008. The animatronic pets in the store window include a mother hen watching over her baby Chicken McNuggets as they peck at a barbecue sauce packet, and a rabbit putting makeup on in a mirror.[43]
• The Westminster City Council stated in October 2008 that the work "One Nation Under CCTV", painted in April 2008 will be painted over as it is graffiti. The council says it will remove any graffiti, regardless of the reputation of its creator, and specifically stated that Banksy "has no more right to paint graffiti than a child". Robert Davis, the chairman of the council planning committee told The Times newspaper: "If we condone this then we might as well say that any kid with a spray can is producing art". [44] The work was painted over in April 2009.
• In December 2008, The Little Diver, a Banksy image of a diver in a duffle coat in Melbourne Australia was vandalised. The image was protected by a sheet of clear perspex, however silver paint was poured behind the protective sheet and later tagged with the words "Banksy woz ere". The image was almost completely destroyed.[45].
2009
• May 2009, parts company with agent Steve Lazarides. Announces Pest Control [46] the handling service who act on his behalf will be the only point of sale for new works.
• On 13 June 2009, the Banksy UK Summer show opened at Bristol City Museum and Art Gallery, featuring more than 100 works of art, including animatronics and installations; it is his largest exhibition yet, featuring 78 new works.[47][48] Reaction to the show was positive, with over 8,500 visitors to the show on the first weekend.[49] Over the course of the twelve weeks, the exhibition has been visited over 300,000 times.[50]
• In September 2009, a Banksy work parodying the Royal Family was partially destroyed by Hackney Council after they served an enforcement notice for graffiti removal to the former address of the property owner. The mural had been commissioned for the 2003 Blur single "Crazy Beat" and the property owner, who had allowed the piece to be painted, was reported to have been in tears when she saw it was being painted over.[51]
• In December 2009, Banksy marked the end of the 2009 United Nations Climate Change Conference by painting four murals on global warming. One included "I don't believe in global warming" which was submerged in water.[52]
2010
• The world premiere of the film Exit Through the Gift Shop occurred at the Sundance Film Festival in Park City, Utah, on 24 January. He created 10 street pieces around Park City and Salt Lake City to tie in with the screening.[53]
• In February, The Whitehouse public house in Liverpool, England, is sold for £114,000 at auction.[54] The side of the building has an image of a giant rat by Banksy.[55]
• In April 2010, Melbourne City Council in Australia reported that they had inadvertently ordered private contractors to paint over the last remaining Banksy art in the city. The image was of a rat descending in a parachute adorning the wall of an old council building behind the Forum Theatre. In 2008 Vandals had poured paint over a stencil of an old-fashioned diver wearing a trenchcoat. A council spokeswoman has said they would now rush through retrospective permits to protect other “famous or significant artworks” in the city.[56]
• In April 2010 to coincide with the premier of Exit through the Gift Shop in San Francisco, 5 of his pieces appeared in various parts of the city.[57] Banksy reportedly paid a Chinatown building owner $50 for the use of their wall for one of his stencils.[58]
• In May 2010 to coincide with the release of "Exit Through the Gift Shop" in Chicago, one piece appeared in the city.
Notable art pieces
In addition to his artwork, Banksy has claimed responsibility for a number of high profile art pieces, including the following:
• At London Zoo, he climbed into the penguin enclosure and painted "We're bored of fish" in seven foot high letters.[59]
• At Bristol Zoo, he left the message 'I want out. This place is too cold. Keeper smells. Boring, boring, boring.' in the elephant enclosure.[60]
• In March 2005, he placed subverted artworks in the Museum of Modern Art, Metropolitan Museum of Art, the Brooklyn Museum, and the American Museum of Natural History in New York.[61]
• He put up a subverted painting in London's Tate Britain gallery.
• In May 2005 Banksy's version of a primitive cave painting depicting a human figure hunting wildlife whilst pushing a shopping trolley was hung in gallery 49 of the British Museum, London. Upon discovery, they added it to their permanent collection.[62]
Near Bethlehem - 2005
• Banksy has sprayed "This is not a photo opportunity" on certain photograph spots.
• In August 2005, Banksy painted nine images on the Israeli West Bank barrier, including an image of a ladder going up and over the wall and an image of children digging a hole through the wall.[22][63][64][65]
See also: Other Banksy works on the Israeli West Bank barrier
• In April 2006, Banksy created a sculpture based on a crumpled red phone box with a pickaxe in its side, apparently bleeding, and placed it in a street in Soho, London. It was later removed by Westminster Council. BT released a press release, which said: "This is a stunning visual comment on BT's transformation from an old-fashioned telecommunications company into a modern communications services provider."[66]
• In June 2006, Banksy created an image of a naked man hanging out of a bedroom window on a wall visible from Park Street in central Bristol. The image sparked some controversy, with the Bristol City Council leaving it up to the public to decide whether it should stay or go.[67] After an internet discussion in which 97% (all but 6 people) supported the stencil, the city council decided it would be left on the building.[67] The mural was later defaced with paint.[67]
• In August/September 2006, Banksy replaced up to 500 copies of Paris Hilton's debut CD, Paris, in 48 different UK record stores with his own cover art and remixes by Danger Mouse. Music tracks were given titles such as "Why am I Famous?", "What Have I Done?" and "What Am I For?". Several copies of the CD were purchased by the public before stores were able to remove them, some going on to be sold for as much as £750 on online auction websites such as eBay. The cover art depicted Paris Hilton digitally altered to appear topless. Other pictures feature her with a dog's head replacing her own, and one of her stepping out of a luxury car, edited to include a group of homeless people, which included the caption "90% of success is just showing up".[68][69][70]
• In September 2006, Banksy dressed an inflatable doll in the manner of a Guantanamo Bay detainment camp prisoner (orange jumpsuit, black hood, and handcuffs) and then placed the figure within the Big Thunder Mountain Railroad ride at the Disneyland theme park in Anaheim, California.[71][72]
Technique
Asked about his technique, Banksy said:
“I use whatever it takes. Sometimes that just means drawing a moustache on a girl's face on some billboard, sometimes that means sweating for days over an intricate drawing. Efficiency is the key.[73]”
Stencils are traditionally hand drawn or printed onto sheets of acetate or card, before being cut out by hand. Because of the secretive nature of Banksy's work and identity, it is uncertain what techniques he uses to generate the images in his stencils, though it is assumed he uses computers for some images due to the photocopy nature of much of his work.
He mentions in his book, Wall and Piece, that as he was starting to do graffiti, he was always too slow and was either caught or could never finish the art in the one sitting. So he devised a series of intricate stencils to minimise time and overlapping of the colour.
Identity
Banksy's real name has been widely reported to be Robert or Robin Banks.[74][75][76] His year of birth has been given as 1974.[62]
Simon Hattenstone from Guardian Unlimited is one of the very few people to have interviewed him face-to-face. Hattenstone describes him as "a cross of Jimmy Nail and British rapper Mike Skinner" and "a 28 year old male who showed up wearing jeans and a t-shirt with a silver tooth, silver chain, and one silver earring".[77] In the same interview, Banksy revealed that his parents think their son is a painter and decorator.[77]
In May 2007, an extensive article written by Lauren Collins of the New Yorker re-opened the Banksy-identity controversy citing a 2004 photograph of the artist that was taken in Jamaica during the Two-Culture Clash project and later published in the Evening Standard in 2004.[6]
In October 2007, a story on the BBC website featured a photo allegedly taken by a passer-by in Bethnal Green, London, purporting to show Banksy at work with an assistant, scaffolding and a truck. The story confirms that Tower Hamlets Council in London has decided to treat all Banksy works as vandalism and remove them.[78]
In July 2008, it was claimed by The Mail on Sunday that Banksy's real name is Robin Gunningham.[3][79] His agent has refused to confirm or deny these reports.
In May 2009, the Mail on Sunday once again speculated about Gunningham being Banksy after a "self-portrait" of a rat holding a sign with the word "Gunningham" shot on it was photographed in East London.[80] This "new Banksy rat" story was also picked up by The Times[81] and the Evening Standard.
Banksy, himself, states on his website:
“I am unable to comment on who may or may not be Banksy, but anyone described as being 'good at drawing' doesn't sound like Banksy to me.[82]”
Controversy
In 2004, Banksy walked into the Louvre in Paris and hung on a wall a picture he had painted resembling the Mona Lisa but with a yellow smiley face. Though the painting was hurriedly removed by the museum staff, it and its counterpart, temporarily on unknown display at the Tate Britain, were described by Banksy as "shortcuts". He is quoted as saying:
“To actually [have to] go through the process of having a painting selected must be quite boring. It's a lot more fun to go and put your own one up.[83]”
Peter Gibson, a spokesperson for Keep Britain Tidy, asserts that Banksy's work is simple vandalism,[84] and Diane Shakespeare, an official for the same organization, was quoted as saying: "We are concerned that Banksy's street art glorifies what is essentially vandalism".[6]
In June 2007 Banksy created a circle of plastic portable toilets, said to resemble Stonehenge at the Glastonbury Festival. As this was in the same field as the "sacred circle" it was felt by many to be inappropriate and his installation was itself vandalized before the festival even opened. However, the intention had always been for people to climb on and interact with it.[citation needed] The installation was nicknamed "Portaloo Sunset" and "Bog Henge" by Festival goers. Michael Eavis admitted he wasn't fond of it, and the portaloos were removed before the 2008 festival.
In 2010, an artistic feud developed between Banksy and his rival King Robbo after Banksy painted over a 24-year old Robbo piece on the banks of London's Regent Canal. In retaliation several Banksy pieces in London have been painted over by 'Team Robbo'.[85][86]
Also in 2010, government workers accidentally painted over a Banksy art piece, a famed "parachuting-rat" stencil, in Australia's Melbourne CBD. [87]
Bibliography
Banksy has self-published several books that contain photographs of his work in various countries as well as some of his canvas work and exhibitions, accompanied by his own writings:
• Banksy, Banging Your Head Against A Brick Wall (2001) ISBN 978-0-95417040-0
• Banksy, Existencilism (2002) ISBN 978-0-95417041-7
• Banksy, Cut it Out (2004) ISBN 978-0-95449600-5
• Banksy, Wall and Piece (2005) ISBN 978-1-84413786-2
• Banksy, Pictures of Walls (2005) ISBN 978-0-95519460-3
Random House published Wall and Piece in 2005. It contains a combination of images from his three previous books, as well as some new material.[16]
Two books authored by others on his work were published in 2006 & 2007:
• Martin Bull, Banksy Locations and Tours: A Collection of Graffiti Locations and Photographs in London (2006 - with new editions in 2007 and 2008) ISBN 978-0-95547120-9.
• Steve Wright, Banksy's Bristol: Home Sweet Home (2007) ISBN 978-1906477004
External links
• Official website
• Banksy street work photos
Christmas, Castle Hill, Sydney
6651515169_bdf744c8b8_b
NSW Police Force - Sydney City, Surry Hills District.
Highway Patrol. Holden Commodore Wagon.
Sunset Over the Ridge Down from Mount Canobolas
Explore August 26th #491 - Mount Canobolas, at an altitude of 1,395 metres (4,577 ft) above sea level, is the highest mountain in the central tablelands district of New South Wales, Australia.
The mountain is of volcanic origin. It is located 13 kilometres (8 mi) southwest of the city of Orange, and it is about 250 kilometres (155 mi) west of Sydney.
The northern slopes of the mountain, with fertile volcanic soil, are becoming a popular cold-climate wine producing area.
The name comes from two Aboriginal words, 'coona' and 'booloo' meaning two headed beast or conjoined twins. There is a 360 degree view from the summit, which is often snow-capped in winter. The mountain is now part of a 15 square kilometre area controlled by the National Parks and Wildlife Service, which offers various walks: to Bald Hill; to Young Man Canobolas; Federal Falls to Mount Towac, etc. The volcanic peaks give wide views and there are some attractive waterfalls. The mountain was first climbed by a European when Major Thomas Mitchell came there in 1835. An early squatter on the slopes of the Canobolas Range was Thomas Hood, whose father, John Hood, came from England for a visit in 1841, and wrote an account of the district. By 1848 Hood was lessee for Boree Cabonne.
Transmission towers atop Mount CanobolasThe top of the mountain is now dominated by numerous towers used for television and radio transmissions across large areas of central New South Wales. These transmitters include towers for Airservices Australia, Royal Australian Air Force, Prime Television, WIN Television, Australian Broadcasting Corporation and Southern Cross Ten.
Each year the Orange Community runs the Great Volcanic Mountain Challenge, an 11 km walk and fun run from the Pinnacle to the Summit of Mount Canobolas by the volcanic plugs of Mount Towac and Young Man Canobolas. The inaugural event was held in 2006.
For further information please visit en.wikipedia.org/wiki/Mount_Canobolas
Culcairn, N.S.W.
Hotel
Culcairn is a town in the south-east Riverina region of New South Wales, Australia. Culcairn is located in the Greater Hume Shire Council local government area on the Olympic Highway between Albury and Wagga Wagga. The town is 514 kilometres (319 mi) south-west of the state capital, Sydney and at the 2006 census had a population of 1,120.
The town is an important supply centre for nearby towns and villages including, Morven, Gerogery, Henty, Walla Walla and Pleasant Hills. Billabong Creek runs along the southern edge of town, lending its name to the local high school.
European settlement of Culcairn began in 1834, following favourable reports on grazing potential and grass cover by the explorers Hume and Hovell when travelling overland to the Port Phillip district in 1824. A number of stations were gazetted and between 1862 and 1865 the district was terrorised by the bushranger, Dan "Mad Dog" Morgan. The reward for Morgan would reach £1,000. He was ambushed and killed in Victoria after his final holdup in 1865.
The town itself was laid out in 1880 by James Balfour, a local landowner, who named it after a property in the parish of Kiltearn, his mother's birthplace. Culcairn Post Office opened on 1 September 1880.
Early industries included chaff mills, a cereal grain company and a quarry. The extension of the Main Southern railway line to Albury to meet the broad gauge line from Melbourne saw Culcairn prosper. The Culcairn Hotel, constructed in 1891, was the largest on the line between Melbourne and Sydney.(Wikepedia)
04-Glover Garden, view from former Mitsubishi No. 2 Dock House, Nagasaki
Glover Garden, Nagasaki, Kyushu, Japan 2014
🔘 π pics - all photos and collages Ⓒ Peter Callas 2017 - All Rights Reserved. These images may not be used or reproduced in any way without prior permission.
All photos taken with Sony RX100
Glover Garden & "Madame Butterfly House"
Glover Garden (Gurabāen) is a park on top of the hill of Minami-Yamate overlooking Nagasaki harbour. The various historic quasi-Western style mansions (mainly foreign-designed, Japanese-built) constructed, and others from diverse parts of Nagasaki reassembled, here retain the atmosphere of a 19th century foreign entrepôt.
Thomas Blake Glover, a Scottish merchant who contributed to the modernisation of Japan in shipbuilding and coal mining built his home, now the oldest Western style house surviving in Japan, here in 1863, only five years after America’s first emissary, Commodore Matthew Perry, and his American "Black Ships" entered port at Uraga (at the entrance of Edo Bay), eventually forcing the Japanese Shogunate to end 215 years of near total isolation ("sakoku").
The US-Japan Treaty of Amity and Commerce painstakingly negotiated by US Ambassador Townsend Harris, concluded on July 29, 1858, opened Kanagawa (a district of Yokohama), Nagasaki, Niigata, and Hyogo (a district of Kobe) to US vessels, and allowed Americans to reside in those four port locations as well as in settlements in Edo and Osaka.
Similar treaties made that year with Russia, Britain, France and the Netherlands established concessions beyond which foreigners could not travel more than 40 kilometres. They also granted consular courts the right to try foreigners for crimes they committed in Japan, and also placed restrictions on Japan’s tariff autonomy.
The port of Nagasaki was opened to foreign trade in 1859 along with Yokohama and Hakodate in Hokkaido.
Up until this time foreigners had been limited to living on an isolated purpose-built island called Dejima in Nagasaki harbour. To ensure there was enough space for homes and bases of operations for foreign traders in Nagasaki, the Shogunate embarked on a hasty land reclamation and construction program. The areas of Higashi-Yamate, Minami-Yamate, Oura, Kozone, Sagarimatsu, Umegasaki, Shinchi and Dejima were transformed into a single district: Nagasaki’s Foreign Settlement. Divided into three areas from the waterfront inwards: prime land, middle-grade land and low-grade land, foreign traders established trading posts and storehouses on the high-rent prime land; the middle-grade land to the rear was filled with hotels, banks, hospitals and recreational facilities; and houses, churches, consulates and so on were built on the hilly low-grade land.
Whilst hilly Minami-Yamate (south Yamate) was used for housing, Higashi-Yamate (south Yamate) was at first called "Consulate Hill" as it was the location of the Portuguese and Prussian consulate buildings, amongst others. In this way, a wide variety of Western buildings were constructed, and the settlement took on a unique form with Oura Bund (an Anglo-Indian term meaning "waterfront street" or "embankment" borrowed from the Shanghai vernacular).
It took until the turn of the century until enclaves like this were abolished and non-Japanese were able to live alongside Japanese throughout the country. The foreign settlements in Nagasaki were abolished 1899 (Meiji 32), but the Western buildings remained, giving Nagasaki the feel of an exotic foreign locale. In 1970 (Showa 45), an effort was made to preserve Nagasaki’s gradually-disappearing Western buildings, some of which had also been damaged by the American atomic bomb dropped on Nagasaki in August 1945. At that time the Glover residence and other buildings on Minami-Yamate hill were restored and many Western houses around the city were moved to Minami-Yamate, renaming the precinct as Glover Garden.
Glover's mansion was built by Hidenoshin Koyama of Amakusa island. It has been designated as an Important Cultural Asset. As the house and its surroundings are reminiscent of Puccini's opera [based in Nagasaki], it is also known as the "Madame Butterfly House" (based on Pierre Loti’s vivid descriptions of his month-long sojourn with a young courtesan named Kane, published in the book Madame Chrysantheme in 1893). Statues of Puccini and diva Miura Tamaki, famed for her role as Cio-Cio-san, stand in the park near the house.
The Glover Residence
After he left school, Glover took up employment with the Trading Company, Jardine, Matheson & Co. He first visited Japan in 1857, aged 19. In 1859 the 21 year old Glover established a presence for Jardine Matheson in Nagasaki, buying Japanese Green Tea. Two years later he set up his own company in Nagasaki, the Glover Trading Company (Guraba-Shokai) aged only 23.
A larger business opportunity emerged with rising tensions between the Shogunate and rebellious samurai clans in southern Japan. Glover made a fortune selling ships sourced from family shipbuilding connections back in Scotland and arms to the rival factions. He was eventually responsible for commissioning three warships for the Japanese navy from Aberdeen Shipyards.
By 1861 America had become preoccupied with its own Civil War. The US relinquished its leading role in Japanese affairs to Great Britain, which, by 1864, controlled nearly 90% of Japan's Trade with Western nations.
The 1860s were a period of phenomenal success for Glover. In 1865 he introduced the first steam locomotive ever seen in Japan, the "Iron Duke", and by 1868 he was influential enough to play a part in the downfall of the Tokugawa Shogunate leading to the Meiji Restoration, with the emperor as the head-of-state.
Demand for coal surged as steamships multiplied in Japanese waters. By the end of the 1860s Glover was also operating Japan's first coal mines and had built its first dry dock. Overreaching in trying to expand his business to other locations in Japan, Glover went bankrupt in 1870 and was forced to sell his stake in the western-style mine. However this proved only a temporary setback - he stayed on as manager of the mine for several more years. Mitsubishi, which ultimately became an infamous zaibatsu (financial clique) acquired the mine in 1881 in the organization's first main diversification beyond shipping. [Mitsubishi was founded by Yataro Iwasaki, a former Tosa Samurai, who had had business dealings with Glover before the restoration. Glover acted as a consultant for Mitsubishi in various ways for over 30 years, playing a crucial role in the founding of what became the still-extant Kirin Brewery Company.]
Glover left Nagasaki in 1877 to serve as a consultant to the Mitsubishi Co. in Tokyo. In 1908, the Meiji Government recognized his contributions to Japan by awarding him the 2nd Class Order of the Rising Sun, an unprecedented decoration for a foreigner.
Glover also laid Japan's first telephone line between the Nagasaki foreign settlement and Takashima, enlisted a Scottish Engineer to build Japan's first lighthouses, and arranged for the purchase of coin minting equipment from Hong Kong to produce the first yen coins. Another important achievement of Thomas Glover was the assistance he provided to young Japanese in travelling to Britain and enrolling in universities there. Among these young Japanese was Ito Hirobumi, who would go on to serve as Japan's first Prime Minister and who would remain Glover's lifelong friend.
The Glover Residence is noted for its blend of Western and Japanese elements and is an example of treaty port building. This type of architecture closely resembles one-story bungalows used by foreigners in Hong Kong or Shanghai and imported to Japan by British traders. Rather than following contemporary Victorian styles, this type of building more closely reflects the Georgian aesthetic popular in Britain during the previous generation.
The stone-floored verandas, latticed arches, and French windows are several of the distinctive foreign elements included in the residence, while Japanese influence can be seen in the tile roof with its demon-headed tiles intended to ward off evil. The roof was modified by adding unmistakably British chimneys.
The park also includes the former Gatekeeper’s Station at the Nagasaki Commercial College, Ringer House (built 1865 for Frederick Ringer) and Alt House (built for William Alt). The correct treatment of the Tuscan pillars and pediment at the Alt House suggest that this building was designed by a Western architect.
Alt House
British merchant William J. Alt (1840-1905) built this house for his family in 1865. It has been designated an Important Cultural Asset by the Japanese Government and is preserved today on its original site. Designed by a British architect and constructed by Japanese master carpenter Koyama Hidenoshin (who also built Glover’s house) it was built from stone, with Tuscan columns imported from Italy.
Alt came to Nagasaki in 1859 and established Alt & Co., engaging in the tea trade and other enterprises. In 1861, he was chosen to serve as a leader of both the foreign settlement municipal council and the first chamber of commerce. He lived in this house with his wife Elisabeth (1847-1923) and two daughters from 1865 to 1868, then spent 18 months in Osaka and two years in Yokohama before returning to England.
The house was used for only 5 years by the Alt family and saw a colourful variety of uses over the following years. It was used as a school building by the Methodist Kwassui Academy and as the American Consulate. In 1903 it became the property of the Ringer family, who resided there up to the outbreak of World War II. Damaged by the atomic bomb, the building served for many years as a tenement house before being purchased by Nagasaki City in 1970, refurbished, and opened to the public as part of Glover Garden.
The atmosphere of peace and international understanding that had characterised Nagasaki dissipated quickly in the buildup to WWII. The foreign enterprises that had not already folded were forced to close down after Japan formed an alliance with Germany and Italy and the German Armed Forces invaded Poland in September 1940. The foreign employees hastily gathered their belongings and left Nagasaki behind, watching from the decks of steamers as the familiar hillsides faded from sight.
Among the firms that closed down in 1940 was Holme, Ringer & Co., which had operated in Nagasaki without interruption since 1868. Fred E E Ringer, the eldest son of founder Frederick Ringer, died in his residence at the age of 56. His younger brother Sydney managed to leave the country in October, but his two sons Vanya and Michael were arrested on suspicion of spying. They later escaped overseas and joined the British Army in India. Like many other former Nagasaki residents, Sydney Ringer and his wife waited in Shanghai hoping that the hostilities would come to a quick conclusion, but they were later arrested by the Japanese Army and spent the rest of the war in Chinese concentration camps. As in other Japanese cities, severe privations were imposed on the citizens of Nagasaki from around the beginning of 1940. There was a growing shortage of rice, barley and other staple foods, and luxury items such as charcoal and sugar became virtually impossible to obtain.
After World War II, the homes, offices and hotels used by the residents of the former Nagasaki Foreign Settlement disappeared one after another under the wave of development and urbanization. Now only about 10% of the original buildings remain.
Sydney Ringer did not return to Japan until after the departure of the occupation forces in 1952. His main purpose was to retrieve the various assets that had been frozen by the Japanese Government and to begin the process of selling off his Property in Nagasaki. While here he lived in his former home on the Minamiyamate hillside.
Former Gatekeeper’s Station at the Nagasaki Commercial College
This small building was erected near the entrance to the Nagasaki Commercial College established in 1905. It was moved to the present site in 1976. Offering courses in business and economics, the Nagasaki Commercial College became the Nagasaki School of Economics in 1944 and the Nagasaki University Faculty of Economics in 1949.
Sources quoted:
en.m.wikipedia.org/wiki/Glover_Garden
www.glover-garden.jp/foreign/english.html
www.japantimes.co.jp/community/2002/01/20/general/when-so...
mcjazz.f2s.com/GloverNagasaki.htm
mcjazz.f2s.com/GloverTB.htm
Placards placed around Glover Garden
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