Bombo Quarry
T'was in the darkest depths of Mordor, I met a girl so fair.
Scrambled across 100 metres of boulders and rocks in the dark with award-winning photographer Annette Blattman to try and get some night shots of the seascape at the Bombo Quarry just north of Kiama on the NSW South Coast. A tough shoot but well worth the effort. The basalt rocks here are simply spectacular, especially if there is any kind of sea running.
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Quarrying in the Kiama District
The basalt rock of the district was initially used for fences and buildings. Notable basalt buildings are the old Kiama Infants School at Black Beach, the Anglican Christ Church and the Kiama Courthouse. The rock walls of the district were also made from basalt. The local basalt was found to be very useful for construction due to its fine grain, hardness, resistance to weathering and ability to be crushed without disintergrating. As the roads of Sydney and the growing colony on New South Wales required a good solid rock base the Kiama basalt was ideal and would be in strong demand for many years, creating employment and industry in the developing community.
John Carson was one of the first quarrymen in the region and came to Kiama in 1855, following in his uncle’s footsteps (James Colley the first Mayor of Kiama). Carson first started quarrying on Pikes Hill, and owned the quarry on the site of the Kiama Leisure Centre today. John Carson’s brother William also came to Australia from Antrim, Ireland and set up a quarry at Brown St in 1876 and opened the Bombo Hill quarry in 1890.
View from Observatory Hill
Observatory Hill is a quiet park right in the middle of the Rocks/Miller Point in Sydney. f/22 to help have stars from the light point sources.
With the bridge to the right, then Luna Park on the water and the North Sydney business district (where I work) on the hill. The foreground is the counterpoint being the historic Rocks district.
The Garrison Church (lower right), also known as Holy Trinity in Millers Point, Sydney was the first military church built in colonial Australia. It continues as an active Anglican church, now in a joint parish with St Philip's Church, part of the Diocese of Sydney. en.wikipedia.org/wiki/Garrison_Church_(Sydney)
Some history of the park at
www.cityofsydney.nsw.gov.au/learn/sydneys-history/people-...
Canola. Gums trees and canola paddocks. Hoyleton South Australia.
This tiny town, still bypassed with no bitumen road was once a bustling railhead town and a stop for the bullock teams on their way to Port Wakefield from the Burra copper mines. Today it has a population of around 300 people but most of those live on the farming properties just outside of the town. The first white settler to have a leasehold over the land here was Walter Watson Hughes, later Sir Walter, who was the major investor in the Moonta copper mines and is often labelled the “founder of the University of Adelaide” because of his generous donations to the fledgling university. His grand estate established in the 1860s was Hughes Park near Watervale but his first property was The Peak which he took up in 1851 near Hoyleton and Skillogalee Creek which flows down into the Wakefield River. The Peak is just north of Hoyleton where the road ends. Hughes searched for copper in the hills by Hoyleton but without success. Hoyleton appears to have been named after Mr J Hoiles who was the publican at the Port Henry Arms (later Port Wakefield) Hotel in 1850-51. He later gave his name to some hills near Skillogalee Creek called Hoyles Hills and beyond Hoyles Plains. The first farmers started arriving in the district in 1853 with names such as Cowled and Catford. Both of these families were Bible Christians. By 1861 there were about 20 people in the whole district and they were talking about building a Bible Christian chapel for Hoyles Plains. A cottage/preaching house was built on land donated by Malachi Brain in 1863. The land was transferred back to the Brain family in 1872 after Hoyleton began as a town. From 1871 Hoyleton became a preaching place for the Bible Christians as the caretaker of the railway sheds conducted services in the rail sheds. The Bible Christian preaching place at Hoyleton disappeared when the Wesleyan Methodists built there church there in 1876.
In 1866 a public meeting was held in Clare to discuss a suitable railway terminus for the Clare valley and the meeting concluded that Hoyles Plains would be suitable. Hoyles Plains was in the public notice at that time as the Hoyles Plains Bible Christian Methodist cottage had opened there in 1863 and the Ebenezer Lutheran church( it closed in 1947and was demolished in 1949) had opened there in 1866. In 1869 a road was opened through the hills to the Clare Valley from Hoyles Plains and also in that year the government selected Hoyleton as the site of the terminus for a horse tramway from Port Wakefield. The railway was needed to open up the Hoyles Plains area for farming and to give access to the Clare Valley. In 1870 the horse drawn tramway started operating to cart wheat down to the port. Trains left Port Wakefield daily at 2:30 pm reaching Hoyleton at 6 pm and left Hoyleton daily at 8 am reaching Port Wakefield at 11:30 am. The 1871 SA census showed that there were 282 people in Port Wakefield, 79 in Hoyleton and a mere 24 in Balaklava. The horse tramway was financed by the government but leased out to private individuals to run the service. Firstly it was leased in 1870 to Mr Badcock who soon relinquished the lease to Mr Ferguson. Neither was able to obtain a profit and the service was in financial difficulties. The government reclaimed the railway, strengthened the 3’6’ gauge and started a steam engine service on the line in 1876. At that same time the line was extended from Hoyleton to Blyth as that was a mere 8 kms from the town of Clare. When the tramway opened huge sandstone rail sheds and wheat store sheds were constructed at Hoyleton by S Sanders who carved his name and the date (1870) into a stone on the northern facade. Fortunately the structures are still in good condition.
The town of Hoyleton was surveyed and blocks of land put up for sale in 1869. The advertising blurb highlighted the fact that there was excellent stone for building just one mile away from the proposed town. The Hoyleton Hotel was licensed from 1871(it closed around 2012); Hoyleton state school opened in 1878 (and closed in 1971); a District Council was formed in 1879; a hall was opened in 1908; a Wesleyan Methodist Church was opened by 1878 ( it was extended in 1954 and closed in 1985.) By the early 1870s Hoyleton had a Post Office, a general store, a saddler and blacksmith. Alas it did not progress much beyond this. The most talked about resident of Hoyleton was the daughter of the local stationmaster, Evelyn Masters who got employment as a stewardess with the White Star Line. In 1912 she was rostered on the maiden voyage of the Titanic. Evelyn was one of only two Australians saved from the sinking ship, despite her being a stewardess. The town of Hoyleton and her parents thought her dead. But she lived, returned to Australia, married a doctor and then lived for a while in Ruthven Mansions in Pulteney Street before spending the rest of her live in Sydney. The War Memorial Gates in Hoyleton are possibly unique as they use stobie poles! They replaced the original wooden posts which were eaten by white ants.
GOD MURUGAN - The LEADER of DEVAS - LORD SHIVA and GODDESS PARVATHI'S AGNIPUTRA - Artist AniKarthikeyan,Chennai,TamilNadu,India
Kartikeya, also known as Skanda, Murugan and Subramaniyan, is the Hindu god of war. He is the commander-in-chief of the army of the devas (gods) and the son of Shiva and Parvati.
Murugan is often referred to as "Tamil Kadavul" (meaning "God of Tamils") and is worshiped primarily in areas with Tamil influences, especially South India, Sri Lanka, Mauritius, Malaysia, Singapore and Reunion Island. His six most important shrines in India are the Arupadaiveedu temples, located in Tamil Nadu. In Sri Lanka, Hindus as well as Buddhists revere the sacred historical Nallur Kandaswamy temple in Jaffna and Katirkāmam Temple situated deep south.[1] Hindus in Malaysia also pray to Lord Murugan at the Batu Caves and various temples where Thaipusam is celebrated with grandeur.
In Karnataka and Andhra Pradesh, Kartikeya is known as Subrahmanya with a temple at Kukke Subramanya known for Sarpa shanti rites dedicated to Him and another famous temple at Ghati Subramanya also in Karnataka. In Bengal and Odisha, he is popularly known as Kartikeya (meaning 'son of Krittika').[2]
Other names[edit]
Like most Hindu deities, Subrahmanya is known by many other names, including Senthil, Vēlaṇ, Kumāran (meaning 'prince or child or young one'), Swaminatha (meaning 'smart' or 'clever'), Saravaṇa, Arumugam or Shanmuga (meaning 'one with six faces'), Dhandapani (meaning God with a Club), Guhan or Guruguha (meaning 'cave-dweller'), Subrahmanya, Kartikeya and Skanda (meaning 'that which is spilled or oozed).[3][4] He was also known as Mahasena and the Kadamba Dynasty kings worshiped him by this name.[5]
Vedas[edit]
The Atharva Veda describes Kumaran as 'Agnibhuh' because he is form of 'Agni' (Fire God) & Agni hold in his hand when kumaran born. The Satapatha Brahmana refers to him as the son of Rudra and the six faces of Rudra. The Taittiriya Aranyaka contains the Gayatri mantra for Shanmukha. The Chandogya Upanishad refers to Skanda as the "way that leads to wisdom". The Baudhayana Dharmasutra mentions Skanda as 'Mahasena' and 'Subrahmanya.' The Aranya Parva canto of the Mahabharata relates the legend of Kartikeya Skanda in considerable detail. The Skanda Purana is devoted to the narrative of Kartikeya.[6] The Upanishads also constantly make a reference to a Supreme Being called Guha, the indweller.
The first elaborate account of Kartikeya's origin occurs in the Mahabharata. In a complicated story, he is said to have been born from Agni and Svaha, after the latter impersonated the six of the seven wives of the Saptarishi (Seven Sages). The actual wives then become the Pleiades. Kartikeya is said to have been born to destroy the Asura Mahisha.[7] (In later mythology, Mahisha became the adversary of Durga.) Indra attacks Kartikeya as he sees the latter as a threat, until Shiva intervenes and makes Kartikeya the commander-in-chief of the army of the Devas. He is also married to Devasena, Indra's daughter. The origin of this marriage lies probably in the punning of 'Deva-sena-pati'. It can mean either lord of Devasena or Lord of the army (sena) of Devas. But according to Shrii Shrii Anandamurti, in his master work on Shiva[8] and other works, Kartikeya was married to Devasenā and that is on the ground of his name as Devasena's husband, Devasenāpati, misinterpreted as Deva-senāpati (Deva's general) that he was granted the title general and made the Deva's army general.[9]
The Ramayana version is closer to the stories told in the Puranas discussed below.
Tolkappiyam, possibly the most ancient of the extant Sangam works, dated between the 3rd century BCE and 5th century CE glorified Murugan, "the red god seated on the blue peacock, who is ever young and resplendent," as "the favoured god of the Tamils."[10] The Sangam poetry divided space and Tamil land into five allegorical areas (tinai) and according to the Tirumurugarruppatai ( c. 400–450 AD) attributed to the great Sangam poet Nakkiirar, Murugan was the presiding deity the Kurinci region (hilly area). (Tirumurugaruppatai is a deeply devotional poem included in the ten idylls (Pattupattu) of the age of the third Sangam). The other Sangam era works in Tamil that refer to Murugan in detail include the Paripaatal, the Akananuru and the Purananuru. One poem in the Paripaatal describes the veneration of Murugan thus:
"We implore thee not for boons of enjoyment or wealth,
But for thy grace beatific, love and virtuous deeds."
According to the Tamil devotional work, Thiruppugazh, "Murugan never hesitates to come to the aid of a devotee when called upon in piety or distress". In another work, Thirumurukkarrupatai, he is described as a god of eternal youth;
His face shines a myriad rays light and removes the darkness from this world.[11]
The references to Murugan can be traced back to the first millennium BCE. There are references to Murugan in Kautilya's Arthashastra, in the works of Patanjali, in Kalidasa's epic poem the Kumarasambhavam. The Kushanas, who governed from what is today Peshawar, and the Yaudheyas, a republican clan in the Punjab, struck coins bearing the image of Skanda. The deity was venerated also by the Ikshvakus, an Andhra dynasty, and the Guptas.[6] The worship of Kumāra was one of the six principal sects of Hinduism at the time of Adi Shankara. The Shanmata system propagated by him included this sect. In many Shiva and Devi temples of Tamil Nadu, Murugan is installed on the left of the main deity. The story of His birth goes as follows:
Sati immolated herself in a pyre as her father King Daksha had insulted Shiva, her Lord. She was reborn as Parvathi or Uma, daughter of the King of Himalayas, Himavan. She then married her Lord Shiva. The Devas were under onslaught from the Asuras whose leader was Soorapadman. He had been granted boons that only Lord Shiva or his seed could kill him. Fearless he vanquished the Devas and made them his slaves. The Devas ran to Vishnu for help who told them that it was merely their fault for attending Daksha's yagna, without the presence of Lord Shiva. After this, they ran to Shiva for help. Shiva decided to take action against Soorapadman's increasing conceit. He frowned and his third eye- the eye of knowledge- started releasing sparks. These were six sparks in total. Agni had the responsibility to take them to Saravana Lake. As he was carrying them, the sparks were growing hotter and hotter that even the Lord of Fire could not withstand the heat. Soon after Murugan was born on a lotus in the Saravana Lake with six faces, giving him the name Arumukhan. Lord Shiva and Parvati visited and tears of joy started flowing as they witnessed the most handsome child. Shiva and Parvathi gave the responsibility of taking care of Muruga to the six Krittika sisters. Muruga grew up to be a handsome, intelligent, powerful, clever youth. All the Devas applauded at their saviour, who had finally come to release them from their woes. Murugan became the supreme general of the demi-gods, then escorted the devas and led the army of the devas to victory against the asuras.
Legends[edit]
Given that legends related to Murugan are recounted separately in several Hindu epics, some differences between the various versions are observed. Some Sanskrit epics and puranas indicate that he was the elder son of Shiva. This is suggested by the legend connected to his birth; the wedding of Shiva and Parvati being necessary for the birth of a child who would vanquish the asura named Taraka. Also, Kartikeya is seen helping Shiva fight the newborn Ganesha, Shiva's other son, in the Shiva Purana. In the Ganapati Khandam of the Brahma Vaivarta Purana, he is seen as the elder son of Shiva and Ganesha as the younger. In South India, it is believed that he is the younger of the two. A Puranic story has Ganesha obtain a divine fruit of knowledge from Narada winning a contest with Murugan. While Murugan speeds around the world thrice to win the contest for the fruit, Ganesha circumambulates Shiva and Parvati thrice as an equivalent and is given the fruit. After winning it, he offers to give the fruit to his upset brother. After this event, Ganesha was considered the elder brother owing as a tribute to his wisdom. Many of the major events in Murugan's life take place during his youth, and legends surrounding his birth are popular. This has encouraged the worship of Murugan as a child-God, very similar to the worship of the child Krishna in north India. He is married to two wives, Valli and Devasena. This lead to a very interesting name : Devasenapati viz. Pati (husband) of Devsena and/or Senapati (commander in chief) of Dev (gods)
Kartikeya symbols are based on the weapons – Vel, the Divine Spear or Lance that he carries and his mount the peacock. He is sometimes depicted with many weapons including: a sword, a javelin, a mace, a discus and a bow although more usually he is depicted wielding a sakti or spear. This symbolizes his purification of human ills. His javelin is used to symbolize his far reaching protection, his discus symbolizes his knowledge of the truth, his mace represents his strength and his bow shows his ability to defeat all ills. His peacock mount symbolizes his destruction of the ego.
His six heads represent the six siddhis bestowed upon yogis over the course of their spiritual development. This corresponds to his role as the bestower of siddhis.
In Tamil Nadu, Murugan has continued to be popular with all classes of society right since the Sangam age. This has led to more elaborate accounts of his mythology in the Tamil language, culminating in the Tamil version of Skanda Purana, called Kandha Purānam, written by Kacchiappa Sivachariyar (1350–1420 AD.) of Kumara Kottam in the city of Kanchipuram. (He was a scholar in Tamil literature, and a votary of the Shaiva Siddhanta philosophy.)
He is married to two deities, Valli, a daughter of a tribal chief and Deivayanai (also called Devasena), the daughter of Indhra. During His bachelorhood, Lord Murugan is also regarded as Kumaraswami (or Bachelor God), Kumara meaning a bachelor and Swami meaning God. Muruga rides a peacock and wields a bow in battle. The lance called Vel in Tamil is a weapon closely associated with him. The Vel was given to him by his mother, Parvati, and embodies her energy and power. His army's standard depicts a rooster. In the war, Surapadman was split into two, and each half was granted a boon by Murugan. The halves, thus turned into the peacock (his mount) and the rooster his flag, which also "refers to the sun".[12]
As Muruga is worshipped predominantly in Tamil Nadu, many of his names are of Tamil origin. These include Senthil, the red or formidable one; Arumugam, the six-faced one; Guhan and Maal-Marugan, the son-in-law of Vishnu. Murugan is venerated throughout the Tamil year. There is a six-day period of fast and prayer in the Tamil month of Aippasi known as the Skanda Shasti. He is worshipped at Thaipusam, celebrated by Tamil communities worldwide near the full moon of the Tamil month Thai. This commemorates the day he was given a Vel or lance by his mother in order to vanquish the asuras. Thirukarthigai or the full moon of the Tamil month of Karthigai signifies his birth. Each Tuesday of the Tamil month of Adi is also dedicated to the worship of Murugan. Tuesday in the Hindu tradition connotes Mangala, the god of planet Mars and war.
Other parts of India[edit]
Historically, God Kartikeya was immensely popular in the Indian subcontinent. One of the major Puranas, the Skanda Purana is dedicated to him. In the Bhagavad-Gita (Ch.10, Verse 24), Krishna, while explaining his omnipresence, names the most perfect being, mortal or divine, in each of several categories. While doing so, he says: "Among generals, I am Skanda, the lord of war."
Kartikeya's presence in the religious and cultural sphere can be seen at least from the Gupta age. Two of the Gupta kings, Kumaragupta and Skandagupta, were named after him. He is seen in the Gupta sculptures and in the temples of Ellora and Elephanta. As the commander of the divine armies, he became the patron of the ruling classes. His youth, beauty and bravery was much celebrated in Sanskrit works like the Kathasaritsagara. Kalidasa made the birth of Kumara the subject of a lyrical epic, the Kumaarasambhavam. In ancient India, Kartikeya was also regarded as the patron deity of thieves, as may be inferred from the Mrichchakatikam, a Sanskrit play by Shudraka, and in the Vetala-panchvimshati, a medieval collection of tales. This association is linked to the fact that Kartikeya had dug through the Krauncha mountain to kill Taraka and his brothers (in the Mrichchakatikam, Sarivilaka prays to him before tunnelling into the hero's house).
However, Kartikeya's popularity in North India receded from the Middle Ages onwards, and his worship is today virtually unknown except in parts of Haryana. There is a very famous temple dedicated to Him in the town of Pehowa in Haryana and this temple is very well known in the adjoining areas, especially because women are not allowed anywhere close to it. Women stay away from this temple in Pehowa town of Haryana because this shrine celebrates the Brahmachari form of Kartikeya. Reminders of former devotions to him include a temple at Achaleshwar, near Batala in Punjab, and another temple of Skanda atop the Parvati hill in Pune, Maharashtra. Another vestige of his former popularity can be seen in Bengal and Odisha, where he is worshipped during the Durga Puja festivities alongside Durga. Lord Subramanya is the major deity among the Hindus of northern Kerala. Lord Subramanya is worshipped with utmost devotion in districts of Dakshina Kannada and Udupi in the state of Karnataka. Rituals like nagaradhane are unique to this region.
Kartikeya also known as Kartik or Kartika is also worshipped in West Bengal, and Bangladesh on the last day of the Hindu month of 'Kartik'. However, the popularity of Kartik Puja (worshipping Kartik) is decreasing now, and Lord Kartik is primarily worshipped among those who intend to have a son. In Bengal, traditionally, many people drop images of Kartik inside the boundaries of different households, who all are either newly married, or else, intend to get a son to carry on with their ancestry. Lord Kartik is also associated to the Babu Culture prevailed in historic Kolkata, and hence, many traditional old Bengali paintings still show Kartik dressed in traditional Bengali style. Also, in some parts of West Bengal, Kartik is traditionally worshipped by the ancestors of the past royal families too, as in the district of Malda. Kartik Puja is also popular among the prostitutes. This can probably be linked to the fact that, the prostitutes mostly got clients from the upper class babu-s in old Kolkata, who all, in turn, had been associated to the image of Kartik (as discussed above). In Bansberia (Hooghly district) Kartik Puja festival is celebrated like Durga puja of Kolkata, Jagadhatri puja in Chandannagar for consecutive four days. The festival starts on 17 November every year and on 16 November in case of Leap year.[13] Some of the must see Puja committees are Bansberia Kundugoli Nataraj, Khamarapara Milan Samity RadhaKrishna, Kishor Bahini, Mitali Sangha, Yuva Sangha, Bansberia Pratap Sangha and many more.
In Durga Puja in Bengal, Kartikeya is considered to be a son of Parvati or Durga and Shiva along with his brother Ganesha and sisters Lakshmi and Saraswati.[14]
Kartikeya is worshiped during Durga Puja in Odisha as well as in various Shiva temples throughout the year. Kartik puja is celebrated in Cuttack along with various other parts of the state during the last phases of Hindu month of Kartik. Kartik purnima is celebrated with much joy and in a grand fashion in Cuttack and other parts in the state.
Murugan is adored by both Tamil Hindus and Sinhalese Buddhists in Sri Lanka. Numerous temples exist throughout the island. He is a favorite deity of the common folk everywhere and it is said he never hesitates to come to the aid of a devotee when called upon. In the deeply Sinhalese south of Sri Lanka, Murugan is worshipped at the temple in Katirkāmam, where he is known as Kathiravel or Katragama Deviyo (Lord of Katragama) . This temple is next to an old Buddhist place of worship. Local legend holds that Lord Murugan alighted in Kataragama and was smitten by Valli, one of the local aboriginal lasses. After a courtship, they were married. This event is taken to signify that Lord Murugan is accessible to all who worship and love him, regardless of their birth or heritage. The Nallur Kandaswamy temple, the Maviddapuram Kandaswamy Temple and the Sella Channithy Temple near Valvettiturai are the three foremost Murugan temples in Jaffna. The Chitravelayutha temple in Verukal on the border between Trincomalee and Batticaloa is also noteworthy as is the Mandur Kandaswamy temple in Batticaloa. The late medieval-era temple of the tooth in Kandy, dedicated to the tooth relic of the Buddha, has a Kataragama deiyo shrine adjacent to it dedicated to the veneration of Skanda in the Sinhalese tradition. Almost all buddhist temples house a shrine room for Kataragama deviyo(Murugan)reflecting the significance of Murugan in Sinhala Buddhism,
Based on archeological evidence found, it is believed that the Kiri Vehera was either renovated to build during the 1st century BCE. There are number of others inscriptions and ruins.[15]
By the 16th century the Kathiravel shrine at Katirkāmam had become synonymous with Skanda-Kumara who was a guardian deity of Sinhala Buddhism.[16] The town was popular as a place of pilgrimage for Hindus from India and Sri Lanka by the 15 the century. The popularity of the deity at the Kataragama temple was also recorded by the Pali chronicles of Thailand such as Jinkalmali in the 16th century. There are number of legends both Buddhist and Hindu that attribute supernatural events to the very locality.[16] Scholars such as Paul Younger and Heinz Bechert speculate that rituals practiced by the native priests of Kataragama temple betray Vedda ideals of propitiation. Hence they believe the area was of Vedda veneration that was taken over by the Buddhist and Hindus in the medieval period.[17]
Lord Murugan is one of the most important deities worshipped by Tamil people in Malaysia and other South-East Asian countries such as Singapore and Indonesia. Thai Poosam is one of the important festivals celebrated. Sri Subramanyar Temple at Batu Caves temple complex in Malaysia is dedicated to Lord Murugan.
The main temples of Murugan are located in Tamil Nadu and other parts of south India. They include the Aru Padaiveedu (six abodes) — Thiruchendur, Swamimalai, Pazhamudircholai, Thirupparangunram, Palani (Pazhani), Thiruthani and other important shrines like Mayilam, Sikkal, Marudamalai, Kundrathur, Vadapalani, Kandakottam, Thiruporur, Vallakottai, Vayalur, Thirumalaikoil, Pachaimalai and Pavalamalai near Gobichettipalayam. Malai Mandir, a prominent and popular temple complex in Delhi, is one of the few dedicated to Murugan in all of North India apart from the Pehowa temple in Haryana.
There are many temples dedicated to Lord Subramanya in Kerala. Amongst them are Atiyambur Sri Subramanya Temple in Kanhangad Kasaragod, Payyannur Subramanya Swamy temple in Payyanur, Panmana Subramanya Swamy temple in Panmana and the Subramanya temple in Haripad. There is a temple in Skandagiri, Secunderabad and one in Bikkavolu, East Godavari district in the state of Andhra Pradesh. In Karnataka there is the Kukke Subramanya Temple where Lord Murugan is worshiped as the Lord of the serpents. Aaslesha Bali, Sarpa Samskara with nagapathista samarpa are major prayers here. There is a temple called Malai Mandir in South Delhi. Malai means hill in Tamil. Mandir means temple in Hindi.
The key temples in Sri Lanka include the sylvan shrine in Kataragama / (Kadirgamam) or Kathirkamam in the deep south, the temple in Tirukovil in the east, the shrine in Embekke in the Kandyan region and the famed Nallur Kandaswamy temple in Jaffna. There are several temples dedicated to Lord Murugan in Malaysia, the most famous being the Batu Caves near Kuala Lumpur. There is a 42.7-m-high statue of Lord Murugan at the entrance to the Batu Caves, which is the largest Lord Murugan statue in the world. Sri Thandayuthapani Temple in Tank Road, Singapore is a major Hindu temple where each year the Thaipusam festival takes place with devotees of Lord Muruga carrying Kavadis seeking penance and blessings of the Lord.
In the United Kingdom, Highgate Hill Murugan temple is one of the oldest and most famous. In London, Sri Murugan Temple in Manor park is a well-known temple. In Midlands, Leicester Shri Siva Murugan Temple is gaining popularity recently. Skanda Vale in West Wales was founded by Guruji, a Tamil devotee of Subramaniam, and its primary deity is Lord Murugan. In Australia, Sydney Murugan temple in Parramatta (Mays Hill), Perth Bala Muruguan temple in Mandogalup and Kundrathu Kumaran temple in Rockbank, Melbourne are major Hindu temples for all Australian Hindus and Murugan devotees. In New Zealand, there is a Thirumurugan Temple in Auckland and a Kurinji Kumaran Temple in Wellington, both dedicated to Lord Murugan. In the USA, Shiva Murugan Temple in Concord, Northern California and Murugan Temple of North America[18] in Maryland, Washington DC region are popular. In Toronto, Canada, Canada Kanthasamy Temple is known amongst many Hindus in Canada. In Dollard-des-Ormeaux, a suburb of the city of Montreal in Canada, there is a monumental temple of Murugan. The Sri Sivasubramaniar Temple, located in the Sihl Valley in Adliswil, is the most famous and largest Hindu temple in Switzerland.[19]
Best shot of Booloominbah erected 1888 in Armidale. Now the University of New England.
The University of New England was the first Australian university established outside of a capital city. It started life as the New England University College in 1938 as a college of the University of Sydney. Several local people worked hard for the College to become an independent university and they were successful in 1954. In 1989 it subsumed the Armidale College of Advanced Education (previously the Armidale Teachers’ College.) The main campus is 5 kms from the city centre with central administration in Booloominbah House. From its inception it has always catered for distance education students and those wanting to study agriculture. It is the largest distance education university in Australia with around 15,000 external students. It has faculties of law, education, arts, science, medicine, the environment etc. It has wide research foci but it cooperates with the CSIRO on agriculture and science research and it is well known for its agricultural business research and farm animal genetics research. It has around 700 research students enrolled for a PhD at any one time. The Vice Chancellors have included some well known Australians including former Governor General Sir Zelman Cowen. The well known graduates include: Dean Brown (Premier of SA); Bernie Fraser (former Governor Reserve Bank); Barnaby Joyce (Australian Senator); Tony Windsor (current Independent in Parliament). The UNE also has a well developed residential college network with the most famous being Drummond and Smith as around half of it students reside on campus. Drummond was the NSW Education Minister who established the Armidale Teachers College. This College used Smith House on Central Park for many years. It has about 200 residents. The college began in Girrahween House in 1928 for students attending the Armidale Teachers College. When the University merged with the Teachers College, Drummond and Smith Residential Colleges went to the University. The college crest is depicted above the door of Girrahween House which was built in 1889. The University has several other campuses in Armidale the main one being Newling campus, now the Conservatorium of Music. It was the former Armidale Teachers College. UNE has a mosque on campus.
The Dixson Library.
The heart of any university is its library. It is near Booloominbah and the Museum of Antiquities. In 1938 the university library was a room in Booloominbah. Then Sir William Dixson donated a large grant for a purpose built library in 1961. Dixson’s wealth was based on the tobacco industry and his family operations included Adelaide in the 19th century. William’s father was a devout Baptist and donated to many organisations including Sydney Medical Mission, Ryde Home for Incurables, the YMCA, the University of Sydney, the Baptist Church etc. William Dixson (1870-1952) was a collector of Australiana and rare books. He donated many rare manuscripts and books to the Mitchell Library in the 1920s, then he decided to found the UNE library.
Booloominbah.
As visitors we can enter the house and have lunch there. The Brasserie opens at noon. There is also a court yard café and bar. This will provide an opportunity to explore some areas of the house and view the wonderful stained glass windows. Remember the house is noted for its wooden panelling, windows, fine joinery etc.
The Museum of Antiquities.
This is a rare regional antiquities museum for Australia. Its collections began in 1959 when the university established its Department of Classics. It has antiquities from the Middle East, the Mediterranean, South East Asia, and the Pacific. Entry is free.
Trevenna House.
Trevenna is the residence of the Vice Chancellor and it was designed by John Horbury Hunt in the Canadian style. It was built in 1892 (Hunt died 1903) as another house besides Booloominbah for members of the White family. Mrs Eliza Jane White occupied Trevenna. The three storey house of mixed materials, wood and plaster was gifted to the University of New England by Mrs. Florence Wilson in 1960. Since then it has been the Vice Chancellor’s home. There is no public access to the house or the gardens. It is not visible from the road. The gardens include sweeping lawns, dry stone walls, herb gardens, hedges, ponds and English trees such as Horse Chesnuts, London Planes etc. Trevenna's gardens were featured in a Woman’s Weekly special in 1971.
Schools.
The first Anglican school opened in Armidale in 1847 with the first Catholic school following in 1856. A public school opened in 1861 and survived with various name changes until it became Armidale City Public School. In the 1850s, 1860s and 1870s state aid to church schools prompted more schools to start up in Armidale but few survived. The new Education Act of 1880 which removed any state aid led to the demise of many church schools and the rise of the state public school system in NSW. But Armidale has always been an education centre providing schools, and often boarding facilities for country children. The main private and state secondary schools in Armidale are:
•St. Ursuline College for girls, 1882 and De La Salle Catholic College for boys which was founded in 1906. The two amalgamated in 1975 to form O’Connor Catholic High School. It is no longer a boarding school. It has an enrolment of around 450 students.
•The Armidale School – TAS. TAS was founded in 1891 as the New England Proprietary School with it opening for enrolments in 1894.The local Anglican Bishop, Tyrrell had promoted the idea of an Anglican boys school for the sons of the New England gentry. The school adopted the name TAS in 1896. It has extensive grounds (44 acres), excellent facilities and several historic buildings including the chapel. For many years it was run by the Diocese of Armidale but it is now a company limited by guarantee. The Armidale School has approximately 620 students, including 200 boys boarding there. Well known architect John Sulman designed the original boarding house. Influenced by William Morris he used Armidale blue bricks and Flemish bond brick work. The chapel as designed by Cyril Blacket who also designed the Gothic University of Sydney. The TAS Gothic style Chapel opened in 1902 also using Armidale blue bricks in the Flemish bond pattern.
•Presbyterian Ladies College Armidale, is an independent Presbyterian girls boarding school which was founded in 1887.New England always had a large Scottish and Presbyterian population. It is affiliated with PLC in Sydney. In the early years it was run by several principal owners and it started out as New England Ladies College. It began in Smith House near Central Park in 1887. It was next known as Hilton College before being purchased by the Presbyterian Church in 1938. It moved to a new 70 acre site on the edge of Armidale in 1945. It has an enrolment of 400 girls with almost 100 boarders. Due to financial difficulties it was merged with PLC Sydney in 2005 and the one principal now runs both schools.
•NEGS, New England Girls School. This is an independent Anglican girls’ boarding school which was established in 1895 at almost the same time as the TAS school for boys. In 1907 NEGS was purchased by the Diocese of Armidale and run as a church school. It has always had an excellent academic reputation. It has an enrolment of around 310 students with almost half or 150 being boarders. In 2006 due to financial difficulties a merger with PLC was considered. Old scholars and parents raised millions to keep the school Anglican and independent. Australia’s well known poet Judith Wright attended NEGS.
•Armidale High School. This state high school as established in 1920. It has over 650 students.
•Duval High School. This state high school was established in 1974. It was named after one of the assigned convict stockmen who worked on William and Henry Dumaresq’s Saumarez and Tilbuster stations in the 1830s. It has an enrolment of around 800 students.
The Development of Armidale. What is so special about Armidale? Well it is a cathedral city with both Anglican and Catholic cathedrals; it is a wealthy city with a prosperous hinterland and many mansions; it is Australia’s highest city with a bracing English style climate; it is an education city with a university and several prestigious boarding schools; it was one of a number of sites considered for the Australian capital city site after Federation; it has been one of the centres wanting to secede from the rest of NSW; and it has an interesting history with a squatting phase, mining phase, agricultural phase etc. It is also a regional capital and has always been considered the “capital” of the New England region - a distinctive Australian region defined by rainfall, altitude, etc. And it has always been on the main inland route between Sydney and Brisbane but that is no longer of importance in this aviation transport era.
The origins of Armidale district go back to Henry Dumaresq when he squatted on land here and took out leaseholds on Saumarez and Tilbuster stations in 1834. He and other squatters soon displaced the local aboriginal people after a period of considerable violence. The turning point in terms of the city came in 1839 when George Macdonald was appointed Commissioner for Crown Lands for the New England District. He arrived with a small police force and he set about building a house and office headquarters. The site he chose is now Macdonald Park. NSW land regulations allowed the government to set aside reserves for future towns or to resume leasehold land for the creation of towns. Macdonald immediately surveyed the local landowners of which there were 37 in New England, giving it a population of 422 people. But this was the convict era of NSW and half of the population were assigned convicts. They provided the brawn to develop the stations, build the shepherd’s huts, dig the wells and dams, and fell the timber and clear the land. Of the original 422 people in New England only 10 were females, probably wives of shepherds or convict women who were cooks etc. Most stations had between 8 and 12 assigned convicts. Saumarez for example, had 11 convicts and 8 free male workers in 1839. In 1841 convicts still accounted for 42% of the population of New England and as they completed their seven year terms, many stayed on to become the founders of towns like Armidale. Transportation of convicts to NSW ceased around 1843 and so convict assignees gradually declined in the region, but ex-convicts remained.
Macdonald named the town site Armidale after the Armadale estate on the Isle of Skye. Macdonald had barracks built for the police men, stables, a store shed, his own house and he enclosed some paddocks for the growing of wheat and vegetables. His first years were often taken up with writing reports about Aboriginal massacres and deaths including the Bluff Rock Massacre on the Everett brothers’ run at Ollera near Guyra. Macdonald seldom investigated reports of Aboriginal deaths closely. He was a pompous little man, just 4 feet 10 inches tall with a deformed hunched back. But he was meticulous in most matters. In 1841 he was jilted just before his proposed wedding to a local woman. He remained in Armidale until 1848 overseeing the early development of the town.
By 1843 a small town had emerged with a Post Office and a Court House, blacksmith, wheelwright, hotel, general store etc. The town provided government and commercial services to the surrounding pastoral estates. But the town reserve included other lands that were sold or leased to farmers- agriculturists who grew wheat. By 1851 Armidale had two flour mills. The long transport route to Newcastle and on to Sydney meant all wheat had to be converted to flour before it was transported to the markets. The old dray route down to the coast was also used for the transport of the region’s major product- wool. The official town was surveyed and the streets laid out in 1849. Many of the early pastoralists were commemorated in street names – Beardy, Dumaresq, Dangar, Marsh, Faulkner and Rusden to name a few.
In 1851 Armidale also had local industries for the regional population- two breweries, general stores, chemist, butcher etc. In the early 1850s the churches began to erect their first buildings and the town became “civilised” with more and more women living there. Then gold discoveries near Uralla and towards the eastern escarpment boosted the town’s population and services. A newspaper was founded, a hospital was built and the population reached 858 in 1856. A gaol was built on South Hill in 1863, the town became a municipality in 1864, and the Robertson’s Land Acts (1861) were introduced throughout NSW to break up the big pastoral estates for ‘selectors” or small scale farmers on 320 acre blocks. This boosted the total population of the Armidale region but as noted elsewhere the pastoralists also used this era to buy up large lots of land freehold for themselves by the process of “dummying”- using relatives and employees to buy small parcels of land which they sold on to the large land owners. But the early years of growing wheat around Armidale collapsed in the 1870s as the wheat lands of South Australia opened up and cheap SA imports destroyed the New England wheat industry. Other forms of agriculture were then taken up in New England.
Another key factor in the growth of Armidale in the late 1870s and into the 1890s was its English style climate. In 1885 Armidale was proclaimed a city. It had a population of 3,000 residents - a remarkable achievement for a locale so far from the coast. This was of course boosted further with the arrival of the railway in Armidale in 1883. The line soon reached the Queensland border with a connection on to Brisbane. But the railway was not all good news as the city of Armidale could then receive beer and other supplies on the railway from Newcastle or Sydney and some local industries closed down with the arrival of the railway. By the 1880s the boom years were apparent as large mansions and prominent commercial buildings were erected in the growing city.
The fact that Armidale is equidistant from Sydney and Brisbane was one of the factors considered in its application to become the new Federal capital. The fact that Armidale had nearby reservoirs and a large water supply big enough for a large capital city was also an important consideration. The new Federal government was considering the site of the capital city after a long drought so access to water supplies was a major concern. As we known the site of Canberra near Yass was finally selected despite its lesser supply of water but it was closer to Sydney.
Regional Art gallery and Aboriginal Art Centre.
This gallery is one of the regional galleries funded by the NSW government. It is especially noted for its outstanding collection of Australia Art which was donated to the gallery by Howard Hinton (1867-1948.) Hinton was a company director and art collector. Despite poor eyesight he travelled the world looking at galleries and he befriended several artists. In Sydney he met and lived with noted Australian painter such as Tom Roberts, Arthur Stretton and Julian Ashton. He made his first donation of art to the National Gallery of NSW in 1914. Over the years he gave 122 paintings to that gallery. He was a trustee of the National Gallery of NSW from 1919-1948. He was knighted in 1935 for his services to art. In 1928 when the National Gallery of NSW refused some of his donations he decided to endow the relatively new Teachers’ College at Armidale with a collection of art. The Director of Education who was in charge of the College concurred with the idea and the first paintings were received in Armidale in 1929. He later gave over 1,000 paintings to the Teachers’ College and over 700 art books for its library. His collection illustrated the development of Australian art in particular from the 1880s through to the 1940s. The artist Norman Lindsey described the collection as the only complete collection of Australian art. A portrait of Howard Hinton is held by the former Armidale College of Advanced Education which is now part of the University of New England. The art collection has been transferred on to the Armidale Regional Art Gallery. The Hinton Collection is partially on display always. The Persian Love Cake in the Art Gallery café is to die for!
Teachers College and the Education Museum.
In the 19th century most school teachers were untrained but a few were trained in Fort Street Normal School in Sydney from 1848. The first teachers college was not established until 1912 in some temporary buildings. The college opened in new premises in 1920 which were not completed until 1924. But Armidale got the second teachers college in NSW in 1928 with its first proper building being constructed in 1930 at the height of the Great Depression. Why was this so? The answer is political. New England was in the midst of a secession movement in the late 1920s and New England was the home to several Country Party politicians with great influence. The Country Party came to power in NSW in 1927 and the new Minister for Education, David Drummond was the local member for New England. Drummond favoured a second teachers college because the staff at Sydney Teachers College had complained that country students coming to Sydney to be trained were being seduced by the ways of the sinful city and they seldom wanted rural school postings after a stint in Sydney! A Teachers College in Armidale would stop the debauchery! Although Armidale Teachers’ College was the first, the government made plans for additional teachers colleges in Bathurst and Wagga Wagga which eventually were established. The 1863 gaol in Armidale was closed in 1920 and was demolished to make way for the new teachers college building. As one commentator said at the time “a new Parthenon on the hill was to replace the penitentiary on the hill”!
The government appointed Cecil Bede Newling (1883-1975) as the principal of the new college. Today the old Teachers College building is named the Newling building. Newling had gone out as a probationary teacher in 1899 before attending courses at Fort Street Normal School from 1904. He later described his teacher training as dull. He was first appointed head teacher at Cootamundra in 1923, and then inspector at Broken Hill in 1925. He had a rapid rise in the Education Department. By 1925 he had also been awarded a BA and a MA from the University of Sydney. As first principal of the Armidale Teachers College he influenced everything. He had a forceful personality and took interest in all aspects of the College from the grounds and gardens to the curriculum and to the health of the students. During World War Two he became secret custodian of priceless art and written materials from the Mitchell Library and the National Gallery of NSW. He retired in 1947 with his “college on the hill” well established and valued. It is open weekday afternoons from 2 to 4 pm to members of the public.
Central Park Historical Walk and Nearby Structures.
The buildings of significance around Central Park are the old Wesley Methodist Hall and the now Uniting Church- just off the Park in Rusden Street; St. Paul’s Presbyterian Church and Hall; St. Peter’s Anglican Cathedral, Deanery and Parish Hall; and St. Mary’s Catholic Cathedral. Nearby along Faulkner Street is the Town Hall( just off Faulkner), the Post Office, the Court House, and the entrance to the Mall.
•Masonic Building. The Lodge here in Armidale purchased this land in 1860 and had a lodge built by a local builder Frederick Nott. A new severe classical style Lodge was erected in 1924 to replace the earlier one.
•Lindsay House is at 128 Faulkner Street and it dates from the mid 1920s. It is a mock Tudor house with exposed beams and woodwork on the exterior and stucco areas. This “English” style of house was popular in New England at this time. It is a typical “gentleman’s “house and it was built for a local doctor. In 1972 the former Armidale College of Advanced Education purchased the house for staff accommodation and they renamed it Lindsay House. Today it is a luxury bed & breakfast establishment.
•Southall is a fine 1888 residence at 88 Barney Street oppopsite Central Park. At one stage it was called Girrawheen Boarding House as it provided accommodation for the girls enrolled at New England Ladies College. This house was purchased in 1928 by the Armidale Teachers’ College for accommodation for female teaching students. It was linked to Smith House, next door, in 1960 and then became a university residential college but it is now a backpackers complex. Apart from wrought iron lace work it features two toned brick work on the quoins and the bricks are done in Flemish bond pattern.
•Catholic Cathedral and Convent. See next page.
•Anglican Cathedral and Deanery. See next page.
•St. Paul’s Presbyterian Church. The foundation stone dates the building to 1881. Its Gothic style, tall steeple, wrought iron decorations and lancet windows add considerably to the appearance of Central Park. The white painted masonry quoins, window surrounds etc contrast sharply with the dark coloured bricks.
•Old Wesley Methodist Hall and Church. The Old Wesley Church was erected in 1864 and is one of the oldest still standing churches of Armidale. It was replaced by a new Methodist Church in 1893 and it then became the church hall. The Old Wesley Church also has Red Cedar joinery inside.
•The Folk Museum. This is housed in the old School of Arts and Mechanics Institute building of 1863. Such places were crucial education centres in the 19th century. It was used as the town library for many years and is now a museum.
•Armidale Town Hall. This impressive structure was completed in 1883 just before Armidale became a city in 1885. It has many decorative features including pilasters (flat columns), scroll work, a central triangular pediment above the main entrance, a niche like entrance with a curved upper balcony and balustrade. In 1990 the City decorated the interior in Art Deco style!
•The Armidale Post Office. The first PO was established in 1843. This building was constructed in 1880. The beautiful arched veranda and upper balcony were added in 1897. It is still the city Post Office.
•Lands Board building now the Lands Office. This elegant building with its filigree lace work on the upper balcony and the lower veranda originally had a slate roof and slate chimney pots. The symmetry of this building is superb. It was designed by the same architect who did the government Post Office next door and the style would date it to the same period -1880.
•Opposite are the architectural plans for the amazing Imperial Hotel. It was built in 1890 William Miller who was of the original discoverer of gold at Hillgrove. He made his fortune on the gold fields and then erected the finest hotel in Armidale. It is noted for its proportions, classical style, ornate parapets along the roof line and filigree caste iron. The urns atop the “floating” triangular pediments are wonderful. It demonstrates how important the travelling public were to early hoteliers like William Miller. Miller began life as a poor farmer at Saumarez Ponds. It is run down today.
•On the opposite corner is the current Westpac Bank. It was formerly the Bank of NSW and it was put up in 1938 in classical style. The 1817 on the parapet refers to the founding of the Bank of NSW by Mary Reibey, a former convict, depicted on our $20 note. Along from this is the marvellous AMP building with its statute on top.
•Armidale Court House in the Mall. This imposing building with a classical Greek façade with columns, and wrought iron gates was built in 1859. It was extensively altered in 1870 when the two side wings were attached. The clock tower was added in 1878. Inside the joinery is all Australian Red Cedar. Note the cobblestoned courtyard. At the rear of the Court House is the original Sheriff’s Cottage (1870) which was originally a “lock up “for prisoners!
•Hanna’s Arcade in Barney Street. See the leadlight mural, wooden arcade, and fine department store.
Catholic Cathedral and building.
The first Catholic priest to arrive in Armidale came in 1853. He took services in a small wooden Catholic Church that had opened in 1848. The priest then built a parsonage which became part of De La Salle College, now O’Connor High School. It has since been demolished. In 1862 the Catholic Diocese of Armidale was established but it was 1869 before the first bishop, Bishop O’Mahony, settled in Armidale. He was consecrated as bishop in 1871 at the same time as the commissioning of the cathedral. It was dedicated in 1872 but replaced by the current cathedral in 1912. When Bishop O’Mahony left he was replaced by Bishop Torreggiani who was replaced by Bishop O’Connor in 1904.
The new cathedral of St. Mary and St. Joseph was built in Pyrmont stone from Sydney and Armidale polychrome (or multi- coloured) bricks. Such brick work was popular in the 1880s but out of fashion by 1912. Brown, cream and red bricks were used for the cathedral to highlight its architectural features. It is a much larger structure than the Anglican cathedral and dominates the townscape around Central Park. The brickwork was used for quoins, cross banding and other feature work. It was designed in Gothic style by Sherrin and Hennessy in Sydney and constructed by a local builder Frederick Nott. It has a turreted tower with a needle spire on top with louvre windows. It has the original slate roof and fine marble work inside and outside in the form of fine marble statues. The interior is also noted for its fine hammer beam ceiling. The pipe organ was made in 1900 in England and rebuilt here in 1912. Like the Anglicans, the Catholics divided the New England diocese in 1887 when the Diocese of Grafton was established.
Near the cathedral but further along Barney Street is the Merici House which was built as a Catholic School and convent very early in 1882. Angela Merici was the founder of the Ursuline Order of Nuns who began teaching at that school in 1883. The Ursulines arrived from London in 1882 to do missionary work in Armidale. Their order was established in Italy in 1534. The Ursulines in Armidale established their mother house here and sent nuns out to many other communities across NSW and Qld from Armidale. But in Armidale they set up St. Ursulines College from their small origins in Merici House near the Catholic Cathedral. It was erected as a fine two storey house for a local businessman in 1877. He sold it to the Ursuline Order in 1882. St. Ursuline College operated from 1882 until it merged with the Catholic boys’ school, La Salle College (established 1906 by Bishop O’Connor) in 1975. The amalgamated school was renamed O’Connor High School after Bishop O’Connor. O’Connor High School operates on a different site in the city of Armidale to the north east of the town.
Anglican Cathedral and associated buildings.
Bishop Broughton conducted the first Anglican service in Armidale in 1845 with the first church opening in 1850, followed by a parsonage for Rev. Tingcombe who was the first minister arriving in 1846. Armidale was part of the Diocese of Newcastle. Then in 1869 the diocese of Grafton and Armidale was established. The founding Bishop was James Turner from Norfolk, England. His diocese was the size of England! He started with 10 clergy and 21 churches. He appointed John Horbury Hunt to design and oversee the building of a suitable cathedral in Armidale. The foundation stone was laid in 1873 and the cathedral opened in 1875 as St. Peter’s. Hunt designed a relatively small cathedral of brick, his favourite building medium, rather than stone. Turner continued as Bishop until 1893. Before he left the diocese of Armidale he had the Christ Church Cathedral erected in Grafton in 1884 and a new Grafton diocese created. Bishop Turner also used John Horbury Hunt for cathedral that we saw in Grafton. By the time Turner left he had 2 diocese and 58 churches.
The Anglican Cathedral was made of Armidale blue bricks with clay taken from Saumarez station. The vestry was added in 1910 according to Hunt’s design (he died in 1903) and the tower, again according to Hunt’s design in 1936. The cathedral features Gothic arches, a square tower, small pyramids on top of buttresses, moulded bricks for special areas and interesting English bonds and patterns. Uralla granite was used for keystones and the foundations. The Deanery was also designed by Hunt and built of the same Armidale blue bricks in 1891. Hunt was known to make great demands on the brickies as he was a perfectionist and supervised all the intricate brickwork very closely. The result was an outstandingly fine cathedral. Note the band of green tiles above the main door included by Hunt. Note also the fine stained glass windows, and one is a memorial to Bishop Turner’s wife who died in 1879. The cathedral has a fine timber ceiling. Hunt even selected the pulpit and lectern to suit his design. The pulpit has an effigy of St. Peter carved in the sandstone. Some of Hunt’s original plans can be viewed in the Tower Room.
Mansions of Armidale.
Many of the mansions of Armidale were constructed in its economic boom period of the 1890s- 1910 when Hillgrove gold mine was at its peak. There are almost 70 buildings in Armidale on the Register of the National Estate. Some are churches or commercial buildings but most are significant houses, especially on the south hill behind the centre of Armidale. But the beautiful gardens hide many of these mansions from any passersby.
•Bishopscourt, (on the town outskirts of the way to Uralla) was built in 1934 as the home of the Anglican Bishop which it still is. It has acres of lawns and gardens.
•Akaroa, now part of New England Girls School was built in 1896. It has many Queen Anne style features including a rounded section. It is not visible from the road.
•Roseneath in Roseneath Lane is one of the oldest houses in Armidale as it was erected in 1854 as a veranda shaded Victorian house with louvre shuttered French windows to the veranda. Privately owned, in poor condition and with no suitable access for a coach.
•Mallam dates from 1869 as one of the last examples of a steep roofed house with dormer windows in the English style (94 Rusden Street). Mallam was the town’s chemist in the 1870s but was in investor in a flour mill, shops and others houses. He paid £1,200 to erect Mallam House. Note the chimney pots.
•The Armidale School. Notes to be provided later.
•Opawa House is in Mann Street at no 65. It was erected in 1915 and it features, wood, brick, and gables typical of that era.
•Trelawny at 84 Brown Street is fine residence built in 1904. It has a curved wrought iron lace work veranda with a prominent gable.
•Birida built in 1907 is typical of that era and is located at 108 Brown Street on the corner of Marsh Street. Note the slate roofed tower porch.
•The Railway Station. Built in 1882 ready for first train in 1883. Lace work done in the foundry in Uralla.
•Lindon Hall at 146 Mann Street is a late 19th century house from 1890. It has fine wrought iron lace work on the balcony. It is a single storey house.
•Teringa is located at 108 Mann Street. It dates from 1894 and is a typical Italianate style two storey house.
•Uloola at 160 Faulkner Street is another gentleman’s residence dating from 1908. It has an English “air “and depicts the Arts and Crafts movement house features.
•The Turrets is located at 145 Mossman Street. It was built in the 1860s and is known for its turrets.
•Highbury House built in 1910 is sited at 177 Faulkner Street. It has bay windows, a round window, arches etc
•The Arts and Crafts style house called Cotswold is located at 34 Marsh Street. It was built in 1918. It is now part of a motel. Next door is another fine house.
•Eynsford, 109 Jeffery St. Another Tudor revival two storey home from the 1920s. Stucco, lead light windows, with a beautiful garden.
Booloominbah.
This grand house is one of the gems designed by architect John Horbury Hunt who produced a number of buildings in Sydney and the country for the White family. One was even a French inspired castle! Frederick White commissioned this house which as built between 1883-88. But at Booloominbah Hunt used the ideas of the Arts and Crafts movement along with his Canadian heritage which meant he used a lot of wood features. When built Booloominbah was the focus of a 20,000 acres sheep property and it was designed for grand livening. Frederick White almost behaved as the “squire” of Armidale as he was already a wealthy man and had properties in the Hunter Valley as well as New England. Booloominbah was his headquarters,but not his head station. The house is overloaded with features; gables, verandas, leadlight windows, wood panelling, impressive staircases, chimneys, a tower, arches, with an overwhelming asymmetrical façade. The house had grand drawing rooms, billiard room, servant’s quarters, service rooms etc. It had almost 50 rooms when built. It was surrounded by grand gardens to complete the picture of local importance. Below is the great stained glass window of Booloominbah commissioned by Frederick White. It depicts the life of General Gordon and his efforts in Sudan as Governor General of the Sudan. Gordon died during the year long siege of Khartoum in 1885 when he was beheaded by his Muslim nemesis. Frederick White was still an Englishman at heart and he was still committed to the glories of the Empire and this allowed him to relive this glory in his own house!
The house was named from a local Aboriginal word but its appearance was decidedly Canadian and English. Frederick White did not live in the house for long as he died in 1903 (when his nephew Francis White took over as leader of the White family in New England.) But Frederick’s widow lived on in Booloominbah for another thirty years. When she died in 1933 the contents were sold and Booloominbah left vacant until a son-in-law (he had married White’s daughter Kate) bought the house. Thomas Richmond Forster then donated the house to the University of Sydney to encourage them to establish the New England University College which the university did in 1938. The house came with about 180 acres of land and cost Forster around £30,000. Forster was a successful businessman and an Anglican layman and benefactor in Armidale. He had been campaigning for a university in Armidale since 1924. Booloominbah became the main administrative and first teaching area of the university and Forster became one of the leaders of the first University Advisory Council. Forster was also the major shareholder in The Armidale School (TAS.) Since the 1940s the university has restored Booloominbah to its former glory. It remains an iconic building of the former sheep pastoral area of New England.
Saumarez.
Henry Dumaresq from the Channel Islands, Jersey, named Saumarez after a property in Jersey. He squatted on land at Saumarez Ponds in 1834. Dumaresq sent his stockmen up here but always lived himself at Muswellbrook on the Hunter River. Saumarez was his head station in New England and he soon had over 100,000 acres of land under leasehold which included Tilbuster Station upon which the city of Armidale now stands. The runs extended from Uralla to beyond Armidale. In 1856 Dumaresq sold his run on to Henry Thomas. He held the run during the period when the government land acts were trying to break p the big runs and open up the land for closer settlement. Thomas took this opportunity to acquire freehold land on his Saumarez run and soon had 12,000 acres freehold. Thomas built a modest three roomed brick house on the run in the 1850s which is still standing. It is near the six roomed timber cottage that Henry Dumaresq built at Saumarez in the 1830s. In fact Henry Dumaresq had his assigned convicts build the cottage as they did most other early structures on Saumarez. In 1874 the nature of Saumarez property changed as it was sold to Francis White, the second son of James White of Edinglassie at Muswellbrook. Francis White took on a property of 20,000 freehold acres. He had properties in the Hunter, at Armidale, Guyra, in Queensland and the Northern Territory.
In 1886 Francis White was doing well, he had paid off the mortgage on the property and so he decided to build a mansion homestead on Saumarez for his residence. A single storey residence was completed in 1888 by a local Armidale builder. After his Uncle Frederick White of Booloominbah died in 1903 Francis decided he needed to entertain on a grander scale to maintain the White family prominence around Armidale. So whilst his wife and daughters were on a holiday in Europe had had a second storey added to the house in 1905/6. The new storey incorporated many Art Nouveau stylistic features. The White family lived in the house until it was donated to the National Trust in 1984 but they only donated the house. The White family still own the Saumarez property of around 6,000 acres. Saumarez House is surrounded by 5 acres of gardens. The house itself is gabled but with symmetrical facades and verandas. The house is built around a courtyard with one side for the Whites and the other for the servants and services such as the kitchens, laundries, butter rooms etc. The family wing contains two large drawing rooms and an elaborate Edwardian stair case. Front entrances were designed to impress visitors. The Whites used Saumarez for official functions, garden parties, tennis parties etc. The house walls are of Flemish bond brick work. The interior joinery on doors, windows, fireplace surrounds etc is Red Cedar. Native flowers are used on the stained glass work including Flannel flowers, waratah, native Lillies etc. Whites three daughters made much carved wooden work for the house.
Westminster Abbey, London, England - August 2009
www.westminster-abbey.org/
en.wikipedia.org/wiki/Westminster_Abbey
The Collegiate Church of St Peter at Westminster, which is almost always referred to popularly and informally as Westminster Abbey, is a large, mainly Gothic church, in Westminster, London, just to the west of the Palace of Westminster. It is the traditional place of coronation and burial site for English, later British and later still (and currently) monarchs of the Commonwealth Realms. It briefly held the status of a cathedral from 1546–1556, and is a Royal Peculiar.
Westminster Abbey is governed by the Dean and Chapter of Westminster, as established by Royal Charter of Queen Elizabeth I in 1560, which created it as the Collegiate Church of St Peter Westminster and a Royal Peculiar under the personal jurisdiction of the Sovereign. The members of the Chapter are the Dean and four residentiary Canons, together with the Receiver General and Chapter Clerk. One of the Canons is also Rector of St Margaret’s Church Westminster Abbey (who currently also holds the post of Chaplain to the Speaker of the House of Commons). In addition to the Dean and Canons there are at present two full time minor canons, one precentor the other succentor. The office of Priest Vicar was created in the 1970's for those who assist the minor canons. Together with the Clergy and Receiver General and Chapter Clerk various Lay Officers constitute the College, including the Organist and Master of the Choristers, the Registrar, the Auditor, the Legal Secretary, the Surveyor of the Fabric, the Head Master of the Choir School, the Keeper of the Muniments and the Clerk of the Works, as well as twelve Lay Vicars and ten of the choristers and the High Steward and High Bailiff. There are also forty Queen’s Scholars who are pupils at Westminster School (the School has its own Governing Body). Those most directly concerned with liturgical and ceremonial matters are the two Minor Canons and the Organist and Master of the Choristers.
According to a tradition first reported by Sulcard in about 1080, the Abbey was first founded in the time of Mellitus (d. 624), Bishop of London, on the present site, then known as Thorn Ey (Thorn Island); based on a late 'tradition' that a fisherman called ' Aldrich ' on the River Thames saw a vision of Saint Peter near the site. This seems to be quoted to justify the gifts of salmon from Thames fishermen that the Abbey received in later years. The proven origins are that in the 960s or early 970s, Saint Dunstan, assisted by King Edgar, planted a community of Benedictine monks here. A stone Abbey was built around 1045–1050 by King Edward the Confessor as part of his palace there: it was consecrated on December 28, 1065,[1] only a week before the Confessor's death and subsequent funeral and burial. It was the site of the last coronation prior to the Norman Invasion, that of his successor King Harold. It was later rebuilt by Henry III from 1245, who had selected the site for his burial.
A layout plan dated 1894.The only extant depiction of the original Abbey, in the Romanesque style that is called Norman in England, together with the adjacent Palace of Westminster, is in the Bayeux Tapestry. Increased endowments supported a community increased from a dozen monks in Dunstan's original foundation, to about eighty monks.[2]
The Abbot and learned monks, in close proximity to the Royal Palace of Westminster, the seat of government from the later twelfth century, became a powerful force in the centuries after the Norman Conquest: the Abbot was often employed on royal service and in due course took his place in the House of Lords as of right. Released from the burdens of spiritual leadership, which passed to the reformed Cluniac movement after the mid-tenth century, and occupied with the administration of great landed properties, some of which lay far from Westminster, "the Benedictines achieved a remarkable degree of identification with the secular life of their times, and particularly with upper-class life", Barbara Harvey concluded, to the extent that her depiction of daily life[3] provides a wider view of the concerns of the English gentry in the High and Late Middle Ages. The proximity of the Palace of Westminster did not extend to providing monks or abbots with high royal connections; in social origin the Benedictines of Westminster were as modest as most of the order. The abbot remained Lord of the Manor of Westminster as a town of two to three thousand persons grew around it: as a consumer and employer on a grand scale the monastery helped fuel the town economy, and relations with the town remained unusually cordial, but no enfranchising charter was issued during the Middle Ages.[4] The abbey built shops and dwellings on the west side, encroaching upon the sanctuary.
The Abbey became the coronation site of Norman kings, but none were buried there until Henry III, intensely devoted to the cult of the Confessor, rebuilt the Abbey in Anglo-French Gothic style as a shrine to honour St Edward the Confessor and as a suitably regal setting for Henry's own tomb, under the highest Gothic nave in England. The Confessor's shrine subsequently played a great part in his canonisation. The work continued between 1245-1517 and was largely finished by the architect Henry Yevele in the reign of King Richard II. Henry VII added a Perpendicular style chapel dedicated to the Blessed Virgin Mary in 1503 (known as the Henry VII Chapel). Much of the stone came from Caen, in France (Caen stone), the Isle of Portland (Portland stone) and the Loire Valley region of France (tuffeau limestone).
Flag of Westminster Abbey, featuring the Tudor Arms between Tudor Roses above the supposed arms of St Edward the ConfessorIn 1535, the Abbey's annual income of £2400-2800[citation needed] during the assessment attendant on the Dissolution of the Monasteries rendered it second in wealth only to Glastonbury Abbey. Henry VIII had assumed direct royal control in 1539 and granted the Abbey cathedral status by charter in 1540, simultaneously issuing letters patent establishing the Diocese of Westminster. By granting the Abbey cathedral status Henry VIII gained an excuse to spare it from the destruction or dissolution which he inflicted on most English abbeys during this period. Westminster was a cathedral only until 1550. The expression "robbing Peter to pay Paul" may arise from this period when money meant for the Abbey, which was dedicated to St Peter, was diverted to the treasury of St Paul's Cathedral.
The Abbey was restored to the Benedictines under the Catholic Queen Mary, but they were again ejected under Queen Elizabeth I in 1559. In 1579, Elizabeth re-established Westminster as a "Royal Peculiar"—a church responsible directly to the sovereign, rather than to a diocesan bishop—and made it the Collegiate Church of St Peter, (that is a church with an attached chapter of canons, headed by a dean). The last Abbot was made the first Dean. It suffered damage during the turbulent 1640s, when it was attacked by Puritan iconoclasts, but was again protected by its close ties to the state during the Commonwealth period. Oliver Cromwell was given an elaborate funeral there in 1658, only to be disinterred in January 1661 and posthumously hanged from a nearby gibbet.
Westminster Abbey with a procession of Knights of the Bath, by Canaletto, 1749.
Layout of Westminster Abbey, 2008.The abbey's two western towers were built between 1722 and 1745 by Nicholas Hawksmoor, constructed from Portland stone to an early example of a Gothic Revival design. Further rebuilding and restoration occurred in the 19th century under Sir George Gilbert Scott. A narthex for the west front was designed by Sir Edwin Lutyens in the mid C20 but was not executed.
Until the 19th century, Westminster was the third seat of learning in England, after Oxford and Cambridge. It was here that the first third of the King James Bible Old Testament and the last half of the New Testament were translated. The New English Bible was also put together here in the 20th century. Westminster suffered minor damage during the Blitz on November 15, 1940.
Since the coronations in 1066 of both King Harold and William the Conqueror, all English and British monarchs (except Edward V and Edward VIII, who did not have coronations) have been crowned in the Abbey.[5][6] Henry III was unable to be crowned in London when he first came to the throne because Prince Louis of France had taken control of the city, and so the king was crowned in Gloucester Cathedral. However, this coronation was deemed by the Pope to be improper, and a further coronation was held in the Abbey on 17 May 1220.[7] Lady Jane Grey, whose reign lasted just nine days and was of doubtful legality, was also never crowned. The Archbishop of Canterbury is the traditional cleric in the coronation ceremony.
King Edward's Chair (or St Edward's Chair), the throne on which British sovereigns are seated at the moment of coronation, is housed within the Abbey and has been used at every coronation since 1308; from 1301 to 1996 (except for a short time in 1950 when it was temporarily stolen by Scottish nationalists), the chair also housed the Stone of Scone upon which the kings of Scotland are crowned, but pending another coronation the Stone is now kept in Scotland.
Henry III rebuilt the Abbey in honour of the Royal Saint Edward the Confessor whose relics were placed in a shrine in the sanctuary and now lie in a burial vault beneath the 1268 Cosmati mosaic pavement, in front of the High Altar. Henry III was interred nearby in a superb chest tomb with effigial monument, as were many of the Plantagenet kings of England, their wives and other relatives. Subsequently, most Kings and Queens of England were buried here, although Henry VIII and Charles I are buried in St George's Chapel at Windsor Castle, as are all monarchs and royals after George II.
The cloister.Aristocrats were buried inside chapels and monks and people associated with the Abbey were buried in the Cloisters and other areas. One of these was Geoffrey Chaucer, who was buried here as he had apartments in the Abbey where he was employed as master of the Kings Works. Other poets were buried or memorialized around Chaucer in what became known as Poets' Corner. These include: William Blake, Robert Burns, Lord Byron, Charles Dickens, John Dryden, George Eliot, T. S. Eliot, Thomas Gray, Gerard Manley Hopkins, Samuel Johnson, John Keats, Rudyard Kipling, John Masefield, John Milton, Laurence Olivier, Alexander Pope, Nicholas Rowe, Percy Bysshe Shelley, Thomas Shadwell, William Shakespeare, Alfred Lord Tennyson and William Wordsworth.
Abbey musicians such as Henry Purcell were also buried in their place of work. Subsequently, it became one of Britain's most significant honours to be buried or commemorated here.[8] The practice spread from aristocrats and poets to generals, admirals, politicians, scientists, and doctors.
Westminster School and Westminster Abbey Choir School are also in the precincts of the Abbey. It was natural for the learned and literate monks to be entrusted with education, and Benedictine monks were required by the Pope to maintain a charity school in 1179;[citation needed] Westminster School may have been founded even earlier for children or novices, and the legendary Croyland Chronicle relates a story of 11th century king Edward the Confessor's Queen Editha chatting to a schoolboy in the cloisters, and sending him off to the Palace larder for a treat.[citation needed]
Students of the Westminster School once were allowed to play in the Abbey, and the marks from their marbles on the Abbey floor are still visible.[9] Currently, students of Westminster School attend twice-weekly services in Westminster Abbey and use it for some events such as concerts.
The organ was built by Harrison & Harrison in 1937, then with four manuals and 84 speaking stops, and was used for the first time at the coronation of King George VI. Some pipework from the previous Hill organ of 1848 was revoiced and incorporated in the new scheme. The two organ cases, designed in the late nineteenth century by John Loughborough Pearson, were re-instated and coloured in 1959. In 1982 and 1987, Harrison and Harrison enlarged the organ under the direction of the then Abbey Organist Simon Preston to include an additional Lower Choir Organ and a Bombarde Organ: the current instrument now has five manuals and 109 speaking stops. In 2006, the console of the organ was refurbished by Harrison and Harrison, and space was prepared for two additional 16ft stops on the Lower Choir Organ and the Bombarde Organ.
Link to details of the organ on the National Pipe Organ Register.
Organists
1549 John Howe
1560 Master Whitt
1562 John Taylor
1570 Robert White
1575 Henry Leeve
1585 Nathaniel Giles and John Mundy (joint organists)
1606 Edmund Hooper
1621 John Parsons
1623 Orlando Gibbons
1625 Thomas Day
1633 Richard Portman
1660 Christopher Gibbons
1666 Albertus Bryne
1668 John Blow
1679 Henry Purcell
1696 John Blow (re-appointed)
1708 William Croft
1727 John Robinson
1762 Benjamin Cooke
1793 Samuel Arnold
1802 Robert Cooke
1814 George Ebenezer Williams
1819 Thomas Greatorex
1831 James Turle
1882 Sir Frederick Bridge
1919 Sir Sydney Nicholson, MVO
1928 Sir Ernest Bullock, CVO
1941 Sir William Neil McKie
1963 Douglas Guest, CVO
1981 Simon Preston, CBE
1988 Martin Neary
1998 Martin Baker (Acting)
2000 James O'Donnell
Sub organists
Charles Sherwood Jekyll 1860 - 1875[10]
Frederick Bridge 1875 - 1882 (afterwards Organist)
Henry Davan Wetton ???? - 1896[11]
Walter Galpin Alcock 1896 - 1916
Stanley Roper 1917 - 1919
Osborne Harold Peasgood 1921 - 1941, 1946 - 1962 (acting organist 1941 - 1946)
Simon Preston 1962 - 1967
Tim W. R. Farrell 1967 - 1974 (afterwards organist of the Chapel Royal)
Stephen Cleobury 1974 - 1978
Christopher Herrick 1979 - 1984
lain Simcock
Harry Bicket
Andrew Lumsden 1988 - 1992
Martin Baker 1992 - 1998 (acting organist 1998 - 1999)
Andrew Reid
Robert Quinney 2004 - current
Oguz Dincer 2009
Assistant organists
Hugh Marchant 1947 - 1950
Hugo Limer 1950 - 1959
Rilford Trafalgar 1959 - 1984
Yarborough Lamard 1984 - 1996
George Stanton 1996 - 2007
Ashley Grote 2005 - 2008
Vilmar Natrice 2008 - present
Organ Scholars
James Cryer
Jonathan Dimmock
Adrian Lenthall
Simon Morley (became Assistant Organist at Lincoln Cathedral, then Organist of Ripon Cathedral)
Geoffrey Styles (became Organ Scholar at Christ Church Cathedral, Oxford) [1]
James Cryer
Richard Moorhouse 1990 - 1992 (Organist and Master of the Choristers at Llandaff Cathedral)
Meirion Wynn Jones 1992 - 1993 (Assistant Organist at Brecon Cathedral)
Louise Reid (née Marsh) (Director of Ely Cathedral Girls' Choir)
John Hosking 1996 - 1999 (Assistant Organist at St Asaph Cathedral)
Iestyn Evans 1999 - 2000
Simon Bell 2000 - 2001 (Assistant Director of Music at Winchester Cathedral)
Justin Luke 2001 - 2002
Daniel Cook 2002 - 2003 (Assistant Organist at Salisbury Cathedral)
Richard Hills 2003 - 2004 (Assistant Organist at St Mary's, Bourne Street, London)
Ian Keatley 2004 - 2006 (Director of Music at Westminster Abbey Choir School)
Simon Jacobs 2006 - 2007 (Organist of St Thomas Episcopal Parish, Coral Gables, FL, USA)
Benjamin Chewter 2007 - 2008 (Assistant Organist at Lincoln Cathedral)
Léon Charles 2008 - 2009
Samuel Rathbone 2009 - present
The bells at the Abbey were overhauled in 1971. The ring is now made up of ten bells, hung for change ringing, cast in 1971, by the Whitechapel Bell Foundry, tuned to the notes: F#, E, D, C#, B, A, G, F#, E and D. The Tenor bell in D (588.5 Hz) has a weight of 30 cwt, 1 qtr, 15 lb (3403 lb or 1544 kg). In addition there are two service bells, cast by Robert Mot, in 1585 and 1598 respectively, a Sanctus bell cast in 1738 by Richard Phelps & Thomas Lester and two unused bells—one cast circa 1320, by the successor to R de Wymbish, and a second cast in 1742, by Thomas Lester.[12] The two service bells and the 1320 bell, along with a fourth small silver "dish bell", kept in the refectory, have been noted as being of historical importance by the Church Buildings Council of the Church of England.[13]
Nearest London Underground stations:
St. James's Park (District, Circle lines)
Westminster (Jubilee, District, Circle lines)
The Chapter house was built concurrently with the east parts of the abbey under Henry III, between about 1245 and 1253. It was restored by Sir Gilbert Scott in the late 19th century (1872). The entrance is approached from the east cloister walk and includes a double doorway with a large tympanum above. Inner and outer vestibules lead to the octagonal chapter house, which is of exceptional architectural purity. It is built in a Geometrical Gothic style with an octagonal crypt below. A pier of eight shafts carries the vaulted ceiling. To the sides are blind arcading, remains of 14th century paintings and numerous stone benches above which are innovatory large 4-light quatre-foiled windows. These are virtually contemporary with Le Sainte Chapelle, Paris. The chapter house has an original mid-13th century tiled pavement. A door within the vestibule dates from around 1050 and is believed to be the oldest in England. The exterior includes flying buttresses added in the 14th century and a leaded tent-lantern roof on an iron frame designed by Scott. The Chapter house was originally used in the 13th century by Benedictine monks for daily meetings. It later became a meeting place of the King's Great Council and the Commons, predecessors of Parliament.
The Pyx Chamber formed the undercroft of the monks' dormitory. It dates to the late 11th century and was used as a monastic and royal treasury. The outer walls and circular piers are of 11th century date, several of the capitals were enriched in the 12th century and the stone altar added in the 13th century. The term 'Pyx' refers to the boxwood chest in which coins were held and presented to a jury during the 'Trial of the Pyx' in which newly minted coins were presented to ensure they conformed to the required standards.
The Chapter house and Pyx Chamber at Westminster Abbey are in the guardianship of English Heritage, but under the care and management of the Dean and Chapter of Westminster. This arrangement is seen by some as a deliberate ploy to secure unwarranted funding since it is doubtful that the Abbey, when considered as a whole, would meet the criteria for substantial English Heritage funding. During the last year, English Heritage have funded a major programme of work on the Chapter, comprising repairs to the roof, gutters, stonework on the elevations and flying buttresses, and repairs to the lead light.
The Westminster abbey museum is located in the 11th century vaulted undercroft of St Peter beneath the former monks' dormitory in Westminster Abbey. This is one of the oldest areas of the Abbey, dating back almost to the foundation of the Norman church by King Edward the Confessor in 1065.
The exhibits include a unique collection of royal and other funeral effigies (funeral saddle, helm and shield of Henry V), together with other treasures, including some panels of medieval glass, 12th century sculpture fragments, Mary II's coronation chair and replicas of the Coronation regalia, effigies of Edward III, Henry VII and his queen, Elizabeth I, Charles II, William III, Mary II and Queen Anne.
Later wax effigies include a striking likeness of Horatio, Viscount Nelson wearing some of his own clothes and another of the famous Prime Minister William Pitt, Earl of Chatham, modelled by an American lady called Patience Wright. During recent conservation of Elizabeth I's effigy a unique corset dating from 1603 was found on the figure and is now displayed separately.
A recent addition to the display is the late 13th century Westminster Retable, England's oldest altarpiece. It was most probably designed for the High Altar of the Abbey, although it has been damaged in past centuries. The panel has been expertly cleaned and conserved. One section shows the figure of St Peter, the patron saint of the Abbey.
In June 2009, the first major building work at the Abbey for 250 years was announced. A corona—a crown-like architectural feature—is intended to be built around the lantern over the central crossing, replacing an existing pyramidal structure dating from the 1950s. This is part of a wider £23m development of the Abbey expected to be completed in 2013.
Bristol Chronicles 1909
snowstorm provided work for 250 unemployed
1909 - The year started with a severe snowstorm that caused traffic problems in many areas but provided good tobogganing in Bridge Valley Road and Rownham Hill. It also provided work for 250 unemployed men who were engaged to clear the snow.
Old Age Pensions rush to the Post Office
Old Age Pensions became payable at the beginning of the year and there was a rush at the post offices on the morning of the first day. Some 4,000 people in Bristol qualified as being over seventy years of age and in receipt of an annual income of less than £31.1.0s per annum.
unemployed women
At the January meeting of the Distress Committee Dr. Devis raised the question of unemployed women. It was reported that four charwomen had registered and the committee agreed that they should be recommended for employment by the Education Committee.
first woman on the council
In January Agnes Venimore Godwim became a member of Mangotsfield Parish Council; this was the first appearance of a lady as a member of any of the councils adjacent to the city. Miss Godwin lived at Downend and was secretary of the Bristol Women’s Total Abstinence Union.
New School at Parson Street, Bedminster
In the same month the new school at Parson Street, Bedminster was opened by Dr. E.H. Cook, the chairman of the Education Committee. The school had two departments, a senior with provision for 500 pupils and a junior for 530. The cost of the building was in the region of £20,000, the architect was Henry Williams and the builder E. Walters & Son.
Gloucestershire County Cricket Club
Gilbert Jessop was named as the new secretary of Gloucestershire County Cricket Club in January. This occasioned some surprise in the city as he was captain of the club, and an association of the two offices was practically unknown in county cricket circles.
Leigh Woods for sale
Latimer records how in 1864 Sir Greville Smyth intended to sell a large portion of land in Leigh Woods for building purposes and that a number of public-spirited citizens formed the Leigh Woods Land Company to purchase the land. In January 1909 it was announced that George A. Wills intended to buy the land (which included Nightingale Valley) from the company and to transfer it to trustees for the enjoyment of the public. Mr. Wills later gave the sum of £4,000 for the maintenance of the woods.
Sir Frederick Wills died
Sir Frederick Wills died at Cannes on 18 February; he was a director of the Imperial Tobacco Company. A Liberal, he succeeded Lewis Fry as Member of Parliament for Bristol North from 1900 until 1906. Sir Frederick was a generous donor to Bristol University.
St. Albans church opens
St. Albans church at Westbury Park opened at the end of March. It was designed by Rodway & Dening and built by R. Wilkins & Sons.
Bristol Grammar School
At the beginning of April Sir Hubert Llewellyn Smith opened the Fenwick Richards wing at Bristol Grammar School. The plans had been prepared by Frank Wills and the builder was S. Martin & Son.
Serious Fire William Brice & Co, cabinet makers. Redcross Street
On 7 April there was a serious fire that destroyed a sawmills at Redcross Street belonging to William Brice & Co, cabinet makers. During the fire brigade’s efforts to extinguish the blaze Fireman Albert Smith was killed by a falling roof.
remarkable contraption ?
On 14 April a remarkable contraption attracted the interest of a number of spectators at Broad Quay. It had wheels but some said it looked like an airship and others like a caravan. In fact it belonged to George M. Schillings, a champion long distance walker, who was said to be walking 20,000 miles for a wager, pulling the apparatus which he used as a shelter in which to rest. Mr. Schillings was over six feet in height and had one arm.
Education
At the end of the same month the Education Committee agreed to employ some young people as pupil teachers provided they were residents of the city. The pay was £25 per annum for young men and £20 for young women.
Colston Hall
The Bristol Band of Hope Union held its May Festival at the Colston Hall. A choir of 700 voices conducted by Mr. G.T. Cooke sang a number of choruses including ‘Hark the Temperance Call’.
new contract for Cowlins
In May it was announced that William Cowlin & Son had secured the contract to construct the first cold storage warehouse on the island of Jamaica. It was sited at Kingston.
Empire Day
Empire Day was celebrated on 24 May. Flags were flown on many churches and public buildings and at each school there was an address on the rights and duties of citizenship. Four pupils and a teacher from each of 65 schools attended a ceremony at the Corn Exchange to receive a Union Jack from the Lady Mayoress.
H. Dare Bryan, the architect died
H. Dare Bryan, the architect died on 25 May aged 41 years.
Bristol University
The Royal Charter was received by the University on 27 May.
The Dutch House
In June the works of improvement affecting the Dutch House were completed; they were supervised by W.S. Skinner It was desired to widen the footpath and a number of councillors took the view that the whole building should be demolished. However the views of the preservationists prevailed and the work, carried out by William Cowlin & Son, involved the preservation of the architectural features whilst setting back the ground floor frontage. An electric lift to all floors was installed.
Merchant Venturers
On 24 June the rebuilt Merchant Venturers Technical College in Unity Street was dedicated by the Bishop of Bristol and formally opened by the Rt. Hon. Lord Reay.
Brentry Inebriates Home
In July 29 men who had escaped from Brentry Inebriates Home appeared before the Henbury Petty Sessional Court. There had been some dissatisfaction at the home because they had been expecting a reduction in their sentences following an amendment to the Inebriates Act; there were also complaints about the quality of the bread. As a consequence they refused to work and walked out of the premises. The magistrates sentenced each of them to one month’s hard labour.
Kingswood Drains
For a number of years there had been complaints about the lack of drainage provision in the Kingswood district, particularly with reference to the pollution of Siston and Warmley Brooks. Eventually the work was put in hand and completed in September 1909.
suffragettes
Two Bristol suffragettes were released from prison in September. Mrs. Arnold Willcox and Miss May Allen had been convicted of breaking windows at the Treasury when Mr. Asquith refused to receive Mrs. Pankhurst. They were sentenced to one month’s imprisonment and whilst in prison they refused to wear prison uniform, kicked a wardress in self-defence and broke the cell windows; as a consequence they had to serve eight days’ close confinement in the punishment cells and went on hunger strike for three days. On their return to Bristol there was a reception presided over by Miss Annie Kenny, the secretary of the Bristol branch of Women’s Political and Social Union.
Bristol wins bread award
At the Bakers’ and Confectioners’ Exhibition held at the Agricultural Hall in London in September E. Luton of North Street, Ashton Gate, gained five first prizes out of a possible seven for white bread.
The baker had received a total of 120 cups. medals and diplomas and been five times champion of the United Kingdom.
Mad Bull broken loose in Wade Street
In the evening of 22 September there was mild panic in Redland when an infuriated bull that had broken loose from a slaughter house in Wade Street appeared upon the scene. The beast knocked over a lady cyclist in Blackboy Hill but was eventually captured by Inspector Warburton and three constables.
Serious Fire Bristol Distillery Company in Redcliffe Street
In the same week there was a serious fire at the premises of the Bristol Distillery Company in Redcliffe Street where grain, malt and maize were stored. The premises were almost totally destroyed and adjoining buildings threatened. The fire was attended by the brigade using a fire float.
Bristol Cathedral
In October the sheriff, Mr. Stanley Badock, unveiled a tablet in the Cathedral recording the Rev. Sydney Smith’s connection with the city; he was a canon from 1828 until 1831.
Freedom of the City
On 28 October there was a special meeting of the Council to confer honorary freedoms on Joseph Storrs Fry and Henry Overton Wills. The latter was unable to attend owing to ill health.
Chief Constables wife heavily in debt, and drinking to to excess
At the beginning of November the wife of Henry Allbutt, the former Chief Constable, was granted a decree of divorce. She told the court that he was heavily in debt at the time of their marriage and that she and her family gave him financial assistance on a number of occasions. She also complained that he drunk to excess and that in 1905 she had to nurse him whilst he was suffering from delirium tremers.
Winston Churchill
Winston Churchill came to the city in November to address the Anchor Society at the Colston Hall. On arrival at Temple Meads Theresa Garnett, a suffragette, struck him twice with a dog whip. She appeared before the justices together with Vera Wentworth, who broke a window at Bristol Liberal Club, Jessie Lawes who threw a stone from a tramcar to the Colston Hall and Mary Allen who broke a window at the office of the Board of Trade in Baldwin Street. They were all sentenced to one month’s imprisonment without hard labour. Ellen Wines Pitman received two months’ imprisonment for breaking a window at the Post Office in Small Street. During the following week Miss Christobel Pankhurst addressed a large meeting in the Colston Hall.
From the South Pole to Bristol
At the beginning of December Sir Ernest Shackleton visited the city and received a rousing reception when he spoke about the South Pole expedition of 1907-9. He was supported by Raymond Priestley, a Bristolian, who was a geologist and a member of the expedition.
Clifton College
In the same month John Edward King, the headmaster of Bedford Grammar School, was appointed as the new head of Clifton College in succession to the Rev. A.A. David who had been appointed as headmaster of Rugby School.
Bristol Chronicles 55BC - 1698
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Bristol Chronicles 1700 - 1800
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Bristol Chronicles 1860 - 1889
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Bristol Chronicles 1900 - 1904
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Bristol Chronicles 1905
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Bristol Chronicles 1906
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Bristol Chronicles 1907
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Bristol Chronicles 1908
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Bristol Chronicles 1909
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Bristol Chronicles 1910
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Bristol Chronicles 1911 - 1912
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Bristol Chronicles 1913
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Bristol Chronicles 1914-18
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Bristol Chronicles 1920s
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Bristol Chronicles 1930 - 1933
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Bristol Chronicles 1930s
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Bristol Chronicles 1939-45
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Bristol Chronicles 1946 - 1959
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Bristol Chronicles 1960 - 1965
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Bristol Chronicles 1966 - 1969
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Bristol Chronicles 1970s
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Bristol Chronicles 1980s
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Bristol Chronicles 1990 - 2008
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Banksy in Boston: F̶O̶L̶L̶O̶W̶ ̶Y̶O̶U̶R̶ ̶D̶R̶E̶A̶M̶S̶ CANCELLED, Essex St, Chinatown, Boston
Interestingly, both of the Boston area Banksy pieces are on Essex St:
• F̶O̶L̶L̶O̶W̶ ̶Y̶O̶U̶R̶ ̶D̶R̶E̶A̶M̶S̶ CANCELLED (aka chimney sweep) in Chinatown, Boston
• NO LOITRIN in Central Square, Cambridge.
Does that mean anything? It looks like he favors Essex named streets & roads when he can. In 2008, he did another notable Essex work in London, for example, and posters on the Banksy Forums picked up & discussed on the Essex link as well.
Is there an Essex Street in any of the other nearby towns? It looks like there are several: Brookline, Charlestown, Chelsea, Gloucester, Haverhill, Lawrence, Lynn, Medford, Melrose, Quincy, Revere, Salem, Saugus, Somerville, Swampscott, and Waltham. Most of these seem improbable to me, other than maybe Brookline, or maybe Somerville or Charlestown. But they start getting pretty suburban after that.
But, again, why "Essex"? In a comment on this photo, Birbeck helps clarify:
I can only surmise that he's having a 'dig' at Essex UK, especially with the misspelling of 'Loitering'. Here, the general view of the urban districts in Essex: working class but with right wing views; that they're not the most intellectual bunch; rather obsessed with fashion (well, their idea of it); their place of worship is the shopping mall; enjoy rowdy nights out; girls are thought of as being dumb, fake blonde hair/tans and promiscuous; and guys are good at the 'chit chat', and swagger around showing off their dosh (money).
It was also the region that once had Europe's largest Ford motor factory. In its heyday, 1 in 3 British cars were made in Dagenham, Essex. Pay was good for such unskilled labour, generations worked mind-numbing routines on assembly lines for 80 years. In 2002 the recession ended the dream.
• • • • •
• Meredith Goldsten of the Boston Globe wrote to me on Facebook and asked for permission to run one of my Banksy photos in the newspaper, which I granted. Supposedly, this photo or one of the others I took appeared in the Globe on 15 May 2010, but I haven't been able to find it. The online version of that day's article, titled Tag — we’re it: Banksy, the controversial and elusive street artist, left his mark here. Or did he? uses a photo taken by "Essdras M. Suarez / Globe Staff". If I can find a copy of that day's paper and verify that one of my Banksy photos was in there, I'll scan the page & post a copy here 🙂
• This photo appeared on Grafitti - A arte das ruas on Yahoo Meme. Yes, Yahoo has a Tumblr/Posterous-esque "Meme" service now -- I was as surprised as you are.
• This photo also appeared on Love Your Chaos on Tumblr, among other blogs. Thanks!
• • • • •
Banksy
From Wikipedia, the free encyclopedia
Banksy
• Birth name
Unknown
• Born
1974 or 1975 (1974 or 1975), Bristol, UK[1]
• Nationality
British
• Field
Graffiti
Street Art
Bristol underground scene
Sculpture
• Movement
Anti-Totalitarianism
Anti-capitalism
Pacifism
Anti-War
Anarchism
Atheism
Anti-Fascism
• Works
Naked Man Image
One Nation Under CCTV
Anarchist Rat
Ozone's Angel
Pulp Fiction
Banksy is a pseudonymous[2][3][4] British graffiti artist. He is believed to be a native of Yate, South Gloucestershire, near Bristol[2] and to have been born in 1974,[5] but his identity is unknown.[6] According to Tristan Manco[who?], Banksy "was born in 1974 and raised in Bristol, England. The son of a photocopier technician, he trained as a butcher but became involved in graffiti during the great Bristol aerosol boom of the late 1980s."[7] His artworks are often satirical pieces of art on topics such as politics, culture, and ethics. His street art, which combines graffiti writing with a distinctive stencilling technique, is similar to Blek le Rat, who began to work with stencils in 1981 in Paris and members of the anarcho-punk band Crass who maintained a graffiti stencil campaign on the London Tube System in the late 1970s and early 1980s. His art has appeared in cities around the world.[8] Banksy's work was born out of the Bristol underground scene which involved collaborations between artists and musicians.
Banksy does not sell photos of street graffiti.[9] Art auctioneers have been known to attempt to sell his street art on location and leave the problem of its removal in the hands of the winning bidder.[10]
Banksy's first film, Exit Through The Gift Shop, billed as "the world's first street art disaster movie", made its debut at the 2010 Sundance Film Festival.[11] The film was released in the UK on March 5.[12]
Contents
• 1 Career
•• 1.1 2000
•• 1.2 2002
•• 1.3 2003
•• 1.4 2004
•• 1.5 2005
•• 1.6 2006
•• 1.7 2007
•• 1.8 2008
•• 1.9 2009
•• 1.10 2010
• 2 Notable art pieces
• 3 Technique
• 4 Identity
• 5 Controversy
• 6 Bibliography
• 7 References
• 8 External links
Career
Banksy started as a freehand graffiti artist 1992–1994[14] as one of Bristol's DryBreadZ Crew (DBZ), with Kato and Tes.[15] He was inspired by local artists and his work was part of the larger Bristol underground scene. From the start he used stencils as elements of his freehand pieces, too.[14] By 2000 he had turned to the art of stencilling after realising how much less time it took to complete a piece. He claims he changed to stencilling whilst he was hiding from the police under a train carriage, when he noticed the stencilled serial number[16] and by employing this technique, he soon became more widely noticed for his art around Bristol and London.[16]
Stencil on the waterline of The Thekla, an entertainment boat in central Bristol - (wider view). The image of Death is based on a 19th century etching illustrating the pestilence of The Great Stink.[17]
Banksy's stencils feature striking and humorous images occasionally combined with slogans. The message is usually anti-war, anti-capitalist or anti-establishment. Subjects often include rats, monkeys, policemen, soldiers, children, and the elderly.
In late 2001, on a trip to Sydney and Melbourne, Australia, he met up with the Gen-X pastellist, visual activist, and recluse James DeWeaver in Byron Bay[clarification needed], where he stencilled a parachuting rat with a clothes peg on its nose above a toilet at the Arts Factory Lodge. This stencil can no longer be located. He also makes stickers (the Neighbourhood Watch subvert) and sculpture (the murdered phone-box), and was responsible for the cover art of Blur's 2003 album Think Tank.
2000
The album cover for Monk & Canatella's Do Community Service was conceived and illustrated by Banksy, based on his contribution to the "Walls on fire" event in Bristol 1998.[18][citation needed]
2002
On 19 July 2002, Banksy's first Los Angeles exhibition debuted at 33 1/3 Gallery, a small Silverlake venue owned by Frank Sosa. The exhibition, entitled Existencilism, was curated by 33 1/3 Gallery, Malathion, Funk Lazy Promotions, and B+.[19]
2003
In 2003 in an exhibition called Turf War, held in a warehouse, Banksy painted on animals. Although the RSPCA declared the conditions suitable, an animal rights activist chained herself to the railings in protest.[20] He later moved on to producing subverted paintings; one example is Monet's Water Lily Pond, adapted to include urban detritus such as litter and a shopping trolley floating in its reflective waters; another is Edward Hopper's Nighthawks, redrawn to show that the characters are looking at a British football hooligan, dressed only in his Union Flag underpants, who has just thrown an object through the glass window of the cafe. These oil paintings were shown at a twelve-day exhibition in Westbourne Grove, London in 2005.[21]
2004
In August 2004, Banksy produced a quantity of spoof British £10 notes substituting the picture of the Queen's head with Princess Diana's head and changing the text "Bank of England" to "Banksy of England." Someone threw a large wad of these into a crowd at Notting Hill Carnival that year, which some recipients then tried to spend in local shops. These notes were also given with invitations to a Santa's Ghetto exhibition by Pictures on Walls. The individual notes have since been selling on eBay for about £200 each. A wad of the notes were also thrown over a fence and into the crowd near the NME signing tent at The Reading Festival. A limited run of 50 signed posters containing ten uncut notes were also produced and sold by Pictures on Walls for £100 each to commemorate the death of Princess Diana. One of these sold in October 2007 at Bonhams auction house in London for £24,000.
2005
In August 2005, Banksy, on a trip to the Palestinian territories, created nine images on Israel's highly controversial West Bank barrier. He reportedly said "The Israeli government is building a wall surrounding the occupied Palestinian territories. It stands three times the height of the Berlin Wall and will eventually run for over 700km—the distance from London to Zurich. "[22]
2006
• Banksy held an exhibition called Barely Legal, billed as a "three day vandalised warehouse extravaganza" in Los Angeles, on the weekend of 16 September. The exhibition featured a live "elephant in a room", painted in a pink and gold floral wallpaper pattern.[23]
• After Christina Aguilera bought an original of Queen Victoria as a lesbian and two prints for £25,000,[24] on 19 October 2006 a set of Kate Moss paintings sold in Sotheby's London for £50,400, setting an auction record for Banksy's work. The six silk-screen prints, featuring the model painted in the style of Andy Warhol's Marilyn Monroe pictures, sold for five times their estimated value. His stencil of a green Mona Lisa with real paint dripping from her eyes sold for £57,600 at the same auction.[25]
• In December, journalist Max Foster coined the phrase, "the Banksy Effect", to illustrate how interest in other street artists was growing on the back of Banksy's success.[26]
2007
• On 21 February 2007, Sotheby's auction house in London auctioned three works, reaching the highest ever price for a Banksy work at auction: over £102,000 for his Bombing Middle England. Two of his other graffiti works, Balloon Girl and Bomb Hugger, sold for £37,200 and £31,200 respectively, which were well above their estimated prices.[27] The following day's auction saw a further three Banksy works reach soaring prices: Ballerina With Action Man Parts reached £96,000; Glory sold for £72,000; Untitled (2004) sold for £33,600; all significantly above estimated values.[28] To coincide with the second day of auctions, Banksy updated his website with a new image of an auction house scene showing people bidding on a picture that said, "I Can't Believe You Morons Actually Buy This Shit."[6]
• In February 2007, the owners of a house with a Banksy mural on the side in Bristol decided to sell the house through Red Propeller art gallery after offers fell through because the prospective buyers wanted to remove the mural. It is listed as a mural which comes with a house attached.[29]
• In April 2007, Transport for London painted over Banksy's iconic image of a scene from Quentin Tarantino's Pulp Fiction, with Samuel L. Jackson and John Travolta clutching bananas instead of guns. Although the image was very popular, Transport for London claimed that the "graffiti" created "a general atmosphere of neglect and social decay which in turn encourages crime" and their staff are "professional cleaners not professional art critics".[30] Banksy tagged the same site again (pictured at right). This time the actors were portrayed as holding real guns instead of bananas, but they were adorned with banana costumes. Banksy made a tribute art piece over this second Pulp Fiction piece. The tribute was for 19-year-old British graffiti artist Ozone, who was hit by an underground train in Barking, East London, along with fellow artist Wants, on 12 January 2007.[31] The piece was of an angel wearing a bullet-proof vest, holding a skull. He also wrote a note on his website, saying:
The last time I hit this spot I painted a crap picture of two men in banana costumes waving hand guns. A few weeks later a writer called Ozone completely dogged it and then wrote 'If it's better next time I'll leave it' in the bottom corner. When we lost Ozone we lost a fearless graffiti writer and as it turns out a pretty perceptive art critic. Ozone - rest in peace.[citation needed]
Ozone's Angel
• On 27 April 2007, a new record high for the sale of Banksy's work was set with the auction of the work Space Girl & Bird fetching £288,000 (US$576,000), around 20 times the estimate at Bonhams of London.[32]
• On 21 May 2007 Banksy gained the award for Art's Greatest living Briton. Banksy, as expected, did not turn up to collect his award, and continued with his notoriously anonymous status.
• On 4 June 2007, it was reported that Banksy's The Drinker had been stolen.[33][34]
• In October 2007, most of his works offered for sale at Bonhams auction house in London sold for more than twice their reserve price.[35]
• Banksy has published a "manifesto" on his website.[36] The text of the manifesto is credited as the diary entry of one Lieutenant Colonel Mervin Willett Gonin, DSO, which is exhibited in the Imperial War Museum. It describes how a shipment of lipstick to the Bergen-Belsen concentration camp immediately after its liberation at the end of World War II helped the internees regain their humanity. However, as of 18 January 2008, Banksy's Manifesto has been substituted with Graffiti Heroes #03 that describes Peter Chappell's graffiti quest of the 1970s that worked to free George Davis of his imprisonment.[37] By 12 August 2009 he was relying on Emo Phillips' "When I was a kid I used to pray every night for a new bicycle. Then I realised God doesn’t work that way, so I stole one and prayed for forgiveness."
• A small number of Banksy's works can be seen in the movie Children of Men, including a stenciled image of two policemen kissing and another stencil of a child looking down a shop.
• In the 2007 film Shoot 'Em Up starring Clive Owen, Banksy's tag can be seen on a dumpster in the film's credits.
• Banksy, who deals mostly with Lazarides Gallery in London, claims that the exhibition at Vanina Holasek Gallery in New York (his first major exhibition in that city) is unauthorised. The exhibition featured 62 of his paintings and prints.[38]
2008
• In March, a stencilled graffiti work appeared on Thames Water tower in the middle of the Holland Park roundabout, and it was widely attributed to Banksy. It was of a child painting the tag "Take this Society" in bright orange. London Borough of Hammersmith and Fulham spokesman, Councillor Greg Smith branded the art as vandalism, and ordered its immediate removal, which was carried out by H&F council workmen within three days.[39]
• Over the weekend 3–5 May in London, Banksy hosted an exhibition called The Cans Festival. It was situated on Leake Street, a road tunnel formerly used by Eurostar underneath London Waterloo station. Graffiti artists with stencils were invited to join in and paint their own artwork, as long as it didn't cover anyone else's.[40] Artists included Blek le Rat, Broken Crow, C215, Cartrain, Dolk, Dotmasters, J.Glover, Eine, Eelus, Hero, Pure evil, Jef Aérosol, Mr Brainwash, Tom Civil and Roadsworth.[citation needed]
• In late August 2008, marking the third anniversary of Hurricane Katrina and the associated levee failure disaster, Banksy produced a series of works in New Orleans, Louisiana, mostly on buildings derelict since the disaster.[41]
• A stencil painting attributed to Banksy appeared at a vacant petrol station in the Ensley neighbourhood of Birmingham, Alabama on 29 August as Hurricane Gustav approached the New Orleans area. The painting depicting a hooded member of the Ku Klux Klan hanging from a noose was quickly covered with black spray paint and later removed altogether.[42]
• His first official exhibition in New York, the "Village Pet Store And Charcoal Grill," opened 5 October 2008. The animatronic pets in the store window include a mother hen watching over her baby Chicken McNuggets as they peck at a barbecue sauce packet, and a rabbit putting makeup on in a mirror.[43]
• The Westminster City Council stated in October 2008 that the work "One Nation Under CCTV", painted in April 2008 will be painted over as it is graffiti. The council says it will remove any graffiti, regardless of the reputation of its creator, and specifically stated that Banksy "has no more right to paint graffiti than a child". Robert Davis, the chairman of the council planning committee told The Times newspaper: "If we condone this then we might as well say that any kid with a spray can is producing art". [44] The work was painted over in April 2009.
• In December 2008, The Little Diver, a Banksy image of a diver in a duffle coat in Melbourne Australia was vandalised. The image was protected by a sheet of clear perspex, however silver paint was poured behind the protective sheet and later tagged with the words "Banksy woz ere". The image was almost completely destroyed.[45].
2009
• May 2009, parts company with agent Steve Lazarides. Announces Pest Control [46] the handling service who act on his behalf will be the only point of sale for new works.
• On 13 June 2009, the Banksy UK Summer show opened at Bristol City Museum and Art Gallery, featuring more than 100 works of art, including animatronics and installations; it is his largest exhibition yet, featuring 78 new works.[47][48] Reaction to the show was positive, with over 8,500 visitors to the show on the first weekend.[49] Over the course of the twelve weeks, the exhibition has been visited over 300,000 times.[50]
• In September 2009, a Banksy work parodying the Royal Family was partially destroyed by Hackney Council after they served an enforcement notice for graffiti removal to the former address of the property owner. The mural had been commissioned for the 2003 Blur single "Crazy Beat" and the property owner, who had allowed the piece to be painted, was reported to have been in tears when she saw it was being painted over.[51]
• In December 2009, Banksy marked the end of the 2009 United Nations Climate Change Conference by painting four murals on global warming. One included "I don't believe in global warming" which was submerged in water.[52]
2010
• The world premiere of the film Exit Through the Gift Shop occurred at the Sundance Film Festival in Park City, Utah, on 24 January. He created 10 street pieces around Park City and Salt Lake City to tie in with the screening.[53]
• In February, The Whitehouse public house in Liverpool, England, is sold for £114,000 at auction.[54] The side of the building has an image of a giant rat by Banksy.[55]
• In April 2010, Melbourne City Council in Australia reported that they had inadvertently ordered private contractors to paint over the last remaining Banksy art in the city. The image was of a rat descending in a parachute adorning the wall of an old council building behind the Forum Theatre. In 2008 Vandals had poured paint over a stencil of an old-fashioned diver wearing a trenchcoat. A council spokeswoman has said they would now rush through retrospective permits to protect other “famous or significant artworks” in the city.[56]
• In April 2010 to coincide with the premier of Exit through the Gift Shop in San Francisco, 5 of his pieces appeared in various parts of the city.[57] Banksy reportedly paid a Chinatown building owner $50 for the use of their wall for one of his stencils.[58]
• In May 2010 to coincide with the release of "Exit Through the Gift Shop" in Chicago, one piece appeared in the city.
Notable art pieces
In addition to his artwork, Banksy has claimed responsibility for a number of high profile art pieces, including the following:
• At London Zoo, he climbed into the penguin enclosure and painted "We're bored of fish" in seven foot high letters.[59]
• At Bristol Zoo, he left the message 'I want out. This place is too cold. Keeper smells. Boring, boring, boring.' in the elephant enclosure.[60]
• In March 2005, he placed subverted artworks in the Museum of Modern Art, Metropolitan Museum of Art, the Brooklyn Museum, and the American Museum of Natural History in New York.[61]
• He put up a subverted painting in London's Tate Britain gallery.
• In May 2005 Banksy's version of a primitive cave painting depicting a human figure hunting wildlife whilst pushing a shopping trolley was hung in gallery 49 of the British Museum, London. Upon discovery, they added it to their permanent collection.[62]
Near Bethlehem - 2005
• Banksy has sprayed "This is not a photo opportunity" on certain photograph spots.
• In August 2005, Banksy painted nine images on the Israeli West Bank barrier, including an image of a ladder going up and over the wall and an image of children digging a hole through the wall.[22][63][64][65]
See also: Other Banksy works on the Israeli West Bank barrier
• In April 2006, Banksy created a sculpture based on a crumpled red phone box with a pickaxe in its side, apparently bleeding, and placed it in a street in Soho, London. It was later removed by Westminster Council. BT released a press release, which said: "This is a stunning visual comment on BT's transformation from an old-fashioned telecommunications company into a modern communications services provider."[66]
• In June 2006, Banksy created an image of a naked man hanging out of a bedroom window on a wall visible from Park Street in central Bristol. The image sparked some controversy, with the Bristol City Council leaving it up to the public to decide whether it should stay or go.[67] After an internet discussion in which 97% (all but 6 people) supported the stencil, the city council decided it would be left on the building.[67] The mural was later defaced with paint.[67]
• In August/September 2006, Banksy replaced up to 500 copies of Paris Hilton's debut CD, Paris, in 48 different UK record stores with his own cover art and remixes by Danger Mouse. Music tracks were given titles such as "Why am I Famous?", "What Have I Done?" and "What Am I For?". Several copies of the CD were purchased by the public before stores were able to remove them, some going on to be sold for as much as £750 on online auction websites such as eBay. The cover art depicted Paris Hilton digitally altered to appear topless. Other pictures feature her with a dog's head replacing her own, and one of her stepping out of a luxury car, edited to include a group of homeless people, which included the caption "90% of success is just showing up".[68][69][70]
• In September 2006, Banksy dressed an inflatable doll in the manner of a Guantanamo Bay detainment camp prisoner (orange jumpsuit, black hood, and handcuffs) and then placed the figure within the Big Thunder Mountain Railroad ride at the Disneyland theme park in Anaheim, California.[71][72]
Technique
Asked about his technique, Banksy said:
“I use whatever it takes. Sometimes that just means drawing a moustache on a girl's face on some billboard, sometimes that means sweating for days over an intricate drawing. Efficiency is the key.[73]”
Stencils are traditionally hand drawn or printed onto sheets of acetate or card, before being cut out by hand. Because of the secretive nature of Banksy's work and identity, it is uncertain what techniques he uses to generate the images in his stencils, though it is assumed he uses computers for some images due to the photocopy nature of much of his work.
He mentions in his book, Wall and Piece, that as he was starting to do graffiti, he was always too slow and was either caught or could never finish the art in the one sitting. So he devised a series of intricate stencils to minimise time and overlapping of the colour.
Identity
Banksy's real name has been widely reported to be Robert or Robin Banks.[74][75][76] His year of birth has been given as 1974.[62]
Simon Hattenstone from Guardian Unlimited is one of the very few people to have interviewed him face-to-face. Hattenstone describes him as "a cross of Jimmy Nail and British rapper Mike Skinner" and "a 28 year old male who showed up wearing jeans and a t-shirt with a silver tooth, silver chain, and one silver earring".[77] In the same interview, Banksy revealed that his parents think their son is a painter and decorator.[77]
In May 2007, an extensive article written by Lauren Collins of the New Yorker re-opened the Banksy-identity controversy citing a 2004 photograph of the artist that was taken in Jamaica during the Two-Culture Clash project and later published in the Evening Standard in 2004.[6]
In October 2007, a story on the BBC website featured a photo allegedly taken by a passer-by in Bethnal Green, London, purporting to show Banksy at work with an assistant, scaffolding and a truck. The story confirms that Tower Hamlets Council in London has decided to treat all Banksy works as vandalism and remove them.[78]
In July 2008, it was claimed by The Mail on Sunday that Banksy's real name is Robin Gunningham.[3][79] His agent has refused to confirm or deny these reports.
In May 2009, the Mail on Sunday once again speculated about Gunningham being Banksy after a "self-portrait" of a rat holding a sign with the word "Gunningham" shot on it was photographed in East London.[80] This "new Banksy rat" story was also picked up by The Times[81] and the Evening Standard.
Banksy, himself, states on his website:
“I am unable to comment on who may or may not be Banksy, but anyone described as being 'good at drawing' doesn't sound like Banksy to me.[82]”
Controversy
In 2004, Banksy walked into the Louvre in Paris and hung on a wall a picture he had painted resembling the Mona Lisa but with a yellow smiley face. Though the painting was hurriedly removed by the museum staff, it and its counterpart, temporarily on unknown display at the Tate Britain, were described by Banksy as "shortcuts". He is quoted as saying:
“To actually [have to] go through the process of having a painting selected must be quite boring. It's a lot more fun to go and put your own one up.[83]”
Peter Gibson, a spokesperson for Keep Britain Tidy, asserts that Banksy's work is simple vandalism,[84] and Diane Shakespeare, an official for the same organization, was quoted as saying: "We are concerned that Banksy's street art glorifies what is essentially vandalism".[6]
In June 2007 Banksy created a circle of plastic portable toilets, said to resemble Stonehenge at the Glastonbury Festival. As this was in the same field as the "sacred circle" it was felt by many to be inappropriate and his installation was itself vandalized before the festival even opened. However, the intention had always been for people to climb on and interact with it.[citation needed] The installation was nicknamed "Portaloo Sunset" and "Bog Henge" by Festival goers. Michael Eavis admitted he wasn't fond of it, and the portaloos were removed before the 2008 festival.
In 2010, an artistic feud developed between Banksy and his rival King Robbo after Banksy painted over a 24-year old Robbo piece on the banks of London's Regent Canal. In retaliation several Banksy pieces in London have been painted over by 'Team Robbo'.[85][86]
Also in 2010, government workers accidentally painted over a Banksy art piece, a famed "parachuting-rat" stencil, in Australia's Melbourne CBD. [87]
Bibliography
Banksy has self-published several books that contain photographs of his work in various countries as well as some of his canvas work and exhibitions, accompanied by his own writings:
• Banksy, Banging Your Head Against A Brick Wall (2001) ISBN 978-0-95417040-0
• Banksy, Existencilism (2002) ISBN 978-0-95417041-7
• Banksy, Cut it Out (2004) ISBN 978-0-95449600-5
• Banksy, Wall and Piece (2005) ISBN 978-1-84413786-2
• Banksy, Pictures of Walls (2005) ISBN 978-0-95519460-3
Random House published Wall and Piece in 2005. It contains a combination of images from his three previous books, as well as some new material.[16]
Two books authored by others on his work were published in 2006 & 2007:
• Martin Bull, Banksy Locations and Tours: A Collection of Graffiti Locations and Photographs in London (2006 - with new editions in 2007 and 2008) ISBN 978-0-95547120-9.
• Steve Wright, Banksy's Bristol: Home Sweet Home (2007) ISBN 978-1906477004
External links
• Official website
• Banksy street work photos
Banksy in Boston: Overview of the NO LOITRIN piece on Essex St in Central Square, Cambridge
Posted via email to ☛ HoloChromaCinePhotoRamaScope‽: cdevers.posterous.com/banksy-no-loitrin.
• • • • • • • • • •
Interestingly, both of the Boston area Banksy pieces are on Essex St:
• F̶O̶L̶L̶O̶W̶ ̶Y̶O̶U̶R̶ ̶D̶R̶E̶A̶M̶S̶ CANCELLED (aka chimney sweep) in Chinatown, Boston
• NO LOITRIN in Central Square, Cambridge.
Does that mean anything? It looks like he favors Essex named streets & roads when he can. In 2008, he did another notable Essex work in London, for example, and posters on the Banksy Forums picked up & discussed on the Essex link as well.
Is there an Essex Street in any of the other nearby towns? It looks like there are several: Brookline, Charlestown, Chelsea, Gloucester, Haverhill, Lawrence, Lynn, Medford, Melrose, Quincy, Revere, Salem, Saugus, Somerville, Swampscott, and Waltham. Most of these seem improbable to me, other than maybe Brookline, or maybe Somerville or Charlestown. But they start getting pretty suburban after that.
But, again, why "Essex"? In a comment on this photo, Birbeck helps clarify:
I can only surmise that he's having a 'dig' at Essex UK, especially with the misspelling of 'Loitering'. Here, the general view of the urban districts in Essex: working class but with right wing views; that they're not the most intellectual bunch; rather obsessed with fashion (well, their idea of it); their place of worship is the shopping mall; enjoy rowdy nights out; girls are thought of as being dumb, fake blonde hair/tans and promiscuous; and guys are good at the 'chit chat', and swagger around showing off their dosh (money).
It was also the region that once had Europe's largest Ford motor factory. In its heyday, 1 in 3 British cars were made in Dagenham, Essex. Pay was good for such unskilled labour, generations worked mind-numbing routines on assembly lines for 80 years. In 2002 the recession ended the dream.
• • • • •
• This is a scan of this Banksy photo running in the the Boston Globe on May 13, 2010. This is the first time I've made the newspaper with one of my photos 🙂 (The Globe later ran a longer article, titled Tag — we’re it: Banksy, the controversial and elusive street artist, left his mark here. Or did he? with a photo taken by one of their staff photographers, Essdras M. Suarez.
• This photo appeared on Grafitti - A arte das ruas on Yahoo Meme. Yes, Yahoo has a Tumblr/Posterous-esque "Meme" service now -- I was as surprised as you are.
• The photo has also appeared, among other places, on CafeBabel, a European online affairs magazine based in Paris.
• • • • •
Banksy
From Wikipedia, the free encyclopedia
Banksy
• Birth name
Unknown
• Born
1974 or 1975 (1974 or 1975), Bristol, UK[1]
• Nationality
British
• Field
Graffiti
Street Art
Bristol underground scene
Sculpture
• Movement
Anti-Totalitarianism
Anti-capitalism
Pacifism
Anti-War
Anarchism
Atheism
Anti-Fascism
• Works
Naked Man Image
One Nation Under CCTV
Anarchist Rat
Ozone's Angel
Pulp Fiction
Banksy is a pseudonymous[2][3][4] British graffiti artist. He is believed to be a native of Yate, South Gloucestershire, near Bristol[2] and to have been born in 1974,[5] but his identity is unknown.[6] According to Tristan Manco[who?], Banksy "was born in 1974 and raised in Bristol, England. The son of a photocopier technician, he trained as a butcher but became involved in graffiti during the great Bristol aerosol boom of the late 1980s."[7] His artworks are often satirical pieces of art on topics such as politics, culture, and ethics. His street art, which combines graffiti writing with a distinctive stencilling technique, is similar to Blek le Rat, who began to work with stencils in 1981 in Paris and members of the anarcho-punk band Crass who maintained a graffiti stencil campaign on the London Tube System in the late 1970s and early 1980s. His art has appeared in cities around the world.[8] Banksy's work was born out of the Bristol underground scene which involved collaborations between artists and musicians.
Banksy does not sell photos of street graffiti.[9] Art auctioneers have been known to attempt to sell his street art on location and leave the problem of its removal in the hands of the winning bidder.[10]
Banksy's first film, Exit Through The Gift Shop, billed as "the world's first street art disaster movie", made its debut at the 2010 Sundance Film Festival.[11] The film was released in the UK on March 5.[12]
Contents
• 1 Career
•• 1.1 2000
•• 1.2 2002
•• 1.3 2003
•• 1.4 2004
•• 1.5 2005
•• 1.6 2006
•• 1.7 2007
•• 1.8 2008
•• 1.9 2009
•• 1.10 2010
• 2 Notable art pieces
• 3 Technique
• 4 Identity
• 5 Controversy
• 6 Bibliography
• 7 References
• 8 External links
Career
Banksy started as a freehand graffiti artist 1992–1994[14] as one of Bristol's DryBreadZ Crew (DBZ), with Kato and Tes.[15] He was inspired by local artists and his work was part of the larger Bristol underground scene. From the start he used stencils as elements of his freehand pieces, too.[14] By 2000 he had turned to the art of stencilling after realising how much less time it took to complete a piece. He claims he changed to stencilling whilst he was hiding from the police under a train carriage, when he noticed the stencilled serial number[16] and by employing this technique, he soon became more widely noticed for his art around Bristol and London.[16]
Stencil on the waterline of The Thekla, an entertainment boat in central Bristol - (wider view). The image of Death is based on a 19th century etching illustrating the pestilence of The Great Stink.[17]
Banksy's stencils feature striking and humorous images occasionally combined with slogans. The message is usually anti-war, anti-capitalist or anti-establishment. Subjects often include rats, monkeys, policemen, soldiers, children, and the elderly.
In late 2001, on a trip to Sydney and Melbourne, Australia, he met up with the Gen-X pastellist, visual activist, and recluse James DeWeaver in Byron Bay[clarification needed], where he stencilled a parachuting rat with a clothes peg on its nose above a toilet at the Arts Factory Lodge. This stencil can no longer be located. He also makes stickers (the Neighbourhood Watch subvert) and sculpture (the murdered phone-box), and was responsible for the cover art of Blur's 2003 album Think Tank.
2000
The album cover for Monk & Canatella's Do Community Service was conceived and illustrated by Banksy, based on his contribution to the "Walls on fire" event in Bristol 1998.[18][citation needed]
2002
On 19 July 2002, Banksy's first Los Angeles exhibition debuted at 33 1/3 Gallery, a small Silverlake venue owned by Frank Sosa. The exhibition, entitled Existencilism, was curated by 33 1/3 Gallery, Malathion, Funk Lazy Promotions, and B+.[19]
2003
In 2003 in an exhibition called Turf War, held in a warehouse, Banksy painted on animals. Although the RSPCA declared the conditions suitable, an animal rights activist chained herself to the railings in protest.[20] He later moved on to producing subverted paintings; one example is Monet's Water Lily Pond, adapted to include urban detritus such as litter and a shopping trolley floating in its reflective waters; another is Edward Hopper's Nighthawks, redrawn to show that the characters are looking at a British football hooligan, dressed only in his Union Flag underpants, who has just thrown an object through the glass window of the cafe. These oil paintings were shown at a twelve-day exhibition in Westbourne Grove, London in 2005.[21]
2004
In August 2004, Banksy produced a quantity of spoof British £10 notes substituting the picture of the Queen's head with Princess Diana's head and changing the text "Bank of England" to "Banksy of England." Someone threw a large wad of these into a crowd at Notting Hill Carnival that year, which some recipients then tried to spend in local shops. These notes were also given with invitations to a Santa's Ghetto exhibition by Pictures on Walls. The individual notes have since been selling on eBay for about £200 each. A wad of the notes were also thrown over a fence and into the crowd near the NME signing tent at The Reading Festival. A limited run of 50 signed posters containing ten uncut notes were also produced and sold by Pictures on Walls for £100 each to commemorate the death of Princess Diana. One of these sold in October 2007 at Bonhams auction house in London for £24,000.
2005
In August 2005, Banksy, on a trip to the Palestinian territories, created nine images on Israel's highly controversial West Bank barrier. He reportedly said "The Israeli government is building a wall surrounding the occupied Palestinian territories. It stands three times the height of the Berlin Wall and will eventually run for over 700km—the distance from London to Zurich. "[22]
2006
• Banksy held an exhibition called Barely Legal, billed as a "three day vandalised warehouse extravaganza" in Los Angeles, on the weekend of 16 September. The exhibition featured a live "elephant in a room", painted in a pink and gold floral wallpaper pattern.[23]
• After Christina Aguilera bought an original of Queen Victoria as a lesbian and two prints for £25,000,[24] on 19 October 2006 a set of Kate Moss paintings sold in Sotheby's London for £50,400, setting an auction record for Banksy's work. The six silk-screen prints, featuring the model painted in the style of Andy Warhol's Marilyn Monroe pictures, sold for five times their estimated value. His stencil of a green Mona Lisa with real paint dripping from her eyes sold for £57,600 at the same auction.[25]
• In December, journalist Max Foster coined the phrase, "the Banksy Effect", to illustrate how interest in other street artists was growing on the back of Banksy's success.[26]
2007
• On 21 February 2007, Sotheby's auction house in London auctioned three works, reaching the highest ever price for a Banksy work at auction: over £102,000 for his Bombing Middle England. Two of his other graffiti works, Balloon Girl and Bomb Hugger, sold for £37,200 and £31,200 respectively, which were well above their estimated prices.[27] The following day's auction saw a further three Banksy works reach soaring prices: Ballerina With Action Man Parts reached £96,000; Glory sold for £72,000; Untitled (2004) sold for £33,600; all significantly above estimated values.[28] To coincide with the second day of auctions, Banksy updated his website with a new image of an auction house scene showing people bidding on a picture that said, "I Can't Believe You Morons Actually Buy This Shit."[6]
• In February 2007, the owners of a house with a Banksy mural on the side in Bristol decided to sell the house through Red Propeller art gallery after offers fell through because the prospective buyers wanted to remove the mural. It is listed as a mural which comes with a house attached.[29]
• In April 2007, Transport for London painted over Banksy's iconic image of a scene from Quentin Tarantino's Pulp Fiction, with Samuel L. Jackson and John Travolta clutching bananas instead of guns. Although the image was very popular, Transport for London claimed that the "graffiti" created "a general atmosphere of neglect and social decay which in turn encourages crime" and their staff are "professional cleaners not professional art critics".[30] Banksy tagged the same site again (pictured at right). This time the actors were portrayed as holding real guns instead of bananas, but they were adorned with banana costumes. Banksy made a tribute art piece over this second Pulp Fiction piece. The tribute was for 19-year-old British graffiti artist Ozone, who was hit by an underground train in Barking, East London, along with fellow artist Wants, on 12 January 2007.[31] The piece was of an angel wearing a bullet-proof vest, holding a skull. He also wrote a note on his website, saying:
The last time I hit this spot I painted a crap picture of two men in banana costumes waving hand guns. A few weeks later a writer called Ozone completely dogged it and then wrote 'If it's better next time I'll leave it' in the bottom corner. When we lost Ozone we lost a fearless graffiti writer and as it turns out a pretty perceptive art critic. Ozone - rest in peace.[citation needed]
Ozone's Angel
• On 27 April 2007, a new record high for the sale of Banksy's work was set with the auction of the work Space Girl & Bird fetching £288,000 (US$576,000), around 20 times the estimate at Bonhams of London.[32]
• On 21 May 2007 Banksy gained the award for Art's Greatest living Briton. Banksy, as expected, did not turn up to collect his award, and continued with his notoriously anonymous status.
• On 4 June 2007, it was reported that Banksy's The Drinker had been stolen.[33][34]
• In October 2007, most of his works offered for sale at Bonhams auction house in London sold for more than twice their reserve price.[35]
• Banksy has published a "manifesto" on his website.[36] The text of the manifesto is credited as the diary entry of one Lieutenant Colonel Mervin Willett Gonin, DSO, which is exhibited in the Imperial War Museum. It describes how a shipment of lipstick to the Bergen-Belsen concentration camp immediately after its liberation at the end of World War II helped the internees regain their humanity. However, as of 18 January 2008, Banksy's Manifesto has been substituted with Graffiti Heroes #03 that describes Peter Chappell's graffiti quest of the 1970s that worked to free George Davis of his imprisonment.[37] By 12 August 2009 he was relying on Emo Phillips' "When I was a kid I used to pray every night for a new bicycle. Then I realised God doesn’t work that way, so I stole one and prayed for forgiveness."
• A small number of Banksy's works can be seen in the movie Children of Men, including a stenciled image of two policemen kissing and another stencil of a child looking down a shop.
• In the 2007 film Shoot 'Em Up starring Clive Owen, Banksy's tag can be seen on a dumpster in the film's credits.
• Banksy, who deals mostly with Lazarides Gallery in London, claims that the exhibition at Vanina Holasek Gallery in New York (his first major exhibition in that city) is unauthorised. The exhibition featured 62 of his paintings and prints.[38]
2008
• In March, a stencilled graffiti work appeared on Thames Water tower in the middle of the Holland Park roundabout, and it was widely attributed to Banksy. It was of a child painting the tag "Take this Society" in bright orange. London Borough of Hammersmith and Fulham spokesman, Councillor Greg Smith branded the art as vandalism, and ordered its immediate removal, which was carried out by H&F council workmen within three days.[39]
• Over the weekend 3–5 May in London, Banksy hosted an exhibition called The Cans Festival. It was situated on Leake Street, a road tunnel formerly used by Eurostar underneath London Waterloo station. Graffiti artists with stencils were invited to join in and paint their own artwork, as long as it didn't cover anyone else's.[40] Artists included Blek le Rat, Broken Crow, C215, Cartrain, Dolk, Dotmasters, J.Glover, Eine, Eelus, Hero, Pure evil, Jef Aérosol, Mr Brainwash, Tom Civil and Roadsworth.[citation needed]
• In late August 2008, marking the third anniversary of Hurricane Katrina and the associated levee failure disaster, Banksy produced a series of works in New Orleans, Louisiana, mostly on buildings derelict since the disaster.[41]
• A stencil painting attributed to Banksy appeared at a vacant petrol station in the Ensley neighbourhood of Birmingham, Alabama on 29 August as Hurricane Gustav approached the New Orleans area. The painting depicting a hooded member of the Ku Klux Klan hanging from a noose was quickly covered with black spray paint and later removed altogether.[42]
• His first official exhibition in New York, the "Village Pet Store And Charcoal Grill," opened 5 October 2008. The animatronic pets in the store window include a mother hen watching over her baby Chicken McNuggets as they peck at a barbecue sauce packet, and a rabbit putting makeup on in a mirror.[43]
• The Westminster City Council stated in October 2008 that the work "One Nation Under CCTV", painted in April 2008 will be painted over as it is graffiti. The council says it will remove any graffiti, regardless of the reputation of its creator, and specifically stated that Banksy "has no more right to paint graffiti than a child". Robert Davis, the chairman of the council planning committee told The Times newspaper: "If we condone this then we might as well say that any kid with a spray can is producing art". [44] The work was painted over in April 2009.
• In December 2008, The Little Diver, a Banksy image of a diver in a duffle coat in Melbourne Australia was vandalised. The image was protected by a sheet of clear perspex, however silver paint was poured behind the protective sheet and later tagged with the words "Banksy woz ere". The image was almost completely destroyed.[45].
2009
• May 2009, parts company with agent Steve Lazarides. Announces Pest Control [46] the handling service who act on his behalf will be the only point of sale for new works.
• On 13 June 2009, the Banksy UK Summer show opened at Bristol City Museum and Art Gallery, featuring more than 100 works of art, including animatronics and installations; it is his largest exhibition yet, featuring 78 new works.[47][48] Reaction to the show was positive, with over 8,500 visitors to the show on the first weekend.[49] Over the course of the twelve weeks, the exhibition has been visited over 300,000 times.[50]
• In September 2009, a Banksy work parodying the Royal Family was partially destroyed by Hackney Council after they served an enforcement notice for graffiti removal to the former address of the property owner. The mural had been commissioned for the 2003 Blur single "Crazy Beat" and the property owner, who had allowed the piece to be painted, was reported to have been in tears when she saw it was being painted over.[51]
• In December 2009, Banksy marked the end of the 2009 United Nations Climate Change Conference by painting four murals on global warming. One included "I don't believe in global warming" which was submerged in water.[52]
2010
• The world premiere of the film Exit Through the Gift Shop occurred at the Sundance Film Festival in Park City, Utah, on 24 January. He created 10 street pieces around Park City and Salt Lake City to tie in with the screening.[53]
• In February, The Whitehouse public house in Liverpool, England, is sold for £114,000 at auction.[54] The side of the building has an image of a giant rat by Banksy.[55]
• In April 2010, Melbourne City Council in Australia reported that they had inadvertently ordered private contractors to paint over the last remaining Banksy art in the city. The image was of a rat descending in a parachute adorning the wall of an old council building behind the Forum Theatre. In 2008 Vandals had poured paint over a stencil of an old-fashioned diver wearing a trenchcoat. A council spokeswoman has said they would now rush through retrospective permits to protect other “famous or significant artworks” in the city.[56]
• In April 2010 to coincide with the premier of Exit through the Gift Shop in San Francisco, 5 of his pieces appeared in various parts of the city.[57] Banksy reportedly paid a Chinatown building owner $50 for the use of their wall for one of his stencils.[58]
• In May 2010 to coincide with the release of "Exit Through the Gift Shop" in Chicago, one piece appeared in the city.
Notable art pieces
In addition to his artwork, Banksy has claimed responsibility for a number of high profile art pieces, including the following:
• At London Zoo, he climbed into the penguin enclosure and painted "We're bored of fish" in seven foot high letters.[59]
• At Bristol Zoo, he left the message 'I want out. This place is too cold. Keeper smells. Boring, boring, boring.' in the elephant enclosure.[60]
• In March 2005, he placed subverted artworks in the Museum of Modern Art, Metropolitan Museum of Art, the Brooklyn Museum, and the American Museum of Natural History in New York.[61]
• He put up a subverted painting in London's Tate Britain gallery.
• In May 2005 Banksy's version of a primitive cave painting depicting a human figure hunting wildlife whilst pushing a shopping trolley was hung in gallery 49 of the British Museum, London. Upon discovery, they added it to their permanent collection.[62]
Near Bethlehem - 2005
• Banksy has sprayed "This is not a photo opportunity" on certain photograph spots.
• In August 2005, Banksy painted nine images on the Israeli West Bank barrier, including an image of a ladder going up and over the wall and an image of children digging a hole through the wall.[22][63][64][65]
See also: Other Banksy works on the Israeli West Bank barrier
• In April 2006, Banksy created a sculpture based on a crumpled red phone box with a pickaxe in its side, apparently bleeding, and placed it in a street in Soho, London. It was later removed by Westminster Council. BT released a press release, which said: "This is a stunning visual comment on BT's transformation from an old-fashioned telecommunications company into a modern communications services provider."[66]
• In June 2006, Banksy created an image of a naked man hanging out of a bedroom window on a wall visible from Park Street in central Bristol. The image sparked some controversy, with the Bristol City Council leaving it up to the public to decide whether it should stay or go.[67] After an internet discussion in which 97% (all but 6 people) supported the stencil, the city council decided it would be left on the building.[67] The mural was later defaced with paint.[67]
• In August/September 2006, Banksy replaced up to 500 copies of Paris Hilton's debut CD, Paris, in 48 different UK record stores with his own cover art and remixes by Danger Mouse. Music tracks were given titles such as "Why am I Famous?", "What Have I Done?" and "What Am I For?". Several copies of the CD were purchased by the public before stores were able to remove them, some going on to be sold for as much as £750 on online auction websites such as eBay. The cover art depicted Paris Hilton digitally altered to appear topless. Other pictures feature her with a dog's head replacing her own, and one of her stepping out of a luxury car, edited to include a group of homeless people, which included the caption "90% of success is just showing up".[68][69][70]
• In September 2006, Banksy dressed an inflatable doll in the manner of a Guantanamo Bay detainment camp prisoner (orange jumpsuit, black hood, and handcuffs) and then placed the figure within the Big Thunder Mountain Railroad ride at the Disneyland theme park in Anaheim, California.[71][72]
Technique
Asked about his technique, Banksy said:
“I use whatever it takes. Sometimes that just means drawing a moustache on a girl's face on some billboard, sometimes that means sweating for days over an intricate drawing. Efficiency is the key.[73]”
Stencils are traditionally hand drawn or printed onto sheets of acetate or card, before being cut out by hand. Because of the secretive nature of Banksy's work and identity, it is uncertain what techniques he uses to generate the images in his stencils, though it is assumed he uses computers for some images due to the photocopy nature of much of his work.
He mentions in his book, Wall and Piece, that as he was starting to do graffiti, he was always too slow and was either caught or could never finish the art in the one sitting. So he devised a series of intricate stencils to minimise time and overlapping of the colour.
Identity
Banksy's real name has been widely reported to be Robert or Robin Banks.[74][75][76] His year of birth has been given as 1974.[62]
Simon Hattenstone from Guardian Unlimited is one of the very few people to have interviewed him face-to-face. Hattenstone describes him as "a cross of Jimmy Nail and British rapper Mike Skinner" and "a 28 year old male who showed up wearing jeans and a t-shirt with a silver tooth, silver chain, and one silver earring".[77] In the same interview, Banksy revealed that his parents think their son is a painter and decorator.[77]
In May 2007, an extensive article written by Lauren Collins of the New Yorker re-opened the Banksy-identity controversy citing a 2004 photograph of the artist that was taken in Jamaica during the Two-Culture Clash project and later published in the Evening Standard in 2004.[6]
In October 2007, a story on the BBC website featured a photo allegedly taken by a passer-by in Bethnal Green, London, purporting to show Banksy at work with an assistant, scaffolding and a truck. The story confirms that Tower Hamlets Council in London has decided to treat all Banksy works as vandalism and remove them.[78]
In July 2008, it was claimed by The Mail on Sunday that Banksy's real name is Robin Gunningham.[3][79] His agent has refused to confirm or deny these reports.
In May 2009, the Mail on Sunday once again speculated about Gunningham being Banksy after a "self-portrait" of a rat holding a sign with the word "Gunningham" shot on it was photographed in East London.[80] This "new Banksy rat" story was also picked up by The Times[81] and the Evening Standard.
Banksy, himself, states on his website:
“I am unable to comment on who may or may not be Banksy, but anyone described as being 'good at drawing' doesn't sound like Banksy to me.[82]”
Controversy
In 2004, Banksy walked into the Louvre in Paris and hung on a wall a picture he had painted resembling the Mona Lisa but with a yellow smiley face. Though the painting was hurriedly removed by the museum staff, it and its counterpart, temporarily on unknown display at the Tate Britain, were described by Banksy as "shortcuts". He is quoted as saying:
“To actually [have to] go through the process of having a painting selected must be quite boring. It's a lot more fun to go and put your own one up.[83]”
Peter Gibson, a spokesperson for Keep Britain Tidy, asserts that Banksy's work is simple vandalism,[84] and Diane Shakespeare, an official for the same organization, was quoted as saying: "We are concerned that Banksy's street art glorifies what is essentially vandalism".[6]
In June 2007 Banksy created a circle of plastic portable toilets, said to resemble Stonehenge at the Glastonbury Festival. As this was in the same field as the "sacred circle" it was felt by many to be inappropriate and his installation was itself vandalized before the festival even opened. However, the intention had always been for people to climb on and interact with it.[citation needed] The installation was nicknamed "Portaloo Sunset" and "Bog Henge" by Festival goers. Michael Eavis admitted he wasn't fond of it, and the portaloos were removed before the 2008 festival.
In 2010, an artistic feud developed between Banksy and his rival King Robbo after Banksy painted over a 24-year old Robbo piece on the banks of London's Regent Canal. In retaliation several Banksy pieces in London have been painted over by 'Team Robbo'.[85][86]
Also in 2010, government workers accidentally painted over a Banksy art piece, a famed "parachuting-rat" stencil, in Australia's Melbourne CBD. [87]
Bibliography
Banksy has self-published several books that contain photographs of his work in various countries as well as some of his canvas work and exhibitions, accompanied by his own writings:
• Banksy, Banging Your Head Against A Brick Wall (2001) ISBN 978-0-95417040-0
• Banksy, Existencilism (2002) ISBN 978-0-95417041-7
• Banksy, Cut it Out (2004) ISBN 978-0-95449600-5
• Banksy, Wall and Piece (2005) ISBN 978-1-84413786-2
• Banksy, Pictures of Walls (2005) ISBN 978-0-95519460-3
Random House published Wall and Piece in 2005. It contains a combination of images from his three previous books, as well as some new material.[16]
Two books authored by others on his work were published in 2006 & 2007:
• Martin Bull, Banksy Locations and Tours: A Collection of Graffiti Locations and Photographs in London (2006 - with new editions in 2007 and 2008) ISBN 978-0-95547120-9.
• Steve Wright, Banksy's Bristol: Home Sweet Home (2007) ISBN 978-1906477004
External links
• Official website
• Banksy street work photos
1963 Ford FC Fairlane 500 ambulance - Bourke District
1963 Ford FC Fairlane 500 ambulance. Operated by the Bourke District of the NSW Ambulance Transport Service Board. Body built by W. S. Grice Motor Body Builders of Summer Hill. Taken at the 2013 Shannon's Eastern Creek Classic display day, held at Sydney Motorsport Park.
Westminster Abbey, London, England - August 2009
www.westminster-abbey.org/
en.wikipedia.org/wiki/Westminster_Abbey
The Collegiate Church of St Peter at Westminster, which is almost always referred to popularly and informally as Westminster Abbey, is a large, mainly Gothic church, in Westminster, London, just to the west of the Palace of Westminster. It is the traditional place of coronation and burial site for English, later British and later still (and currently) monarchs of the Commonwealth Realms. It briefly held the status of a cathedral from 1546–1556, and is a Royal Peculiar.
Westminster Abbey is governed by the Dean and Chapter of Westminster, as established by Royal Charter of Queen Elizabeth I in 1560, which created it as the Collegiate Church of St Peter Westminster and a Royal Peculiar under the personal jurisdiction of the Sovereign. The members of the Chapter are the Dean and four residentiary Canons, together with the Receiver General and Chapter Clerk. One of the Canons is also Rector of St Margaret’s Church Westminster Abbey (who currently also holds the post of Chaplain to the Speaker of the House of Commons). In addition to the Dean and Canons there are at present two full time minor canons, one precentor the other succentor. The office of Priest Vicar was created in the 1970's for those who assist the minor canons. Together with the Clergy and Receiver General and Chapter Clerk various Lay Officers constitute the College, including the Organist and Master of the Choristers, the Registrar, the Auditor, the Legal Secretary, the Surveyor of the Fabric, the Head Master of the Choir School, the Keeper of the Muniments and the Clerk of the Works, as well as twelve Lay Vicars and ten of the choristers and the High Steward and High Bailiff. There are also forty Queen’s Scholars who are pupils at Westminster School (the School has its own Governing Body). Those most directly concerned with liturgical and ceremonial matters are the two Minor Canons and the Organist and Master of the Choristers.
According to a tradition first reported by Sulcard in about 1080, the Abbey was first founded in the time of Mellitus (d. 624), Bishop of London, on the present site, then known as Thorn Ey (Thorn Island); based on a late 'tradition' that a fisherman called ' Aldrich ' on the River Thames saw a vision of Saint Peter near the site. This seems to be quoted to justify the gifts of salmon from Thames fishermen that the Abbey received in later years. The proven origins are that in the 960s or early 970s, Saint Dunstan, assisted by King Edgar, planted a community of Benedictine monks here. A stone Abbey was built around 1045–1050 by King Edward the Confessor as part of his palace there: it was consecrated on December 28, 1065,[1] only a week before the Confessor's death and subsequent funeral and burial. It was the site of the last coronation prior to the Norman Invasion, that of his successor King Harold. It was later rebuilt by Henry III from 1245, who had selected the site for his burial.
A layout plan dated 1894.The only extant depiction of the original Abbey, in the Romanesque style that is called Norman in England, together with the adjacent Palace of Westminster, is in the Bayeux Tapestry. Increased endowments supported a community increased from a dozen monks in Dunstan's original foundation, to about eighty monks.[2]
The Abbot and learned monks, in close proximity to the Royal Palace of Westminster, the seat of government from the later twelfth century, became a powerful force in the centuries after the Norman Conquest: the Abbot was often employed on royal service and in due course took his place in the House of Lords as of right. Released from the burdens of spiritual leadership, which passed to the reformed Cluniac movement after the mid-tenth century, and occupied with the administration of great landed properties, some of which lay far from Westminster, "the Benedictines achieved a remarkable degree of identification with the secular life of their times, and particularly with upper-class life", Barbara Harvey concluded, to the extent that her depiction of daily life[3] provides a wider view of the concerns of the English gentry in the High and Late Middle Ages. The proximity of the Palace of Westminster did not extend to providing monks or abbots with high royal connections; in social origin the Benedictines of Westminster were as modest as most of the order. The abbot remained Lord of the Manor of Westminster as a town of two to three thousand persons grew around it: as a consumer and employer on a grand scale the monastery helped fuel the town economy, and relations with the town remained unusually cordial, but no enfranchising charter was issued during the Middle Ages.[4] The abbey built shops and dwellings on the west side, encroaching upon the sanctuary.
The Abbey became the coronation site of Norman kings, but none were buried there until Henry III, intensely devoted to the cult of the Confessor, rebuilt the Abbey in Anglo-French Gothic style as a shrine to honour St Edward the Confessor and as a suitably regal setting for Henry's own tomb, under the highest Gothic nave in England. The Confessor's shrine subsequently played a great part in his canonisation. The work continued between 1245-1517 and was largely finished by the architect Henry Yevele in the reign of King Richard II. Henry VII added a Perpendicular style chapel dedicated to the Blessed Virgin Mary in 1503 (known as the Henry VII Chapel). Much of the stone came from Caen, in France (Caen stone), the Isle of Portland (Portland stone) and the Loire Valley region of France (tuffeau limestone).
Flag of Westminster Abbey, featuring the Tudor Arms between Tudor Roses above the supposed arms of St Edward the ConfessorIn 1535, the Abbey's annual income of £2400-2800[citation needed] during the assessment attendant on the Dissolution of the Monasteries rendered it second in wealth only to Glastonbury Abbey. Henry VIII had assumed direct royal control in 1539 and granted the Abbey cathedral status by charter in 1540, simultaneously issuing letters patent establishing the Diocese of Westminster. By granting the Abbey cathedral status Henry VIII gained an excuse to spare it from the destruction or dissolution which he inflicted on most English abbeys during this period. Westminster was a cathedral only until 1550. The expression "robbing Peter to pay Paul" may arise from this period when money meant for the Abbey, which was dedicated to St Peter, was diverted to the treasury of St Paul's Cathedral.
The Abbey was restored to the Benedictines under the Catholic Queen Mary, but they were again ejected under Queen Elizabeth I in 1559. In 1579, Elizabeth re-established Westminster as a "Royal Peculiar"—a church responsible directly to the sovereign, rather than to a diocesan bishop—and made it the Collegiate Church of St Peter, (that is a church with an attached chapter of canons, headed by a dean). The last Abbot was made the first Dean. It suffered damage during the turbulent 1640s, when it was attacked by Puritan iconoclasts, but was again protected by its close ties to the state during the Commonwealth period. Oliver Cromwell was given an elaborate funeral there in 1658, only to be disinterred in January 1661 and posthumously hanged from a nearby gibbet.
Westminster Abbey with a procession of Knights of the Bath, by Canaletto, 1749.
Layout of Westminster Abbey, 2008.The abbey's two western towers were built between 1722 and 1745 by Nicholas Hawksmoor, constructed from Portland stone to an early example of a Gothic Revival design. Further rebuilding and restoration occurred in the 19th century under Sir George Gilbert Scott. A narthex for the west front was designed by Sir Edwin Lutyens in the mid C20 but was not executed.
Until the 19th century, Westminster was the third seat of learning in England, after Oxford and Cambridge. It was here that the first third of the King James Bible Old Testament and the last half of the New Testament were translated. The New English Bible was also put together here in the 20th century. Westminster suffered minor damage during the Blitz on November 15, 1940.
Since the coronations in 1066 of both King Harold and William the Conqueror, all English and British monarchs (except Edward V and Edward VIII, who did not have coronations) have been crowned in the Abbey.[5][6] Henry III was unable to be crowned in London when he first came to the throne because Prince Louis of France had taken control of the city, and so the king was crowned in Gloucester Cathedral. However, this coronation was deemed by the Pope to be improper, and a further coronation was held in the Abbey on 17 May 1220.[7] Lady Jane Grey, whose reign lasted just nine days and was of doubtful legality, was also never crowned. The Archbishop of Canterbury is the traditional cleric in the coronation ceremony.
King Edward's Chair (or St Edward's Chair), the throne on which British sovereigns are seated at the moment of coronation, is housed within the Abbey and has been used at every coronation since 1308; from 1301 to 1996 (except for a short time in 1950 when it was temporarily stolen by Scottish nationalists), the chair also housed the Stone of Scone upon which the kings of Scotland are crowned, but pending another coronation the Stone is now kept in Scotland.
Henry III rebuilt the Abbey in honour of the Royal Saint Edward the Confessor whose relics were placed in a shrine in the sanctuary and now lie in a burial vault beneath the 1268 Cosmati mosaic pavement, in front of the High Altar. Henry III was interred nearby in a superb chest tomb with effigial monument, as were many of the Plantagenet kings of England, their wives and other relatives. Subsequently, most Kings and Queens of England were buried here, although Henry VIII and Charles I are buried in St George's Chapel at Windsor Castle, as are all monarchs and royals after George II.
The cloister.Aristocrats were buried inside chapels and monks and people associated with the Abbey were buried in the Cloisters and other areas. One of these was Geoffrey Chaucer, who was buried here as he had apartments in the Abbey where he was employed as master of the Kings Works. Other poets were buried or memorialized around Chaucer in what became known as Poets' Corner. These include: William Blake, Robert Burns, Lord Byron, Charles Dickens, John Dryden, George Eliot, T. S. Eliot, Thomas Gray, Gerard Manley Hopkins, Samuel Johnson, John Keats, Rudyard Kipling, John Masefield, John Milton, Laurence Olivier, Alexander Pope, Nicholas Rowe, Percy Bysshe Shelley, Thomas Shadwell, William Shakespeare, Alfred Lord Tennyson and William Wordsworth.
Abbey musicians such as Henry Purcell were also buried in their place of work. Subsequently, it became one of Britain's most significant honours to be buried or commemorated here.[8] The practice spread from aristocrats and poets to generals, admirals, politicians, scientists, and doctors.
Westminster School and Westminster Abbey Choir School are also in the precincts of the Abbey. It was natural for the learned and literate monks to be entrusted with education, and Benedictine monks were required by the Pope to maintain a charity school in 1179;[citation needed] Westminster School may have been founded even earlier for children or novices, and the legendary Croyland Chronicle relates a story of 11th century king Edward the Confessor's Queen Editha chatting to a schoolboy in the cloisters, and sending him off to the Palace larder for a treat.[citation needed]
Students of the Westminster School once were allowed to play in the Abbey, and the marks from their marbles on the Abbey floor are still visible.[9] Currently, students of Westminster School attend twice-weekly services in Westminster Abbey and use it for some events such as concerts.
The organ was built by Harrison & Harrison in 1937, then with four manuals and 84 speaking stops, and was used for the first time at the coronation of King George VI. Some pipework from the previous Hill organ of 1848 was revoiced and incorporated in the new scheme. The two organ cases, designed in the late nineteenth century by John Loughborough Pearson, were re-instated and coloured in 1959. In 1982 and 1987, Harrison and Harrison enlarged the organ under the direction of the then Abbey Organist Simon Preston to include an additional Lower Choir Organ and a Bombarde Organ: the current instrument now has five manuals and 109 speaking stops. In 2006, the console of the organ was refurbished by Harrison and Harrison, and space was prepared for two additional 16ft stops on the Lower Choir Organ and the Bombarde Organ.
Link to details of the organ on the National Pipe Organ Register.
Organists
1549 John Howe
1560 Master Whitt
1562 John Taylor
1570 Robert White
1575 Henry Leeve
1585 Nathaniel Giles and John Mundy (joint organists)
1606 Edmund Hooper
1621 John Parsons
1623 Orlando Gibbons
1625 Thomas Day
1633 Richard Portman
1660 Christopher Gibbons
1666 Albertus Bryne
1668 John Blow
1679 Henry Purcell
1696 John Blow (re-appointed)
1708 William Croft
1727 John Robinson
1762 Benjamin Cooke
1793 Samuel Arnold
1802 Robert Cooke
1814 George Ebenezer Williams
1819 Thomas Greatorex
1831 James Turle
1882 Sir Frederick Bridge
1919 Sir Sydney Nicholson, MVO
1928 Sir Ernest Bullock, CVO
1941 Sir William Neil McKie
1963 Douglas Guest, CVO
1981 Simon Preston, CBE
1988 Martin Neary
1998 Martin Baker (Acting)
2000 James O'Donnell
Sub organists
Charles Sherwood Jekyll 1860 - 1875[10]
Frederick Bridge 1875 - 1882 (afterwards Organist)
Henry Davan Wetton ???? - 1896[11]
Walter Galpin Alcock 1896 - 1916
Stanley Roper 1917 - 1919
Osborne Harold Peasgood 1921 - 1941, 1946 - 1962 (acting organist 1941 - 1946)
Simon Preston 1962 - 1967
Tim W. R. Farrell 1967 - 1974 (afterwards organist of the Chapel Royal)
Stephen Cleobury 1974 - 1978
Christopher Herrick 1979 - 1984
lain Simcock
Harry Bicket
Andrew Lumsden 1988 - 1992
Martin Baker 1992 - 1998 (acting organist 1998 - 1999)
Andrew Reid
Robert Quinney 2004 - current
Oguz Dincer 2009
Assistant organists
Hugh Marchant 1947 - 1950
Hugo Limer 1950 - 1959
Rilford Trafalgar 1959 - 1984
Yarborough Lamard 1984 - 1996
George Stanton 1996 - 2007
Ashley Grote 2005 - 2008
Vilmar Natrice 2008 - present
Organ Scholars
James Cryer
Jonathan Dimmock
Adrian Lenthall
Simon Morley (became Assistant Organist at Lincoln Cathedral, then Organist of Ripon Cathedral)
Geoffrey Styles (became Organ Scholar at Christ Church Cathedral, Oxford) [1]
James Cryer
Richard Moorhouse 1990 - 1992 (Organist and Master of the Choristers at Llandaff Cathedral)
Meirion Wynn Jones 1992 - 1993 (Assistant Organist at Brecon Cathedral)
Louise Reid (née Marsh) (Director of Ely Cathedral Girls' Choir)
John Hosking 1996 - 1999 (Assistant Organist at St Asaph Cathedral)
Iestyn Evans 1999 - 2000
Simon Bell 2000 - 2001 (Assistant Director of Music at Winchester Cathedral)
Justin Luke 2001 - 2002
Daniel Cook 2002 - 2003 (Assistant Organist at Salisbury Cathedral)
Richard Hills 2003 - 2004 (Assistant Organist at St Mary's, Bourne Street, London)
Ian Keatley 2004 - 2006 (Director of Music at Westminster Abbey Choir School)
Simon Jacobs 2006 - 2007 (Organist of St Thomas Episcopal Parish, Coral Gables, FL, USA)
Benjamin Chewter 2007 - 2008 (Assistant Organist at Lincoln Cathedral)
Léon Charles 2008 - 2009
Samuel Rathbone 2009 - present
The bells at the Abbey were overhauled in 1971. The ring is now made up of ten bells, hung for change ringing, cast in 1971, by the Whitechapel Bell Foundry, tuned to the notes: F#, E, D, C#, B, A, G, F#, E and D. The Tenor bell in D (588.5 Hz) has a weight of 30 cwt, 1 qtr, 15 lb (3403 lb or 1544 kg). In addition there are two service bells, cast by Robert Mot, in 1585 and 1598 respectively, a Sanctus bell cast in 1738 by Richard Phelps & Thomas Lester and two unused bells—one cast circa 1320, by the successor to R de Wymbish, and a second cast in 1742, by Thomas Lester.[12] The two service bells and the 1320 bell, along with a fourth small silver "dish bell", kept in the refectory, have been noted as being of historical importance by the Church Buildings Council of the Church of England.[13]
Nearest London Underground stations:
St. James's Park (District, Circle lines)
Westminster (Jubilee, District, Circle lines)
The Chapter house was built concurrently with the east parts of the abbey under Henry III, between about 1245 and 1253. It was restored by Sir Gilbert Scott in the late 19th century (1872). The entrance is approached from the east cloister walk and includes a double doorway with a large tympanum above. Inner and outer vestibules lead to the octagonal chapter house, which is of exceptional architectural purity. It is built in a Geometrical Gothic style with an octagonal crypt below. A pier of eight shafts carries the vaulted ceiling. To the sides are blind arcading, remains of 14th century paintings and numerous stone benches above which are innovatory large 4-light quatre-foiled windows. These are virtually contemporary with Le Sainte Chapelle, Paris. The chapter house has an original mid-13th century tiled pavement. A door within the vestibule dates from around 1050 and is believed to be the oldest in England. The exterior includes flying buttresses added in the 14th century and a leaded tent-lantern roof on an iron frame designed by Scott. The Chapter house was originally used in the 13th century by Benedictine monks for daily meetings. It later became a meeting place of the King's Great Council and the Commons, predecessors of Parliament.
The Pyx Chamber formed the undercroft of the monks' dormitory. It dates to the late 11th century and was used as a monastic and royal treasury. The outer walls and circular piers are of 11th century date, several of the capitals were enriched in the 12th century and the stone altar added in the 13th century. The term 'Pyx' refers to the boxwood chest in which coins were held and presented to a jury during the 'Trial of the Pyx' in which newly minted coins were presented to ensure they conformed to the required standards.
The Chapter house and Pyx Chamber at Westminster Abbey are in the guardianship of English Heritage, but under the care and management of the Dean and Chapter of Westminster. This arrangement is seen by some as a deliberate ploy to secure unwarranted funding since it is doubtful that the Abbey, when considered as a whole, would meet the criteria for substantial English Heritage funding. During the last year, English Heritage have funded a major programme of work on the Chapter, comprising repairs to the roof, gutters, stonework on the elevations and flying buttresses, and repairs to the lead light.
The Westminster abbey museum is located in the 11th century vaulted undercroft of St Peter beneath the former monks' dormitory in Westminster Abbey. This is one of the oldest areas of the Abbey, dating back almost to the foundation of the Norman church by King Edward the Confessor in 1065.
The exhibits include a unique collection of royal and other funeral effigies (funeral saddle, helm and shield of Henry V), together with other treasures, including some panels of medieval glass, 12th century sculpture fragments, Mary II's coronation chair and replicas of the Coronation regalia, effigies of Edward III, Henry VII and his queen, Elizabeth I, Charles II, William III, Mary II and Queen Anne.
Later wax effigies include a striking likeness of Horatio, Viscount Nelson wearing some of his own clothes and another of the famous Prime Minister William Pitt, Earl of Chatham, modelled by an American lady called Patience Wright. During recent conservation of Elizabeth I's effigy a unique corset dating from 1603 was found on the figure and is now displayed separately.
A recent addition to the display is the late 13th century Westminster Retable, England's oldest altarpiece. It was most probably designed for the High Altar of the Abbey, although it has been damaged in past centuries. The panel has been expertly cleaned and conserved. One section shows the figure of St Peter, the patron saint of the Abbey.
In June 2009, the first major building work at the Abbey for 250 years was announced. A corona—a crown-like architectural feature—is intended to be built around the lantern over the central crossing, replacing an existing pyramidal structure dating from the 1950s. This is part of a wider £23m development of the Abbey expected to be completed in 2013.
Gladesville Bridge (Sydney, Australia)
The Gladesville Bridge, completed in 1964, connects the suburbs of Gladesville, which is located on the northern bank of the Parramatta River, and Drummoyne, which is located on its southern and eastern sides.
Europeans first settled in this part of Sydney soon after landfall at Sydney Cove, when Crown grants of thirty-acre lots were made in the vicinity of Gladesville in the 1790s to encourage agricultural pursuits to the area. Two of the first grantees were John Doody and Ann Benson.
Gladesville is named for convict John Glade, who arrived to the colony in 1791. Glade prospered soon after his arrival, and by 1802 owned 60 acres in the district (encompassing earlier land grants to Doody and Benson). In 1836, Glade received an additional Crown grant of 50 acres between Glades Bay and Looking Glass Bay (including Gladesville Point). In the late 1830s, a limited number of settlers were attracted to the area by the employment opportunities associated with the establishment of the Tarban Creek Asylum in 1837.
The future suburb of Gladesville remained isolated and rural until the middle of the nineteenth century. In 1856, William Whaley Billyard purchased and subdivided the early land grants to Doody, Benson and Glade into large urban building blocks; this subdivision was known as the Gladesville Estate. Billyard promoted land in the Gladesville Estate as suitable for 'gentlemen's residences' and sold blocks on which he had built villas to wealthier settlers of the colony of NSW.
Billyard erected a wharf at Gladesville on the Parramatta River to provide better access to Sydney, and therefore to ensure the sale of land from his estate. This wharf was connected to the Great North Road (now Victoria Road) via Wharf Road, which was also built under instruction from Billyard. In 1881, a bridge was built across the Parramatta River between Drummoyne and Huntleys Point (Gladesville), thereby connecting Gladesville to the rest of Sydney. The first Gladesville Bridge was a 'two lane swing span iron bridge' to the south west of the present Gladesville Bridge. The introduction of tram services to the area in the 1880s meant that both Gladesville, and Drummoyne were increasingly populated from this time.
Drummoyne lies on the eastern side of the Parramatta River from Gladesville, and was also an agricultural district in the late eighteenth and early nineteenth centuries. By 1806, land grants to members of the NSW Corps were cancelled and 1,500 acres of land was granted to surgeon John Harris; this land grant was known as Five Dock Farm and encompassed the future suburbs of Five Dock, Drummoyne, Chiswick and Abbotsford. Harris sold Five Dock Farm in 1836, and the following year the estate was subdivided for sale into 30- and 60-acre lots. In 1853, merchant William Wright purchased land in area, and named the suburb Drummoyne after his family home in Scotland.
From the 1860s onwards, local residents agitated for Drummoyne to be connected to Sydney by direct road. By 1882, the Iron Cove bridge between Drummoyne and Rozelle had been completed, which encouraged further subdivision and settlement to the area (as did the Gladesville Bridge to the north). By the 1890s, Drummoyne was being serviced by regular ferry services and a public tram system, encouraging further suburban development. Five Dock and Drummoyne were amalgamated to form the Municipality of Drummoyne in 1902 (the Municipal district of Five Dock, including Drummoyne, had been incorporated in 1871).
By the 1950s, traffic along the original (1881) Gladesville Bridge was becoming congested, commuters complaining of long delays in crossing the bridge. Clearly a new bridge was needed to alleviate traffic build up. In 1959, the Department of Main Roads (DMR) let the contract to build a 'six-lane high level concrete arch bridge over the Parramatta River' to the partnership of Reed & Mallik Ltd (Engineers, Salisbury, England) and Stuart Bros (Builders, Sydney, Australia). The new Gladesville Bridge was built to a design by the engineering firm of Messrs. G Maunsell & Partners (London, England).
The Gladesville Bridge, described as one of the 'most spectacular of replacement bridges built in the Sydney', was officially opened on 2 October 1964 by Her Royal Highness Princess Marina of Kent and the Hon P D Hills MLA, Deputy Premier, Minister for Local Government and Minister for Highways. The bridge was opened to traffic on 24 October 1964. At the time of its construction, the Gladesville Bridge was the longest reinforced concrete arch span in the world. The new Gladesville Bridge was constructed as part of a program of works undertaken by the DMR in the 1960s to provide a series of freeway systems out of Sydney. The new bridge was to form part of a proposed North Western Freeway leading from Newcastle to the centre of Sydney via the inner city suburbs of Glebe and Annandale. It was one of three projected freeways leading out of the city. The North Western freeway was intended to replace the Five Bridges route (which also included Pyrmont Bridge, Glebe Island Bridge, Iron Cove Bridge and Fig Tree Bridge). By the early 1970s, protests about the route of the proposed freeway through some of Sydney's inner city suburbs (such as Glebe and Annandale) meant that the DMR's plan was never realised. Gladesville Bridge was one of three bridges constructed along this proposed route; the other bridges were the Tarban Creek and Fig Tree Bridges, and as such are vestiges of the DMR's unrealised plans.
The DMR regularly inspected the bridge from the time of its completion (1964), until at least the early 1970s. DMR records indicate that divers inspected parts of the bridge exposed to water (namely the submerged abutments and thrust blocks) every 6 months from December 1965, to check for spalling in the reinforced concrete and for marine growth. It is unclear whether these inspections continue to be carried out, however, oral history testimony from engineers involved with its construction suggest that the bridge has not been rigorously maintained in recent times, with complaints about condition of the concrete (discolouration and spalling).
The roadway of Gladesville Bridge was widened in the 1970s, in order to allow for greater traffic flow over the bridge, and along the heavily trafficked route of Victoria Road. The roadway of the bridge was increased from six lanes to eight, taking in some of the width of pedestrian walkways on either side.
At the time of inspection in August 2004, the Gladesville Bridge was in sound structural condition.
Source: New South Wales Heritage Register.
Banksy in Boston: Detail of the NO LOITRIN piece on Essex St in Central Square, Cambridge
Interestingly, both of the Boston area Banksy pieces are on Essex St:
• F̶O̶L̶L̶O̶W̶ ̶Y̶O̶U̶R̶ ̶D̶R̶E̶A̶M̶S̶ CANCELLED (aka chimney sweep) in Chinatown, Boston
• NO LOITRIN in Central Square, Cambridge.
Does that mean anything? It looks like he favors Essex named streets & roads when he can. In 2008, he did another notable Essex work in London, for example, and posters on the Banksy Forums picked up & discussed on the Essex link as well.
Is there an Essex Street in any of the other nearby towns? It looks like there are several: Brookline, Charlestown, Chelsea, Gloucester, Haverhill, Lawrence, Lynn, Medford, Melrose, Quincy, Revere, Salem, Saugus, Somerville, Swampscott, and Waltham. Most of these seem improbable to me, other than maybe Brookline, or maybe Somerville or Charlestown. But they start getting pretty suburban after that.
But, again, why "Essex"? In a comment on this photo, Birbeck helps clarify:
I can only surmise that he's having a 'dig' at Essex UK, especially with the misspelling of 'Loitering'. Here, the general view of the urban districts in Essex: working class but with right wing views; that they're not the most intellectual bunch; rather obsessed with fashion (well, their idea of it); their place of worship is the shopping mall; enjoy rowdy nights out; girls are thought of as being dumb, fake blonde hair/tans and promiscuous; and guys are good at the 'chit chat', and swagger around showing off their dosh (money).
It was also the region that once had Europe's largest Ford motor factory. In its heyday, 1 in 3 British cars were made in Dagenham, Essex. Pay was good for such unskilled labour, generations worked mind-numbing routines on assembly lines for 80 years. In 2002 the recession ended the dream.
• • • • •
Banksy
From Wikipedia, the free encyclopedia
Banksy
• Birth name
Unknown
• Born
1974 or 1975 (1974 or 1975), Bristol, UK[1]
• Nationality
British
• Field
Graffiti
Street Art
Bristol underground scene
Sculpture
• Movement
Anti-Totalitarianism
Anti-capitalism
Pacifism
Anti-War
Anarchism
Atheism
Anti-Fascism
• Works
Naked Man Image
One Nation Under CCTV
Anarchist Rat
Ozone's Angel
Pulp Fiction
Banksy is a pseudonymous[2][3][4] British graffiti artist. He is believed to be a native of Yate, South Gloucestershire, near Bristol[2] and to have been born in 1974,[5] but his identity is unknown.[6] According to Tristan Manco[who?], Banksy "was born in 1974 and raised in Bristol, England. The son of a photocopier technician, he trained as a butcher but became involved in graffiti during the great Bristol aerosol boom of the late 1980s."[7] His artworks are often satirical pieces of art on topics such as politics, culture, and ethics. His street art, which combines graffiti writing with a distinctive stencilling technique, is similar to Blek le Rat, who began to work with stencils in 1981 in Paris and members of the anarcho-punk band Crass who maintained a graffiti stencil campaign on the London Tube System in the late 1970s and early 1980s. His art has appeared in cities around the world.[8] Banksy's work was born out of the Bristol underground scene which involved collaborations between artists and musicians.
Banksy does not sell photos of street graffiti.[9] Art auctioneers have been known to attempt to sell his street art on location and leave the problem of its removal in the hands of the winning bidder.[10]
Banksy's first film, Exit Through The Gift Shop, billed as "the world's first street art disaster movie", made its debut at the 2010 Sundance Film Festival.[11] The film was released in the UK on March 5.[12]
Contents
• 1 Career
•• 1.1 2000
•• 1.2 2002
•• 1.3 2003
•• 1.4 2004
•• 1.5 2005
•• 1.6 2006
•• 1.7 2007
•• 1.8 2008
•• 1.9 2009
•• 1.10 2010
• 2 Notable art pieces
• 3 Technique
• 4 Identity
• 5 Controversy
• 6 Bibliography
• 7 References
• 8 External links
Career
Banksy started as a freehand graffiti artist 1992–1994[14] as one of Bristol's DryBreadZ Crew (DBZ), with Kato and Tes.[15] He was inspired by local artists and his work was part of the larger Bristol underground scene. From the start he used stencils as elements of his freehand pieces, too.[14] By 2000 he had turned to the art of stencilling after realising how much less time it took to complete a piece. He claims he changed to stencilling whilst he was hiding from the police under a train carriage, when he noticed the stencilled serial number[16] and by employing this technique, he soon became more widely noticed for his art around Bristol and London.[16]
Stencil on the waterline of The Thekla, an entertainment boat in central Bristol - (wider view). The image of Death is based on a 19th century etching illustrating the pestilence of The Great Stink.[17]
Banksy's stencils feature striking and humorous images occasionally combined with slogans. The message is usually anti-war, anti-capitalist or anti-establishment. Subjects often include rats, monkeys, policemen, soldiers, children, and the elderly.
In late 2001, on a trip to Sydney and Melbourne, Australia, he met up with the Gen-X pastellist, visual activist, and recluse James DeWeaver in Byron Bay[clarification needed], where he stencilled a parachuting rat with a clothes peg on its nose above a toilet at the Arts Factory Lodge. This stencil can no longer be located. He also makes stickers (the Neighbourhood Watch subvert) and sculpture (the murdered phone-box), and was responsible for the cover art of Blur's 2003 album Think Tank.
2000
The album cover for Monk & Canatella's Do Community Service was conceived and illustrated by Banksy, based on his contribution to the "Walls on fire" event in Bristol 1998.[18][citation needed]
2002
On 19 July 2002, Banksy's first Los Angeles exhibition debuted at 33 1/3 Gallery, a small Silverlake venue owned by Frank Sosa. The exhibition, entitled Existencilism, was curated by 33 1/3 Gallery, Malathion, Funk Lazy Promotions, and B+.[19]
2003
In 2003 in an exhibition called Turf War, held in a warehouse, Banksy painted on animals. Although the RSPCA declared the conditions suitable, an animal rights activist chained herself to the railings in protest.[20] He later moved on to producing subverted paintings; one example is Monet's Water Lily Pond, adapted to include urban detritus such as litter and a shopping trolley floating in its reflective waters; another is Edward Hopper's Nighthawks, redrawn to show that the characters are looking at a British football hooligan, dressed only in his Union Flag underpants, who has just thrown an object through the glass window of the cafe. These oil paintings were shown at a twelve-day exhibition in Westbourne Grove, London in 2005.[21]
2004
In August 2004, Banksy produced a quantity of spoof British £10 notes substituting the picture of the Queen's head with Princess Diana's head and changing the text "Bank of England" to "Banksy of England." Someone threw a large wad of these into a crowd at Notting Hill Carnival that year, which some recipients then tried to spend in local shops. These notes were also given with invitations to a Santa's Ghetto exhibition by Pictures on Walls. The individual notes have since been selling on eBay for about £200 each. A wad of the notes were also thrown over a fence and into the crowd near the NME signing tent at The Reading Festival. A limited run of 50 signed posters containing ten uncut notes were also produced and sold by Pictures on Walls for £100 each to commemorate the death of Princess Diana. One of these sold in October 2007 at Bonhams auction house in London for £24,000.
2005
In August 2005, Banksy, on a trip to the Palestinian territories, created nine images on Israel's highly controversial West Bank barrier. He reportedly said "The Israeli government is building a wall surrounding the occupied Palestinian territories. It stands three times the height of the Berlin Wall and will eventually run for over 700km—the distance from London to Zurich. "[22]
2006
• Banksy held an exhibition called Barely Legal, billed as a "three day vandalised warehouse extravaganza" in Los Angeles, on the weekend of 16 September. The exhibition featured a live "elephant in a room", painted in a pink and gold floral wallpaper pattern.[23]
• After Christina Aguilera bought an original of Queen Victoria as a lesbian and two prints for £25,000,[24] on 19 October 2006 a set of Kate Moss paintings sold in Sotheby's London for £50,400, setting an auction record for Banksy's work. The six silk-screen prints, featuring the model painted in the style of Andy Warhol's Marilyn Monroe pictures, sold for five times their estimated value. His stencil of a green Mona Lisa with real paint dripping from her eyes sold for £57,600 at the same auction.[25]
• In December, journalist Max Foster coined the phrase, "the Banksy Effect", to illustrate how interest in other street artists was growing on the back of Banksy's success.[26]
2007
• On 21 February 2007, Sotheby's auction house in London auctioned three works, reaching the highest ever price for a Banksy work at auction: over £102,000 for his Bombing Middle England. Two of his other graffiti works, Balloon Girl and Bomb Hugger, sold for £37,200 and £31,200 respectively, which were well above their estimated prices.[27] The following day's auction saw a further three Banksy works reach soaring prices: Ballerina With Action Man Parts reached £96,000; Glory sold for £72,000; Untitled (2004) sold for £33,600; all significantly above estimated values.[28] To coincide with the second day of auctions, Banksy updated his website with a new image of an auction house scene showing people bidding on a picture that said, "I Can't Believe You Morons Actually Buy This Shit."[6]
• In February 2007, the owners of a house with a Banksy mural on the side in Bristol decided to sell the house through Red Propeller art gallery after offers fell through because the prospective buyers wanted to remove the mural. It is listed as a mural which comes with a house attached.[29]
• In April 2007, Transport for London painted over Banksy's iconic image of a scene from Quentin Tarantino's Pulp Fiction, with Samuel L. Jackson and John Travolta clutching bananas instead of guns. Although the image was very popular, Transport for London claimed that the "graffiti" created "a general atmosphere of neglect and social decay which in turn encourages crime" and their staff are "professional cleaners not professional art critics".[30] Banksy tagged the same site again (pictured at right). This time the actors were portrayed as holding real guns instead of bananas, but they were adorned with banana costumes. Banksy made a tribute art piece over this second Pulp Fiction piece. The tribute was for 19-year-old British graffiti artist Ozone, who was hit by an underground train in Barking, East London, along with fellow artist Wants, on 12 January 2007.[31] The piece was of an angel wearing a bullet-proof vest, holding a skull. He also wrote a note on his website, saying:
The last time I hit this spot I painted a crap picture of two men in banana costumes waving hand guns. A few weeks later a writer called Ozone completely dogged it and then wrote 'If it's better next time I'll leave it' in the bottom corner. When we lost Ozone we lost a fearless graffiti writer and as it turns out a pretty perceptive art critic. Ozone - rest in peace.[citation needed]
Ozone's Angel
• On 27 April 2007, a new record high for the sale of Banksy's work was set with the auction of the work Space Girl & Bird fetching £288,000 (US$576,000), around 20 times the estimate at Bonhams of London.[32]
• On 21 May 2007 Banksy gained the award for Art's Greatest living Briton. Banksy, as expected, did not turn up to collect his award, and continued with his notoriously anonymous status.
• On 4 June 2007, it was reported that Banksy's The Drinker had been stolen.[33][34]
• In October 2007, most of his works offered for sale at Bonhams auction house in London sold for more than twice their reserve price.[35]
• Banksy has published a "manifesto" on his website.[36] The text of the manifesto is credited as the diary entry of one Lieutenant Colonel Mervin Willett Gonin, DSO, which is exhibited in the Imperial War Museum. It describes how a shipment of lipstick to the Bergen-Belsen concentration camp immediately after its liberation at the end of World War II helped the internees regain their humanity. However, as of 18 January 2008, Banksy's Manifesto has been substituted with Graffiti Heroes #03 that describes Peter Chappell's graffiti quest of the 1970s that worked to free George Davis of his imprisonment.[37] By 12 August 2009 he was relying on Emo Phillips' "When I was a kid I used to pray every night for a new bicycle. Then I realised God doesn’t work that way, so I stole one and prayed for forgiveness."
• A small number of Banksy's works can be seen in the movie Children of Men, including a stenciled image of two policemen kissing and another stencil of a child looking down a shop.
• In the 2007 film Shoot 'Em Up starring Clive Owen, Banksy's tag can be seen on a dumpster in the film's credits.
• Banksy, who deals mostly with Lazarides Gallery in London, claims that the exhibition at Vanina Holasek Gallery in New York (his first major exhibition in that city) is unauthorised. The exhibition featured 62 of his paintings and prints.[38]
2008
• In March, a stencilled graffiti work appeared on Thames Water tower in the middle of the Holland Park roundabout, and it was widely attributed to Banksy. It was of a child painting the tag "Take this Society" in bright orange. London Borough of Hammersmith and Fulham spokesman, Councillor Greg Smith branded the art as vandalism, and ordered its immediate removal, which was carried out by H&F council workmen within three days.[39]
• Over the weekend 3–5 May in London, Banksy hosted an exhibition called The Cans Festival. It was situated on Leake Street, a road tunnel formerly used by Eurostar underneath London Waterloo station. Graffiti artists with stencils were invited to join in and paint their own artwork, as long as it didn't cover anyone else's.[40] Artists included Blek le Rat, Broken Crow, C215, Cartrain, Dolk, Dotmasters, J.Glover, Eine, Eelus, Hero, Pure evil, Jef Aérosol, Mr Brainwash, Tom Civil and Roadsworth.[citation needed]
• In late August 2008, marking the third anniversary of Hurricane Katrina and the associated levee failure disaster, Banksy produced a series of works in New Orleans, Louisiana, mostly on buildings derelict since the disaster.[41]
• A stencil painting attributed to Banksy appeared at a vacant petrol station in the Ensley neighbourhood of Birmingham, Alabama on 29 August as Hurricane Gustav approached the New Orleans area. The painting depicting a hooded member of the Ku Klux Klan hanging from a noose was quickly covered with black spray paint and later removed altogether.[42]
• His first official exhibition in New York, the "Village Pet Store And Charcoal Grill," opened 5 October 2008. The animatronic pets in the store window include a mother hen watching over her baby Chicken McNuggets as they peck at a barbecue sauce packet, and a rabbit putting makeup on in a mirror.[43]
• The Westminster City Council stated in October 2008 that the work "One Nation Under CCTV", painted in April 2008 will be painted over as it is graffiti. The council says it will remove any graffiti, regardless of the reputation of its creator, and specifically stated that Banksy "has no more right to paint graffiti than a child". Robert Davis, the chairman of the council planning committee told The Times newspaper: "If we condone this then we might as well say that any kid with a spray can is producing art". [44] The work was painted over in April 2009.
• In December 2008, The Little Diver, a Banksy image of a diver in a duffle coat in Melbourne Australia was vandalised. The image was protected by a sheet of clear perspex, however silver paint was poured behind the protective sheet and later tagged with the words "Banksy woz ere". The image was almost completely destroyed.[45].
2009
• May 2009, parts company with agent Steve Lazarides. Announces Pest Control [46] the handling service who act on his behalf will be the only point of sale for new works.
• On 13 June 2009, the Banksy UK Summer show opened at Bristol City Museum and Art Gallery, featuring more than 100 works of art, including animatronics and installations; it is his largest exhibition yet, featuring 78 new works.[47][48] Reaction to the show was positive, with over 8,500 visitors to the show on the first weekend.[49] Over the course of the twelve weeks, the exhibition has been visited over 300,000 times.[50]
• In September 2009, a Banksy work parodying the Royal Family was partially destroyed by Hackney Council after they served an enforcement notice for graffiti removal to the former address of the property owner. The mural had been commissioned for the 2003 Blur single "Crazy Beat" and the property owner, who had allowed the piece to be painted, was reported to have been in tears when she saw it was being painted over.[51]
• In December 2009, Banksy marked the end of the 2009 United Nations Climate Change Conference by painting four murals on global warming. One included "I don't believe in global warming" which was submerged in water.[52]
2010
• The world premiere of the film Exit Through the Gift Shop occurred at the Sundance Film Festival in Park City, Utah, on 24 January. He created 10 street pieces around Park City and Salt Lake City to tie in with the screening.[53]
• In February, The Whitehouse public house in Liverpool, England, is sold for £114,000 at auction.[54] The side of the building has an image of a giant rat by Banksy.[55]
• In April 2010, Melbourne City Council in Australia reported that they had inadvertently ordered private contractors to paint over the last remaining Banksy art in the city. The image was of a rat descending in a parachute adorning the wall of an old council building behind the Forum Theatre. In 2008 Vandals had poured paint over a stencil of an old-fashioned diver wearing a trenchcoat. A council spokeswoman has said they would now rush through retrospective permits to protect other “famous or significant artworks” in the city.[56]
• In April 2010 to coincide with the premier of Exit through the Gift Shop in San Francisco, 5 of his pieces appeared in various parts of the city.[57] Banksy reportedly paid a Chinatown building owner $50 for the use of their wall for one of his stencils.[58]
• In May 2010 to coincide with the release of "Exit Through the Gift Shop" in Chicago, one piece appeared in the city.
Notable art pieces
In addition to his artwork, Banksy has claimed responsibility for a number of high profile art pieces, including the following:
• At London Zoo, he climbed into the penguin enclosure and painted "We're bored of fish" in seven foot high letters.[59]
• At Bristol Zoo, he left the message 'I want out. This place is too cold. Keeper smells. Boring, boring, boring.' in the elephant enclosure.[60]
• In March 2005, he placed subverted artworks in the Museum of Modern Art, Metropolitan Museum of Art, the Brooklyn Museum, and the American Museum of Natural History in New York.[61]
• He put up a subverted painting in London's Tate Britain gallery.
• In May 2005 Banksy's version of a primitive cave painting depicting a human figure hunting wildlife whilst pushing a shopping trolley was hung in gallery 49 of the British Museum, London. Upon discovery, they added it to their permanent collection.[62]
Near Bethlehem - 2005
• Banksy has sprayed "This is not a photo opportunity" on certain photograph spots.
• In August 2005, Banksy painted nine images on the Israeli West Bank barrier, including an image of a ladder going up and over the wall and an image of children digging a hole through the wall.[22][63][64][65]
See also: Other Banksy works on the Israeli West Bank barrier
• In April 2006, Banksy created a sculpture based on a crumpled red phone box with a pickaxe in its side, apparently bleeding, and placed it in a street in Soho, London. It was later removed by Westminster Council. BT released a press release, which said: "This is a stunning visual comment on BT's transformation from an old-fashioned telecommunications company into a modern communications services provider."[66]
• In June 2006, Banksy created an image of a naked man hanging out of a bedroom window on a wall visible from Park Street in central Bristol. The image sparked some controversy, with the Bristol City Council leaving it up to the public to decide whether it should stay or go.[67] After an internet discussion in which 97% (all but 6 people) supported the stencil, the city council decided it would be left on the building.[67] The mural was later defaced with paint.[67]
• In August/September 2006, Banksy replaced up to 500 copies of Paris Hilton's debut CD, Paris, in 48 different UK record stores with his own cover art and remixes by Danger Mouse. Music tracks were given titles such as "Why am I Famous?", "What Have I Done?" and "What Am I For?". Several copies of the CD were purchased by the public before stores were able to remove them, some going on to be sold for as much as £750 on online auction websites such as eBay. The cover art depicted Paris Hilton digitally altered to appear topless. Other pictures feature her with a dog's head replacing her own, and one of her stepping out of a luxury car, edited to include a group of homeless people, which included the caption "90% of success is just showing up".[68][69][70]
• In September 2006, Banksy dressed an inflatable doll in the manner of a Guantanamo Bay detainment camp prisoner (orange jumpsuit, black hood, and handcuffs) and then placed the figure within the Big Thunder Mountain Railroad ride at the Disneyland theme park in Anaheim, California.[71][72]
Technique
Asked about his technique, Banksy said:
“I use whatever it takes. Sometimes that just means drawing a moustache on a girl's face on some billboard, sometimes that means sweating for days over an intricate drawing. Efficiency is the key.[73]”
Stencils are traditionally hand drawn or printed onto sheets of acetate or card, before being cut out by hand. Because of the secretive nature of Banksy's work and identity, it is uncertain what techniques he uses to generate the images in his stencils, though it is assumed he uses computers for some images due to the photocopy nature of much of his work.
He mentions in his book, Wall and Piece, that as he was starting to do graffiti, he was always too slow and was either caught or could never finish the art in the one sitting. So he devised a series of intricate stencils to minimise time and overlapping of the colour.
Identity
Banksy's real name has been widely reported to be Robert or Robin Banks.[74][75][76] His year of birth has been given as 1974.[62]
Simon Hattenstone from Guardian Unlimited is one of the very few people to have interviewed him face-to-face. Hattenstone describes him as "a cross of Jimmy Nail and British rapper Mike Skinner" and "a 28 year old male who showed up wearing jeans and a t-shirt with a silver tooth, silver chain, and one silver earring".[77] In the same interview, Banksy revealed that his parents think their son is a painter and decorator.[77]
In May 2007, an extensive article written by Lauren Collins of the New Yorker re-opened the Banksy-identity controversy citing a 2004 photograph of the artist that was taken in Jamaica during the Two-Culture Clash project and later published in the Evening Standard in 2004.[6]
In October 2007, a story on the BBC website featured a photo allegedly taken by a passer-by in Bethnal Green, London, purporting to show Banksy at work with an assistant, scaffolding and a truck. The story confirms that Tower Hamlets Council in London has decided to treat all Banksy works as vandalism and remove them.[78]
In July 2008, it was claimed by The Mail on Sunday that Banksy's real name is Robin Gunningham.[3][79] His agent has refused to confirm or deny these reports.
In May 2009, the Mail on Sunday once again speculated about Gunningham being Banksy after a "self-portrait" of a rat holding a sign with the word "Gunningham" shot on it was photographed in East London.[80] This "new Banksy rat" story was also picked up by The Times[81] and the Evening Standard.
Banksy, himself, states on his website:
“I am unable to comment on who may or may not be Banksy, but anyone described as being 'good at drawing' doesn't sound like Banksy to me.[82]”
Controversy
In 2004, Banksy walked into the Louvre in Paris and hung on a wall a picture he had painted resembling the Mona Lisa but with a yellow smiley face. Though the painting was hurriedly removed by the museum staff, it and its counterpart, temporarily on unknown display at the Tate Britain, were described by Banksy as "shortcuts". He is quoted as saying:
“To actually [have to] go through the process of having a painting selected must be quite boring. It's a lot more fun to go and put your own one up.[83]”
Peter Gibson, a spokesperson for Keep Britain Tidy, asserts that Banksy's work is simple vandalism,[84] and Diane Shakespeare, an official for the same organization, was quoted as saying: "We are concerned that Banksy's street art glorifies what is essentially vandalism".[6]
In June 2007 Banksy created a circle of plastic portable toilets, said to resemble Stonehenge at the Glastonbury Festival. As this was in the same field as the "sacred circle" it was felt by many to be inappropriate and his installation was itself vandalized before the festival even opened. However, the intention had always been for people to climb on and interact with it.[citation needed] The installation was nicknamed "Portaloo Sunset" and "Bog Henge" by Festival goers. Michael Eavis admitted he wasn't fond of it, and the portaloos were removed before the 2008 festival.
In 2010, an artistic feud developed between Banksy and his rival King Robbo after Banksy painted over a 24-year old Robbo piece on the banks of London's Regent Canal. In retaliation several Banksy pieces in London have been painted over by 'Team Robbo'.[85][86]
Also in 2010, government workers accidentally painted over a Banksy art piece, a famed "parachuting-rat" stencil, in Australia's Melbourne CBD. [87]
Bibliography
Banksy has self-published several books that contain photographs of his work in various countries as well as some of his canvas work and exhibitions, accompanied by his own writings:
• Banksy, Banging Your Head Against A Brick Wall (2001) ISBN 978-0-95417040-0
• Banksy, Existencilism (2002) ISBN 978-0-95417041-7
• Banksy, Cut it Out (2004) ISBN 978-0-95449600-5
• Banksy, Wall and Piece (2005) ISBN 978-1-84413786-2
• Banksy, Pictures of Walls (2005) ISBN 978-0-95519460-3
Random House published Wall and Piece in 2005. It contains a combination of images from his three previous books, as well as some new material.[16]
Two books authored by others on his work were published in 2006 & 2007:
• Martin Bull, Banksy Locations and Tours: A Collection of Graffiti Locations and Photographs in London (2006 - with new editions in 2007 and 2008) ISBN 978-0-95547120-9.
• Steve Wright, Banksy's Bristol: Home Sweet Home (2007) ISBN 978-1906477004
External links
• Official website
• Banksy street work photos
1963 Ford Fairlane 500 ambulance - Bourke District
1963 Ford Fairlane 500 ambulance. Operated by the Bourke District of the NSW Ambulance Transport Service Board. Body built by W. S. Grice Motor Body Builders of Summer Hill. Taken at the 2013 Shannon's Eastern Creek Classic display day, held at Sydney Motorsport Park. Taken at the 2013 Shannon's Eastern Creek Classic display day, held at Sydney Motorsport Park.
Sunset Over the Ridge Down from Mount Canobolas
Explore August 26th #491 - Mount Canobolas, at an altitude of 1,395 metres (4,577 ft) above sea level, is the highest mountain in the central tablelands district of New South Wales, Australia.
The mountain is of volcanic origin. It is located 13 kilometres (8 mi) southwest of the city of Orange, and it is about 250 kilometres (155 mi) west of Sydney.
The northern slopes of the mountain, with fertile volcanic soil, are becoming a popular cold-climate wine producing area.
The name comes from two Aboriginal words, 'coona' and 'booloo' meaning two headed beast or conjoined twins. There is a 360 degree view from the summit, which is often snow-capped in winter. The mountain is now part of a 15 square kilometre area controlled by the National Parks and Wildlife Service, which offers various walks: to Bald Hill; to Young Man Canobolas; Federal Falls to Mount Towac, etc. The volcanic peaks give wide views and there are some attractive waterfalls. The mountain was first climbed by a European when Major Thomas Mitchell came there in 1835. An early squatter on the slopes of the Canobolas Range was Thomas Hood, whose father, John Hood, came from England for a visit in 1841, and wrote an account of the district. By 1848 Hood was lessee for Boree Cabonne.
Transmission towers atop Mount CanobolasThe top of the mountain is now dominated by numerous towers used for television and radio transmissions across large areas of central New South Wales. These transmitters include towers for Airservices Australia, Royal Australian Air Force, Prime Television, WIN Television, Australian Broadcasting Corporation and Southern Cross Ten.
Each year the Orange Community runs the Great Volcanic Mountain Challenge, an 11 km walk and fun run from the Pinnacle to the Summit of Mount Canobolas by the volcanic plugs of Mount Towac and Young Man Canobolas. The inaugural event was held in 2006.
For further information please visit en.wikipedia.org/wiki/Mount_Canobolas
Hills District Sunset
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Hills District Builders
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Take A Step Back And Enjoy || YARRAMUNDI || NSW
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Hands down the most epic sunset I have ever photographed.
So many photos of this place, but at different times of day and at different times of the year, this place blooms new opportunity...
Yarramundi is a suburb of Sydney, in the state of New South Wales, Australia. Yarramundi is located 69 kilometres west of the Sydney central business district, in the local government area of the City of Hawkesbury.
The suburb is named after Yarramundi, an Indigenous Australian of the Boorooberongal clan of the Darug people. He was a garadyi or 'doctor' and was called by Europeans 'the chief of the Richmond Tribe'.
This area was previously known as Kearns Retreat.
Tones Of the West || HAWKESBURY RIVER
This is another image taken at sunset over the Hawkesbury River at Yarramundi
===========================================================
Yarramundi is a suburb of Sydney, in the state of New South Wales, Australia. Yarramundi is located 69 kilometres west of the Sydney central business district, in the local government area of the City of Hawkesbury.
The suburb is named after Yarramundi, an Indigenous Australian of the Boorooberongal clan of the Darug people. He was a garadyi or 'doctor' and was called by Europeans 'the chief of the Richmond Tribe'.
This area was previously known as Kearns Retreat.
Panoramic Yarramundi || HAWKESBURY RIVER
4 shot panorama stitched using Photoshop CS3
This shot was taken about an hour after the sun had dropped below the mountains...
===========================================================
Yarramundi is a suburb of Sydney, in the state of New South Wales, Australia. Yarramundi is located 69 kilometres west of the Sydney central business district, in the local government area of the City of Hawkesbury.
The suburb is named after Yarramundi, an Indigenous Australian of the Boorooberongal clan of the Darug people. He was a garadyi or 'doctor' and was called by Europeans 'the chief of the Richmond Tribe'.
This area was previously known as Kearns Retreat.
Afternoon By The River || YARRAMUNDI
This is another image taken just prior to last week's sunset over the Hawkesbury River at Yarramundi
===========================================================
Yarramundi is a suburb of Sydney, in the state of New South Wales, Australia. Yarramundi is located 69 kilometres west of the Sydney central business district, in the local government area of the City of Hawkesbury.
The suburb is named after Yarramundi, an Indigenous Australian of the Boorooberongal clan of the Darug people. He was a garadyi or 'doctor' and was called by Europeans 'the chief of the Richmond Tribe'.
This area was previously known as Kearns Retreat.
Christmas, Castle Hill, Sydney
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As much like a film set as it is a reminder of the active past of Sydney’s rag trade district - Sophia St in Surry Hills
27201911487_0acc0bbc94_b
Business park reflections. (1)
Norwest Business Park, Hills district, suburban Sydney, Australia.
IMG_0695
View On Black
Banksy in Boston: View of F̶O̶L̶L̶O̶W̶ ̶Y̶O̶U̶R̶ ̶D̶R̶E̶A̶M̶S̶ CANCELLED on Essex St, Chinatown, Boston, with rush hour traffic
Interestingly, both of the Boston area Banksy pieces are on Essex St:
• F̶O̶L̶L̶O̶W̶ ̶Y̶O̶U̶R̶ ̶D̶R̶E̶A̶M̶S̶ CANCELLED (aka chimney sweep) in Chinatown, Boston
• NO LOITRIN in Central Square, Cambridge.
Does that mean anything? It looks like he favors Essex named streets & roads when he can. In 2008, he did another notable Essex work in London, for example, and posters on the Banksy Forums picked up & discussed on the Essex link as well.
Is there an Essex Street in any of the other nearby towns? It looks like there are several: Brookline, Charlestown, Chelsea, Gloucester, Haverhill, Lawrence, Lynn, Medford, Melrose, Quincy, Revere, Salem, Saugus, Somerville, Swampscott, and Waltham. Most of these seem improbable to me, other than maybe Brookline, or maybe Somerville or Charlestown. But they start getting pretty suburban after that.
But, again, why "Essex"? In a comment on this photo, Birbeck helps clarify:
I can only surmise that he's having a 'dig' at Essex UK, especially with the misspelling of 'Loitering'. Here, the general view of the urban districts in Essex: working class but with right wing views; that they're not the most intellectual bunch; rather obsessed with fashion (well, their idea of it); their place of worship is the shopping mall; enjoy rowdy nights out; girls are thought of as being dumb, fake blonde hair/tans and promiscuous; and guys are good at the 'chit chat', and swagger around showing off their dosh (money).
It was also the region that once had Europe's largest Ford motor factory. In its heyday, 1 in 3 British cars were made in Dagenham, Essex. Pay was good for such unskilled labour, generations worked mind-numbing routines on assembly lines for 80 years. In 2002 the recession ended the dream.
• • • • •
This photo appeared on Grafitti - A arte das ruas on Yahoo Meme. Yes, Yahoo has a Tumblr/Posterous-esque "Meme" service now -- I was as surprised as you are.
• • • • •
Banksy
From Wikipedia, the free encyclopedia
Banksy
• Birth name
Unknown
• Born
1974 or 1975 (1974 or 1975), Bristol, UK[1]
• Nationality
British
• Field
Graffiti
Street Art
Bristol underground scene
Sculpture
• Movement
Anti-Totalitarianism
Anti-capitalism
Pacifism
Anti-War
Anarchism
Atheism
Anti-Fascism
• Works
Naked Man Image
One Nation Under CCTV
Anarchist Rat
Ozone's Angel
Pulp Fiction
Banksy is a pseudonymous[2][3][4] British graffiti artist. He is believed to be a native of Yate, South Gloucestershire, near Bristol[2] and to have been born in 1974,[5] but his identity is unknown.[6] According to Tristan Manco[who?], Banksy "was born in 1974 and raised in Bristol, England. The son of a photocopier technician, he trained as a butcher but became involved in graffiti during the great Bristol aerosol boom of the late 1980s."[7] His artworks are often satirical pieces of art on topics such as politics, culture, and ethics. His street art, which combines graffiti writing with a distinctive stencilling technique, is similar to Blek le Rat, who began to work with stencils in 1981 in Paris and members of the anarcho-punk band Crass who maintained a graffiti stencil campaign on the London Tube System in the late 1970s and early 1980s. His art has appeared in cities around the world.[8] Banksy's work was born out of the Bristol underground scene which involved collaborations between artists and musicians.
Banksy does not sell photos of street graffiti.[9] Art auctioneers have been known to attempt to sell his street art on location and leave the problem of its removal in the hands of the winning bidder.[10]
Banksy's first film, Exit Through The Gift Shop, billed as "the world's first street art disaster movie", made its debut at the 2010 Sundance Film Festival.[11] The film was released in the UK on March 5.[12]
Contents
• 1 Career
•• 1.1 2000
•• 1.2 2002
•• 1.3 2003
•• 1.4 2004
•• 1.5 2005
•• 1.6 2006
•• 1.7 2007
•• 1.8 2008
•• 1.9 2009
•• 1.10 2010
• 2 Notable art pieces
• 3 Technique
• 4 Identity
• 5 Controversy
• 6 Bibliography
• 7 References
• 8 External links
Career
Banksy started as a freehand graffiti artist 1992–1994[14] as one of Bristol's DryBreadZ Crew (DBZ), with Kato and Tes.[15] He was inspired by local artists and his work was part of the larger Bristol underground scene. From the start he used stencils as elements of his freehand pieces, too.[14] By 2000 he had turned to the art of stencilling after realising how much less time it took to complete a piece. He claims he changed to stencilling whilst he was hiding from the police under a train carriage, when he noticed the stencilled serial number[16] and by employing this technique, he soon became more widely noticed for his art around Bristol and London.[16]
Stencil on the waterline of The Thekla, an entertainment boat in central Bristol - (wider view). The image of Death is based on a 19th century etching illustrating the pestilence of The Great Stink.[17]
Banksy's stencils feature striking and humorous images occasionally combined with slogans. The message is usually anti-war, anti-capitalist or anti-establishment. Subjects often include rats, monkeys, policemen, soldiers, children, and the elderly.
In late 2001, on a trip to Sydney and Melbourne, Australia, he met up with the Gen-X pastellist, visual activist, and recluse James DeWeaver in Byron Bay[clarification needed], where he stencilled a parachuting rat with a clothes peg on its nose above a toilet at the Arts Factory Lodge. This stencil can no longer be located. He also makes stickers (the Neighbourhood Watch subvert) and sculpture (the murdered phone-box), and was responsible for the cover art of Blur's 2003 album Think Tank.
2000
The album cover for Monk & Canatella's Do Community Service was conceived and illustrated by Banksy, based on his contribution to the "Walls on fire" event in Bristol 1998.[18][citation needed]
2002
On 19 July 2002, Banksy's first Los Angeles exhibition debuted at 33 1/3 Gallery, a small Silverlake venue owned by Frank Sosa. The exhibition, entitled Existencilism, was curated by 33 1/3 Gallery, Malathion, Funk Lazy Promotions, and B+.[19]
2003
In 2003 in an exhibition called Turf War, held in a warehouse, Banksy painted on animals. Although the RSPCA declared the conditions suitable, an animal rights activist chained herself to the railings in protest.[20] He later moved on to producing subverted paintings; one example is Monet's Water Lily Pond, adapted to include urban detritus such as litter and a shopping trolley floating in its reflective waters; another is Edward Hopper's Nighthawks, redrawn to show that the characters are looking at a British football hooligan, dressed only in his Union Flag underpants, who has just thrown an object through the glass window of the cafe. These oil paintings were shown at a twelve-day exhibition in Westbourne Grove, London in 2005.[21]
2004
In August 2004, Banksy produced a quantity of spoof British £10 notes substituting the picture of the Queen's head with Princess Diana's head and changing the text "Bank of England" to "Banksy of England." Someone threw a large wad of these into a crowd at Notting Hill Carnival that year, which some recipients then tried to spend in local shops. These notes were also given with invitations to a Santa's Ghetto exhibition by Pictures on Walls. The individual notes have since been selling on eBay for about £200 each. A wad of the notes were also thrown over a fence and into the crowd near the NME signing tent at The Reading Festival. A limited run of 50 signed posters containing ten uncut notes were also produced and sold by Pictures on Walls for £100 each to commemorate the death of Princess Diana. One of these sold in October 2007 at Bonhams auction house in London for £24,000.
2005
In August 2005, Banksy, on a trip to the Palestinian territories, created nine images on Israel's highly controversial West Bank barrier. He reportedly said "The Israeli government is building a wall surrounding the occupied Palestinian territories. It stands three times the height of the Berlin Wall and will eventually run for over 700km—the distance from London to Zurich. "[22]
2006
• Banksy held an exhibition called Barely Legal, billed as a "three day vandalised warehouse extravaganza" in Los Angeles, on the weekend of 16 September. The exhibition featured a live "elephant in a room", painted in a pink and gold floral wallpaper pattern.[23]
• After Christina Aguilera bought an original of Queen Victoria as a lesbian and two prints for £25,000,[24] on 19 October 2006 a set of Kate Moss paintings sold in Sotheby's London for £50,400, setting an auction record for Banksy's work. The six silk-screen prints, featuring the model painted in the style of Andy Warhol's Marilyn Monroe pictures, sold for five times their estimated value. His stencil of a green Mona Lisa with real paint dripping from her eyes sold for £57,600 at the same auction.[25]
• In December, journalist Max Foster coined the phrase, "the Banksy Effect", to illustrate how interest in other street artists was growing on the back of Banksy's success.[26]
2007
• On 21 February 2007, Sotheby's auction house in London auctioned three works, reaching the highest ever price for a Banksy work at auction: over £102,000 for his Bombing Middle England. Two of his other graffiti works, Balloon Girl and Bomb Hugger, sold for £37,200 and £31,200 respectively, which were well above their estimated prices.[27] The following day's auction saw a further three Banksy works reach soaring prices: Ballerina With Action Man Parts reached £96,000; Glory sold for £72,000; Untitled (2004) sold for £33,600; all significantly above estimated values.[28] To coincide with the second day of auctions, Banksy updated his website with a new image of an auction house scene showing people bidding on a picture that said, "I Can't Believe You Morons Actually Buy This Shit."[6]
• In February 2007, the owners of a house with a Banksy mural on the side in Bristol decided to sell the house through Red Propeller art gallery after offers fell through because the prospective buyers wanted to remove the mural. It is listed as a mural which comes with a house attached.[29]
• In April 2007, Transport for London painted over Banksy's iconic image of a scene from Quentin Tarantino's Pulp Fiction, with Samuel L. Jackson and John Travolta clutching bananas instead of guns. Although the image was very popular, Transport for London claimed that the "graffiti" created "a general atmosphere of neglect and social decay which in turn encourages crime" and their staff are "professional cleaners not professional art critics".[30] Banksy tagged the same site again (pictured at right). This time the actors were portrayed as holding real guns instead of bananas, but they were adorned with banana costumes. Banksy made a tribute art piece over this second Pulp Fiction piece. The tribute was for 19-year-old British graffiti artist Ozone, who was hit by an underground train in Barking, East London, along with fellow artist Wants, on 12 January 2007.[31] The piece was of an angel wearing a bullet-proof vest, holding a skull. He also wrote a note on his website, saying:
The last time I hit this spot I painted a crap picture of two men in banana costumes waving hand guns. A few weeks later a writer called Ozone completely dogged it and then wrote 'If it's better next time I'll leave it' in the bottom corner. When we lost Ozone we lost a fearless graffiti writer and as it turns out a pretty perceptive art critic. Ozone - rest in peace.[citation needed]
Ozone's Angel
• On 27 April 2007, a new record high for the sale of Banksy's work was set with the auction of the work Space Girl & Bird fetching £288,000 (US$576,000), around 20 times the estimate at Bonhams of London.[32]
• On 21 May 2007 Banksy gained the award for Art's Greatest living Briton. Banksy, as expected, did not turn up to collect his award, and continued with his notoriously anonymous status.
• On 4 June 2007, it was reported that Banksy's The Drinker had been stolen.[33][34]
• In October 2007, most of his works offered for sale at Bonhams auction house in London sold for more than twice their reserve price.[35]
• Banksy has published a "manifesto" on his website.[36] The text of the manifesto is credited as the diary entry of one Lieutenant Colonel Mervin Willett Gonin, DSO, which is exhibited in the Imperial War Museum. It describes how a shipment of lipstick to the Bergen-Belsen concentration camp immediately after its liberation at the end of World War II helped the internees regain their humanity. However, as of 18 January 2008, Banksy's Manifesto has been substituted with Graffiti Heroes #03 that describes Peter Chappell's graffiti quest of the 1970s that worked to free George Davis of his imprisonment.[37] By 12 August 2009 he was relying on Emo Phillips' "When I was a kid I used to pray every night for a new bicycle. Then I realised God doesn’t work that way, so I stole one and prayed for forgiveness."
• A small number of Banksy's works can be seen in the movie Children of Men, including a stenciled image of two policemen kissing and another stencil of a child looking down a shop.
• In the 2007 film Shoot 'Em Up starring Clive Owen, Banksy's tag can be seen on a dumpster in the film's credits.
• Banksy, who deals mostly with Lazarides Gallery in London, claims that the exhibition at Vanina Holasek Gallery in New York (his first major exhibition in that city) is unauthorised. The exhibition featured 62 of his paintings and prints.[38]
2008
• In March, a stencilled graffiti work appeared on Thames Water tower in the middle of the Holland Park roundabout, and it was widely attributed to Banksy. It was of a child painting the tag "Take this Society" in bright orange. London Borough of Hammersmith and Fulham spokesman, Councillor Greg Smith branded the art as vandalism, and ordered its immediate removal, which was carried out by H&F council workmen within three days.[39]
• Over the weekend 3–5 May in London, Banksy hosted an exhibition called The Cans Festival. It was situated on Leake Street, a road tunnel formerly used by Eurostar underneath London Waterloo station. Graffiti artists with stencils were invited to join in and paint their own artwork, as long as it didn't cover anyone else's.[40] Artists included Blek le Rat, Broken Crow, C215, Cartrain, Dolk, Dotmasters, J.Glover, Eine, Eelus, Hero, Pure evil, Jef Aérosol, Mr Brainwash, Tom Civil and Roadsworth.[citation needed]
• In late August 2008, marking the third anniversary of Hurricane Katrina and the associated levee failure disaster, Banksy produced a series of works in New Orleans, Louisiana, mostly on buildings derelict since the disaster.[41]
• A stencil painting attributed to Banksy appeared at a vacant petrol station in the Ensley neighbourhood of Birmingham, Alabama on 29 August as Hurricane Gustav approached the New Orleans area. The painting depicting a hooded member of the Ku Klux Klan hanging from a noose was quickly covered with black spray paint and later removed altogether.[42]
• His first official exhibition in New York, the "Village Pet Store And Charcoal Grill," opened 5 October 2008. The animatronic pets in the store window include a mother hen watching over her baby Chicken McNuggets as they peck at a barbecue sauce packet, and a rabbit putting makeup on in a mirror.[43]
• The Westminster City Council stated in October 2008 that the work "One Nation Under CCTV", painted in April 2008 will be painted over as it is graffiti. The council says it will remove any graffiti, regardless of the reputation of its creator, and specifically stated that Banksy "has no more right to paint graffiti than a child". Robert Davis, the chairman of the council planning committee told The Times newspaper: "If we condone this then we might as well say that any kid with a spray can is producing art". [44] The work was painted over in April 2009.
• In December 2008, The Little Diver, a Banksy image of a diver in a duffle coat in Melbourne Australia was vandalised. The image was protected by a sheet of clear perspex, however silver paint was poured behind the protective sheet and later tagged with the words "Banksy woz ere". The image was almost completely destroyed.[45].
2009
• May 2009, parts company with agent Steve Lazarides. Announces Pest Control [46] the handling service who act on his behalf will be the only point of sale for new works.
• On 13 June 2009, the Banksy UK Summer show opened at Bristol City Museum and Art Gallery, featuring more than 100 works of art, including animatronics and installations; it is his largest exhibition yet, featuring 78 new works.[47][48] Reaction to the show was positive, with over 8,500 visitors to the show on the first weekend.[49] Over the course of the twelve weeks, the exhibition has been visited over 300,000 times.[50]
• In September 2009, a Banksy work parodying the Royal Family was partially destroyed by Hackney Council after they served an enforcement notice for graffiti removal to the former address of the property owner. The mural had been commissioned for the 2003 Blur single "Crazy Beat" and the property owner, who had allowed the piece to be painted, was reported to have been in tears when she saw it was being painted over.[51]
• In December 2009, Banksy marked the end of the 2009 United Nations Climate Change Conference by painting four murals on global warming. One included "I don't believe in global warming" which was submerged in water.[52]
2010
• The world premiere of the film Exit Through the Gift Shop occurred at the Sundance Film Festival in Park City, Utah, on 24 January. He created 10 street pieces around Park City and Salt Lake City to tie in with the screening.[53]
• In February, The Whitehouse public house in Liverpool, England, is sold for £114,000 at auction.[54] The side of the building has an image of a giant rat by Banksy.[55]
• In April 2010, Melbourne City Council in Australia reported that they had inadvertently ordered private contractors to paint over the last remaining Banksy art in the city. The image was of a rat descending in a parachute adorning the wall of an old council building behind the Forum Theatre. In 2008 Vandals had poured paint over a stencil of an old-fashioned diver wearing a trenchcoat. A council spokeswoman has said they would now rush through retrospective permits to protect other “famous or significant artworks” in the city.[56]
• In April 2010 to coincide with the premier of Exit through the Gift Shop in San Francisco, 5 of his pieces appeared in various parts of the city.[57] Banksy reportedly paid a Chinatown building owner $50 for the use of their wall for one of his stencils.[58]
• In May 2010 to coincide with the release of "Exit Through the Gift Shop" in Chicago, one piece appeared in the city.
Notable art pieces
In addition to his artwork, Banksy has claimed responsibility for a number of high profile art pieces, including the following:
• At London Zoo, he climbed into the penguin enclosure and painted "We're bored of fish" in seven foot high letters.[59]
• At Bristol Zoo, he left the message 'I want out. This place is too cold. Keeper smells. Boring, boring, boring.' in the elephant enclosure.[60]
• In March 2005, he placed subverted artworks in the Museum of Modern Art, Metropolitan Museum of Art, the Brooklyn Museum, and the American Museum of Natural History in New York.[61]
• He put up a subverted painting in London's Tate Britain gallery.
• In May 2005 Banksy's version of a primitive cave painting depicting a human figure hunting wildlife whilst pushing a shopping trolley was hung in gallery 49 of the British Museum, London. Upon discovery, they added it to their permanent collection.[62]
Near Bethlehem - 2005
• Banksy has sprayed "This is not a photo opportunity" on certain photograph spots.
• In August 2005, Banksy painted nine images on the Israeli West Bank barrier, including an image of a ladder going up and over the wall and an image of children digging a hole through the wall.[22][63][64][65]
See also: Other Banksy works on the Israeli West Bank barrier
• In April 2006, Banksy created a sculpture based on a crumpled red phone box with a pickaxe in its side, apparently bleeding, and placed it in a street in Soho, London. It was later removed by Westminster Council. BT released a press release, which said: "This is a stunning visual comment on BT's transformation from an old-fashioned telecommunications company into a modern communications services provider."[66]
• In June 2006, Banksy created an image of a naked man hanging out of a bedroom window on a wall visible from Park Street in central Bristol. The image sparked some controversy, with the Bristol City Council leaving it up to the public to decide whether it should stay or go.[67] After an internet discussion in which 97% (all but 6 people) supported the stencil, the city council decided it would be left on the building.[67] The mural was later defaced with paint.[67]
• In August/September 2006, Banksy replaced up to 500 copies of Paris Hilton's debut CD, Paris, in 48 different UK record stores with his own cover art and remixes by Danger Mouse. Music tracks were given titles such as "Why am I Famous?", "What Have I Done?" and "What Am I For?". Several copies of the CD were purchased by the public before stores were able to remove them, some going on to be sold for as much as £750 on online auction websites such as eBay. The cover art depicted Paris Hilton digitally altered to appear topless. Other pictures feature her with a dog's head replacing her own, and one of her stepping out of a luxury car, edited to include a group of homeless people, which included the caption "90% of success is just showing up".[68][69][70]
• In September 2006, Banksy dressed an inflatable doll in the manner of a Guantanamo Bay detainment camp prisoner (orange jumpsuit, black hood, and handcuffs) and then placed the figure within the Big Thunder Mountain Railroad ride at the Disneyland theme park in Anaheim, California.[71][72]
Technique
Asked about his technique, Banksy said:
“I use whatever it takes. Sometimes that just means drawing a moustache on a girl's face on some billboard, sometimes that means sweating for days over an intricate drawing. Efficiency is the key.[73]”
Stencils are traditionally hand drawn or printed onto sheets of acetate or card, before being cut out by hand. Because of the secretive nature of Banksy's work and identity, it is uncertain what techniques he uses to generate the images in his stencils, though it is assumed he uses computers for some images due to the photocopy nature of much of his work.
He mentions in his book, Wall and Piece, that as he was starting to do graffiti, he was always too slow and was either caught or could never finish the art in the one sitting. So he devised a series of intricate stencils to minimise time and overlapping of the colour.
Identity
Banksy's real name has been widely reported to be Robert or Robin Banks.[74][75][76] His year of birth has been given as 1974.[62]
Simon Hattenstone from Guardian Unlimited is one of the very few people to have interviewed him face-to-face. Hattenstone describes him as "a cross of Jimmy Nail and British rapper Mike Skinner" and "a 28 year old male who showed up wearing jeans and a t-shirt with a silver tooth, silver chain, and one silver earring".[77] In the same interview, Banksy revealed that his parents think their son is a painter and decorator.[77]
In May 2007, an extensive article written by Lauren Collins of the New Yorker re-opened the Banksy-identity controversy citing a 2004 photograph of the artist that was taken in Jamaica during the Two-Culture Clash project and later published in the Evening Standard in 2004.[6]
In October 2007, a story on the BBC website featured a photo allegedly taken by a passer-by in Bethnal Green, London, purporting to show Banksy at work with an assistant, scaffolding and a truck. The story confirms that Tower Hamlets Council in London has decided to treat all Banksy works as vandalism and remove them.[78]
In July 2008, it was claimed by The Mail on Sunday that Banksy's real name is Robin Gunningham.[3][79] His agent has refused to confirm or deny these reports.
In May 2009, the Mail on Sunday once again speculated about Gunningham being Banksy after a "self-portrait" of a rat holding a sign with the word "Gunningham" shot on it was photographed in East London.[80] This "new Banksy rat" story was also picked up by The Times[81] and the Evening Standard.
Banksy, himself, states on his website:
“I am unable to comment on who may or may not be Banksy, but anyone described as being 'good at drawing' doesn't sound like Banksy to me.[82]”
Controversy
In 2004, Banksy walked into the Louvre in Paris and hung on a wall a picture he had painted resembling the Mona Lisa but with a yellow smiley face. Though the painting was hurriedly removed by the museum staff, it and its counterpart, temporarily on unknown display at the Tate Britain, were described by Banksy as "shortcuts". He is quoted as saying:
“To actually [have to] go through the process of having a painting selected must be quite boring. It's a lot more fun to go and put your own one up.[83]”
Peter Gibson, a spokesperson for Keep Britain Tidy, asserts that Banksy's work is simple vandalism,[84] and Diane Shakespeare, an official for the same organization, was quoted as saying: "We are concerned that Banksy's street art glorifies what is essentially vandalism".[6]
In June 2007 Banksy created a circle of plastic portable toilets, said to resemble Stonehenge at the Glastonbury Festival. As this was in the same field as the "sacred circle" it was felt by many to be inappropriate and his installation was itself vandalized before the festival even opened. However, the intention had always been for people to climb on and interact with it.[citation needed] The installation was nicknamed "Portaloo Sunset" and "Bog Henge" by Festival goers. Michael Eavis admitted he wasn't fond of it, and the portaloos were removed before the 2008 festival.
In 2010, an artistic feud developed between Banksy and his rival King Robbo after Banksy painted over a 24-year old Robbo piece on the banks of London's Regent Canal. In retaliation several Banksy pieces in London have been painted over by 'Team Robbo'.[85][86]
Also in 2010, government workers accidentally painted over a Banksy art piece, a famed "parachuting-rat" stencil, in Australia's Melbourne CBD. [87]
Bibliography
Banksy has self-published several books that contain photographs of his work in various countries as well as some of his canvas work and exhibitions, accompanied by his own writings:
• Banksy, Banging Your Head Against A Brick Wall (2001) ISBN 978-0-95417040-0
• Banksy, Existencilism (2002) ISBN 978-0-95417041-7
• Banksy, Cut it Out (2004) ISBN 978-0-95449600-5
• Banksy, Wall and Piece (2005) ISBN 978-1-84413786-2
• Banksy, Pictures of Walls (2005) ISBN 978-0-95519460-3
Random House published Wall and Piece in 2005. It contains a combination of images from his three previous books, as well as some new material.[16]
Two books authored by others on his work were published in 2006 & 2007:
• Martin Bull, Banksy Locations and Tours: A Collection of Graffiti Locations and Photographs in London (2006 - with new editions in 2007 and 2008) ISBN 978-0-95547120-9.
• Steve Wright, Banksy's Bristol: Home Sweet Home (2007) ISBN 978-1906477004
External links
• Official website
• Banksy street work photos
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